Bond works (14 résultats)

Hardback. Etat : New.

Etat : New.

Hardback. Etat : New.

HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

pp. x, (ii), 106, (ii) blank. [One of the last poems is signed with the above initials, in letter-press not ms.]. Original brown cloth, spine faded else a very good copy. *VERY SCARCE with only one location recorded by COPAC - the Hathi Trust Digital Library.

Hardcover. Etat : Good. No Jacket. Large quarto in three volumes. [11.50 tall x 9.50 wide]. Collates complete including the 32 copper plates. Good, solid and sound copies. With some spotting intermittently throughout, including to some of the plates. Overall a good set of this work by Spenser. Bound in contemporary calf bindings with gilt spines & morocco labels. Re-backed with the original spine leather re-laid. A little rubbing else sound and attractive period bindings. MULTIPLE PHOTO IMAGES AVAILABLE. CONTACT US TO REQUEST. LARGE/HEAVY SET OF BOOKS, WILL REQUIRE ADDITIONAL SHIPPING.…

3 volumes. Very Scarce First Printing of the Edition. A copy with pleasing provenance, coming from the library and with the bookplate of John Templer who was educated at Westminster School, and Trinity College, Cambridge, graduating in 1836. He was admitted to the Inner Temple in 1837. Templer became a close friend of James Brooke through his elder brother James Lethbridge Templer (18111845), of the East India Company Merchant Navy. Templer acted as Brooke's legal counsel. In 1853 Templer was called to the bar, and from 1854 he was one of the Masters of the Court of Exchequer Illustrated with 32 very finely engraved full-page copper plates, and engraved head and tailpieces and initials throughout. Large, thick quartos, in very fine contemporary polished calf, the spines with raised bands gilt ruled, two compartments with fine contrasting maroon and black morocco lettering labels gilt, the remaining compartments with central gilt tooling, original endleaves. [2], lxiii, xxxvii, 453, [2]; [2], 450; [2], 440 pp An unusually fine, handsome, and beautifully bound set. The bindings are in excellent condition, and these are crisp, clean copies, especially so. Very rarely are such fine copies encountered in the marketplace. TRULY FINE COPIES OF THIS BEAUTIFUL PRINTING OF SPENSER'S FAIRIE QUEENE, ONE OF THE GREATEST WORKS IN THE ENGLISH LANGUAGE. Edmund Spenser stands with William Shakespeare and John Milton in the history of English poetry and litereature. He is recognized as one of the premier craftsmen of modern English verse from its infancy, and one of the greatest poets in the language. Spenser was known to his contemporaries as "the prince of poets" and was said by them to be "as great in English as Virgil in Latin". He was greatly preferred over Shakespeare by Queen Elizabeth and many others of the day. He left behind his masterful essays in every genre of poetry, from pastoral and elegy to epithalamion and epic. A century later John Milton would call Spenser "a better teacher than Aquinas" and was greatly influenced by him. Since then, generations of readers have admired his subtle use of language, his imagination, his immense classical and religious learning and "his unerring ability to synthesize and, ultimately, to delight". THE FAERIE QUEEN is Spenser's best known work, and arguably his best. It is especially notable for its form: it was the first work written in what is now called Spenserian stanza, and is also one of the longest poems in the English language. An allegorical work, written in praise of Queen Elizabeth I, it is largely symbolic, the poem follows several knights in an examination of several virtues. It found, not surprisingly, great political favour with Elizabeth I and was such a public success that it quickly became Spenser's defining work. The last six books of the twelve Spenser intended were never written, though two cantos noted as the Seventh and Eighth Bookes appear here.…

Hardcover. Price: 0 L, 12 S, 0 D" No date but circa 1819. Folio, engraved title page and 61 pages of engraved music. Scored for 4 voices in Latin (Soprano, Alto, Tenor, Bass), and 2 parts for Piano Forte. 1/2 leather and marbled boards with gilt decoration on spine, and with red leather label on front cover. Spine ends and front covers bumped. Otherwise fine.…

Etat : Very Good. 1st Edition, Illustrated Edition. THREE VOLUMES. FIRST WILLIAM KENT EDITION. 4to.(11 x 8.9 inches). Illustrated with 32 fine full page copper engraved plates by Kent. Bound in contemporary mottled calf boards, re-spined to match in recent calf. Raised bands, each compartment with gilt ruled lines. Red and black morocco labels, ruled and lettered in gilt. The re-spine has been done sympathetically and by a skilled bookbinder. Inner hinges strengthened. Early armorial copper engraved Bookplates of previous owner, A. H. Christie of the Clan Christie in Scotland, on the front paste-down endpaper of each volume. Overall a very good, tight and solid set of this most beautiful edition, in attractive 18th century leather boards and with expert repair work. A very attractive illustrated edition.…

Vol. I: [iv], lxiii, [blank], xxxvii, [blank, 2], 453, [1]pp., 2pp contents misbound after dedication f., errata misbound after Life of the Author; Vol. II: [ii], 450pp; Vol. III: [ii], 440pp. 32 engraved plates; paper repairs to corners of titles & following blanks. Contemp. calf, expertly rebacked & recornered; the odd repair to edge. E.ps renewed with blue marbled paper. Engr. armorial bookplates on leading pastedowns. A very attractive set. ESTC T35152. Originally published in 1596. A richly illustrated edition of Spenser's English epic masterpiece. Edmund Spenser, c.1552-1599, was a English poet and important figure in establishing Modern English verse. He best known for this allegorical poem which celebrates Elizabeth I and Tudor rule and coins a new stanza form.…

Hardcover. Etat : new. Hardcover. THIS BOOK WAS NOT WRITTEN AFTER THE FIRE. IT WAS WRITTEN LIVE WHILE THE ENDING WAS STILL UNKNOWN.The first ten Furnace Papers were published during the tail end of an initial ten-month siege of complex PTSD. Almost no one knew what Dustin Bond was enduring. Readers saw papers about strength, duty, marriage, fatherhood, work, and permanence before they knew the furnace beneath them.Paper XI, The Crucible, revealed it.The writing continued as the story itself continued: through diagnosis, failed therapies, advanced treatment, baptism into the Orthodox Church, a confrontation with death, reconstruction, and return. The completed manual traces September 12, 2024, through December 16, 2025.The reader does not receive a recovery story arranged after the fact. The map reveals itself in the same order Bond found it.Before the collapse, Bond was a combat-sports athlete, ultramarathon runner, marksman, executive, founder, husband, and father. He had spent a lifetime turning pressure into performance. The discipline was real. So were the accomplishments. But the furnace exposed the limits of an operating system built around achievement, endurance, and the refusal to stop.The Furnace Papers moves from public philosophy to private witness, from counterfeit strength to covenant, from childhood violence and exile to marriage, fatherhood, career ascent, trauma, faith, and survival. Its archetypes name the Hollow Men, the Usurpers, the Hangers-On, the Steward, the Grizzly Bear, and the Mercenary. Its final witness asks what remains when strength, status, certainty, and self-reliance burn away.At the center is Miranda. She is not a supporting figure in the recovery story. She is the covenant through which its meaning becomes visible.Her endurance reveals the book's deepest claim: a man does not become whole by becoming invulnerable. Strength must finally be ordered toward love: God, wife, children, truth, work, and permanence.Work is not worship.Team is not family.The contract is not covenant.Achievement is not peace.This is a personal witness, a field manual, and a map for high-performance men and their spouses. It records a man learning in real time that survival is not the end.The end is return.Written in Blood. Sealed in Light. Written live while the ending was unknown, The Furnace Papers traces a fifteen-month passage through complex PTSD, faith, covenant, and return. A field manual for high-performance men and their spouses. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - THIS BOOK WAS NOT WRITTEN AFTER THE FIRE. IT WAS WRITTEN LIVE WHILE THE ENDING WAS STILL UNKNOWN.The first ten Furnace Papers were published during the tail end of an initial ten-month siege of complex PTSD. Almost no one knew what Dustin Bond was enduring. Readers saw papers about strength, duty, marriage, fatherhood, work, and permanence before they knew the furnace beneath them.Paper XI, The Crucible, revealed it.The writing continued as the story itself continued: through diagnosis, failed therapies, advanced treatment, baptism into the Orthodox Church, a confrontation with death, reconstruction, and return. The completed manual traces September 12, 2024, through December 16, 2025.The reader does not receive a recovery story arranged after the fact. The map reveals itself in the same order Bond found it.Before the collapse, Bond was a combat-sports athlete, ultramarathon runner, marksman, executive, founder, husband, and father. He had spent a lifetime turning pressure into performance. The discipline was real. So were the accomplishments. But the furnace exposed the limits of an operating system built around achievement, endurance, and the refusal to stop.The Furnace Papers moves from public philosophy to private witness, from counterfeit strength to covenant, from childhood violence and exile to marriage, fatherhood, career ascent, trauma, faith, and survival. Its archetypes name the Hollow Men, the Usurpers, the Hangers-On, the Steward, the Grizzly Bear, and the Mercenary. Its final witness asks what remains when strength, status, certainty, and self-reliance burn away.At the center is Miranda. She is not a supporting figure in the recovery story. She is the covenant through which its meaning becomes visible.Her endurance reveals the book's deepest claim: a man does not become whole by becoming invulnerable. Strength must finally be ordered toward love: God, wife, children, truth, work, and permanence.Work is not worship.Team is not family.The contract is not covenant.Achievement is not peace.This is a personal witness, a field manual, and a map for high-performance men and their spouses. It records a man learning in real time that survival is not the end.The end is return.Written in Blood. Sealed in Light.…

Buch. Etat : Neu. The Furnace Papers | A Field Manual for Survival and Covenant | Dustin Bond | Buch | Englisch | 2025 | Bond Works | EAN 9798218894498 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.