widder lynnette (56 résultats)

paperback. Etat : Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Etat : Good. FORMER LIBRARY COPY. Former Library book. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New. 2011. paperback. . . . . . Books ship from the US and Ireland.

Etat : New. 2011. paperback. . . . . .

paperback. Etat : New. Brand New.

Etat : New. NEW COPY, shipped from the UK.

Hardcover. Etat : Fine. No Jacket. 1st Edition.

Hb. Etat : VG. Etat de la jaquette : VG. 1st. 207pp. Extremities book & Dj lightly rubbed. Illus.; biblio.

Trade Paperback. Etat : Used - Like New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good/NO DUSTJACKET. Black & White Photos & Illus. (illustrateur). Zurich, Switzerland: ETH (Swiss Federal Institute of Technology) Zurich Departement und Abteilung fur Architektur. Very Good/NO DUSTJACKET. 1996. . Paperback. written in English and German . 4to., 237pp., cover light shelf wear, lightly bumped corners and spine tips, otherwise pages clean and unmarked. .

4°, paperback. 320 pp Very fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Hardcover. Etat : New.

Etat : New.

Hard Cover. Etat : Fine. Etat de la jaquette : Near Fine. Some sunning.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Buch. Etat : Neu. Neuware -West German architecture underwent a phase of intense productivity from 1949 to 1964. In the immediate postwar years, architects confronted Nazi legacies in building culture amidst drastic privation that hampered construction. As industrial production recovered and a middle-class nation emerged, so too did a new architecture influenced by the American International Style model, especially as Bauhaus masters returned to Germany from the United States as advisers. But there was much more at stake than style. Construction details and other technical documents reveal that this was a moment when architectural practice aspired to calibrate social, material, and political norms through design. At the center of all these transformations were Hans Schwippert and Sep Ruf, two architects who shared political, religious, and professional allegiances. Schwippert, architect of the new Bonn parliament, worked to align economic redevelopment and a burgeoning consumer goods industry with design. Ruf, to whom Schwippert directed the commission for West Germany's first World's Fair pavilion, found ways to master architectural construction amidst both scarcity and largess. Photographs, drawings, and a broad range of unpublished documents introduce these two architects to an English-language audience.; Die westdeutsche Architektur erlebte zwischen 1949 und 1964 eine Phase intensiver Produktivität. In den unmittelbaren Nachkriegsjahren waren Architektinnen und Architekten mit dem baukulturellen Erbe des Nationalsozialismus und drastischen, das Bauen behindernden Entbehrungen konfrontiert. Mit dem Wiederaufschwung der Industrieproduktion und dem Entstehen einer mittelständischen Bundesrepublik aber entwickelte sich auch eine neue, vom amerikanischen International Style beeinflusste Architektur, zumal die Meister des Bauhauses als Berater aus den USA nach Deutschland zurückkehrten. Dabei ging es um viel mehr als nur um Stil. Konstruktionsdetails und andere technische Dokumente verdeutlichen, wie die architektonische Praxis in dieser Zeit danach strebte, soziale, materielle und politische Normen durch Formgebung zu kalibrieren. Im Zentrum all dieser Veränderungen standen Hans Schwippert und Sep Ruf, zwei Architekten, die sich politisch, religiös und beruflich verbunden fühlten. Schwippert, der Architekt des neuen Bonner Parlaments, arbeitete daran, die wirtschaftliche Entwicklung und die aufkeimende Konsumgüterindustrie gestalterisch in Einklang zu bringen. Ruf, dem Schwippert den Auftrag für den ersten westdeutschen Weltausstellungspavillon erteilte, fand Wege, ein architektonisches Schaffen zwischen Knappheit und Grosszügigkeit zu meistern. Fotografien, Zeichnungen und eine Vielzahl unveröffentlichter Dokumente machen die beiden Architekten auch einem englischsprachigen Publikum bekannt. 320 pp. Englisch.

Buch. Etat : Neu. Neuware -West German architecture underwent a phase of intense productivity from 1949 to 1964. In the immediate postwar years, architects confronted Nazi legacies in building culture amidst drastic privation that hampered construction. As industrial production recovered and a middle-class nation emerged, so too did a new architecture influenced by the American International Style model, especially as Bauhaus masters returned to Germany from the United States as advisers. But there was much more at stake than style. Construction details and other technical documents reveal that this was a moment when architectural practice aspired to calibrate social, material, and political norms through design. At the center of all these transformations were Hans Schwippert and Sep Ruf, two architects who shared political, religious, and professional allegiances. Schwippert, architect of the new Bonn parliament, worked to align economic redevelopment and a burgeoning consumer goods industry with design. Ruf, to whom Schwippert directed the commission for West Germany's first World's Fair pavilion, found ways to master architectural construction amidst both scarcity and largess. Photographs, drawings, and a broad range of unpublished documents introduce these two architects to an English-language audience.; Die westdeutsche Architektur erlebte zwischen 1949 und 1964 eine Phase intensiver Produktivität. In den unmittelbaren Nachkriegsjahren waren Architektinnen und Architekten mit dem baukulturellen Erbe des Nationalsozialismus und drastischen, das Bauen behindernden Entbehrungen konfrontiert. Mit dem Wiederaufschwung der Industrieproduktion und dem Entstehen einer mittelständischen Bundesrepublik aber entwickelte sich auch eine neue, vom amerikanischen International Style beeinflusste Architektur, zumal die Meister des Bauhauses als Berater aus den USA nach Deutschland zurückkehrten. Dabei ging es um viel mehr als nur um Stil. Konstruktionsdetails und andere technische Dokumente verdeutlichen, wie die architektonische Praxis in dieser Zeit danach strebte, soziale, materielle und politische Normen durch Formgebung zu kalibrieren. Im Zentrum all dieser Veränderungen standen Hans Schwippert und Sep Ruf, zwei Architekten, die sich politisch, religiös und beruflich verbunden fühlten. Schwippert, der Architekt des neuen Bonner Parlaments, arbeitete daran, die wirtschaftliche Entwicklung und die aufkeimende Konsumgüterindustrie gestalterisch in Einklang zu bringen. Ruf, dem Schwippert den Auftrag für den ersten westdeutschen Weltausstellungspavillon erteilte, fand Wege, ein architektonisches Schaffen zwischen Knappheit und Grosszügigkeit zu meistern. Fotografien, Zeichnungen und eine Vielzahl unveröffentlichter Dokumente machen die beiden Architekten auch einem englischsprachigen Publikum bekannt. 320 pp. Englisch.

Paperback. Etat : Brand New. 380 pages. 11.00x8.75x1.02 inches. In Stock.

Buch. Etat : Neu. Neuware -West German architecture underwent a phase of intense productivity from 1949 to 1964. In the immediate postwar years, architects confronted Nazi legacies in building culture amidst drastic privation that hampered construction. As industrial production recovered and a middle-class nation emerged, so too did a new architecture influenced by the American International Style model, especially as Bauhaus masters returned to Germany from the United States as advisers. But there was much more at stake than style. Construction details and other technical documents reveal that this was a moment when architectural practice aspired to calibrate social, material, and political norms through design.At the center of all these transformations were Hans Schwippert and Sep Ruf, two architects who shared political, religious, and professional allegiances. Schwippert, architect of the new Bonn parliament, worked to align economic redevelopment and a burgeoning consumer goods industry with design. Ruf, to whom Schwippert directed the commission for West Germany's first World's Fair pavilion, found ways to master architectural construction amidst both scarcity and largess. Photographs, drawings, and a broad range of unpublished documents introduce these two architects to an English-language audience.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. Die westdeutsche Architektur erlebte zwischen 1949 und 1964 eine Phase intensiver Produktivitaet. In den unmittelbaren Nachkriegsjahren waren Architektinnen und Architekten mit dem baukulturellen Erbe des Nationalsozialismus und drastischen, das Bauen behind.

Etat : New. pp. 232.

Buch. Etat : Neu. Neuware -West German architecture underwent a phase of intense productivity from 1949 to 1964. In the immediate postwar years, architects confronted Nazi legacies in building culture amidst drastic privation that hampered construction. As industrial production recovered and a middle-class nation emerged, so too did a new architecture influenced by the American International Style model, especially as Bauhaus masters returned to Germany from the United States as advisers. But there was much more at stake than style. Construction details and other technical documents reveal that this was a moment when architectural practice aspired to calibrate social, material, and political norms through design.At the center of all these transformations were Hans Schwippert and Sep Ruf, two architects who shared political, religious, and professional allegiances. Schwippert, architect of the new Bonn parliament, worked to align economic redevelopment and a burgeoning consumer goods industry with design. Ruf, to whom Schwippert directed the commission for West Germany's first World's Fair pavilion, found ways to master architectural construction amidst both scarcity and largess. Photographs, drawings, and a broad range of unpublished documents introduce these two architects to an English-language audience.GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Postfach 2021, 37010 Göttingen 320 pp. Englisch.