Ccs bard (32 résultats)

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : Very Good. Hardcover without dustjacket as issued, 312 pages; small indents to front cover; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Softcover. Etat : Very Good Plus. [ART]. Liam Gillick, Tom Eccles. "From 199A to 199B." Annandale-on-Hudson, NY: The Center for Curatorial Studies at Bard College and CCS Bard Hessel Museum of Art, 2012. English language. Softcover. Text with black and white photos. 7 x 5 inches. 5 oz. 82 pp. Shelfwear. Text clean. Very Good Plus. ISBN: 9781936192229. "'Liam Gillick: From 199A-199B' revisits a formative period of the artist?s career in France, Germany, Italy, and England, prior to his move to New York in 1998. This period took place during the recessionary years of the early 1990s, a dynamic period of artistic change, during which artists from the United States were exposing the workings of the gallery and institution while challenging the traditional status of artistic persona. In Europe, artists were turning their attention to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall. Considering the relationship between the artist, the institution, and the audience to be mutually co-dependent in the creation of meaning, Gillick created situations where the outcome of the work was incomplete without involving the institution and the exhibition visitor.". …

Etat : New.

Hardcover without dustjacket as issued; 168 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 144 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 240 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 208 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by CCS Bard Hessel Museum, 2012. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Softcover, 192 pages, new condition, still sealed in shrinkwrap with enclosed booklet; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 168 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : Near Fine. oatmeal cloth boards w/ blind-stamped lettering. 168 pgs w/ color illustrations. white, glossy dusttjacket w/ black, grey printing. A sharp, bright copy; appears unread or lightly handled. Beautifully illustrated with the works of the famed contemporary art collections. Includes a '21 Questions' interview with the couple. Near Fine (creasing to back, upper corner. dustjacket has creasing to upper corners, light scratches & scuffs). …

Exhibition invite that unfolds, 6 x 8 inches; very good condition; an unmailed copy.

Etat : New. In English.

Hardcover. Etat : Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Exhibition invite, 5 x 8 inches; very good condition; an unmailed copy.

Hardcover. Etat : LikeNew. This copy is brand new in shrink wrap. However, the shrink wrap is torn on the corners which show some light bumping and scuffing.

Soft cover. Etat : Near fine. No jacket. Two volume set, complete with Lawrence Weiner belly band. Sealed in original shrink-wrap. Almost new condition. Top corner of first volume is very slightly worn, but otherwise both volumes are presumably in excellent condition.

Exhibition invite, 4 x 6 inches; with separate text sheet; very good condition; an unmailed copy.

Near Fine, trace shelving wear. 8vo, perfect-bound in illustrated wrappers with french flaps, 239 pp.

Etat : Good. 12mo. Soft Cover [ ca. 90 pp.] B&W and Color Plates. Very GoodProvenance: From the library of the San Francisco Gallerist Pasquale Iannetti.

Soft cover. Etat : Very Good. 1st Edition. From the collection of the NYC photographer Barbara Ess, associated with the NO Wave scene and contains her signature "Just Another Asshole" rubber stamp and yellow dot label she used as a signature(not an inked signature). Signed by Author(s).

Hardcover without dustjacket as issued, 444 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : As New. Softcover, 336 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : As New. Quarto, pictorial boards (AS NEW in original shrinkwrap, unopened).

Hardcover. Etat : Very good. No jacket. Corners lightly bumped.