zurich museum design (35 résultats)

Hardcover. Etat : Good. 1st English Ed. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Hardcover. Etat : Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

misc_supplies. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Paperback. Etat : new. Paperback. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for long-time clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteriaand yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view. 100 illustrations Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Paperback. Etat : New. Otto Baumberger (1889-1961) was one of the first Swiss poster designers. Baumberger was ahead of his time in recognizing fundamental aspects of consumer goods advertising and his designs helped to modernize the medium. His poster designs employed a reduction tending towards abstraction, in which graphic and textual elements underwent an increasingly potent synthesis. Baumberger's work embodies and exemplifies the history of Swiss poster art in the first half of the twentieth century, as the painterly artist poster gradually evolved toward graphically oriented corporate design. 120 illustrations.

Paperback. Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Hardbound in dust jacket. 1st edition. Minor wear to edges of boards, otherwise very good.

Hardcover. Etat : Used - Good. The perfect tool for teachers, students and practitioners Book has minor shelf wear. Book has dust particles on it.

Paperback. Etat : Fine.

Etat : Very Good. Ships from the UK. Used book that is in excellent condition. May show signs of wear or have minor defects.

Paperback. Etat : Brand New. bilingual edition. 95 pages. German language. 9.25x6.50x0.50 inches. In Stock.

Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Num Pages: 96 pages, 100. BIC Classification: AKB; AKC. Category: (G) General (US: Trade). Dimension: 239 x 184 x 8. Weight in Grams: 332. . 2014. Bilingual. Paperback. . . . .

Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Num Pages: 96 pages, 100. BIC Classification: AKB; AKC. Category: (G) General (US: Trade). Dimension: 239 x 184 x 8. Weight in Grams: 332. . 2014. Bilingual. Paperback. . . . . Books ship from the US and Ireland.

Etat : New. pp. 64.

paperback. Etat : New.

Hardcover. Etat : New.

Paperback. Etat : new. Paperback. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for long-time clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteriaand yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view. 100 illustrations Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : Sehr gut. 1. Auflage. Z/B : 22,5 x 33 cm, Hardcover, 256 pages, color illustrations - This monograph offers a first inventory of Philippe Parreno's work since the end of the 1980s. It explores problematics such as memory, presence, real time, and narration, and covers his multiform production, from his early performance to cinema ("Zidane, A 21st Century Portrait," with Douglas Gordon, 2006), and spectacle ("Il Tempo del Postino," with Hans Ulrich Obrist, 2007). Edited by Christine Macel with the assistance of Karen Marta, this book offers the first complete list of works and chronology, fully illustrated and accompanied by notices. It also includes critical and fictional texts by Maria Lind, Charles-Arsène Henry, Enrique Juncosa, Beatrix Ruf, and Simon Critchley.

Etat : NEW.

Etat : New. pp. 80.

Paperback. Etat : New. Otto Baumberger (1889-1961) was one of the first Swiss poster designers. Baumberger was ahead of his time in recognizing fundamental aspects of consumer goods advertising and his designs helped to modernize the medium. His poster designs employed a reduction tending towards abstraction, in which graphic and textual elements underwent an increasingly potent synthesis. Baumberger's work embodies and exemplifies the history of Swiss poster art in the first half of the twentieth century, as the painterly artist poster gradually evolved toward graphically oriented corporate design. 120 illustrations.

Paperback. Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Paperback. Etat : new. Paperback. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for long-time clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteriaand yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view. 100 illustrations Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Etat : Brand New. illustrated edition. 384 pages. 13.50x9.25x1.25 inches. In Stock.

Soft cover. Etat : Good. Former library book in good condition. 96pp with colour illustrations.

Paperback. Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Soft cover. Etat : Fine. Book is in fine condition. 96pp with colour illustrations.

Kein Einband. Etat : Wie neu. 1. Auflage. Hg. Zürcher Hochschule der Künste, Ed. Zurich Museum Of Design. Handliches Bildlexikon für die wichtigsten Designbegriffe. Das richtige Werkzeug für Studium, Lehre und Praxis. Wer den Farbfächer kennt, wird den Formfächer lieben. 240 Seiten, 6.5 x 16.5 x 3.5 cm.

Soft Cover. Etat : Like New. Electa, Milan (Réalisation Éditoriale/Editorial Production); Marcello Francone (Conception Graphique/Graphic Design); Marina Toppetti (Mise en Page/Layout); Olivieri, Sistemi Editoriali, Milan (Photocomposition/Typesetting) (illustrateur). Copyright © 1988 Nelson Press Ltd, Londr. 456 + pp. Text in French. A true collectible gem! A wonderful copy! An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially and virtually flawless copy with crisp pages, spotlessly clean text, and very light shelf wear. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. // Texte en français. Un véritable bijou de collection ! Une copie merveilleuse ! Une excellente copie d'une propreté irréprochable ! Copie propre, fraîche, nette, serrée, essentiellement et pratiquement sans défaut avec des pages nettes, un texte impeccablement propre et une usure très légère des étagères. Livre surdimensionné et/ou en surpoids ; Peut nécessiter des frais de port supplémentaires. Veuillez noter que les articles volumineux et/ou lourds peuvent entraîner des frais d'expédition supplémentaires pour les envois nationaux et/ou internationaux.