Will clemence (28 résultats)

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. Hardcover, second impression of a 1959 copyright; surplus library copy with the usual stampings; fading and shelf wear to exterior; in good condition with clean text, firm binding. Dust jacket shows scuffing, light soiling, a nd small edge tears.

Etat : New.

Etat : Good. 1961. Second Impression. 80 pages. Pictorial dust jacket over green cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped dust jacket. Panels to dust jacket have light edge wear with tears and creasing.…

Etat : New. In English.

Etat : Good. No DJ. Boards are clean with very light wear to spine ends. Contents are clean and bright.

Paperback. Etat : New.

Paperback. Etat : Brand New. 148 pages. 8.50x5.50x0.50 inches. In Stock.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. VG in slightly chipped and sunned DJ. 80pp 0.

First Edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description : 80 pages illustrations 22 cm. Subjects : Screen process printing. Impressions. Printing. 1 Kg.

First Edition. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Remains quite well-preserved overall. Physical description : 80 pages illustrations 22 cm. Subjects : Screen process printing. Impressions. Printing. 1 Kg.

Hardcover. Etat : Very Good. A book on a past craft, the hand painted poster. Also covers silk screen production and novelty displays. 140pp. Undated circa 1930s.

Hardcover. Etat : Poor. No Jacket. undated, circa 1949. boards are worn, soiled and chipped. tanning. visible netting. front hinge is a bit loose. poor copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Etat : Very Good. Torn in Places. Green boards black lettering on spine, some corners bumped. Dj has a piece missing from the front and there is also wear along all the edges. Clemence, Will (illustrateur).

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Soft. Etat : Good-. Reprinted . Good-. Soft cover darkened, very small tears and little scuffed. Mild page browning internally, spine and edges faded, otherwise clean and tight. 148pp. Will Shakespeare; An Invention in Four Acts (illustrateur).

Hardback. Etat : Very Good. Previous owners name in pen on front pastedown. Several small nciks/tears to edges of jacket. Some toning to jacket. Pages clean and bright, no markings, light wear to edges. Binding tight. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Cloth. Etat : Very Good. FIRST EDITION. 8vo, incl. numerous b/w illustrations. Original grey cloth, spine and upper board stamped in black. Bumped. Else, clean and bright. In the wonderful red, black and yellow illustrated dust jacket: wear and creasing to edges and extremities, heaviest at head of spine and affecting the final 'e' of the author's name, short tear, a little grubby, pencil numbers to front flap, but, nevertheless the cover art remains bright and striking. Very good/ good+ A lovely copy.…

Etat : New. Print on Demand pp. 148 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Etat : New. Print on Demand pp. 148.

Etat : New. PRINT ON DEMAND pp. 148.

Hardcover. Undated, circa 1939-1950. Octavo. Hardcover. Grey cloth boards with black titles in illustrated jacket. iv, 140 pages : illustrations ; 23 cm. The work of the poster-writer -- Equipping the workshop -- Lettering and layout -- Roughing-out the poster -- Composition of posters -- Free-brush, mahlstick and rulestick -- Permanent posters -- Transparencies, banners and stretchers -- The need for illustration -- The varying needs of the cinema and theatre -- Art posters and showcards -- Cut-out posters and displays -- Cut-out letters -- Theatre still-boards and screens -- The uses of the air-brush -- The roller and silk screen process -- Hints on screencraft -- Sign work -- Sample sketches -- A novel repeat process for showcards -- Sandwich boards and street advertising -- Mechanical and animated displays -- Restrictions, permits and sites -- Brief hints. VG. Jacket has some bumping and tearing at head/tail of spine and corners. In protective mylar. Other than name penned to front end paper book itself is clean and unmarked. …

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First edition. Thin octavo. 151pp. Illustrated. Some staining on the cloth at the bottom of the front board else very good in very good or better dustwrapper with a little age-toning and a faint corresponding stain. Very scarce in jacket.

Unknown Binding. Etat : Acceptable. NOT an ex-library book. Clean copy in good condition. Some marking due to age on pages, but overall book remains in good condition considering age. Quick dispatch from UK seller.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - MANUAL OF POSTERCRAFT - BY Will Clemence - INTRODUCTION - ONE can hardly compress the entire work of the poster-writer into 0 the space of a small volume, nor indeed can one expect to become a competent poster-writer by book learning alone. Constant practice and tuition in the various branches is essential in the making of a craftsman. Not every workshop is fitted to supply such an all-embracing apprenticeship, however admirable their general production may be. I trust that this book ill be particularly welcomed by those whose work has becn principally confined to one or two branches of the craft, and that its use as a reference may bc the means ol bringing further varied work into the shop. There arc a few aspects of the trade which I have left untouched, as these like figure-drawing for illustration, have been dealt with at length in other works. The wideness of range has also made necessary the compressiiol of many chapters, but I have endeavoured, wherc possible, to outline the main details of processes rind operations. I also wish to thank all those who, directly or indirectly, have assisted in the compilation of this book. Particularly would I thank those whose work is reproduced, the craftsmen with whorl1 I have been privilegecl to work, and the advertisers and employers who have provided the work. For photographs and illustrations, I am indebted to Messrs. Sheldons Ltd., The Acrograpll Company Ltd., Selectasine Silk Screens Ltd., Supcr-Tools Ltcl., Taylor and Heaton, and Mr. Edgar Lupton. -- CONTENTS -- . . . . . . . .INTRODUCTION I . THE WORK OF THE POSTER-WRITER . I1 . EQUIPPING THE WORKSHOP . . . . . l 4 I11 . LETTERING AND LAYOUT . IV . ROUGHING-OUT THE POSTER V . COMPOSITION OF POSTERS . . . . . . . . . . 12 18 23 V1 . FREE-BRUSH, MAHLSTICK AND RULESTICK V11 . PERMANENT POSTERS . . . . . . 27 31 V111 . TRANSPARENCIES, BANNERS AND STRETCHERS . 36 IX . THE NEED FOR ILLUSTRATION . . . 41 X . THE VARYING NEEDS OF THE CINEMA AND THEATRE 47 XI . ART POSTERS AND SHOWCARDS . . . 54 XI1 . CUT-OUT POSTERS AND DISPLAYS . . . 59 XI11 . CUT-OUT LETTERS . . a. S. . 72 XIV . THEATRE STILL-BOARDS AND SCREENS . . 78 XV . THE USES OF THE AIR-BRUSH . . . 84 XVI . THE ROLLER AND SILK SCREEN PROCESS XVII . HINTS ON SCREENCRAFT . . . XVIII . SIGN WORK . . . . . XIX . SAMPLE SKETCHES . . . . . . . . 91 100 109 114 XX . A NOVEL REPEAT PROCESS FOR SHOWCARDS . 117 XXI . SANDWICH BOARDS AND STREET ADVERTISING . 123 XXII . MECHANICAL AND ANIMATED DISPLAYS . . 127 XXIII . RESTRICTIONS, PERMITS AND SITES . XXIV . BRIEF HINTS . . . . . . . . 135 137 CHAPTER I - THERE are many artistically-minded people capable of producing, in tniniature form, pleasing examples of pictorial and lettering art. But watch these self-same people, even with the necessary equipment, attempt to translate that sarne miniature into its commercial state- -the handwritten poster. Both the niethods employed and the result achieved are invariably anything but satisfactory. It is therefore apparent that an entirely different method of procedure is to be adopted to maltc the production of hand-painted posters cconorrically possible. One can hardly expect the newly-graduated art-school student to be well versed in the practical side of yostcr-writing yet the craftsman is 90 per cent. practical. Strangely enough, it is the art student who is one of the poster-writers keenest critics, but that is prior to the students entry into the commercial field. It js soon realized that time-saving in execution is imperative. All the separate letters cannot be drawn out in full. Often, T-squares and rules must be dispensed with for letter formation. Briefly, every thing is conmercialized.…

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextMANUAL OF POSTERCRAFT - BY Will Clemence - INTRODUCTION - ONE can hardly compress the entire work of the poster-writer into 0 the space of a small volume, nor indeed can one expect to become a competent poster-writer by book l.…

Taschenbuch. Etat : Neu. Manual Of Postercraft | Will Clemence | Taschenbuch | Kartoniert / Broschiert | Englisch | 2008 | Barber Press | EAN 9781443704687 | Verantwortliche Person für die EU: Hilsenrath, Edgar, Edgar Hilsenrath, Barber Press, Poschingerstr. 6, 12157 Berlin, vlb[at]barberpress[dot]com | Anbieter: preigu Print on Demand. …