williams jonathan r b kitaj (10 résultats)

Stapled Wrappers. Etat : Very Good. Hockney, David; John Furnival; R.B. Kitaj (illustrateur). First Edition. 64pp. A little handled. Book.

Wraps. Etat : Near Fine in Wraps. R.B. Kitaj (illustrateur). First printing. Cover and titlepage illustrations by R.B. Kitaj. A few light creases of top of front panel.

Soft cover. Etat : Near Fine. No Jacket. R. B. Kitaj (illustrateur). 1st Edition. Unpaginated 20pp landscape format booklet containing collection of short poems written in Stonegrave, Yorkshire whilst the author was on holiday. Staple bound with illustrated covers designed by R. B. Kitaj. Measures 225mm x 98mm. Light toning to part of top page edges. Otherwise in fine condition with no inscriptions.

Paperback. Etat : Good +. First Edition. CATERPILLAR 15/16 edited by Clayton Eshleman. Works by Eshelman, Jonathan Williams, Kenneth Irby, Leon Golub, Stan Brakhage, Edward Dorn, R.B. Kitaj, Fielding Dawson, Paul Blackburn and others. 301 pages. paper with stiff cover. 7" x 5 1/2". Orange cover by Leon Golub. Some rubbing to cover and edges. Otherwise very good condtion.

SOFTCOVER. Etat : Fine. 1st Edition. Long narrow landscape (approx 9cm high by 22cm long) in photo illustrated stiff glossy card covers, unpaginated, approx. 20pp on double folded paper leaves . [CONDITION: Covers and page-block edges very slightly tanned and faintly dusty else FINE, an otherwise well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

6 1/4 x 10 1/4 in., 38 pp., paper over boards. "Aposieopeses is defined on the title page as 'sudden bursts of silence.' The book gathers a collection of Odds & Ends words which, when asked to expand on them, 'include two [of Williams's] constant preoccupations: eccentrics and epitaphs." Jonathan Williams, Aposieopeses "For those who take the time to listen, his [Williams's] is a voice firm enough to scratch, clear enough to shine, and deep enough to vibrate in your mind long after the reading." J.W. Bonner, The Arts Journal "These poems are guaranteed not to cause Herpes, Leprosy, AIDS, Lumbago, or Terminal Boredom. Still, where are readers in 1986 willing to bring an almost virtuoso attention to such demotic words that strive to besimply and not so simplyboth plain and good? Professors, Prudes, and Poetry Lovers continue to find the going tough and the pickings slim from such a hick epicureanism." Jonathan Williams Frontispiece portrait of Jonathan Williams by R.B Kitaj. Designed and printed letterpress on Frankfurt White by Philip Gallo at The Hermetic Press. Paste-paper for covers made by Claire Maziarczyk. This is from an edition of 65 copies bound in boards at the Campbell-Logan Bindery (of which 15 are hors commerce) signed by Williams and Kitaj. There were also 100 copies bound in paper wrappers signed by Williams. Out-of-print. This is no. 38 from the paper wrappers, signed by Williams. Very light rumpling to the front of the wrappers, else as new.

Etat : Very fine copy. KITAJ, R B (illustrateur). Tall 8vo, original cloth-backed boards with printed cover label. Very fine copy. First edition. One of 64 hardbound copies on Frankfurt White signed by JW and Kitaj, out of a total edition of 165 copies. Jaffe A172.

6 1/4 x 10 1/4 in., 38 pp., paper over boards. "Aposieopeses is defined on the title page as 'sudden bursts of silence.' The book gathers a collection of Odds & Ends words which, when asked to expand on them, 'include two [of Williams's] constant preoccupations: eccentrics and epitaphs." Jonathan Williams, Aposieopeses "For those who take the time to listen, his [Williams's] is a voice firm enough to scratch, clear enough to shine, and deep enough to vibrate in your mind long after the reading." J.W. Bonner, The Arts Journal "These poems are guaranteed not to cause Herpes, Leprosy, AIDS, Lumbago, or Terminal Boredom. Still, where are readers in 1986 willing to bring an almost virtuoso attention to such demotic words that strive to besimply and not so simplyboth plain and good? Professors, Prudes, and Poetry Lovers continue to find the going tough and the pickings slim from such a hick epicureanism." Jonathan Williams Frontispiece portrait of Jonathan Williams by R.B Kitaj. Designed and printed letterpress on Frankfurt White by Philip Gallo at The Hermetic Press. Paste-paper for covers made by Claire Maziarczyk. This is from an edition of 65 copies bound in boards at the Campbell-Logan Bindery (of which 15 are hors commerce) signed by Williams and Kitaj. There were also 100 copies bound in paper wrappers signed by Williams. Out-of-print. This is no. 6 from the copies bound in boards. As new.

Etat : Very Good+. First Edition. First edition, copy #32 of 100 signed by Jonathan Williams and illustrator R.B. Kitaj. Stringbound wraps. Very Good+ with wear to back wrap from removed sticker. Jargon 61.

Etat : Near fine. On Loan, Coracle Press, London, 1980. Cards printed black on white in 88 x 60 x 70mm white box, together with 75 x 75 x 85mm outer mailing box. Edition 11 of 15 signed copies. Numbered by Simon Cutts on underside of both boxes. Published to coincide with the On Loan exhibition ('an exhibition of borrowed art lent by artists'), 22 November 19 December 1980 at 233 Camberwell New Road, London. Artists included Roger Ackling, Glen Baxter, David Brown, Marc Camille Chaimovicz, John Christie, Thomas and Laurie Clark, Les Coleman, Simon Cutts, Stephen Duncalf, Sandra Fisher, Barry Flanagan, Hamish Fulton, Bill Furlong, John Furnival, Gerry Hunt, R. B. Kitaj, Robin Klassnik, Brian Lane, Richard Long, Leonard McComb, Stuart Mills, Eduardo Paolozzi, Roy Perry, David Pescod, David Roe, Martin Rogers, S. East Gallery (Sally East), Joe Tilson, Ian Tyson, Steve Wheatley, Stephen Willats, Jonathan Williams and Richard Wilson.On Loan references the analogue card system once used by British libraries for loaning books. In all, it functions as a list of works for the show, with one card per artist and their exhibited work. In this special edition numbered 11 of 15, each card is signed in ink or pencil by one of the artists who participated in the exhibition. Condition: Near fine.