Camera work (22 résultats)

hardcover. Etat : very good. no jacket. Like new.

Soft cover. Etat : Very Good. No Jacket. Text in French and English. There is some yellow highlighting in English text: Otherwise would be near fine.

Hardcover. Etat : Gut. 59 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. N06182 9783000284571 Sprache: Englisch Gewicht in Gramm: 1050.

Softcover. First Edition; First Printing. Very Good+ in wraps.; 65 pages.

Soft cover. Etat : Near Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Signed association copy inscribed to Arnold Gassan and signed by Les Sattinger. Includes a laid-in letter to Gassan from Sattinger. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Les Sattinger. Poetry by Deborah Cowder. 66 pp., with black-and-white plates throughout. 9 x 8 inches. Near Fine (moderate surface wear, else Fine). Signed by Author.…

Couverture souple. Etat : Très bon. Non paginé, textes + 84 planches. Catalogue d'exposition. Ouvrage bilingue français-anglais. Size: In-4.

33 cm, Paperback. Etat : Gut. 64 Bll. (128 S.) mit ganzseitigen, teils doppelblattgroßen Fotos von Riefenstahl (102 Duotone-Tafeln und 49 Abb. im Anhang) ,], 64 Bll. (128 S.) mit ganzseitigen, teils doppelblattgroßen Fotos von Riefenstahl. Erste Auflage mit Sportfotos von Riefenstahl / Leichte Lagerspuren / Gutes Exemplar / Fol 64676 Fol Sprache: Englisch Gewicht in Gramm: 2957.…

pp.69-82, wraps, 8.5x12 inches, wraps heavily chipped along edges, leaves unopened else good condition. Reprinted from Camera Work Numbers 42-43, April-July 1913. Manifesto in favor of "New Art," i.e. modern art, by the anarchist art critic, a teacher at the Ferrer Center in NY. In 1915, Weichsel founded the People's Art Guild, an artist-run organization intended to bring art directly to the masses and provide an alternative to costly gallery shows. Camera Work, which was published between 1903 and 1907, was an influential art magazine founded by Alfred Stieglitz.…

pp69-82, wraps, 8.5x12 inches, wraps heavily chipped along edges, p.69/70 dampstained along top edge, else good condition. Reprinted from Camera Work Numbers 42-43, April-July 1913. Manifesto in favor of "New Art", i.e. modern art, by the anarchist art critic, a teacher at the Ferrer Center in NY. In 1915, Weichsel founded the People's Art Guild, an artist-run organization intended to bring art directly to the masses and provide an alternative to costly gallery shows. Camera Work, which was published between 1903 and 1907, was an influential art magazine founded by Alfred Stieglitz. …

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : As New. First Edition. Published on the occasion of the exhibition "Josef Breitenbach" held Sept. 18-Oct. 30, 2004 at Galerie Camera Work, Berlin. Cover title. Essay by Susanne Schmid. Large format 8 x 11.7 inches, 28 pages, 2 pages text in German, insert of these pages in English, plus b/w photographs; condition As NEW.…

4°, schwarzer OLnbd. mit montiertem s/w-Abbildung und graugepr. Deckel- und Rückentitel; 59 (1) Seiten mit zahlr. s/w- und einigen Farbabbildungen auf Tafeln; Einband gering angestaubt; montiertes Foto mit leichten Läsuren; sehr sauberes Exemplar. Text deutsch/englisch. ISBN 9783000284571.

weicher Einband. . 21 x 29,8 cm, Broschur, unpaginiert. * Kanten etwas berieben, ansonsten sehr guter Zustand (K20).

Soft cover. Etat : Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated matte laminated wrappers with French folds; contained in a red paper-covered slipcase with title printed in red on front. Film stills and photographs by Leni Riefenstahl. Essay (in German, English and French) by Michael Krüger. Includes a biography/chronology and an illustrated list of modern prints. Art direction by Christian Diener. Unpaginated (128 pp.), with 102 duotone plates and numerous reference illustrations finely printed by Novaconcept, Berlin. 13 x 10-1/4 inches. Published on the occasion of the 2000 exhibition Leni Riefenstahl at Galerie Camera Work, Berlin. Fine. Features images from Riefenstahl's 1938 film Olympia.…

64 Bll. (128 S.) mit ganzseitigen, teils doppelblattgroßen Fotos von Riefenstahl. Erste Auflage mit Sportfotos von Riefenstahl (gutes Exemplar, Schuber teils etwas berieben). Sprache: Deutsch Gewicht in Gramm: 2400 4°. Orig.-Klappbroschur im roten Orig.-Kartonschuber.

EA, 33x26 cm, nn S., OKart. i. Schu., beiliegend von Riefenstahl signierte Einladungskarte, sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien. …

Soft cover. Etat : Good. First Edition. 58pp. plus ads. Handling smudge on FFEP but contents remain clean. Six mounted photogravures and halftones after Hill and Adamson. Two photogravures after Alfred Horssley Hinton. One halftone apiece by Edward Steichen and Robert DeMachy. Photos clean and unmarked. Spine splitting but binding secure. Wear to edges. Previous owner's name in pencil on upper left corner of front panel. Good copy, all told, of the 11th issue of Stieglitz's hugely influential journal of photography. Book.…

2 volumes, small folio, illustrated with 9 and 11 original photogravures respectively, original printed wrappers. Among the most sought-after issues ofCamera Work, these two numbers are complete and in remarkable condition. The plates are clean, free of foxing and creasing. The text blocks are clean, bright, and sound, largely unopened. A bit of offsetting from plates to the facing pages as usual, somewhat more pronounced in No. 49/50, but not affecting the images themselves. Wrappers are clean, with only very light wear; the hinges are firm, and there is no creasing or darkening of the spines. Overall both issues are in near fine, and extremely scarce thus. Among the most sought-after issues ofCamera Work, these two numbers are complete and in remarkable condition. The plates are clean, free of foxing and creasing. The text blocks are clean, bright, and sound, largely unopened. A bit of offsetting from plates to the facing pages as usual, somewhat more pronounced in No. 49/50, but not affecting the images themselves. Wrappers are clean, with only very light wear; the hinges are firm, and there is no creasing or darkening of the spines. Overall both issues are in near fine, and extremely scarce thus. First (only) editions of thefinaltwo issues of Alfred Stieglitz's monumental photographic periodical,Camera Work, including, in number 48, the earliest appearance in print of the work of Paul Strand, and in number 50, an issue entirely dedicated to the work of Strand. Limited to 500 copies printed. "Theworkof Paul Strand was the first photography to excite Stieglitz in a long time. He saw Strand as practicing a truly photographic version of the kindof forceful representation he found in painters like Picasso and Matisse, and he presented Strand'sworkas a clean break, even changing the time-testedproduction methods ofCameraWork, Strand's photogravures were printed on thicker paper and with different inks." - Roth 101, pp. 42-43. Issue No. 48 includes six photographs by Strand, six halftones by Steiglitz of installations at his gallery 291, and single photographs by Frank Eugene, Arthur Allen Lewis and Francis Bruguiere. Issue No. 49/50 includes eleven original photogravures, all after work by Strand, among them "The White Fence", "Abstraction Porch Shadows", and "Abstraction Bowls".One cannot overestimate the importance of these two issues of Camera Work. As Milton Brown has noted, the appearance of Strand's portrait series herein "was a revelation. Even today they are strikingly powerful images; they were then a new stage in photographic realism. The close-up views and cropping of negatives cut off the subjects from their environment, sometimes even breaking the frame and riveting attention entirely on the physiognomic and psychological revelation of individuality, character, and social condition. . . . Strand's experiments with abstraction and the machine were his unwitting contribution to the history of photography: the portraits, basic to the rest of his development, are the first clear expression of his own aesthetic philosophy." - Milton W. Brown, "The Three Roads", in Paul Strand: Essays on His Life and Work. Edited by Maren Stange. (Aperture, 1990), p. 29. Although not noted in the volumes, these two issues of Camera Work came from the collection of James Johnson Sweeney, at various times the Curator of Painting and Sculpture at MOMA, the second Director of the Guggenheim Museum, and the Director of the Museum of Fine Arts Houston.…

4°, Klammerheftung, ohne Paginierung (16 Bl. u. eine Faltmappe) - sehr gutes Exemplar. Buch.

First edition. 4to., 56 pp., 6 hand-pulled photogravures, 1 color halftone reproduction, 1 duotone, 2 b&w halftones, (18) pp. adverts. Printed wrappers, yapped edges, chipped and worn, lacking spine, wrappers detached. Five photogravures and one color halftone by Alvin Langdon Coburn; two halftones by Will A. Cadby; one photogravure by W.B. Post. Coburn, Alvin Langdon (illustrateur).…

First edition. 4to., 62 pp., complete with 14 hand-pulled photogravures, (12) pp. adverts. Custom binding of full tan calf, with black and gilt label on front and stamped leather label on spine. The original printed wrappers are bound in. Very slight foxing to endpapers, else fine. Ten photogravures by George H. Seeley and four by Marius De Zayas of sketches. The custom binding was created to compliment the design of Camera Work's printed wrappers. Seeley, George (illustrateur).…

No Binding. Etat : Near Fine. An extraordinary photogravure in beautiful condition of out of focus headshot (19.7 x 15.5 cm). Tipped onto full sheet of original 1897 Enfield paper. Neatly taken from the scarce issue (it wasn't me, sir). One of the few truly great portrait photographers.