arter (280 résultats)

paperback. Etat : Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : New. **PAPERBACK**.

paperback. Etat : New. **PAPERBACK**.

Couverture souple. Etat : Très bon.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Etat : Very Good. 1st Edition. 152 pages. Illustrated. (K1/2).

8vo. Original pictorial card covers (softback) (Fine). Pp. 88, illus with coloured and b&w photos (no inscriptions).

Soft cover. Etat : Very Good. Book is in very good condition. 96pp with colour photographs.

Soft cover. Etat : Near Fine. 1st Edition. Softcover, 104pp. Text in Turkish & English. Very minimal cover wear, else fine.

paperback. Etat : New. **PAPERBACK**.

Soft cover. Etat : New. Paperback. 4to. (29 x 25 cm). In English and Turkish. 128 p., color ills. Envy - enmity - embarrassment.= Haset - husumet - rezalet. [Exhibition catalogue]. Edited and curated by Ilkay Baliç. Envy, Enmity, Embarrassment 2/2 provides a visual documentation of the exhibition through installation photos, comprehensive details and video stills of each work in the exhibition. Resembling a photo album, the book is organised in line with the viewer's experience: it begins with the works on the ground floor and follows the viewer's probable route in the space both through installation views and floor plans. The book also includes a number of photos from the exhibition's opening, by Cem Turgay.

Soft cover. Etat : Fine. Paperback. Dust wrapper. Small 4to. (26 x 19 cm). In English and Turkish. 88 p., color and b/w ills. Yet another story about the fall.= Düsüse dair bir baska hikaye daha. Curated by Ilkay Balic. Yet Another Story About the Fall" was Fatma Bucak's first solo exhibition in Turkey and presented new works by the artist along with a selection of her recent works (2012 and 2013). "The Fall" is a concept of central importance in the artist's production. Bucak problematises gender- and identity-based discrimination in her works, and revisits creation myths that regard man as superior to woman, therefore going back to the very beginning, the fall of man from heaven to earth. Bucak produced a new two-channel video installation especially for the exhibition at Arter. Shot at Tuz Gölü (the salt lake in Central Anatolia), the part entitled "And then God blessed them" brings together the female and male archetypes in a harsh and timeless part of nature for yet another confrontation. As in many of her other works, Bucak included her own body in this performance as an anonymous female figure, and was accompanied by a family member: her brother. In the second part entitled "Suggested place for you to see it", we see a group of women Bucak invited to take part in her work as "viewers". The comments of these 13 women become a performance in itself. Their real-time reactions meet the possible comments of the viewers in the exhibition space; and in this manner the installation proposed a contemplation on the position of the viewer in front of a work of art, and our ways of interpreting art. In her works, Fatma Bucak records actions she performs in meticulously designed settings in their entirety. These works, in which she simultaneously engages photography, video and performance, often deploy universal symbols (like in the reference here to The Last Supper which is assigned via the number of viewers). In this manner, Bucak reverses and re-enacts myths, religious parables and autobiographical narratives. The broken loaf of bread, which the artist then tries to sew back in "Blessed are you who come ¿ Solida Fundamenta" recalls the effort two different communities of the same land make to remain together, whereas the egg in the video "I was not able to prevent the fall" gives an uncanny sense about what is about to happen. In the work entitled "Omne Vivum Ex Ovo ¿ Nomologically possible, anyhow", installed at the entrance of the exhibition space, eggs are now being placed in concrete blocks. This 13-screen installation, first exhibited as a 5-screen installation in London at the Catlin Art Prize exhibition in 2013, and redesigned with the addition of music for the exhibition at Arter, returned to the themes of birth and hope associated with the image of the egg this time in association with urbanization. Videos at once both appearing and disappearing on the screens, point at an action with no clear beginning or end: a woman is constantly placing eggs in the holes of countless concrete blocks. Is she doing this so they can mature in their concrete nests and hatch when the time is right? Can life really emerge in this sullen landscape? And if it were to, what kind of creatures would step out from these eggs?

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. (Columbus: Self-published, 1966). 11.5" x 8.5". 97pp, Index. Cloth, unworn, few minor blemishes, endpaper slightly foxed, very good in dj. ; 11.5 x 8.5 inches; 97 pages.

Soft cover. Etat : New. Paperback. 4to. (24 x 22 cm). In English and Turkish. 95 p., color ills. Sophia Pompery's works derive from the artist's interest in everyday objects and physical phenomena. They are motivated by a desire to slow down the sense of time and are characterized by a picturesque quality and a subtly arranged visual element. Born in Berlin in 1984, Pompery studied fine arts and sculpture at Weissensee School of Arts and Institute for Spatial Experiment, University of Arts, Berlin. Since 2004, she has had more than 10 solo shows and participated in several group exhibitions at institutions such as the Tokyo Museum of Contemporary Art and the Reykjavik Art Museum.

Paperback. Etat : Fine. Qto., 160 pages, colour illustrated. A Fine copy.

Etat : As New. in english and turkish.

Soft cover. Etat : New.

Softcover, 216 pages; in English and Turkish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Comme neuf. Couverture différente. Edition 2019. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Different cover. Edition 2019. Ammareal gives back up to 15% of this item's net price to charity organizations.

Stiff Card Paperback with Flap. Etat : New. 200pp. Colour and b&w illustrations. Published to accompany an exhibition of contemporary Turkish art.

Soft cover. Etat : New. 1st Edition. Paperback. Pbo. 120 p. In English and Turkish. Color ills. The book that accompanies the viewers' first encounter with Piccinini's works in Istanbul, comprises of essays by the exhibition's curator Basak Doga Temür, Donna Haraway, Peter Hennessey and Linda Michael, and an interview with the artist held by Laura Fernandez Orgaz. Each essay sheds light on Piccinini's practice encompassing diverse formal and conceptual layers from various perspectives to constitute a comprehensive guide for the viewer strolling through Piccinini's seemingly unusual yet familiar world.

Paperback. Etat : Near Fine. The book has light edge wear, and faint rubbing.otherwise it is in Like New condition, it is clean, crisp, and unmarked.

Soft cover. Etat : New. 1st Edition. Paperback. Pbo. 4to. In English and Turkish. 216 p., color ills. "The publication that accompanies Asli Cavusoglu's exhibition "The Stones Talk" features drawings of the 71 study pieces reconstructed by the artist, 3D sketch renderings of the objects in the exhibition and photos of selected objects. The books includes new essays commissioned exclusively for this publication. Özge Ersoy's curatorial essay is followed by sociologis Asli Gür's text titled "The Fragment That Resists the Story" and based on her research at the Museum of Anatolian Civilisations in Ankara. Revolving around symptoms and dreams as "foreign languages that speak with us", the essay by psychologist and editor Gülin Ekinci proposes a reading of "The Stones Talk" through Freud's work, while curator and writer Adam Kleinman focuses on the role of imagination in our relationship with objects.".

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Very good condition. Price label residue on front of DJ. Some small marks on reverse of DJ. Published in conjunction with the exhibition of the same name held at Arter, Istanbul, 2018. Turkish and English language.

Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket. Hardcover. No jacket. Text in English and Turkish. Volume two of two. Published for the exhibition at ARTER, Istanbul from 28th November 2010 to 27th February 2011. Leading corners are lightly bumped and worn. Light mark on spine head. Spine foot is lightly worn. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket. Hardcover. No jacket. Text in English and Turkish. Volume one of two. Published for the exhibition at ARTER, Istanbul from 28th November 2010 to 27th February 2011. Leading corners are very lightly worn. Spine ends are very lightly bumped. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Hardcover without dustjacket as issued, 176 pages; in English and Turkish; very good condition; light edgewear to covers; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : Fine. 2nd Edition. 2017 second edition paperback in fine condition. No marks to book or cover. Clean and bright, tight, even binding. Minimal shelf wear to the card cover. A lovely copy. Items are dispatched the same or the following working day. Please note our excellent customer feedback.