Anteneum (14 résultats)

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Stated First Editon. B&W Illustrations are in the same style of the Beatle's Yellow Submarine drawings. Label with previous owner name on fep. Name also written on page edges. Interior pages do not have tears or folds; tight binding. This is NOT an ex-lib. Yellow cloth covered boards are bright with light soiling along edges of boards and light shelf wear. Illustration on front cover and lettering on spine is in red, very clear and unmarred. DJ still bright and colorful. Tan background has soiling, wear along edges and a closed wrinkled tear. DJ is NOT price clipped; DJ is in mylar jacket. Chwast, Seymour (illustrateur).…

Etat : Fair. Acceptable condition. (juvenile, fiction, mystery) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. First Edition with the "!" in the number line on copyright page. Story is based around relationships to toys and the fairytale world they inhabit. Illustrations are in full color and many are full page Illustrated boards are clean and unmarred; Binding tight. DJ is NOT price clipped and is bright & colorful. Pages are clean without writing, tears or folds. This is NOT an Ex-lib or a Remainder; Note: We use "Fine" book condition judiciously; only when the book exhibits no flaws. A Fine book closely approaches 'As New' condition and may not have been previously owned. Any flaws (writing, tears, creases) are exceptions to a Fine condition and should be clearly described for a book and dust jacket. Joyce, William (illustrateur).…

Softcover. Etat : Very Good. Proof. Paperback Very good in wrappers. Cover rubbed with light soiling.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Second edition. Very good or better in an about Very good dust jacket. Inscription end paper. Dustwrapper rubbed with minor tearing, light wear.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. First edition. Very good in an about Very good dust jacket. Dustwrapper rubbed, soiled, minor tearing.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Book club edition. Volume two only. Octavo. 511pp. Illustrated. Fine in a very good age-toned dust jacket, short tears on spine ends.

Hardcover. Etat : Very Good. Reprint. Two small indentations on rear board, else very good, lacking the dust jacket.

Hardcover. Etat : As New. Dust jacket in mylar cover.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Reprint of the American edition, hardcover issue. Fine in fine dust jacket.

Hardcover. black boards w/ red printing. 256 pgs w/ color, bw illustrations. blue, multi-color dustjacket w/ black printing. ".In this engrossing volume, essays by experts in the field and more than 130 color images showcase the experimental and international extent of Surrealist art during these years. Three of the book's featured artists, Dalí, Miró, and Pablo Picasso, were from Spain, where tensions between right and left after the formation of the republic in 1931 led, five years later, to full-blown civil war. The victory of General Francisco Franco's Nationalist forces over the Republicans in April 1939 was a blow to anti-Fascist hopes throughout the West. Picasso's 'Guernica', painted in response to the bombing of a Basque village in April 1937, was exhibited in Paris at the Exposition Internationale and made a strong case for the relevance of visual art in political discourse. With the onset of World War II in September 1939, brutal hostilities engulfed the whole continent and then the world. Unlike Picasso, who remained in Paris throughout the war, many artists became refugees, and some fled to safety in the Americas. Despite (or because of) the political and personal turmoil, this was a period of surprising brilliance and fertility: avant-garde artists on both sides of the Atlantic pushed themselves to engage artistically with the psychological forces propelling contemporary history. Tapping into classical mythology, folklore, and witchcraft iconography, artists found ways to communicate their feelings and fears in this 'time of distress,' implementing a wide spectrum of new techniques. In the 1930s and 1940s, monstrosities in the real world bred monsters on canvas, in sculpture, on film, and in the pages of journals and artists' books. 'Monsters & Myths' brings together the most vivid and potent of these creations, showing us war through the eyes of some of the twentieth century's most celebrated artists."--WorldCat. Good+ (spine lean; textblock & pgs firm & intact. light wear to boards & corners. dustjacket has an approx 2inch tear to front spine edge; edge-wear; creasing to front upper edge.).…

Etat : Fine. Later. Fine.

Etat : Fine. Book club. Fine.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First edition. Fine in fine dustwrapper. Inscribed to the noted American poet.