Dibble hill press (11 résultats)

Soft Cover. Etat : Near Fine. This is a near fine softcover copy with virtually no wear. Completely clean. This catalog was prepared to accompany the exhibition at the San Francisco Museum of Modern Art from December 2005 to March 2006. Exhibition curated by Joseph Rosa, who also contributes a short essay. Illustrated in color with 13 full-page color plates. Exhibition history. Bibliography. 11" high X 9" wide. This book will be securely packed and shipped with tracking.…

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Book is in very nice condition, text is unmarked and pages are tight.

Soft Cover. Etat : Near Fine. This is a near fine softcover copy with almost no wear. SIGNED by the artist, Todd Eberle and briefly inscribed with a grid drawing on the title=page. Otherwise completely clean. This catalog was prepared to accompany the exhibition at the San Francisco Museum of Modern Art from December 2005 to March 2006. Exhibition curated by Joseph Rosa, who also contributes a short essay. Illustrated in color with 13 full-page color plates. Exhibition history. Bibliography. 11" high X 9" wide. This book will be securely packed and shipped with tracking. Signed by Artist.…

Soft cover. Etat : Very Good. 4th Edition. Signed & inscribed by Todd Eberleto previous owner on the front free end page. Paperback. Signed by Author(s).

softcover. Etat : Used; Like New. First Edition; First Printing. 13 full page color plates. With an essay by Joseph Rosa. Published In an edition of 3000 copies on the occasion of the exhibition held at the San Francisco Museum of Modern Art, December 16, 2005 -March 7, 2006. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Paperback. First edition, first printing. Fine/As New paperback with a touch of sunning to the back cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition at the San Francisco Museum of Modern Art. Photographs by Todd Eberle; essay by Joseph Rosa. Unpaginated; 13 full-page color plates; 9.25 x 11.25 inches. Biography, exhibition history, bibliography. From an unnumbered edition limited to 3000 copies. LAID-IN are 3 illustrated exhibition announcement cards for shows of Eberle's work, the press release for a fourth show, and three clippings with photographs of the artist. …

Paperback. Etat : Good. No Dust Jacket. Paperback in good condition. Minor wear on edges. Dedication to previous owner on FEP. Pages are clean and contents are clear throughout. HCW. Used.

, Softcover/Paperback. Etat : Gut. Auflage: First Edition. 40 S. Fresh and clean copy in good condition. Frisches und sauberes Exemplar in gutem Zustand. "Since the inception of photography, in the early nineteenth century, architecture has been a primary subject for photographers. One inherent ideological problem in this long-standing relationship is the definition of whether architectural photography should be defined as Art or as simply a commercial endeavor. In his 1963 book Architecture & Photography, by photographer Eric de Maré, he addressed this fine line and established two distinct photographic categories: as the Picture and the Illustration. "The Picture is the architectonic design which is not concerned at all with the record but attempts to create a work of visual art in its own right. The subject may, or may not, have architectural value in itself; it is the picture which matters." "The Illustration presents the building in as attractive and revealing a way as possible so that we say in the same breath, what a splendid photograph and what a beautiful building! To the professional architectural photographer, that is his living." De Maré created a typological framework for indexing an array of works, from Margaret Bourke-White's as Picture in style to Julius Shulman's as Illustration. The past commercial endeavors of architectural photographers such as Shulman have, in recent years, been elevated to the realm of art by scholars, auction houses and art collectors (as cultural artifacts that showcased the mid-century modern aesthetic in Southern California architecture and the intended life style that went along with it), while his vast body of work is still, categorically, Illustration in style. Although many noted photographers have explored blurring these categorical frameworks, de Maré's typologies are still a viable methodology for defining photography that portrays architecture as its primary subject matter. Judith Turner's cropped perspectival photographic views of buildings operated in the realm of Illustration style. Turner's photographic series taken in the late 1970s of buildings by the New York Five (Peter D. Eisenman, Charles Gwathmey, John Hejduk, Michael Graves, and Richard Meier). " - Meta-Narrative in the Architectural Photography of Todd Eberle by Joseph Rosa ISBN 9780977497706 Sprache: Englisch Gewicht in Gramm: 450.…

Paperback. Etat : Very good. Paperback Quarto. wraps unpaginated inscribed by the artist on title page.

Paperback. Etat : Very Good. First Edition. Wraps. 4to. Colour illustrated wraps. pp 40 (unpaginated). Copiously illustrated in colour throughout. Signed to Tate director Norman Rosenthal by Todd Eberle. About fine. Signedes.