ashmolean oxford (866 résultats)

Paperback. Etat : Very Good. From 1923 onwards, until overtaken by the onset of colour photography, the Radio Times commissioned and reproduced work by some of the finest illustrators of the twentieth century -- wood engravings, scraperboard, line drawing and watercolour. Amongst the more well-known names in the list of over 150 artists are those of Edward Ardizzone, Quentin Blake, Val Biro, David Gentleman, Charles Keeping, Paul Nash, W Heath Robinson, Gerald Scarfe, Ronald Searle and C F Tunnicliffe. This book, by Martin Baker, himself one of the select band of artists, will include a section on the History of the Radio Times and its patronage of fine illustrators; the reminiscences of an art student in the l930s and of an art teacher in the sixties, with almost 100 reproductions of some of the well-remembered illustrations. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Very Good. The books in this series aim to bring to a wide public the chief glories of the rich and varied collections of fine and decorative art in the Ashmolean Museum. Each volume takes a topic or field in which the Museum's holdings are internationally renowned and provides an introduction for the general reader and a compact guide for the expert. The Ashmolean's collection of Italian High Renaissance painted ceramics, although small, is one of the most significant in the world. This booklet provides a panoramic survey of this vivid "minor art" of Renaissance Italy. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade paperback. Etat : Fine+. Softcover. Appears to be new book in as new condition. Many color plates. ; Ashmolean/Christie's Handbooks; Map, photographs; 0.4 x 8.2 x 5.8 Inches; 80 pages.

Paperback. Etat : new. Paperback. Sumer was a region of the ancient world that today forms the southern part of Iraq. It is a vast, flat land of floodplains formed by the Rivers Tigris and Euphrates. It was here that some of the world's first cities arose and writing was invented. Archaeologists have explored the remains of some of Sumer's ancient settlements. They have made remarkable discoveries at places such as Uruk, Ur, Eridu, Nippur, Kish and Lagash. These show that the people of Sumer were great artists, builders, inventors, warriors and traders. By 3500 BC the population of some Sumerian towns had grown into cities. The largest was certainly Uruk, which had a population of at least 10,000. At this time this would have been the largest settlement on the planet. Writing was invented by the Sumerians around 3200 BC. This script is known as cunieform script and through it readers can learn about the Sumerians in their own words.Readers will discover what is meant by a ziggurat, how cunieform writing works, the importance of cylinder seals and stories of Sumerian kings, heroes and gods. This fascinating book is perfect for Key Stage 2 readers aged 9 and up to gain a picture of one of the earliest civilisations in the world. The story of one of the first and most important civilisations in history, and the first to invent writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : Near Fine. 80 pages, illustrations; 21 cm. Near fine. Tight, clean copy. Age toning. *** "Oxford was the home base for England's Pre-Raphaelite Brotherhood, a group that included, for a time, a few women. This book delves into how and why Rossetti, Millais, Hunt and others broke the conventional rules of picture making in their day." - Publisher. *** CONTENTS: Thomas Combe; The Union murals; Morris and Burne-Jones; Pre-Raphaelites and aesthetes. Size: 8vo.

Paperback. 104pp., 30 b/w illustrations. Minor cover soil, else very good condition.

Paperback. Etat : Very Good. The Ashmolean Museum, founded in 1683, has strong claims to be the oldest surviving institutional museum open to the public, yet, it is also the private museum of the University of Oxford. Over the centuries a continuing pattern of generous benefaction has accumulated astonishing collections in the university, and those in the fields of art and archaeology are concentrated in the Ashmolean. They range in time, from finds seven or eight thousand years old to 20th-century masterpieces. This illustrated volume provides examples of: Early-Chinese bronzes, Ancient Egyptian artefacts, sculptures and coins from classical Greece and Rome, Anglo-Saxon glass, Chinese porcelain, Indian sculpture and manuscript illustration, Islamic ceramics and Japanese screen paintings. Over half the volume is devoted to reproductions from the museum's magnificent holdings of European art - silver, maiolica, porcelain, bronzes and marbles - together with paintings, watercolours and drawings. Works by Giotto, Giorgione, Uccello and Raphael, by Rembrandt and Rubens, by the French Impressionists and by English artists from Gainsborough to Stanley Spencer. The late Sir David Piper, Director of the Ashmolean Museum from 1973-85, compiled the original edition prior to his retirements in 1985. This new edition illustrates additional artefacts, paintings and drawings acquired by the museum during the last decade, selected and described by the present Director, Professor Christopher White. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 4to. 119, [1] pages, indexed. Hardcover with a black pictorial dust jacket. Light wear to the jacket. Illustrated throughout with color plates. A sound copy and clean within.

Paperback. Etat : Very Good. The Ashmolean Museum holds a world-class collection of over 200 prints made by Rembrandt Harmensz van Rijn (1606-1669). Widely hailed as the greatest painter of the Dutch Golden Age, Rembrandt was also one of the most innovative and experimental printmakers of the seventeenth century. Rembrandt was extraordinary in creating prints not merely as multiples to be distributed but also as artistic expressions by using the etching printmaking technique for the sketchy compositions so typical of him. Almost drawing-like in appearance, these images were created by combining spontaneous lines with his remarkable sense for detail. Rembrandt was a keen observer and this clearly shows in his choice of subjects for his etchings: intense self-portraits with their penetrating gaze; atmospheric views of the Dutch countryside; lifelike beggars seen in the streets of his native Leiden; intimate family portraits as well as portrayals of his wealthy friends in Amsterdam; and biblical stories illustrated with numerous figures. This book presents Rembrandt as an unrivalled storyteller through a selection of over 70 prints from the Ashmolean collection through a variety of subjects ranging from 1630 until the late 1650s. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Fine. 1st. 80 pages, colour illustrations; 22 cm. Tight, clean copy. *** "Part of the 'Ashmolean Museum Handbooks' series, this book illustrates and discusses in detail over 50 of the most attractive, rare and important pieces in the collection, from eight known factories, including Vincennes/Sevres, St Cloud, Chantilly, Mennecy and Villeroy." - Publisher. Size: 12mo.

Etat : Fine. 2nd impression. Paperback, F. 80pp, 35 colour illustrations, a fine copy. A brief guide to the Marshall collection of 1st period Worcester porcelain held at the Ashmolean Museum in Oxford. 250 grams.

Hardcover. Etat : Very Good-. Etat de la jaquette : Very Good. Top page ends are lightly foxed, outside page ends are slightly foxed. ; 8.60 X 5.50 X 0.70 inches.

Paperback. Etat : new. Paperback. This creative collaboration between artist Naoko Matsubara and poet Penny Boxall celebrates in words and colours the beauty and variety of the human hand. The series of dynamic woodcuts at the heart of this book was initially inspired by the artists wonder at the busy hand movements of her baby son and grew into a wider celebration of hands in all their extraordinary variety hands engaged in music, sport, prayer, or creative acts. The woodcuts convey a sense of joy and energy, whether exploring the symbolism of gestures, playing with form and colour, or expressing a mood or emotion. Penny Boxalls new poems were specially written to accompany the woodcuts. In their clarity and playfulness, their range of mood and their deceptive simplicity, they form a remarkable creative synergy with the art works. During the coronavirus pandemic the subject of hands and the idea of touch or its absence has taken on a new significance. Many of the images in the series have taken on powerful new meanings: healing hands, hands finding ways to occupy hours of furlough, or hands clapping in support of those working to keep us safe. We are particularly delighted that this elegant book has been designed by Yoshiki Waterhouse, Naoko Matsubaras son, whose baby hands were the original inspiration for the series. The distinguished woodcut artist Naoko Matsubara collaborates with award-winning poet Penny Boxall to celebrate the beauty and versatility of the human hand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Etat : Very Good. Softcover, 8 by 5 3/4 inches, 80 pages, illustrated, bibliography, glossary. Covers have only slight wear and the pages are clean.

hardcover. Etat : Fine copy in fine dust jacket. Profusely illustrated (illustrateur). 1st. Small 4to, 160 pp., With essays by Georges Flandrin, Genevieve Lacambre and Jon Whitely. Edited by Juliet Simpson with editorial assistance from Tim Farrant.

Etat : Fine. 2nd edition, enlarged. Paperback, F. 88pp, 38 colour illustrations, a fine copy. A brief guide to the Italian Renaissance Ceramics, commonly called Maiolica which are held at the Ashmolean in Oxford. 250 grams.

Paperback. Etat : Very Good. The year 2000 marks the centenary of the start of excavations at the site of Knossos on Crete, the centre of a Bronze Age civilisation which its excavator, Arthur Evans, called 'Minoan' after King Minos of Greek legend. The palace which he uncovered there was originally decorated with frescoed wall paintings, some of them showing figured scenes, which mostly survived only in a fragmentary and incomplete state. One of the most striking fresco images, and one which particularly engaged Evans's imagination, is the controversial figure of the Priest-King, whom Evans regarded as a portrayal of one of the priestly rulers of Knossos. This booklet gives an account of the history of its discovery, its re-creation and the important part it played in Evans's vision of Knossos. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Etat : Very Good+. Stapled booklet. ; Oblong 12mo 7" - 7½" tall; 24 pages.

Paperback. Etat : Fine. 1st. 72 pages, colour illustrations; 27 cm. Catalogue of an exhibition held at the Ashmolean Museum, Oxford, 7 February to 8 June 2019. Firm binding, clean inside copy. *** "This is an intimate look at the career of contemporary art's most famous and, reportedly, expensive, artists. Jeff Koons himself curated the art which remains almost as controversial as it was when the works first hit the art scene by storm in the 1980's. Like the rest of the art world, Koons shocked and inspired the Brits and this publication documents his new exhibition at the Ashmolean Museum, one of the world's most distinguished and oldest institutions which has also led the way in interpreting and presenting the important New in art. There are 43 color works along with two in black-and-white - among them his most famous - Equilibrium, Statuary, Banality, Antiquity and the recent Gazing Ball sculptures and paintings. Koons, together with guest curator, Norman Rosenthal, present a tableaux to provoke a unique conversation about the creations and the history of art and ideas with which the work engages. The publication also includes Alexander Sturgis's interview with Koons. From his earliest works Koons has explored the 'ready-made' and appropriated image - using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible." - Publisher. *** CONTENTS: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography. Size: 4to. Collectible.

Paperback. Etat : Very Good. 1st. 104 pages, illustrations; 26 cm. Catalogue of an exhibition held at the Ashmolean Museum, 26 October 1993 to 16 January 1994 and at the National Museum of Wales, Cardiff, 19 March to 15 May, 1994. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. *** An in-depth survey of the French engraver, Roger Vieillard [1907-1989]. The volume includes a comprehensive essay by P.M.S. Hacker on Viellard's engravings, and a detailed survey of his 'livres d'artiste' by Eunice Martin. A personal tribute by Marc Fumaroli, and full biographical data are given." - Publisher. Size: 8vo.

Soft cover. Etat : Good+. First Edition. 80pp. Bound in original soft covers. Minor wear to exterior. Very nicely illustrated. Text clean. Binding sound Size: 4to - over 9¾ - 12" tall. Book.

Paperback. Etat : new. Paperback. The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Societys annual exhibition and privately. The well respected wood Engraver, Anne Desmet, selects 45 of her favourite wood engravings from the Ashmolean collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : Used: Like New.

Trade Paperback. Etat : Fine. 1st Edition. Large paperback in excellent condition, no remarkable flaws to this fine gift copy, they began collecting modern Chinese painting in Sichuan in western China in the 1940s.; ; 224 pages.

Etat : Very Good. 1st edition. Paperback, G+. unpaginated 12pp [ including covers ], b/w illustrations, staples rusted. Slim guide to the 1470 painting 'A Hunt in a Forest' by Paolo Uccello [ 1397 - 1475 ], the Italian painter and mathematician who was notable for his pioneering work on visual perspective in art. 100 grams.

Softcover. Etat : Very Good. Softcover, B&W photos, maps, diagrams (including foldout), bibliography; Research Report (Council For British Archaeology; 4to; viii + 168 pages.

Soft cover. Etat : Very Good. 1st Edition. Paperback in very good condition.

Hardcover. Etat : Near Fine, dust jacket only. Near Fine; Navy paper over boards, illustrated green paper jacket, clean copy in and out, never read, jacket in protective plastic cover, ; 0.7 x 9.96 x 7.32 Inches; 160 pages.