Ediciones poligrafa es (68 résultats)

Hardback. Etat : New. This is a superb collection of essays focusing on contemporary architecture, from one of its leading British figures. Throughout his career, Adam Caruso - a leading figure in contemporary British architecture, and one half of celebrated London-based architectural firm Caruso St John - has continued to develop his writing and research, focusing his thoughts on the architectural practice and prominent figures of the Modern Movement. "The Feeling of Things" brings together a number of Caruso's writings (1997-2008) through which he reveals a new way to see and experience the radical approach to contemporary architecture of the Modern Movement.…

Paperback. Etat : New. Published in Poligrafa's new series on museum architecture, this volume is devoted to the Museu d'Art Contemporani de Barcelona--widely known by its acronym "MACBA"--designed by American architect Richard Meier (born 1934). Located in the Raval neighborhood of Barcelona, MACBA forges a dialogue with the historic urban quarter. The neighborhood's labyrinthine streets are reflected in the building's organization, most notably in the main entry, as well as a parallel pedestrian walkway that connects the museum's rear garden to a recently created plaza in front of the museum. As befits an institution devoted to modern and contemporary art, the museum synthesizes the striking innovation of its rationalist architecture and the accrued history of its context. Offering detailed information on every aspect of the project, this publication features a full-page photographic essay by renowned Spanish photographer Aleix Bague, as well as an in-depth interview with Meier.…

Paperback. Etat : New. The Joan Miró Foundation was the first public institution set up in Barcelona to focus entirely on contemporary art. Joan Miró and Josep Lluís Sert - its designer, a founder member of GATCPAC (a leading group in the introduction of the Modern architecture in Catalonia) - had first met in 1932. They became close friends while working for the Spanish (Republican) Pavilion at the Paris World Fair in 1937. After the first big retrospective of the work of Joan Miró in Barcelona (1968), the artist decided to set up a building to make his work accessible to the public on a permanent basis. Sert was commissioned,and created an open-plan structure where the interior space communicated with the exterior, producing a perfect balance between architecture and landscape. From these dates, the Foundation was expanded twice, and the architect commissioned to carry out this task was Jaume Freixa, a pupil of Sert's who had worked with him for eleven years at Harvard and had played an active part in the creation of the Foundation.…

Hardback. Etat : New. This is a superb collection of essays focusing on contemporary architecture, from one of its leading British figures. Throughout his career, Adam Caruso - a leading figure in contemporary British architecture, and one half of celebrated London-based architectural firm Caruso St John - has continued to develop his writing and research, focusing his thoughts on the architectural practice and prominent figures of the Modern Movement. "The Feeling of Things" brings together a number of Caruso's writings (1997-2008) through which he reveals a new way to see and experience the radical approach to contemporary architecture of the Modern Movement.…

Hardback. Etat : New. 1st.

Hardback. Etat : New. Neglected for most of her career, Eileen Gray (1878-1976) is now regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Eileen Gray was to "stand alone" throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another - whether a loose grouping like De Stijl in the Netherlands - she remained staunchly independent. Her design style was as distinctive as her way of working, and Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies van der Rohe.…

Microfilm. Etat : New.

Hardback. Etat : New. 1st.

Hardback. Etat : New. Neglected for most of her career, Eileen Gray (1878-1976) is now regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Eileen Gray was to "stand alone" throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another - whether a loose grouping like De Stijl in the Netherlands - she remained staunchly independent. Her design style was as distinctive as her way of working, and Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies van der Rohe.…

Paperback. Etat : New. Determining the authorship and originality of artistic works is essential for fully enjoying art, and for the correct functioning of the market and many cultural centres. It is one of the tasks falling not only to institutions but also to artists' foundations, museums, public administrations, academics, gallery owners and art collectors. All those involved with this part of the artistic world encounter problems. This book, derived from an international seminar organised by the Gala-Salvador Dali Foundation shares the knowledge, experience and opinions of some of the most prestigious experts on these subjects. Furthermore, it provides some new angles, proposals and linguistic elements that can help to understand the difficulties presented by the topic and to improve its legal regulation.…

Hardback. Etat : New.

Hardback. Etat : New.

Hardback. Etat : New.

Hardback. Etat : New. The city of Barcelona has been known since the early twentieth century as the home of Art Nouveau. Now it has also become a center for contemporary international architecture. This follow-up to In Detail: Barcelona Art Nouveau looks at the most notable buildings of the last 10 years, with detailed photographic reports on Josep Llu's Mateo's Barcelona Convention Center, Richard Meier's Museum of Contemporary Art, Carles Ferrater's Botanical Gardens and Institute, Rafael Moneo's Barcelona Auditorium concert hall, Herzog and de Meuron's Forum Building, Josep Llinas's block of buildings in the Fort Pienc neighborhood, EMBT's Santa Caterina Market, Clotet and Paricio's Forum-area retirement home and Jean Nouvel's Agbar Tower. The complexity of this new generation of structures, and the variety of local and international talent on view, are auspicious signs for the Barcelona of the twenty-first century. 160 illustrations.…

Hardback. Etat : New.

Hardback. Etat : New. Carlos Bunga's sculptural and painterly structures propose architecture as body and mindscape. Using only cardboard and paint, Bunga creates fantastical buildings, furniture-like sculptures and paintings as immersive environments.This book surveys his actions and performances, and documents over a decade of installations. Enacting cycles of construction and destruction, Bunga explores states of dispossession and nomadism; the nature of spatial experience; and the creative and symbolic potential of ruin.With essays by Iwona Blazwick, Carlos Bunga, Nuno Faria, Inês Grosso and Antony Hudek. …

Hardback. Etat : New.

Hardback. Etat : New.

Hardback. Etat : New. Josep Lluis Mateo (born 1949) is one of Spain's--and Europe's--most prolific and visible architects, as energetic as a teacher and lecturer as he is an architect. Mateo has designed corporate headquarters, housing units, office blocks and hotels throughout Western Europe, and has also renovated urban centers in Gerona (Spain) and Castelo Branco (portugal). this volume looks back at nearly 30 years of Mateo's built structures, as portrayed by the architectural photographer Adria Goula. As well as buildings from the 80s and 90s, it also looks at his most important projects of the past few years, from the Banc Sabadell Headquarters renovation (2004) and the Factory office building in Boulogne-Billancourt, France (2010) to the PGGM Headquarters in Zeist, Holland (2011) and the Catalonian Film Theater in Barcelona (2011). Interspersed among Goula's photographs are Mateo's observations and musings on architecture.…

Hardback. Etat : New.

Paperback. Etat : New. Picasso was one of the most innovative, experimental, prolific, influential, and controversial painters of the twentieth century. This updates and re-designed version of the big-size book published on the year 2000, this small-size Picasso. The Monograph 1881-1973 offers more than 1200 new-scanned reproductions spanning the artist s entire career.The three authors are all experts: Léal and Bernadac both former curators of the Musée Picasso in Paris are, at this time and respectively, curators of the Centre Pompidou and the Louvre Museum, and Piot co-authored the catalogue raisonné of Picasso s sculpture. They clearly explain visual sources, duly acknowledge leading art historians interpretations, and choose good quotes from contemporaries. Brigitte Leal covers Picasso s formative years from 1881 through 1916, including his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952, and Marie-Laure Bernadac discusses the unabashed vigour of Picasso s later years, from 1953 until his death in 1973. ILLUSTRATIONS 1235 images *.…

Paperback. Etat : New. The Italian artist Medardo Rosso (1858-1928) is, without a doubt, the great pioneer of modern sculpture. His achievement has been recognised - in spite of an historiographical blindness that persisted for decades - by the artists of his time and by leading figures in the art of the 20th century. Degas, Boccioni (who made him a lodestar of Futurist sculpture), Brancusi, Giacometti, Fontana, Anselmo, Thomas Schütte and Juan Muñoz have all acknowledged the lasting significance of his legacy.By means of an important selection of his sculptures, almost all of his photographs and drawings, his writings and a number of his letters, this complete monograph highlights the complexity of Rosso's creative process, and especially his exploration of the limits of form and materiality, which resulted in his making different versions of his own works.Rosso was not a sculptor in the traditional sense. Eschewing wood and stone, he worked with soft materials such as plaster and wax, which lent themselves to the representation of ephemeral effects and subtle forms. He produced multiple versions of his works, continually varying the forms and materials. For Rosso, sculpture and the visualisation of sculpture were inextricably linked, and photography, which came to constitute the definitive movement from the point of view of the spectator, enabled him to arrive at his ultimate goal: the attaining of insubstantial form.As Luciano Fabro observed, in an inspiring interview he gave in April 1996, "[till then] sculpture had been about taking away from or adding matter to a nucleus; Rosso goes further by proposing that when the gaze passes over something, remove or add matter, remove and add subject".…

Hardback. Etat : New. Juan Uslé (Santander) has been living in New York since the early '90s, and is one of the most prominent figures of contemporary painting. The hypersensitivity described by Uslé in his work is a sort of memorable visionary state because it is painful. When we see certain paintings by Uslé, always in intense, bright and burning colours, we should be reminded of encounters with one of those states that take us out of our everyday way of perceiving, Each one of these events teaches us that everything we perceive can be captured in an entirely different way, given that even a small modification of the perceptual apparatus can cause it to vary.Some of Uslé's paintings, the most complex, bring to mind looking through a kaleidoscope. It is useful to recall that these types of experiences, to which we are unaccustomed, are neither easy nor comfortable, and yet remain a crucial step away from being painful. In their excess they put pressure on our aesthetic expectations. This work would be the pictorial equivalent of Rimbaud's famous quote: "dérèglement de tous les sens".…

Paperback. Etat : New. The Joan Miró Foundation was the first public institution set up in Barcelona to focus entirely on contemporary art. Joan Miró and Josep Lluís Sert - its designer, a founder member of GATCPAC (a leading group in the introduction of the Modern architecture in Catalonia) - had first met in 1932. They became close friends while working for the Spanish (Republican) Pavilion at the Paris World Fair in 1937. After the first big retrospective of the work of Joan Miró in Barcelona (1968), the artist decided to set up a building to make his work accessible to the public on a permanent basis. Sert was commissioned,and created an open-plan structure where the interior space communicated with the exterior, producing a perfect balance between architecture and landscape. From these dates, the Foundation was expanded twice, and the architect commissioned to carry out this task was Jaume Freixa, a pupil of Sert's who had worked with him for eleven years at Harvard and had played an active part in the creation of the Foundation.…

Hardback. Etat : New. This is a superb collection of essays focusing on contemporary architecture, from one of its leading British figures. Throughout his career, Adam Caruso - a leading figure in contemporary British architecture, and one half of celebrated London-based architectural firm Caruso St John - has continued to develop his writing and research, focusing his thoughts on the architectural practice and prominent figures of the Modern Movement. "The Feeling of Things" brings together a number of Caruso's writings (1997-2008) through which he reveals a new way to see and experience the radical approach to contemporary architecture of the Modern Movement.…

Hardback. Etat : New. 1st.

Hardback. Etat : New. Neglected for most of her career, Eileen Gray (1878-1976) is now regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. Her work inspired both modernism and Art Deco. Eileen Gray was to "stand alone" throughout her career, first as a lacquer artist, then a furniture designer, and finally as an architect. At a time when other leading designers were almost all male and mostly members of one movement or another - whether a loose grouping like De Stijl in the Netherlands - she remained staunchly independent. Her design style was as distinctive as her way of working, and Gray developed an opulent, luxuriant take on the geometric forms and industrially produced materials used by the International Style designers, such as Le Corbusier, Charlotte Perriand and Mies van der Rohe.…

Microfilm. Etat : New.

Paperback. Etat : New. The Italian artist Medardo Rosso (1858-1928) is, without a doubt, the great pioneer of modern sculpture. His achievement has been recognised - in spite of an historiographical blindness that persisted for decades - by the artists of his time and by leading figures in the art of the 20th century. Degas, Boccioni (who made him a lodestar of Futurist sculpture), Brancusi, Giacometti, Fontana, Anselmo, Thomas Schütte and Juan Muñoz have all acknowledged the lasting significance of his legacy.By means of an important selection of his sculptures, almost all of his photographs and drawings, his writings and a number of his letters, this complete monograph highlights the complexity of Rosso's creative process, and especially his exploration of the limits of form and materiality, which resulted in his making different versions of his own works.Rosso was not a sculptor in the traditional sense. Eschewing wood and stone, he worked with soft materials such as plaster and wax, which lent themselves to the representation of ephemeral effects and subtle forms. He produced multiple versions of his works, continually varying the forms and materials. For Rosso, sculpture and the visualisation of sculpture were inextricably linked, and photography, which came to constitute the definitive movement from the point of view of the spectator, enabled him to arrive at his ultimate goal: the attaining of insubstantial form.As Luciano Fabro observed, in an inspiring interview he gave in April 1996, "[till then] sculpture had been about taking away from or adding matter to a nucleus; Rosso goes further by proposing that when the gaze passes over something, remove or add matter, remove and add subject".…

Hardback. Etat : New. Considerado uno de los artistas contemporáneos más importantes de Brasil, Caio Reisewitz (Sao Paulo, 1967) ha producido un notable cuerpo de obra durante los últimos quince años, centrándose, casi exclusivamente, en la actualidad de su pais. Sus fotografías en color de gran formato exploran la relación cambiante entre la ciudad y el campo en un período de desarrollo económico febril. Muchas de sus fotografías dan testimonio de su fascinación por el patrimonio arquitectónico de la época colonial de Brasil, así como de la innovadora arquitectura moderna del pasado siglo. Otras, igual de imponentes, retratan los paisajes vírgenes y los bosques densos que rodean São Paulo áreas que ahora se ven amenazadas por la expansión urbana. Además, el trabajo de Caio Reisewitz tiende a establecer conexiones entre la construcción de lo real y el registro de lo que es artificial a través de la fotografía. En sus fotomontajes en los que el comisario Fernando Cocchiarale detecta rastros del legado dadaísta de Hannah Höch y Joaquim Reis los seres humanos pueden estar presentes, pero bajo un estatuto que le muestra absolutamente transfigurado.…