Djeli journal (11 résultats)

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Etat : new. Paperback. DJELI JOURNAL represents more than just words jumping off the page; it marks the amplification of a kaleidoscope of visionary voices that have often been marginalized or overlooked in the mainstream literary landscape. I started DJELI because I've been in rooms where our brilliance was underestimated, our voices sidelined, our words tone-policed, and our truth deemed inconvenient or "too much." I started DJELI because gatekeeping in publishing is real-and I got tired of asking for permission to be seen, heard, and valued on the page.DJELI (pronounced jelly) goes beyond publishing; it's a home where stories endure. A haven where diversity is not only included but celebrated. A literary sanctuary for radical truth-tellers, cultural keepers, and prophetic poets. It's the platform I needed when I was a younger writer-hungry to speak, but unsure where my voice fit in a world that often tried to erase it. Thus, DJELI is rooted in legacy. In testimony. In the belief that our stories are sacred, our poems are powerful, and our literature is necessary for liberation.We're here to break open space. We exist to nurture work that remembers the ancestors and dreams up a freer future.At the heart of our mission is the transmutation of oral histories into written archives. In West African tradition, the djeli- oral storytellers, and gatekeepers of histories-held a sacred role in preserving and disseminating the narratives of their ancestries and communities. Drawing wisdom and inspiration from this thousand-year-old tradition, we cherish that storytelling embodies a timeless conduit that transcends time, locations, and generations. DJELI JOURNAL strives to affirm this tradition while echoing a modern twist of preserving narratives for generations to come.In these pages you will witness women reclaim agency, trans people break barriers, and women erect boundaries. Women who refuse to bow. Women who tell unshakeable truths. Threads of defiance and self-definition led us to our theme: Unbroken, Unbent, Unbowed. The contributors help us to reimagine what it means to need and to become our own Black superheroes. They name the courage required to close the door on those who seek our bodies without extending intention or care. They honor Black women's indomitable spirit. In this issue, we see women of the African Diaspora chop off their hair and redefine beauty. They rewrite gender roles under the stage lights. They reckon with purity culture's chokehold on Black girlhood and confront the hyper-sexualization that overshadows our innocence. Together, we return to Zimbabwe's red soil, remembering the spilled blood crying up from the ground and sanguine struggle that birthed independence. We unflinchingly tell the unpalatable truths of how girls have been taught to adapt to violence - and how they resist. We remember the everyday acts of resistance found in a grandmother's grocery list. DJELI is rooted in the belief that our stories are sacred. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - DJELI JOURNAL represents more than just words jumping off the page; it marks the amplification of a kaleidoscope of visionary voices that have often been marginalized or overlooked in the mainstream literary landscape. I started DJELI because I've been in rooms where our brilliance was underestimated, our voices sidelined, our words tone-policed, and our truth deemed inconvenient or 'too much.' I started DJELI because gatekeeping in publishing is real-and I got tired of asking for permission to be seen, heard, and valued on the page.DJELI (pronounced jelly) goes beyond publishing; it's a home where stories endure. A haven where diversity is not only included but celebrated. A literary sanctuary for radical truth-tellers, cultural keepers, and prophetic poets. It's the platform I needed when I was a younger writer-hungry to speak, but unsure where my voice fit in a world that often tried to erase it. Thus, DJELI is rooted in legacy. In testimony. In the belief that our stories are sacred, our poems are powerful, and our literature is necessary for liberation.We're here to break open space. We exist to nurture work that remembers the ancestors and dreams up a freer future.At the heart of our mission is the transmutation of oral histories into written archives. In West African tradition, the djeli- oral storytellers, and gatekeepers of histories-held a sacred role in preserving and disseminating the narratives of their ancestries and communities. Drawing wisdom and inspiration from this thousand-year-old tradition, we cherish that storytelling embodies a timeless conduit that transcends time, locations, and generations. DJELI JOURNAL strives to affirm this tradition while echoing a modern twist of preserving narratives for generations to come.In these pages you will witness women reclaim agency, trans people break barriers, and women erect boundaries. Women who refuse to bow. Women who tell unshakeable truths. Threads of defiance and self-definition led us to our theme: Unbroken, Unbent, Unbowed. The contributors help us to reimagine what it means to need and to become our own Black superheroes. They name the courage required to close the door on those who seek our bodies without extending intention or care. They honor Black women's indomitable spirit. In this issue, we see women of the African Diaspora chop off their hair and redefine beauty. They rewrite gender roles under the stage lights. They reckon with purity culture's chokehold on Black girlhood and confront the hyper-sexualization that overshadows our innocence. Together, we return to Zimbabwe's red soil, remembering the spilled blood crying up from the ground and sanguine struggle that birthed independence. We unflinchingly tell the unpalatable truths of how girls have been taught to adapt to violence - and how they resist. We remember the everyday acts of resistance found in a grandmother's grocery list.…