Bittern press (123 résultats)

Paperback. Etat : Very Good. Cover and edges may have some wear.

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Etat : As New. Unread book in perfect condition.

Paperback. Etat : As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

paperback. Etat : Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : New. Moira Bennett casts her perceptive, wry and amused eye over a childhood and adolescence in South Africa and her years raising sponsorship for the Aldeburgh Festival, the Barbican Centre and the London Symphony Orchestra.In her early fifties, Moira Bennett was widowed with a school-age son and in need of a job. With virtually no previous working experience but full of energy and determination, she found herself working at the Britten-Pears Schoolat Snape, helping to run masterclasses for young professional musicians studying with artists such as Peter Pears, Galina Vishnevskaya, Mstislav Rostropovich, Hugues Cuénod and William Pleeth. Her gift for arts administration - understanding the needs of performers and audiences - was soon to become highly valued at Aldeburgh, as she became the Registrar at the Britten-Pears School and went on to create the post of Development Director in the early days ofcommercial sponsorship of the arts. She was later invited to take on a similar role at the Barbican Centre, supporting a series of international arts festivals, before going on to work with the London Symphony Orchestra.In 2012 the Bittern Press published Moira Bennett's history of the Britten-Pears School, Making Musicians, which Classical Music magazine made one its Books of the Year. Now in her early nineties, Moira Bennett has written an extraordinary autobiography, casting an astute eye over her childhood and adolescence in South Africa, the impact of the Second World War and the Apartheid years on the country, and her second, 'unexpected', life in the arts.…

Etat : New.

Etat : As New. Unread copy in mint condition.

Etat : As New. Unread copy in mint condition.

Etat : New. Brand New.

Etat : New. Brand New.

8.5 x 5.5, stapled wraps, 51 pp, bookplate, ink name, cover a smidge darkened. FIRST ED, SIGNED BY AUTHOR.

Paperback. Etat : New. Moira Bennett casts her perceptive, wry and amused eye over a childhood and adolescence in South Africa and her years raising sponsorship for the Aldeburgh Festival, the Barbican Centre and the London Symphony Orchestra.In her early fifties, Moira Bennett was widowed with a school-age son and in need of a job. With virtually no previous working experience but full of energy and determination, she found herself working at the Britten-Pears Schoolat Snape, helping to run masterclasses for young professional musicians studying with artists such as Peter Pears, Galina Vishnevskaya, Mstislav Rostropovich, Hugues Cuénod and William Pleeth. Her gift for arts administration - understanding the needs of performers and audiences - was soon to become highly valued at Aldeburgh, as she became the Registrar at the Britten-Pears School and went on to create the post of Development Director in the early days ofcommercial sponsorship of the arts. She was later invited to take on a similar role at the Barbican Centre, supporting a series of international arts festivals, before going on to work with the London Symphony Orchestra.In 2012 the Bittern Press published Moira Bennett's history of the Britten-Pears School, Making Musicians, which Classical Music magazine made one its Books of the Year. Now in her early nineties, Moira Bennett has written an extraordinary autobiography, casting an astute eye over her childhood and adolescence in South Africa, the impact of the Second World War and the Apartheid years on the country, and her second, 'unexpected', life in the arts.…

Paperback. Etat : New. An insider's perspective on forty years of the Britten-Pears School, generously illustrated and with quotations from the eminent staff and their students - many of whom are now internationally famous.Moira Bennett worked at the Britten-Pears School in its hectic heyday in the 1980s. She charts its forty-year history, embodying its founders' initial vision of a bridge between conservatory and career for gifted young musicians,from ad hoc classes in a grainstore at Snape, to an annual calendar of non-stop courses for singers, string players and ensembles in its own building and fully staged operas in the Maltings, to its current incarnation as the Britten-Pears Young Artist Programme. Some of the most eminent teachers from Europe, the United States and beyond have come to teach at Snape. These include founder-director Peter Pears, Hans Hotter, Joan Sutherland, Galina Vishnevskaya, Jacqueline du Pré, Mitsuko Uchida, Mstislav Rostropovich, Ton Koopman, and members of the Amadeus Quartet. This authoritative and anecdotal historical survey of the work of the School is generously illustrated and studded withquotations from many faculty members and former students.…

Paperback. Etat : New. An insider's perspective on forty years of the Britten-Pears School, generously illustrated and with quotations from the eminent staff and their students - many of whom are now internationally famous.Moira Bennett worked at the Britten-Pears School in its hectic heyday in the 1980s. She charts its forty-year history, embodying its founders' initial vision of a bridge between conservatory and career for gifted young musicians,from ad hoc classes in a grainstore at Snape, to an annual calendar of non-stop courses for singers, string players and ensembles in its own building and fully staged operas in the Maltings, to its current incarnation as the Britten-Pears Young Artist Programme. Some of the most eminent teachers from Europe, the United States and beyond have come to teach at Snape. These include founder-director Peter Pears, Hans Hotter, Joan Sutherland, Galina Vishnevskaya, Jacqueline du Pré, Mitsuko Uchida, Mstislav Rostropovich, Ton Koopman, and members of the Amadeus Quartet. This authoritative and anecdotal historical survey of the work of the School is generously illustrated and studded withquotations from many faculty members and former students.…

Paperback. Etat : new. Paperback. Twenty-five years ago, serial killer Paul Denyer terrorised the bayside suburb of Frankston.Twenty-five years later, the trauma of his seven-week killing spree still haunts the community.The spate of murders in 1993 touched many more lives than just the three victims.All of Melbourne was gripped with fear, as Frankston and surrounding suburbs were flooded with police hunting the serial killer of three young women.It began on June 11 when Elizabeth Stevens was murdered on her way home from the library. On July 8, Debbie Fream who'd left her 12-day-old baby with a friend while she dashed out for milk, was abducted and killed. Three weeks later, Year 12 student, Natalie Russell, was brutally murdered on her way home from school.When Paul Denyer, an odd young man, was arrested the day after Natalie's body was found, the police and public were shocked by his lack of emotion. Denyer, who was only 21-years-old, spoke of the three young women with contempt as he described their final moments. Their deaths had simply fuelled his bloodlust.Eleven years later, just as the public's memory of the Frankston murders began to fade, convicted serial killer, Paul Denyer, made front-page news with his quest to become a woman.The Frankston Murders: 25 years on details the shocking crimes and explores the lingering effects of what Denyer did. Now 25-years-old, Debbie Fream's son Jake speaks for the first time about the loss of his mother. And Carmel and Brian Russell share their dream for Denyer's ongoing incarceration, as the killer of their child will be eligible to apply for parole for the first time in 2023. 'The Frankston Murders: 25 Years On' is a revised edition of the bestselling book by Vikki Petraitis. It details the shocking crimes and explores the lingering effects of Paul Denyer's seven-week killing spree in 1993. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Etat : new. Paperback. Dark Deeds Down Under features a star-filled southern constellation of antipodean crime writers.This crime and thriller anthology, from Clan Destine Press, showcases the breadth and depth of modern Australian and New Zealand crime writing in a collection of brand-new short stories from some of our brightest storytelling talents: international bestsellers, award winners, and fresh voices.Dark Deeds Down Under features some of crime fiction's most beloved 'characters', including Garry Disher's Hirsch, Kerry Greenwood's Corinna Chapman, Vanda Symon's Sam Shephard,Sulari Gentill's Rowly Sinclair, and Shane Maloney's first Murray Whelan tale in 15 years.Joining the Dark Deeds crew with series or new characters are Alan Carter, Nikki Crutchley, Aoife Clifford, Helen Vivienne Fletcher, Lisa Fuller, Narrelle M Harris, Katherine Kovacic, RWR McDonald, Dinuka McKenzie, Lee Murray & Dan Rabarts, Renee, Fiona Sussman, Stephen Ross, and David Whish-Wilson.The anthology concept was to cross-pollinate stories, and characters, from authors with long-running series, with thrilling tales from newer writers known for series or standalone mysteries.Many of the contributors have been shortlisted for or have won a variety of awards including the Ned Kelly, the Davitt, the Ngaio Marsh and the Aurealis.The Commissioning Editor of the series is Craig Sisterson, founder of New Zealand's Ngaio Marsh Awards, international crime reviewer, and author of the non-fiction Southern Cross Crime.The first two volumes of the Dark Deeds Down Under will be published in 2022, and a third in 2023.Future volumes will feature stories from Emma Viskic, Charity Norman, Jack Heath, Peter Corris, Ben Hobson, Helen Fitzgerald, Anna Downes, Dorothy Porter, Jean Bedford, and Robert Gott, among many others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.

Etat : new.

Paperback. Etat : New. Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music - 2021 Book of the Year -Presto MusicThe conductor and pianist Steuart Bedford (1939-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, he took on responsibility for the premiere performances of Britten's final opera, Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.…

Etat : New.

Paperback. Etat : new. Paperback. Moira Bennett casts her perceptive, wry and amused eye over a childhood and adolescence in South Africa and her years raising sponsorship for the Aldeburgh Festival, the Barbican Centre and the London Symphony Orchestra.In her early fifties, Moira Bennett was widowed with a school-age son and in need of a job. With virtually no previous working experience but full of energy and determination, she found herself working at the Britten-Pears Schoolat Snape, helping to run masterclasses for young professional musicians studying with artists such as Peter Pears, Galina Vishnevskaya, Mstislav Rostropovich, Hugues Cuenod and William Pleeth. Her gift for arts administration - understanding the needs of performers and audiences - was soon to become highly valued at Aldeburgh, as she became the Registrar at the Britten-Pears School and went on to create the post of Development Director in the early days ofcommercial sponsorship of the arts. She was later invited to take on a similar role at the Barbican Centre, supporting a series of international arts festivals, before going on to work with the London Symphony Orchestra.In 2012 the Bittern Press published Moira Bennett's history of the Britten-Pears School, Making Musicians, which Classical Music magazine made one its Books of the Year. Now in her early nineties, Moira Bennett has written an extraordinary autobiography, casting an astute eye over her childhood and adolescence in South Africa, the impact of the Second World War and the Apartheid years on the country, and her second, 'unexpected', life in the arts. Moira Bennett casts her perceptive, wry and amused eye over a childhood and adolescence in South Africa and her years raising sponsorship for the Aldeburgh Festival, the Barbican Centre and the London Symphony Orchestra. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Etat : Fair. 1st Edition. Firmly bound with some damp marks affecting the top and lower margins of the first few pages, otherwise good. Illustrated with numerous black and white photographs (illustrateur).

Paperback. Etat : new. Paperback. An insider's perspective on forty years of the Britten-Pears School, generously illustrated and with quotations from the eminent staff and their students - many of whom are now internationally famous.Moira Bennett worked at the Britten-Pears School in its hectic heyday in the 1980s. She charts its forty-year history, embodying its founders' initial vision of a bridge between conservatory and career for gifted young musicians,from ad hoc classes in a grainstore at Snape, to an annual calendar of non-stop courses for singers, string players and ensembles in its own building and fully staged operas in the Maltings, to its current incarnation as the Britten-Pears Young Artist Programme. Some of the most eminent teachers from Europe, the United States and beyond have come to teach at Snape. These include founder-director Peter Pears, Hans Hotter, Joan Sutherland, Galina Vishnevskaya, Jacqueline du Pre, Mitsuko Uchida, Mstislav Rostropovich, Ton Koopman, and members of the Amadeus Quartet. This authoritative and anecdotal historical survey of the work of the School is generously illustrated and studded withquotations from many faculty members and former students. An insider's perspective on forty years of the Britten-Pears School, generously illustrated and with quotations from the eminent staff and their students - many of whom are now internationally famous. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. 2012. Paperback. A Personal History of the Britten-Pears School. 224 pages, 120, 120 black and white. An insider's perspective on forty years of the Britten-Pears School, generously illustrated and with quotations from the eminent staff and their students - many of whom are now internationally famous. Cateogry: (P) Professional & Vocational. BIC Classification: JNL; WQH. Dimension: 239 x 168 x 15. Weight: 642. . . . . .…

Paperback. Etat : New. Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music - 2021 Book of the Year -Presto MusicThe conductor and pianist Steuart Bedford (1939-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, he took on responsibility for the premiere performances of Britten's final opera, Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.…

Etat : New. 2017. Paperback. . . . . .

Etat : New. pp. 208.

soft cover. Etat : Fine, near new condition. No Jacket. 1st edition. 24 cm. 257 pages.