ape be (193 résultats)

Paperback. Etat : New. "Three two one fire"'Indian Springs', shot between 2012 and 2013, por-trays the photographic fiction during a day in the life of a drone pilot. "At night I cut across the sandy terrain. With two hands on the steering wheel, the car shoots towards the inter-state to Indian Springs, where I pilot military drones. Grainy pixels spread all over the screen. Day and dreams get blurred, and I ask myself again, as I've done for always, whether I'm living in a dream or in reality. (.) Coffee machine, everyday gestures, settling into a leather armchair: vertical joystick, multiple screens console. The game starts, virtual reality-the grid on the screens grows larger and I venture down into the midst of the colored points, headed towards the convulsing horizon in the distance. Soon enough, I'm surrounded only by gridlines, I'm entirely inside it. I feel good. Every day I experience the same surprise at the first contact with the imperceptible of virtual matter. From my fixed position I'm invisible, unassailable, I dominate in close-up a vast territory. (.)".

Paperback. Etat : New. "In June 2004, I was officially declared by the government of Belgium a vreemdeling - a stranger, an alien, a foreigner. I remember when I was in the fifth grade, we were encouraged to share with the class what we wanted to become when we grow up. Though it seemed like a simple question, we took our time. So by the end of the lesson, we had produced a long list of "occupations" - a baseball player, a comic drawer, a scientist, a businessman or a journalist. It kept going on and on. Anything children at that age could think of, we possibly wrote them all down. On the day I became a foreigner I tried to recall the list, and foreigner was not on it. I guess none of us thought of becoming one. For my residency at Be-Part, I have decided to work on a novel, or rather, a form of a novel. To me, as a visual artist, it is a stretched reality, translated from visual memories, that lives on paper. Brown is a work of fiction and at the same time an autobiographical collage that depicts a potential future self. Despite the immigrant background, Brown is not about racism. It's about how people define and call a place home, and how people struggle when they're socially disabled. If you are away from home, if you are going to be away from home, if you had been away from home, then Brown is a book for you. " Hou Chien ChengIn collaboration with Be-Part Waregem.

Paperback. Etat : New. A pulsar (short for pulsating radio star) is a highly magnetised, rotating neutron star that emits a beam of electromagnetic radiation. This radiation can only be observed when the beam of emission is pointing toward the Earth, much the way a lighthouse can only be seen when the light is pointed in the direction of an observer, and is responsible for the pulsed appearance of emission. Neutron stars are very dense, and have short, regular rotational periods.

Paperback. Etat : New. Contributions by Elvia Wilk, Graham Harman and Adrian MackenzieIn 1959, the American engineer Paul Baran was charged by the RAND Corporation with the task of designing a telecommunications network resilient enough to survive a nuclear attack. A year later Baran published his proposed solution: a network of distributed nodes without a centralized core. He argued that a distributed network would be indestructible because the connections between its nodes were redundant; multiple connections safeguard a system from total destruction if individual nodes are damaged. A decade later, Baran's distributed relay node architecture formed the conceptual framework for the first system of inter-networked computers, which would become the basis for today's decentralized wireless internet. - Elvia Wilk.

Paperback. Etat : New. The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?The fourth book, Choreography as Self-Conditioning, presents a 'written exhibition'. It consists of re-scripted scores originally develop­ed for the architectural space and the live audience of House of Ear, an immersive and intro-active sound parcours conceived and curated by David Helbich and Joris Blanckaert. These scores are DIY versions of the original works that invite readers to re-activate and engage with the thinking processes they stem from.

Paperback. Etat : New. The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter? Through Practices is written by artist researchers who have been involved in a three-day public symposium with the same title, explo­ring ecologies of attention, awareness, senses of participation, and agen­cies of practice. It presents resonances and sedimentations of indi­vidual, shared, and collective practices, mirroring different forms of participating and responding-diverse in/capacities, im/possi­bilities, and dis/interests as they appear in and through experience.

Paperback. Etat : New. Idiosyncratic Machine is a shape-generating drawing method developed by Kristof Van Gestel in the context of his visual artistic practice. The space in between everyday objects become the basis from which unexpected abstract shapes are systematically derived. The artist then uses these abstract shapes in the creation of networks. Tis is how this publication Idiosyncratic Copy Machine was conceived. In collaboration with Niek Pladet, a new procedure was developed that applies the logic of the Idiosyncratic Machine in the graphic realm. Two shapes were placed on the plate glass of a photocopier, copied and cut out. The resulting remainder then became the original for a new copy, again yielding a reminder to be worked with. These steps were repeated 30 times. This publication is the documentation of that process.

Paperback. Etat : New. Together with the landscape-architect Stefan Vidts, Stijn Cole went on a journey from the flat isle of Texel (NL) to the ancient woods of Bialowieza (Pl). Two extremes in the European landscape. The book "2 steps aside" tells the story of that trip and shows 6 pencil-drawings. As the base for these drawings, Cole took a picture at Branitz, a landscape-park in the geographical and conceptual middle of the traject, moved two steps aside and took a second picture of the same subject. The book has a "Concertina" format so the original movement of 180cm is kept. With text contributions by Patrick Ronse and Stefan Vidts.

Paperback. Etat : New. S. P. A. M. Office looks like a traditional modernist office setting; uniform office furniture made up of cheap, low quality - spam - materials, and a coffee machine and all its obligatory accessories being present. Nylon tie-wraps are holding the mocha colored, cheap structural furniture panels together, being an ultimate representation of the volatility of spam. The spam officers - hired by the exhibiting organization - check e-mails, detect spam, print and prepare for a proofread and finally archive the letters. They become performers, wearing the uniform and logo of the 'firm', taking turns in a monotonous disarmament process to which spam is subjected. Of course this company mainly develops nonsensical operations, poetically supported by the decorum of bureaucracy. The messages are stripped of their corrupt, commercial deployment. The release of this book coincides with the performance 'S. P. A. M OFFICE' of Pieterjan Ginckels organized by Be-Part Center for Contemporary Art, Waregem, Belgium, (May 7th till May 15th 2011). Published in collaboration with Be-Part, Waregem (B).

Paperback. Etat : New. Little Blues Booklet is a facsimile of a songbook that Hana Mileti? found on the streets of Brussels. The title, which can be found in one of the songs, refers to the Rhythm-and-Blues style of the handwritten lyrics. As Mileti? wasn't able to return the songbook to its anonymous author she decided to put the book into circulation. For the launch Little Blues Booklet will be activated during a live singing performance by Virginie Honvoh who is trained in traditional jazz, a style at the origins of contemporary RnB. The original lyrics are written from a male perspective. In order to overturn the objectifying descriptions of the female body in the lyrics and in order to distrupt the described gender patterns, Mileti? consciously favoured to give the lyrics a female voice. Modern RnB is not about discrete songs, It's about texture, mood and feel. (Rihanna).

Paperback. Etat : New. Artists: Anne Collier (USA), Brian Clifton (USA), Hanne Darboven (D), Masashi Echigo (JP), Jef Geys (B), On Kawara (JP), Elizabeth McAlpine (UK), Matt Mullican (USA), Bruce Nauman (USA), Cady Noland (USA), Tony Oursler (USA), Philippe Parreno (F), Laurie Parsons (USA), Raymond Pettibon (USA), Sean Raspet (USA), Gerhard Richter (D) and Will Rogan (USA). The Morning News attempts to convey the sense of anxiety that an unsure economy and world state contribute to a calculated exposure to information which leaves the average cultural consumer with a sense that things are out of balance. This is not a show explicitly about the economic crisis; it is about the state of the society when communication is king, when the news at the top of the hour creates an ambience for your daily life, allowing for a quotidian dose of negativity. More than ever, and at an increasingly fast pace, we are exposed to information from a variety of reliable, partisan and objective sources. We can seek out as much or as little as we want; but by the turning on the radio, computer, or television, we are instantly under the influence and effects of current events and how the lens of the media transforms them. curators: Patrick Ronse and Lumi Tan.

Paperback. Etat : New. The books included in the series Choreography as Conditioning are rooted in a cycle of work sessions entitled CASC at KASK, in which students work together with invited guests. They explore the notions of choreography, understood as ways of organizing subjects in their surroundings, and conditioning in both art-making and society-making. Where, how, and by whom are things organized and what kind of landscapes of experience are made (im)possible by the practices we enact and encounter?The Orphans of Tar - A Speculative Opera answers the question posed in the second book by transforming life into voices and presenting possible mindsets through co-authoring a factual fiction. As such, it constitutes a mental space in which ficti­tious characters find an almost disturbing expansion of their thoughts. Accordingly, the book can be considered as an alle­gory of human thoughts as (possible) actions: what could happen becomes what does happen. For better and worse.

Paperback. Etat : New. This essay series attempts to stimulate the debate about the moral challenges that internationalisation confronts us with, both in the Netherlands and abroad, and in particular for Artist-in-Residencies (AIRs). The publication is a reflection on how the crisis is reconsidering our international ambitions, starting from a post-COVID society. Internationalisation is an inevitable reality, inherent to the art landscape. The current time calls for a critical reflection on major issues such as climate inequality, plurality and the Western-dominant canon. With contributions and critical insights by Jeanne van Heeswijk, Jack Segbars, Erik Hagoort, Pascal Gielen, Cecilia Bengtsson, Merlijn Twaalfhoven, Hicham Khalidi, reinaart vanhoe and Suzanne van der Beek. Thanks to Jan van Eyck Academie, Mondriaan Fonds, Prins Bernhard Cultuurfonds en het Amsterdams Fonds voor de Kunst for their support.

Paperback. Etat : New. "I met Lilly when I was working at the Foire du Midi fair in Brussels," says Claude van Halen of his late partner, Liliane Maes. "I met her on the 14th of July 1995. The boss of a bar asked me, « Claude do you want to go with her because her man is beating her? » I said yes. I even left my job for her. I went with her and and we stayed together for so long, for 23 years. "Lilly passed away on 6th June 2018, Claude by her side till the end. The romance between them is kept alive through Vincen Beeckman's pictures of Claude and Lilly. They are pictures of love, small sequences of affection, of touching, holding, kissing and being together in each other's company.

Paperback. Etat : New. Helena van der Kraan (1940-2020) is a photographer's photographer, her photos make you reflect on the ordinary things in life. Due to the great simplicity of both subject and image, the viewer may be inclined to associate a metaphor with what has been photographed, she never tries to steer the viewer's interpretation. For her personally, a bottle remains a bottle. She finds comfort and beauty in the photography of the everyday and is eager to share this with others. This is the first book devoted solely to her still life work, the images in the book are selected to compliment her latest, posthumous, solo Still (a) Life at Madé van Krimpen Gallery. In collaboration with Madé van Krimpen Gallery.

Paperback. Etat : New. "The Cabinet of Traces" is a collection of 73 traces that were left behind by various artists in residency at Air Antwerp from 2012 onwards. The traces presented in this publication form a diverse collection of objects, drawings, little art works, letters, and clothes. Likewise a catalogue of an ethnographic collection, this publication provides all standard technical details with each trace: material, dimensions, title and the artist who created it. Each trace bears its own story. "The Cabinet of Traces" remembers these stories, while feeding new ones. Memories are constructions and the traces in the publi-cation form the basis from which these memories can be created. "The Cabinet of Traces" is a tool that feeds the imagination. It will be passed on to future artists in residency in order to evoke a reaction. New artists will extend the collection.

Paperback. Etat : New. S. P. A. M. Office looks like a traditional modernist office setting; uniform office furniture made up of cheap, low quality - spam - materials, and a coffee machine and all its obligatory accessories being present. Nylon tie-wraps are holding the mocha colored, cheap structural furniture panels together, being an ultimate representation of the volatility of spam. The spam officers - hired by the exhibiting organization - check e-mails, detect spam, print and prepare for a proofread and finally archive the letters. They become performers, wearing the uniform and logo of the 'firm', taking turns in a monotonous disarmament process to which spam is subjected. Of course this company mainly develops nonsensical operations, poetically supported by the decorum of bureaucracy. The messages are stripped of their corrupt, commercial deployment. The release of this book coincides with the performance 'S. P. A. M OFFICE' of Pieterjan Ginckels organized by Be-Part Center for Contemporary Art, Waregem, Belgium, (May 7th till May 15th 2011). Published in collaboration with Be-Part, Waregem (B).

Paperback. Etat : New. Art and architecture project alongside the N16 route. With projects by Tractor (Peter Aerts, Denis Dujardin, Honoré d'O, Lore Perneel, Luc Reuse, Frank Vande Veire, Hugo Vanneste, Dirk Zoete), Architecten De Vylder Vinck Taillieu, Sarah and Charles, Office Kersten Geers en David Van Severen , Michaël Vanden Abeele, Uaps, Wesley Meuris, Architecten Robbrecht en Daem, Valérie Mannaerts, Philippe Vander Maren, Richard Venlet, Ann Veronica Janssens. Text contributions by Joeri de Bruyn, Maarten Van Acker, Jeroen Boomgaard, Isabelle Makay and Oscar Van den Boogaard. Photograpy by Geert Goiris and Kristien Daem. Initiated by the cities Bornem, Puurs, Willebroek and Mechelen in collaboration with VAi, vlaamsarchitectuurinstituut.

Paperback. Etat : New. "Every time I went home to my apartment on the outskirts of Moscow, I passed hundreds of waiting construction workers, mostly guest workers from Central Asia, involved in the construction of the " Elk Island" block of flats. One day, I decided to take out my camera and capture the movement of my passage and my view, and to look back. " - For the occasion of the 4th Moscow Biennale, Debby Huysmans stayed in Moscow for a short period at the border of the Elk Island national park. Debby Huysmans's (°BE,1980) poetic visual language mostly lends itself to rural, small pieces of marked out landscape. In Elk Island Construction Workers she wonderfully manages to translate her photographic ability to the Russian metropolis. Her landscape appears to grow smaller than before, as if she has succumbed to an inherent need of intelligibility. A seemingly unequivocal, poetic gesture. Still, again this is poetry with a sting. Shuffling and wavering, the photographer moves closer, subtle variations in the reactions become visible. Like a game, a classic game, between the maker and the portrayed, between intimacy, privacy, social order and gender. Fortunately, sometimes nature interferes, from behind the fence, that red rigorous fens. (Joachim Naudts).

Paperback. Etat : New. Mastering the Curtains is the result of an intensive research of 2 perspectives in the Islamic Republic of Iran: on the one hand the public and transparent, on the other hand the hidden. The first approach focuses on the content and implementation in the public space of the old popular and politicized street theatre Tazi'yeh. The second approach explores the hidden world of the Sufis and their political difficulties within the current policy. Originally, these seeming opposites have common ground in Iranian collective memory through a rendition of social and spiritual resistance. The four-year research process involved continuous oscillation between exploration and self-reflection. Reflections on religion, other and I, position and opposition, private and public, transparency and control are combined with series of images as in a 'flow of consciousness'. The social potential of secular mysticism is distilled from this research. With the support of the Royal Academy of Fine Arts Antwerp.

Paperback. Etat : New. In 2015 The Maarten Van Severen Foundation and the Department of Design of KASK / School of Arts Ghent decided to establish a chair with the aim of conveying the relevance and significance of Maarten Van Severen's work for today's designers. Every year a leading designer, whose work has an affinity with the work of Maarten Van Severen, will give a lecture and a masterclass. He or she will reflect on the common ground between their work and that of Maarten van Severen and on the qualities of his work in light of the current design culture. The first edition was in the hands of Erwan Bouroullec. In December 2016, Swiss designer Alfredo Häberli gave two lectures and during the same week he hosted a three-day masterclass with 10 students from 5 different art schools. After the masterclass, the participating students kept uploading images of their process on the MVSC blog. The result is a fascinating collection of things, which we proudly present as the second MVSC Cahier at Design museum Gent. It contains a transcription of Alfredo Häberli's lecture and a visual overview of the masterclass that documents the students' progress. Design museum Gent is a structural partner of the Maarten Van Severen Chair. Collaborating schools: KASK/School of Arts Ghent?, ENSAV - La Cambre, ?Design Academy Eindhoven?, Aalto University, Universität der Künste Berlin. Students participating in the book and exhibition: Ruth De Jaeger, Janne Claes, Anse Heestermans, Mathilde Pequeur, Corneel De Corte, Ariane Relander, Jonathan Chan, Mette Kahlos, Stefan Traeger, Maximilian Löw?.

Paperback. Etat : New. Xenia' is a combination of recent and past portraits that Arian Christiaens made of her sister. Christiaens uses the act of making portraits as an attempt to communicate and understand her sister's personality. 'Xenia' handles the search for identity and how people struggle with fitting in society. Next to this search for identity, Christiaens also addresses the limitations of portraiture and the inability of photography to tell the truth. What is constructed and what is real? Who is Xenia as a character and what does she express? The fear to exist, to (not) feel at ease in your own body and environment, the complexity of ones personality are themes that Christiaens deals with in a publication that floats between a photographic documentary and a (staged) story.

Paperback. Etat : New.

Paperback. Etat : New. Masashi Echigo earned his degree in architecture at Musashino Art University, Tokyo, and has lived and spent lengthy periods of time in numerous European cities, participating in collective shows over the past few years. Each experience in each place is represented by individual installations that are spatially and emotionally tied to their context. Each installation, even though conceived independently, necessarily enters into a dialogue with the others, constructing a unique narrative landscape that is in the process of evolution, serving as evidence of his voyage. Like the storyboard for a film, this allows for an unfolding of important events in the relationship between Masashi and the history, inhabitants and culture of, and dominant issues and objects in his host locations. Hans Martens: "Masashi Echigo's work is always about physical and mental space. Or rather, the tensions, contradictions and synergy between the material and the immaterial, between the visible and the invisible, the absent and the present, the literal and what is only suggested. " Published in collaboration with Be-Part, Waregem (B).

Paperback. Etat : New. The towering sign saying 'Meubelgalerie Vynckier' rises up in an ordinary street in the urbanised town of Waregem. The advertising message does not adorn the façade, but covers almost the entire blank side wall, which in Belgium is known as a 'waiting wall'. In anticipation of a neighbour who will build his terraced house or business premises against it, this side wall, in brick and lacking any windows, contributes to the phenomenon of typically Flemish or Belgian ribbon development. The architecture, with its glazed brick and large glass display windows tells us that Meubelgalerie Vynckier must have been built at some time in the 1950s. The period of Expo 58, when Flanders, and with it the rural district of Waregem, enthusiastically embraced modernism. The Vynckier furniture business now no longer exists. An artist has moved into the workshops and makes the showroom available as an exhibition space. However, Meubelgalerie Vynckier was part of another modernity, another vision of furnishings, than that in which the Catalan artist Martí Anson grew up. Joaquim, Martí's father, designed and manufactured furniture with the approach of the modernist avant-garde, which did not conceive of utility objects as an artistic craft or as reduced to the role of consumer goods, but as 'constructions' that contributed to building a better - and more social - society . La Botiga de l'Anson (Anson's Shop), the project at Meubelgalerie Vynckier, does not simply show a number of pieces of furniture inspired by Anson's father's work. It is actually an ambiguous installation. It is in fact a revival of a project that he had already developed for the Species of Spaces exhibition at the MACBA (Museu d'Art Contemporani de Barcelona). In collaboration with Be-PART, Waregem.

Paperback. Etat : New. Between August and November 2014 Stephanie Kiwitt was commissioned by Team Flemish Government Architect to make a photographic work about the outskirts of Brussels: Diegem, Haren, Zaventem, Sint-Stevens-Woluwe, Kraainem, Sint-Pieters-Woluwe, Oudergem, Ukkel, Vorst, Drogenbos, Ruisbroek, Sint-Pieters-Leeuw, Anderlecht, Dilbeek, Groot-Bijgaarden, Sint-Agatha-Berchem, Ganshoren, Jette, Strombeek-Bever, Grimbergen and Vilvoorde. These neighbouring but extremely different areas cannot be conceived in terms of a single unequivocal image. The composition and order of the double pages in this publication do not refer to their geographical origins, but introduce a new order and create a connection related purely to aesthetics of form.

Paperback. Etat : New. F#1-13 is a collection of photographs, sculptures, wind barbs and texts around a gridded flag that blew for thirty-nine days in Citadel Park, Ghent (Belgium). The flag was photographed every third day. A wind sensor, attached to the flagpole, measured the wind direction and speed. The results of the measurements - taken at the same instant as the photographs - were plotted out using wind-barbs. Texts were written based on phenomena, dialogues, manuals, revelations and data along the side-lines of the process of capturing the flag. The uppercase, italicized and sans serif F in the title of this book refers to a north-northeasterly wind of 20 knots coming from the direction of the flag and passing exactly between two nearby museums. This book is made with the kind support of the Cultural Department of the City of Ghent, School Of Arts/KASK, Ghent and Smoke and Dust/019.

Paperback. Etat : New. Les Pierres is a collection of photographs found in books combined with stock photography.

Paperback. Etat : New. This publication is a collaboration between the authors Bart Janssen, Koen Peeters and visual artist Dirk Zoete. This art project is based upon "Langs de wegen", the first novel of Streuvels. This publication is made in response to the residency of Janssen en Peeters at the writers residency "het Lijsternest" at Ingooigem, and of the residency of Zoete at Be-Part, platform for contemporary art in Waregem.Dit boek is een samenwerking tussen auteurs Bart Janssen en Koen Peeters en beeldend kunstenaar Dirk Zoete. Aan de basis van dit kunstenproject ligt Streuvels' debuutroman Langs de wegen. Het boek verschijnt naar aanleiding van het verblijf van Janssen en Peeters in de schrijversresidentie van het Lijsternest in Ingooigem, en van de residentie van Zoete in Be-Part, platform voor actuele kunst in Waregem.In collaboration with Be-Part en Lijsternest.

Paperback. Etat : New. In The Member of the Wedding, a 1946 novel by the American author Carson McCullers, the twelve-year-old protagonist Frankie Addams sighs: 'They were the two prettiest people I ever saw. Yet it was like I couldn't see all of them I wanted to see. My brains couldn't gather together quick enough and take it all in. And then they were gone. You see what I mean?' That Stief DeSmet 'understands' what Frankie means like no other, how could it be otherwise? What he invariably presents in his work, and again in Paradise, Prototypes and Other Deconstructions, is the fragmentary representation of something that is too agile and too fleeting in its totality - far too agile and fleeting - to be fully grasped. Paradoxically enough, that 'something' cannot be equated to what we often call the 'unreal' beauty of supremely attractive people, or to colourful skies filled with billowing clouds, or even with artistic masterpieces. Nor is it related, in a non-aesthetic sense, to the type of incident that is often characterised as 'too good to be true'. That 'something' is unambiguously real - the absolute reality, namely, of an animal. More specifically: a creature that is wild and non-domesticated. In DeSmet's work, this reality appears to be inherently flawed, or rather, it is too fleeting and agile to be seen and experienced, since we are such imperfect, torn and flawed beings. Our brains don't work fast enough, that is true, and furthermore, a new moment dawns with every blink of the eye, each one of which is diametrically opposed to its predecessor. When reality chooses, above all else, to reveal itself in the form of an animal, it perpetually eludes us - 'you see what I mean?' - and to such an extent that it no longer seems to exist. It is this fact that Stief DeSmet seeks to impress upon us with his work. (extract from the text of Christophe Vekeman)In collaboration with Be-Part Waregem.