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Soft cover. Etat : Good. 1st Edition. Good condition paperback. Inscribed to half title page 'with love Penny', which may - or may not - be one of the contributors, Penny Lavender. Sticky remains of label over inscription. -- General information: please email for any more information or condition photos. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall condition of the book(s) or other item. We are happy to give a more detailed description (by volume where applicable) on request. Posted next day (Mon-Fri) from the UK. We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We normally post by tracked mail for overseas deliveries, and may request additional postage (at cost) for heavier books (buyers always have the option to cancel the order if we do so).…

Hardcover. Etat : Fine. 1st Edition. 72 Pages, Text Clean, Book Tight, Condition o Book Fine+. ISBN 13: 9785904957032.

Etat : new. Pages: 116 Language: English. The book is in English The long awaited academic publication on human anatomy for artists has finally been released. Produced by a team of professors of the Russian Academy of Arts (aka Repin Institute), this guide is intended for practical training during the art studying process. Supplied with detailed drawings, tables, reproductions of classical works and the index with a list of the muscles. The compact structure of publication - everything you need is found on every spread of the book - allows you to compare anatomical and plastic shapes of a human figure. High resolution drawings and reproductions, matte paper, convenience of presented material and compact size of the book make this publication a truly unique source on human anatomy for all the artists. Everything on one spread This feature is characteristic of all V.A. Mogilevtsev's teaching aids. It is called "Mogilevtsev's methodology". Muscles, bones, ecorsche and examples from classics are presented on one spread. It helps to understand more quickly how the plasticity of the most complex form of the human figure is construed and how it was interpreted by the great masters of the past. Old School The stylistics of the tables in the spirit of anatomical books of the "old school" published at the turn of the XIX-XX centuries was approved after long searches and tests. The time-blackened plaster ekorshe, stored in the anatomical cabinet of the Academy, turned out to be better and more accurate than their modern analogs. Thus, yellowed paper with traces of age-old dust, chips and scratches on plaster casts became a part of the design of this manual. The preparation of the visual material was carried out step by step. The first sketches were compiled from several primary sources and mounted in accordance with the developed structure of the book. Tracing, contour drawings and tonal sketches were made. These were then digitized and finished with color graphics. Prof cheat sheet The concept of the book - pocket format, only the essentials for work - came about thanks to the students of the academy. Despite the fact that for two years this science is studied in the anatomy room, its application in practice leaves much to be desired. Extensive atlases and well-known foreign talmuds do not save. To reduce the time for searching and not to be distracted during classes, and was created such a mini-reference book, a cheat sheet for artists. Artists for artists This book was created by artists for artists. This is the main feature of the edition - visual purity and strict selection. In it you will not find naked photos of the human body, dissected corpses, 3D-models, numerous storyboards and angles. The illustrations are selected with good taste and love for the profession. So that nothing can stop you from practicing your art and inspire you to create. 9785904957117.…

Etat : new. Pages: 72 Language: English. The first and only publication over the past 40 years that received an official approval and recommendations by the Repin St. Petersburg Academic Institute of Painting, Sculpture and Architecture. Laconic, well-illustrated textbook with tables, photographs of anatomical casts, charts, drawings by old masters, this manual explains the system of academic drawing and illustrates each stage of work. 20 years of teaching experience by professor Vladimir Mogilevtsev set forth in the light of traditions of classical Russian school, and on practical assignments, step by step, conveys the essence - the fundamentals of drawing - in a simple and understandable form. This makes it possible not only to understand and explore contemporary academic requirements to classical drawing, but also sets the right directions for self-study. 9785904957056.…

Etat : new. Pages: 72 Language: English. It is impossible to become a professional in any area without mastering the basics. This fully applies to the masters of painting. With Fundamentals of Painting V. Mogilevtsev continues a series of books started by the author in 2007 with Fundamentals of Drawing, about the main methods practiced by artists. The clear merits of both the first and second books are the conciseness and ease to understand, strict order in which the tasks are presented, frequent references to the worls art. I dare say that this textbook will be useful not only for painters, but also for graphic designers, art experts and even art critics. N.S. Kuleinokova, Prof. of the Department of Russian Art Repin St. Petersburg State Academic Institute 9785904957063.…

Etat : new. Pages: 88 Language: English. This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how the painting is born. On the examples of outstanding Russian and foreign artists, he shows the process of working on sketches and explains the importance of collecting material when creating a realistic work. Professor V.A. Mogilevtsev introduces the reader to visual means and talks about the most important of them. The text is accompanied by a large number of illustrations. The visual information carries the main information load, which makes this book the most understandable and convincing for young artists. This textbook will be interesting for anyone who wants to comprehend the secrets of professional art excellence. 9785904957087.…

Etat : good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Etat : new. Pages: 132 Language: Russian, English. Academic Drawing at the Russian Art Academy XVIII-XIX centuries This book showcases a collection of some of the best works by past students of the Russian Academy between 18th-19th centuries. It is a quality teaching aid that one can use to study good academic drawings. The large format is great for seeing overall drawing but where this book strikes gold is the subsequent spreads following each drawing with various blown-up detailed shots of the same image, giving you access to specific areas to study and observe the technique used. I really can not recommend it enough! Abdi A 29.01.2014 9785904957049. Nikolay Fedotov (illustrateur).…

Etat : new. Pages: 144 Language: Russian. Odnoimjonnyj katalog priurochen k vystavke "Mgnovenija epokhi" - dolgozhdannyj sovmestnyj proekt Kaliningradskogo muzeja izobrazitelnykh iskusstv i Fonda realisticheskogo iskusstva V. Pustarnakova. V njom predstavleny zhivopisnye proizvedenija bolee 50-ti khudozhnikov-realistov, vypusknikov Akademii khudozhestv. Sredi nikh - M. Avilov. A. Gerasimov, V. Bernadskij, P. Buchkin, I. Varichev, M. Devjatov, F. Zakharov, A. Plastov, A. Gritsaj, A. Levitin, E. Moiseenko, V. Rudnev, A. Rylov, B. Fjodorov, T. Jablonskaja, L. Janush i mnogie drugie. Vse avtory, predstavlennye v kataloge, javljajutsja slozhivshimisja msterami i dostojnymi predstaviteljami russkoj akademicheskoj shkoly, kotorym udalos obogatit realisticheskuju traditsiju novymi zhivopisnymi prijomami i podkhodami, novymi sredstvami khudozhestvennoj vyrazitelnosti. V kataloge predstavleny kartiny, kotorye byli priobreteny na mirovykh auktsionakh Sotheby's, Christie's i Schuler Auktionen za poslednie neskolko let. Raboty vydajuschikhsja khudozhnikov 20-go veka - eto neissjakaemyj istochnik tvorcheskikh idej, vysochajshij uroven masterstva i virtuoznoe soedinenie vsekh vazhnejshikh elementov khudozhestvennogo proizvedenija. 9785117751779.…

Etat : new. Pages: 72 Language: Russian. Basics of drawing. In Russian 9785904957032.

Etat : new. Pages: 88 Language: Russian. Trete i poslednee izdanie serii "Izobrazitelnaja gramota". Predyduschie dva izdanija posvjascheny Osnovam Risunka i Osnovam Zhivopisi. V knige Osnovy kompozitsii avtor, na osnovanii svoego tvorchesstva i opyta raboty so studentami, popytalsja ponjat i objasnit kak rozhdaetsja kartina. Na primerakh vydajuschikhsja russkikh i zarubezhnykh khudozhnikov on pokazyvaet protsess raboty nad eskizami i objasnjaet kakoe znachenie imeet sbor materiala pri sozdanii realisticheskogo proizvedenija. Professor V.A. Mogilevtsev znakomit chitatelja s izobrazitelnymi sredstvami i rasskazyvaet ob osnovnykh iz nikh. Tekst soprovozhdaetsja bolshim kolichestvom illjustratsij. Vizualnyj rjad nesjot osnovnuju informatsionnuju nagruzku, chto delaet etu knigu naibolee ponjatnoj i ubeditelnoj dlja molodykh khudozhnikov. Dannoe uchebnoe posobie budet interesno dlja vsekh, kto khochet postignut tajny professionalnogo masterstva. 9785904957070.…

Etat : new. Pages: 94 Language: Russian. Basics of painting. In Russian 9785904957025.

Etat : new. Pages: 160 Language: Russian, English. Drawings by Students of the Faculty of Painting I.E. Repin Institute "Theoretical generalization of experience of teaching drawing in a personal studio, as well as short studies - sketches, as they are called in our professional environment, are of great interest for mastering the profession of an artist. 'is is especially important that in today's real-life circumstances, these necessary and recommended curriculum assignments are o"en ignored. 'is work is important because today's students are facing many tempting sources that substitute a serious in-depth work. 'e teaching aid Academic Drawings and Sketches, prepared by Professor V. Mogilevtsev, brings us back to the great traditions of Russian art. Confucius once said that it is better to light one candle than to curse the darkness. I think that the experience of the author in organizing and conducting classes in academic drawing will be very useful in the preparation of artists and of course, will be gratefully received by students, teachers and all artists, aspiring to become art masters depicting their inner and outside world." O.A. Yeremeyev, Professor, Head of the Department of Drawing of the I.Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, People's Artist of the Russian Federation, Full-Fledged Member of the Russian Academy of Arts "The teaching aid Academic Drawings and Sketches will certainly become a signi*cant contribution of the Department of Drawing of the I. Repin Institute of the Russian Academy of Arts in the methodical science of training drawing, as it is very capacious and impressively shows the status of this academic discipline for today. 'e project proponent and author of this book Professor V. A. Mogilevtsev managed to *nd and select an extensive illustrative material, to classify and accompany it with an interesting explanatory text. Content, volume, form and general composition of the book make it easy to use and very useful for students and teachers of higher and secondary art education, for art historians and people interested in history and dynamics of the methodology of teaching academic drawing in one of the leading art schools of Russia and Europe." V.V. Pugin, Assistant Professor of the Department of Drawing of the A.L. Shtieglitz Academy of Applied Arts, Honorary worker of higher special education "Drawing is the most important, determinative, one might say, component of the artistic process. Its selfdependent artistic value is hardly attainable without preliminary, at times long practice, comprehension of drawing methods. 'e teaching aid written by V. A. Mogilevtsev, one of the most experienced professors of the Department of Drawing of the I. Repin Institute of the Russian Academy of Arts, is aimed to help a young artist to master skills of drawing a human head and a *gure. Many years' personal experience of teaching enabled the author to create a clear distinct system of work on a drawing. No doubt the given aid will be popular with those who aim to unearth the mysteries of the world of Art." N. S. Kuteinikova, Candidate of Art History, Professor of the Department of Drawing of the I. Repin St. Petersburg State Academic Institute of Painting, Sculpture and Architecture, Honored Artist of the Russian Federation 9785904957018.…