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Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Etat : Softcover. please note: napmumypa score / different cover, Minor shelf-wear. For any additional information or pictures, please inquire.

paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Etat : new. Pages: 52 Language: English. Letters of Dmitri Shostakovich to Boris Tishchenko with the addressee's commentaries and reminiscences - in English language. 9785737901240.

Etat : new. Pages: 40 Language: Russian, English. Alexander Konstantinovich Glazunov (1865-1936) originates from the family of the well-known Petersburgian publisher and bookseller. The Glazunovs company was the eldest one in Russia. Konstantin Ilyich, the composer's father, was interested in music since his green years, when he played violin and piano. Elena Pavlovna, the composer's mother, studied piano passionately at professor F. O. Leshetitsky and M. A. Balakirev, while lessons on music theory were conducted by N. A. Rimsky-Korsakov. Thus the Glazunovs house was filled with sounds. As for the young Alexander Glazunov, he was brought up at home till 1877. The atmosphere surrounding him from the early childhood made for the primary musical knowledges to be inculcated in him. Being nine years old little Sasha started his piano practice. It was the pianist N. N. Yelenkovsky to become Glazunov's first preceptor. Young Glazunov made him the first listener of his new-born compositions. Of course, Glazunov's rich nature had a thirst for profound theoretical base in harmony. M. A. Balakirev and N. A. Rimsky-Korsakov fortuned to be his educators on theory and harmony. Their lessons were held once a week, however, the young composer's talent was working against time. Little Sasha Glazunov devoted his spare time to music and especially to F. List's creation. It happened on March, 1882, when Glazunov's First Symphony premiere took place in the Nobility Assembly Hall conducted by M. Balakirev. The Symphony was a success, while its author stopped the show amongst the musical society. The distinguished Maecenas Mitrofan Petrovich Belyayev met Glazunov right during the Glazunov's rehearsals. That wealthy timber merchant's passion was music, thus he accepted Glazunov as the symbol of the youth and flourishment condescending to the Russian music. Belyayev directed all his generosity to young Glazunov. The end of May, 1884 was marked by the Weimar F. Liszt Festival, where Belyayev decided to accompany Glazunov and to listen to Wagner's operas. Liszt and Glazunov managed to talk together. Having left Weimar the travellers went to Marocco and Spain. Coming to Petersburg, they felt on high spirits. It was caused by vivid impressions got during their journey. Spanish and Arabian music features inundated Glazunov's creation that time. Two years passed since the Weimar Liszt Festival, when the great master died. Glazunov mourned him, having dedicated the new Symphony? 2 to the mostly respected predecessor. In 1886 Glazunov shared his feelings with Stasov: "Liszt's death made me cease working at the Second Symphony". The grievous date cast new mood to Glazunov, having dedicated his "Elegy" to Liszt's memory. The "Elegy" was arranged for French horn and piano by professor M. N. Buyanovsky, while the orchestral transcription of the accompaniment was fulfilled by his son V. M. Buyanovsky. 9790660037089.…

Etat : new. Pages: 340 Language: Russian. "Anglijskij arkhiv" - eto sobranie zametok, statej i ocherkov, posjaschennykh sovremennoj britanskoj zhizni, ee natsionalnoj spetsifike, kulture, istorii, korolevskoj seme, obschestvennomu ustrojstvu. Znachitelnuju chast knigi zanimajut intervju s dejateljami literatury i iskusstva. Sredi nikh pisateli Dzhon Le Karre i Frederik Forsajt, kompozitory Majkl Tippett, Piter Maksvell Dejvis, Dzhon Tavener, Alfred Shnitke, Sofija Gubajdulina, Leonard Bernstajn, muzykanty i vokalisty: Iegudi Menukhin, Mstislav Rostropovich, Dzhon Lill, Gennadij Rozhdestvenskij, Valerij Gergiev, Monserat Kabale, Luchano Pavarotti, Dzhessi Norman, kinorezhisser Aleksej German, zhurnalist Vladislav Listev. Kniga vossozdaet shirokuju panoramu britanskoj zhizni i kultury. 9785737908379.…

Softcover. Etat : Fair. Free shipping. Dispatch on all orders before 3pm same day. | SHOP & WAREHOUSE OVERSTOCK - LOWEST PRICE ONLINE! This book is in Fair condition. | Publication Date: 2007-11-11 00:00:00 | Language: russian | Pages: 112 | Format: Softcover | ISBN: 9790660009406 | Seller SKU: U1-S-AL-au_LB_33855-EV. …

Etat : new. Pages: 12 Language: Russian. Fridrikh Bruk (r. 1937) - sovetskij i finskij kompozitor. V 1956 godu okonchil muzykalnuju shkolu pri Kharkovskoj gosudarstvennoj konservatorii, v 1961 godu - Leningradskuju gosudarstvennuju konservatoriju im. N. A. Rimskogo-Korsakova po klassu kompozitsii i orkestrovki. Rabotal v leningradskikh teatrakh, na kinostudii "Lennauchfilm". Avtor simfonij, kantatno-oratorialnykh sochinenij, muzyki k 30 spektakljam i 14 kinofilmam, a takzhe populjarnykh estradnykh pesen. S 1974 goda zhivjot v Finljandii. Ego tango "Tikho igral priboj" stalo v Finljandii shljagerom. V predlagaemoe izdanie voshli dva vokalnykh sochinenija, napisannye F. Brukom na stikhi peterburgskoj pianistki i poetessy Aliny Rotenberg. Soderzhanie: Blagodarju tebja! Moja muzyka 9790352222304.…

Etat : new. Pages: 8 Language: Russian, English. Fridrikh Bruk (r. 1937) - sovetskij i finskij kompozitor. V 1956 godu okonchil muzykalnuju shkolu pri Kharkovskoj gosudarstvennoj konservatorii, v 1961 godu - Leningradskuju gosudarstvennuju konservatoriju im. N. A. Rimskogo-Korsakova po klassu kompozitsii i orkestrovki. Rabotal v leningradskikh teatrakh, na kinostudii "Lennauchfilm". Avtor simfonij, kantatno-oratorialnykh sochinenij, muzyki k 30 spektakljam i 14 kinofilmam, a takzhe populjarnykh estradnykh pesen. S 1974 goda zhivjot v Finljandii. Ego tango "Tikho igral priboj" stalo v Finljandii shljagerom. 9790352222731.…

Etat : new. Pages: 8 Language: Russian. Fridrikh Bruk (r. 1937) - sovetskij i finskij kompozitor. V 1956 godu okonchil muzykalnuju shkolu pri Kharkovskoj gosudarstvennoj konservatorii, v 1961 godu - Leningradskuju gosudarstvennuju konservatoriju im. N. A. Rimskogo-Korsakova po klassu kompozitsii i orkestrovki. Rabotal v leningradskikh teatrakh, na kinostudii "Lennauchfilm". Avtor simfonij, kantatno-oratorialnykh sochinenij, muzyki k 30 spektakljam i 14 kinofilmam, a takzhe populjarnykh estradnykh pesen. S 1974 goda zhivjot v Finljandii. Ego tango "Tikho igral priboj" stalo v Finljandii shljagerom. Pesnja "Zhura-zhuravel", napisannaja na slova V. Suslova, poluchila shirokuju izvestnost v ispolnenii solistki khora Mariinskogo teatra Nadezhdy Khadzhevoj pod fortepiannyj akkompanement avtora (zapis dostupna v Seti). Nyne pesnja publikuetsja otdelno; ranee ona byla vkljuchena v avtorskij sbornik F. Bruka "Russkij dozhd", takzhe vypuschennyj izdatelstvom "Kompozitor Sankt-Peterburg". 9790352222823.…

Etat : new. Pages: 104 Language: Russian. Sbornik soderzhit svyshe pjatisot melodij, kotorye raspredeleny po razdelam, sootvetstvujuschim obschej programme obuchenija solfedzhio. Pri otbore i sistematizatsii muzykalnogo materiala predpochtenie otdavalos proizvedenijam dlja domry, balalajki, bajana, akkordeona, gitary, zvuchaschim v klassakh spetsialistov. Chasto eto narodnye pesni (russkie, ukrainskie, belorusskie i dr.), a takzhe proizvedenija, napisannye spetsialno dlja etikh instrumentov. Dannyj sbornik prednaznachen dlja prepodavatelej solfedzhio detskikh muzykalnykh shkol i detskikh shkol iskusstv, rabotajuschikh s gruppami detej, obuchajuschikhsja igre na russkikh narodnykh instrumentakh, a takzhe gitare i akkordeone. 9790660042472. …

Etat : new. Pages: 32 Language: Russian. Vsem izvestno, chto takoe master-klass. Za rojal saditsja kto-nibud iz ego uchastnikov, maestro slushaet ego igru, otsenivaet ee, daet sovety, rabotaet nad proizvedeniem. Proiskhodit eto, kak pravilo, pri publike, pochtitelno vnimajuschej zamechanijam maestro. V "Master-klasse na domu", kotoryj predlagaetsja vashemu vnimaniju, publiki ne budet, no prisutstvie maestro garantirovano. Nakhodjas rjadom s vami, on predosterezhet ot vozmozhnykh oshibok v prochtenii notnogo teksta, razjasnit neponjatnye - graficheskie i slovesnye - ukazanija, raskroet stilevye i zhanrovye osobennosti sochinenija. On rastolkuet ladogarmonicheskuju strukturu muzyki i ee ritmiku, vyjavit logiku melodicheskogo razvitija, ostanovitsja na frazirovke, pomozhet najti podkhodjaschij kharakter zvuchnosti, ustanovit temp i otklonenija ot nego, zajmetsja otdelkoj artikuljatsii, pokolduet nad pedalju. On podskazhet, kak rabotat nad tekhnicheski trudnymi mestami, obsudit vopros ob applikature, posovetuet, nad chem i kak sleduet v pervuju ochered porabotat. Odnim slovom, on postojanno budet rjadom s vami. Bolee togo, ego vsegda mozhno budet "peresprosit" - vernutsja k sootvetstvujuschemu razdelu teksta posobija i khoroshenko nad nim porazmyslit. Jakov Gelfand - avtor bolshoj nauchnoj stati, posvjaschennoj tempam v fortepiannykh sochinenijakh Betkhovena (opublikovana v 80-e gody v prestizhnom amerikanskom zhurnale "College Music Symposium"), a takzhe vospominanij o svoem uchitele V. V. Nilsene (opublikovany v sbornike "Vladimir Nilsen, artist i uchitel", SPb., 2004). V 2008 godu vyshla ego kniga "Dialogi" (v SSHA i v Rossii, v izdatelstve "Kompozitor * Sankt-Peterburg"), posvjaschennaja problemam fortepiannoj notatsii kak osnove interpretatsii. V nastojaschee vremja Ja. Gelfand prodolzhaet davat uroki fortepiannoj igry v svoej domashnej studii. 9785737904166.…

Etat : new. Pages: 20 Language: Russian. Metodicheskoe posobie dlja uchitelej detskoj muzykalnoj shkoly i detskoj shkoly iskusstv Ne sekret, chto muzykalnyj diktant javljaetsja odnoj iz samykh slozhnykh form raboty na uroke solfedzhio, dlja detej s ne stol jarko vyrazhennymi muzykalnymi dannymi on stanovitsja podchas sereznoj problemoj. Pedagogi, planomerno rabotaja nad razvitiem slukha, muzykalnoj pamjati i analiticheskikh sposobnostej detej, ispolzujut raznoobraznye metodicheskie sredstva, chtoby sdelat zapis diktanta posilnoj dlja kazhdogo shkolnika. Narjadu s klassicheskim diktantom shiroko ispolzujutsja alternativnye formy: zapis po pamjati ranee vyuchennoj melodii, fragmentarnyj diktant, diktant s oshibkami i t. d. Sredi razlichnykh vidov diktanta vazhnoe mesto zanimaet ritmicheskij diktant. "Ritmicheskie diktanty v raznykh zhanrakh" adresovany prepodavateljam detskikh muzykalnykh shkol i detskikh shkol iskusstv. Vmeste so sbornikom uprazhnenij "Ritmicheskie etjudy" oni vkhodjat v uchebno-metodicheskij komplekt "Ritm ot "A" do "Ja". V osnove sbornikov lezhit ideja izuchenija konkretnykh ritmicheskikh formul na materiale muzykalnykh zhanrov, v kotorykh eti formuly chasche vsego vstrechajutsja. "Ritmicheskie diktanty v raznykh zhanrakh" - eto zakljuchitelnoe zveno v komplekse uprazhnenij, napravlennykh na usvoenie ritmicheskikh risunkov cherez zhanr. 9790352205666.…

Etat : new. Pages: 34 Language: Russian. Serija "Uchus igrat na gitare". Chtenie not. Posobie dlja nachinajuschikh (shestistrunnaja gitara) Izdanie adresovano tem, komu predstoit ne tolko osvoit navyki igry na gitare, no i odnovremenno poznakomitsja s azami notnoj gramoty. Soderzhanie: 1. L. S. (Sokolova L.) Uprazhnenie 2. Nagi E. Uprazhnenie 3. L. S. 4. L. S. 5. L. S. Uprazhnenie 6. L. S. Uprazhnenie 7. L. S. Uprazhnenie 8. L. S. Uprazhnenie 9. L. S. Uprazhnenie 10. Nemetskaja detskaja pesenka (S. Shnejder) 11. Polka (Kalinin V.) 12. L. S. Uprazhnenie 13. "Zainka" (Kalinin V.) 14. L. S. Uprazhnenie 15. Nagi E. Uprazhnenie 16. L. S. Uprazhnenie 17. L. S. 18. Nagi E. 19. L. S. Uprazhnenie 20. L. S. Uprazhnenie 21. L. S. 22. Peter U. Uprazhnenie 23. Vengerskaja detskaja pesenka (E. Nagi) 24. "Mjach" (Kalinin V.) 25. Russkaja narodnaja melodija (V. Kalinin) 26. Cheshskaja narodnaja melodija (J. Khorachek) 27. Cheshskaja narodnaja melodija (J. Khorachek) 28. Cheshskaja narodnaja melodija (J. Nechekal) 29. Cheshskaja narodnaja melodija (J. Nechekal) 30. Sagreras Kh. Uprazhnenie 31. Nemetskaja kolybelnaja melodija (U. Peter) 32. Panajotov L. Uprazhnenie 33. L. S. Uprazhnenie 34. Nagi E. Uprazhnenie 35. Panajotov L. Uprazhnenie 36. L. S. Uprazhnenie 37. Rak Sh. Uprazhnenie 38. L. S. Uprazhnenie 39. Detskaja pesenka.(V. Kalinin) 40. Vengerskaja detskaja pesenka (E. Nagi) 41. Nemetskaja detskaja pesenka (S. Shnejder) 42. Russkaja narodnaja melodija 43. Gamma sol mazhor 44. Khromaticheskaja gamma v sol mazhore 45. Trezvuchie sol mazhor 46. Pushkash T. Uprazhnenie 47. L. S. Uprazhnenie 48. Sarate Kh. Uprazhnenie 49. Sarate Kh. Uprazhnenie 50. L. S. Uprazhnenie 51. L. S. Uprazhnenie 52. Pushkash T. Uprazhnenie 53. L. S. Uprazhnenie 54. Kalinin V. 55. Kalinin V. Uprazhnenie 56. L. S. Uprazhnenie 57. L. S. Uprazhnenie 58. Gamma fa mazhor 59. Khromaticheskaja gamma v fa mazhore 60. Trezvuchie fa 61. Vengerskaja narodnaja melodija 62. Frantsuzskaja narodnaja melodija (L. S.) 63. Pushkash T. Uprazhnenie 64. Pushkash T. Uprazhnenie 65. Pushkash T. Uprazhnenie 66. Detskaja pesenka (L. S.) 67. L. S. Uprazhnenie 68. L. S. Uprazhnenie 69. Pushkash T. Uprazhnenie 70. Gamma do mazhor 71. Khromaticheskaja gamma v do 72. Trezvuchie do mazhor 73. Pushkash T. Uprazhnenie 74. Panajotov L. Uprazhnenie 75. L. S. Uprazhnenie 76. L. S. Uprazhnenie 77. L. S. Uprazhnenie 78. Sagreras Kh. Uprazhnenie 79. Russkaja narodnaja melodija 80. Belorusskaja narodnaja melodija Prilozhenie 1. Etjudy 1. Jirmal J. 2. Agafoshin P. 3. Lgafoshin P. 4. Jirmal J. 5. Ivanov-Kramskoj A. 6. Sagreras Kh. 7. Panajotov L. 8. Panajotov L. 9. Korret M. (perelozhenie L. Sokolovoj) 10. Panajotov L. Prilozhenie 2. Metodicheskaja zapiska 9790660002186. …

Etat : new. Pages: 40 Language: Russian. Contents Händel Aria Schubert F. Musical moment. Op. 94, No. 3 Schubert F. Walz. Op. 9, No. 1 Schubert F. Walz. Op. 50, No. 12 Shostakovich D. Lyrical waltz Shostakovich D. Gavotte 9790706407524.

Etat : new. Pages: 12 Language: Russian, English. Novaja serija ne trebuet predstavlenija, nazvanie govorit samo za sebja. Eto novyj, no uzhe chrezvychajno populjarnyj proekt. I neudivitelno: v kazhdom malenkom sbornike soderzhitsja "kvintessentsija" tvorchestva kazhdogo kompozitora ili ispolnitelja. Soderzhanie: PROSCHAJ, DEDUSHKA. Tango BALLADA SUMASSHEDSHEMU. Tango S. V. P. Tango 9790660044940.…

Etat : new. Pages: 32 Language: Russian, English. Contents: A. Grechaninov. MEDITATION. Hautboy part's edition by I. Pushechnikov R. Schumann. THREE ROMANCES. Hautboy part's edition by I. Pushechnikov 9790660040195.

Etat : new. Pages: 72 Language: Russian. Sir Canon's lessons. Gay songs and many other things for children. Learning aid. 9790660046739.

Etat : new. Pages: 28 Language: Russian. 9790660004401.

Etat : new. Pages: 12 Language: Russian, English. The Compozitor Publishing House * Saint-Petersburg draws attention of beginning pianists and their teachers to Three Pieces for Piano by Tatiana Zebryak. The "Contrasts" subtitled as a little sonatina embodies both tonal and structural peculiarities of the chosen form. The torrent of brief motives on the ground of pulsing accords in the main subject bursts out to the ample expanding cantilena of long breath characterizing the second theme. Meanwhile, both themes are not mere antagonists; they are elaborating general intonations in this composition. The variations "Talking" display humorous playful relations between classical and jazz harmonies represented correspondingly by the dominant with sixth concluding to mocking tonic with fourth. Isn't it marvelous to make music with the "Grasshoppers' Waltz" in four hands? The composer Tatiana Zebryak manages to insert useful technical turns developing piano skills. However, the pianist shall feel nothing but easy and pleasurable contact with his rather complicated instrument. Contents: 1. Contrasts. Little Sonatina 2. Talking. Theme with Variations 3. Grasshoppers' Waltz for piano in four hands 9790660046029.…

Etat : new. Pages: 32 Language: Russian, English. Urok solfedzhio postojanno nuzhdaetsja v obnovlenii muzykalnogo materiala. Raznoobrazie uprazhnenij sposobstvuet bolee kachestvennomu usvoeniju izuchaemykh tem. V osnovnom razdele dannogo sbornika predstavleny melodii-etjudy, pomogajuschie razvitiju intonatsionnykh navykov, osmysleniju ladovykh oborotov, ponimaniju intervalnoj (a inogda i akkordovoj) logiki dvizhenija melodii. Soderzhanie: I. Melodii-etjudy 1. Melodii iz odnogo zvuka 2. Melodii iz dvukh sosednikh zvukov 3. Melodii iz dvukh zvukov (cherez zvuk) 4. Melodii iz trekh zvukov 5. Melodii po zvukam trezvuchija 6. Melodii s kvartami i ikh razreshenijami 7. Melodii s kvintami i ikh razreshenijami 8. Melodii po zvukam trezvuchija i ego obraschenij 9. Melodii po zvukam V7 i ego obraschenij 10. Melodii s uvelichennymi kvartami i umenshennymi kvintami 11. Melodii s umenshennymi kvartami i uvelichennymi kvintami 12. Melodii s oborotami melodicheskikh ladov II. Prilozhenie Raspevka. Slova i muzyka O. Rogalskoj Tuk-tuk-tuk Solnyshko Kolobok Seryj volk Vstalo utrom solnyshko. Slova E. Serovoj Nash Vanjusha Kuritsa-krasavitsa. Slova K. Chukovskogo Nasha Tanja. Slova A. Barto Dozhd v lesu 9790660003930.…

Etat : new. Pages: 36 Language: Russian, English. Igor Drukh (rod. v 1966) - peterburgskij kompozitor, pianist, avtor proizvedenij v razlichnykh zhanrakh. Publikuemoe proizvedenie prednaznacheno dlja professionalnykh muzykantov, a takzhe dlja uchaschikhsja muzykalnykh uchilisch i konservatorij. 9790660048559. …

Etat : new. Pages: 36 Language: Russian, English. Ferents Liszt (1811-1886) - vydajuschijsja vengerskij kompozitor, pianist virtuoznogo darovanija, dirizher, muzykalnyj pisatel. Odin naibolee jarkikh muzykantov romanticheskoj epokhi. Avtor oratorij, simfonicheskikh proizvedenij, mnozhestva sochinenij dlja fortepiano. Fortepiannye proizvedenija Lista - ne tolko originalnye muzykalnye razmyshlenija i zarisovki, no i svoego roda entsiklopedija pianisticheskoj tekhniki romanticheskoj epokhi. Dlja pianistov proizvedenija Lista - svoego roda "piki" mirovogo znachenija, sovershit "voskhozhdenie" na kotorye znachit prodemonstrirovat vysshuju tekhnicheskuju i muzykantskuju zrelost. (Kstati, Liszt byl pervym v istorii pianistom, kotoryj reshilsja sygrat solnyj kontsert, bez uchastija drugikh muzykantov.) V predlagaemyj sbornik vkhodjat pesy dvukh tsiklov: tsikl "Uteshenija" (Consolations; pervaja versija 1844-1848, okonchatelnaja versija1849-1850) i tsikl "Grjozy ljubvi" (Liebesträume;1850, fortepiannye pesy, napisannye po shiroko izvestnym vokalnym miniatjuram Lista). Tsikly publikujutsja pod redaktsiej vydajuschegosjanemetskogo pianista i kompozitora Emilja fon Zauera (1862-1942), uchenika Ferentsa Lista i Nikolaja Rubinshtejna, virtuoza, zapisavshego mnogie sochinenija Lista na plastinki. Zauer mnogo let prepodaval v Klassakh vysshego masterstva fortepiannoj igry pri konservatorii v Vene, on mozhet schitatsja neposredstvennym preemnikom i khranitelem pianisticheskoj traditsii Lista v XX veke. Sredi proslavlennykh pianistov, ispolnjavshikh "Uteshenija" i "Grjozy ljubvi" Lista: Leopold Godovskij, Iosif Gofman, Vladimir Gorovits, Artur Rubinshtejn, Arturo Benedetti Mikelandzheli, Van Klibern, Daniel Barenbojm, Mjurrej Perajja, Svjatoslav Rikhter, Jakov Flier, Djord Tsifra. Izdanie rekomenduetsja kontsertirujuschim pianistam, a takzhe studentam konservatorij, muzykalnykh kolledzhej i uchilisch, uchaschimsja starshikh klassov detskikh muzykalnykh shkol i litseev, a takzhe ljubiteljam muzyki. 9790660005972.…

Etat : new. Pages: 56 Language: Russian, English. Mutsio Klementi (1752-1832) - vydajuschijsja anglijskij kompozitor, pianist, pedagog, italjanets po proiskhozhdeniju. Rabotal vo mnogikh stranakh, v tom chisle i v Rossii. Sredi ego uchenikov F. Kalkbrenner, I. Kramer, I. Mosheles, Dzh. Fild. Kak kompozitor okazal znachitelnoe vlijanie na tvorchestvo J. Gajdna i L. Betkhovena. Sonatiny Klementi - osnova shkolnogo pedagogicheskogo repertuara v razdele "Krupnaja forma". 9790660005873.…

Etat : new. Pages: 30 Language: Russian. Prepared to edition and edited by professor A. K. SUKHORUKOV Vladimir Lvovich Mititello was born in Leningrad in 1933 year. He studied at the distinguished Russian horn-player professor Mikhail Nikolayevich Buyanovsky. Being a versatile musician and a teacher he worked in the symphony orchestras of Odessa and Kuybyshev. Having graduated from the Kuybyshev Pedagogical Institute and the postgraduate course of the Moscow State University, he defended his thesis. Nowadays Mititello is a Candidate of Philosophy and the reader of the Culture theory and history at the Samara University. At the same time V. L. Mititello conducts the horn class in the Academy of Culture and Arts and in the Music college in Samara. One of the most brilliant Mititello's talent manifestation is his activity as a composer. He is the author of four symphonies, chamber instrumental and choral compositions, music to theatre performances. The offered book of the etudes-characters for horn is written in 1992-1993 years. This is the first part-book of "The Album of the European Songs and Dances". Anatoly Sukhorukov (translated by Asya Ardova) FROM THE AUTHOR This book represents the series of the small pieces for horn solo. Their form is built on the base of old European songs and dances, which are disposed according to their titles in alphabetical order of the Russian alphabet. These pieces are called the etudes but not in the ordinary meaning as the compositions for working out different technical skills. However the way they are called reminds of the artistic sketches-miniatures in painting, expressing some definite state of the Artist's mind. Though each of the etudes has its own technical complications, requiring their studying, however, their main pedagogical idea is to master the musician's intellectual, artistic and imagery features. Meanwhile their performing order is absolutely free, as the etudes are not located according to the complications intensity. Hopefully, this book will be interesting not only to the young horn-players, but also to the high professionals in this sphere. Vladimir Mititello (translated by Asya Ardova) Contents Historical and Methodical Commentaries ALLEMANDE ALBORADA ANGLAISE BARCAROLE BERGAMASQUE BOLERO BRANSLE BURLESQUE BOURREE WALTZ VERBUNKOS VIL LAN ELLA VILLOTTA VILLANCICO VOLTA GAVOTTE GALLOP GALLIARD GROSSVATER JIG CAVATINA 9790352200661.…

Etat : new. Pages: 40 Language: Russian, English. The creative work of Dmitri Alekseyevich Tolstoy is distinct for his piano music to be so significant through his manner determination in art. The composer has created 30 sonatas for piano, 24 preludes for piano, programmatic piano cycles "Anderson's Tales" and "Variegated Sheets", 30 inventions for piano, "Green Notebook" - the collection for children and youngsters, Concerto for piano and symphony orchestra, not to say of his sonatas for violin and piano, cello and piano, so as five piano trios. Sonata No. 12 by Dmitri Tolstoy takes the really special place among his compositions. Tolstoy himself explains it the following way: "Sonata No. 12 is dedicated to the memory of Tatiana Leshchenko. I was acquainted with her. She was a beautiful, charming woman, being a wonderful musician. Of course, I understood, that any substance of beauty (whether it should be nature's fascination, marvel of passionate romantic human mind, or just magnetic captivating of flesh) may be expressed only by the music saturated with primordial essence, i. e. the kind of antique sounding. Hence, I decided to use ancient Grecian modes. They are also heptatonic, however differing from traditional major and minor by intervals inside the scale. The sonata embraces various alternating modes - the Lydian, the Dorian, the Mixolydian; two modes, indentical to natural major and minor, i. e. Ionian and Aeolian ones; melodic major and minor modes specially induced to this composition. All these devices inhale the spirit of antiquity to this sonata, making us call it the "ancient" one. Certainly, these associations are conventional. The only aspect is important in this Sonata. Everything here is subordinated to one objective, it's revealed in the intonational system, which serves the creation of everlasting beauty, embodied in music". Dmitri Tolstoy 9790660008171.…