Zettelbauer heidrun (68 résultats)

Etat : New.

Paperback. Etat : New. 1. Edition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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paperback. Etat : New. 1st.

Etat : New.

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Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. 2023. 1. Edition 2023. paperback. . . . . .

Etat : New.

Etat : Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/minor shelfwear. Edited by Antje Senarclens de Grancy and Heidrun Zettelbauer. Camps as a global and ubiquitous mass phenomenon of the present and a flexible isolation tool for/against specific socially, politically, or ethnically defined groups are at the centre of current policies and societal debates. In the present volume, the authors explore camps as (cultural) spaces in a broad sense and deal with their complex dimensions as sites of the Modern. They examine camp spaces and their social configurations, physical/architectural qualities, symbolic functions as well as cultural representations in an intent to define the inscribed ambivalences, inconsistencies and paradoxes of the phenomenon. Positioned within different disciplinary contexts (Contemporary History, Visual Studies, Architectural History, Refugee and Gender Studies), the assembled articles present a wide range of understandings and approaches to space, materiality and the relations between governance and agency. With contributions by Antje Senarclens de Grancy, Ulrike Krause, Robert Jan van Pelt, Heidrun Zettelbauer and Annika Wienert. Seiten 450-614 [= 165 Seiten] mit 16 Abb., broschiert (zeitgeschichte; Jahrgang 45, Heft 4/Vienna University Press/V&R unipress 2018). Statt EUR 25,00. Gewicht: 278 g - Softcover/Taschenbuch.…

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Taschenbuch. Etat : Neu. Neuware - Diese Ausgabe von 'L'Homme. Z. F. G.' widmet sich einem kritischen Rückblick auf nationale Erinnerungs- und Wissenschaftskulturen zum Ersten Weltkrieg. Dabei geht es primär um die Frage, inwieweit im schon 2012 einsetzenden Boom der darauf bezogenen wissenschaftlichen wie medial-öffentlichen Aktivitäten frauen- und geschlechtergeschichtliche Zugänge eine Rolle gespielt haben. Die Bilanzen der Fallstudien zu Deutschland/Österreich, Frankreich/Großbritannien, Italien, Portugal und Ungarn fallen unterschiedlich aus. In allen Beispielen zeigt sich aber, dass - wenn überhaupt - vor allem frauengeschichtliche Themen integriert wurden beziehungsweise das analytische Potenzial der Kategorie Geschlecht kaum ausgeschöpft wurde, um überkommene historiografische Konzepte oder Narrative zum Ersten Weltkrieg zu dezentralisieren und neu auszurichten.Aus dem Inhalt: Der Erste Weltkrieg in Deutschland und Österreich in frauen- und geschlechtergeschichtlicher Perspektive / Visual Representations of Women's Contribution to the First World War in France and Britain / Remembering the Great War in Portugal and Gender Perspectives / Commemoration Projects and Historiography in Hungary / Geschlechterspezifische Erinnerungsdiskurse in Italien / Gedenken an den Kriegswiderstand in Großbritannien / Im Gespräch mit Margaret R. Higonnet / Geschlechterbilder und -praktiken in der kaiserlichen Marine am Beispiel von Martin Niemöller. This issue of 'L'Homme. Z. F. G.' addresses a critical retro-perspective on national memory and academic cultures of the First World War. It specially focuses on the question of how far female and gender historical approaches played a role in the emerging boom in 2012 concerning the scientific and, media-public activities. The conclusions of the surveys regarding Germany/Austria, France/UK, Italy, Portugal and Hungary are various. However, in all examples it becomes clear that - if considered at all - especially female historical subjects were integrated or the analytical potential of the category gender was merely taken into consideration in order to decentralise and reshape historiographical concepts or narratives of the First Wold War.…

Taschenbuch. Etat : Neu. Neuware - Camps as a global and ubiquitous mass phenomenon of the present and a flexible isolation tool for/against specific socially, politically, or ethnically defined groups are at the centre of current policies and societal debates. In the present volume, the authors explore camps as (cultural) spaces in a broad sense and deal with their complex dimensions as sites of the Modern. They examine camp spaces and their social configurations, physical/architectural qualities, symbolic functions as well as cultural representations in an intent to define the inscribed ambivalences, inconsistencies and paradoxes of the phenomenon. Positioned within different disciplinary contexts (Contemporary History, Visual Studies, Architectural History, Refugee and Gender Studies), the assembled articles present a wide range of understandings and approaches to space, materiality and the relations between governance and agency. The contributors stress the entanglement of social structures, cultural discourse, institutionalisation, individual perception and appropriation. They show how the issue of camps can serve as cross-sectional matter for researchers in different fields in Cultural Theory and Contemporary History.…

Etat : New. 2023. 1. Edition 2023. paperback. . . . . . Books ship from the US and Ireland.

Etat : New. In the present volume, the authors explore camps as (cultural) spaces in a broad sense and deal with their complex dimensions as sites of the Modern. They examine camp spaces and their social configurations, physical/architectural qualities, symbolic functi.

Kartoniert / Broschiert. Etat : New.

Etat : New. Amateur film and amateur media practices have attracted increasing interest in recent decades in the context of the visual turn . Questions of agency, participatory and political/militant film practices, and of representations of self and other are of .

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Taschenbuch. Etat : Neu. Neuware - Amateur film and amateur media practices have attracted increasing interest in recent decades in the context of the 'visual turn'. Questions of agency, participatory and political/militant film practices, and of representations of 'self' and 'other' are of interest as well as the institutions and networks of amateur productions. This special issue of 'zeitgeschichte' contributes to this field of research by examining international and transnational developments of amateur films in the period after the Second World War. The collected contributions analyze national specifics and regional shapings of practices as well as cultural constructions in amateur film and video, they trace transnational entanglements of amateur media and tackle cross-border amateur filmmaking and internationally and globally shared discursive references and uses of metaphors in video activism. The authors elaborate parallels to organizational structures in amateur film practices in specific sociopolitical and cultural contexts and discuss aspects of memory and the appropriation of hegemonic visual cultures in individual film practices.…

Etat : New. 2017. Paperback. . . . . .

Etat : New.

Taschenbuch. Etat : Neu. Reflections on Camps - Space, Agency, Materiality | Antje Senarclens de Grancy (u. a.) | Taschenbuch | 174 S. | Englisch | 2019 | V&R unipress | EAN 9783847108511 | Verantwortliche Person für die EU: Vandenhoeck & Ruprecht, Theaterstr. 13, 37073 Göttingen, ute[dot]schnueckel[at]brill[dot]com | Anbieter: preigu. …

Taschenbuch. Etat : Neu. 1914/18 - revisited | Erna Appelt | Taschenbuch | 178 S. | Deutsch | 2018 | Vandenhoeck & Ruprecht | EAN 9783847108771 | Verantwortliche Person für die EU: Vandenhoeck & Ruprecht, Theaterstr. 13, 37073 Göttingen, ute[dot]schnueckel[at]brill[dot]com | Anbieter: preigu.

Paperback. Etat : new. Paperback. Schmerzen sind zwar eine historische Konstante, aber stark kulturell und zeitspezifisch gepraegt. Geschlechterordnungen beeinflussen, was als schmerzhaft empfunden und wie Schmerz ausgedrueckt, vermittelt und gedeutet wird. Die in diesem Heft versammelten Beitraege veranschaulichen anhand von Fallstudien die Verknuepfungen von Geschlecht und Schmerz. Die behandelten Themen reichen von selbst zugefuegten Schmerzen in psychiatrischen Kontexten oder Selbstverletzungen in queer-feministischen kuenstlerischen Praktiken ueber Deutungen von Geburtsschmerzen durch maennliche Mediziner bis hin zu den von griechischen Frauen praktizierten Trauerritualen und dem Versuch einer juedischen Fotografin, das Trauma der Shoah kuenstlerisch zu fassen. Der Schwerpunkt der Aufsaetze liegt auf dem Europa des 19. und 20. Jahrhunderts.Aus dem Inhalt: Schmerzen unter der Geburt / Selbstbestrafungen im Fokus der Tiroler Psychiatrie im Vormaerz / Dora Kallmus Post-War Slaughterhouse Photographs (19491958) / Selbstverletzung als Self-Empowerment in der Performance Art / Imaginationen von Frauenemanzipation zwischen Deutschland und den USA bei Hugo Muensterberg (18631916) / Female Expressions of Pain in the Lamentation Songs of Mani in Modern Greece / Looking at History through the Lens of the Body: Kathleen Canning im Gespraech mit Heidrun Zettelbauer / Anti-Genderismus und Paedophilie-Diskurs als politisch-kirchlicher Kampfplatz am Fallbeispiel UngarnPain, although a historical constant, is culturally and temporally specific. Cultural gender orders influence what is perceived as painful and how pain is expressed, communicated and interpreted. The articles collected in this special issue illustrate the interlinkage of gender and pain. The case studies address a number of topics, from deliberately self-inflicted pain in psychiatric contexts and as queer-feminist art practice to interpretations of birth pain by male physicians to female Greek mourning rituals and a Jewish photographer's attempt to deal artistically with the trauma of the Holocaust. The focus is on Europe in the 19th and 20th century. Was weh tut. Geschlecht und Schmerz Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…