Capricious (130 résultats)

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Etat : New.

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Paperback. Etat : New. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded. Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin. Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. - Rachel KushnerAllegory and satire, alert and conscious, Hannah Black's Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Black's wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. - Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Black's new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Black's calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly it's no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. - Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isn't real, and chance, which is. But just as "the world resists its reduction to winter," Hannah Black's writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really can-partially, briefly, and when it matters most-sometimes be achieved. - Benjamin Krusling.…

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. Minimal wear to cover. Pages clean and binding tight. Paperback.

Etat : New.

Paperback. Etat : New. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded. Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin. Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. - Rachel KushnerAllegory and satire, alert and conscious, Hannah Black's Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Black's wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. - Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Black's new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Black's calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly it's no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. - Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isn't real, and chance, which is. But just as "the world resists its reduction to winter," Hannah Black's writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really can-partially, briefly, and when it matters most-sometimes be achieved. - Benjamin Krusling.…

Paperback. Etat : new. Paperback. Tuesday or September or The End by Hannah Black is an incisive and playful work of speculative fiction that explores the rupture year of 2020, when aliens finally invaded.Hannah Black is an artist and writer from the UK. She lives in New York. She has written for a number of publications including The New Inquiry, Artforum, and Bookforum. Her previous books include Dark Pool Party (2016) and Life (2017, with Juliana Huxtable). She is represented by the galleries Arcadia Missa in London and Isabella Bortolozzi in Berlin.Praise for Tuesday or September or the End: Tuesday or September or the End puts calendar time back into messianic time, and also the reverse. An account of the last two disorienting years in history, in our lives, this intimate and funny and abstract fiction uses fable, and unreality, to flood a reader with the real, to remind her what is at stake. Rachel KushnerAllegory and satire, alert and conscious, Hannah Blacks Tuesday or September or the End, is an existential novel. Narrative innocence is not the engine of this work; knowledge of life in the modern is. Bird and Dog, Blacks wide awake and dreaming characters, are electric and wise. This novel is fluent in our dystopia and utopia. Dionne BrandAn acid calendar of planetary rot and revolt, Hannah Blacks new novel listens for that alien language of the future: total social transformation. Staging debates on communism and social democracy, or unraveling the double helix of race and capitalism, Blacks calendar is one that breathes and breaks, figuring the temporal hiccups of revolution. Suddenly its no longer endless winter and our narrator Bird, much like chirping in early spring, brings us to witness the reanimation of the world. Greg NissanIn Tuesday or September or the End, we see ourselves battered by time, which isnt real, and chance, which is. But just as the world resists its reduction to winter, Hannah Blacks writing, in its passionate grasp of possibility, resists spiritual suicide. The book is deeply felt because the pain of attachment is close to its center and funny because life is currently absurd. But what I love most about it, reading its compact brilliant sentences in this sunless covid afternoon, is the way it makes an argument for clarity, which really canpartially, briefly, and when it matters mostsometimes be achieved. Benjamin Krusling Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Paperback. Etat : Brand New. 132 pages. 7.25x5.25x0.50 inches. In Stock.

Paperback. Etat : Brand New. 132 pages. 7.25x5.25x0.50 inches. In Stock.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

First Edition. First edition. Softcover. Features an essay by Dorothy Moss. A collection of over 70 color photographs taken between 2008 and 2015 at beaches in Coney Island and Brighton Beach. A fine copy in photo-illustrated wrappers.

Etat : New.

paperback. Etat : New. Condition Notes: New from the publisher.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Etat : New. Special order direct from the distributor.

Soft cover. Etat : As New. 1st Edition. Softcover, side-stapled. 40 pgs. 5.25 x 7.5". Hand-numbered #77/750. As new. Created in conjunction with de Mooij s exhibition at Capricious Space in 2010, Muddy, or the inexplainable growth of gravity holds an idiosyncratic variety of original and found photographs (in full-color and duotones), screen prints, and watercolor paintings.…

Etat : As New. Unread book in perfect condition.

Paperback. Pink wraps with gilt stamped lettering. Unpaginated. Mainly color illustrations. "Stranger Lives is a vibrant taxonomy of sunbathers developed primarily on the sand between Coney Island and Brighton Beach from 2008 to 2015. Shot with a Mamiya RZ 6×7 camera and Kodak Portra film, the photographs possess a sharp focus and flattened perspective from above, invoking a specimen-like quality. Through this work, Price plays with the legacy of the uncanny making the familiar strange, and drawing the viewer into an intimate and voyeuristic exploration of object and body," --Publisher's website. VG- light curling to cover edges.…

Hardcover. Etat : new. Hardcover. A beautifully produced monograph on a rising star exploring postcolonialism and gender in photographyShortlisted for the Aperture-Paris Photo Photobook of the Year 2021, Hello Future is a culmination of Farah Al Qasimi's (born 1991) photographic, performance and film practice, unified within her keen focus on surface and texture, and the revealing visual influences of the splashy and florid. Al Qasimi examines postcolonial structures of power, gender and aesthetics in the Persian Gulf states and global cultural confluence and migration at large. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.