Forster press (21 résultats)

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Very Good. No Jacket. Pages are clean and unmarked. Cover corners and edges are unmarred. The binding is tight.

Cloth Pictorial. Etat : Near Fine. Near fine/Very Good. Hardcover with dust jacket. Small tear on head of front cover of dust jacket with edgewear. 1978. Nice solid copy. Illustrated (illustrateur).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. small sticker mark to jacket spine, former owner's name to front end paper, otherwise a nice, clean copy, octavo, 157 pages, errata sheet and folding site map laid in.

Cloth. Etat : Very Good. Etat de la jaquette : Very Good. 2nd Printing. (1982). 158 pages. Index. Illustrated. Very good in dust jacket. (062).

Hardcover. Etat : Very Good. Etat de la jaquette : Good+. First Edition. The only full length treatment of this Michigan copper mine and based on material collected by Wilfred Erickson. The author treats both the mine and the community that grew to support its operations in Michigan's Upper Peninsula. Contains an index, glossary of mining terms, appenicies, tables, etc. Original pictorial cloth publisher's binding with a little light streaking to the bottom of the front cover, else this is a clean, tight and unmarked book. There is some wear to the dust jacket--it is now in a protective, removable acetate cover. ; B&W Photographs & Illustrations; 8vo 8" - 9" tall; 158 pages.…

Hardcover. Etat : Very Good+. Etat de la jaquette : Good+. First Edition. The only full length treatment of this Michigan copper mine and based on material collected by Wilfred Erickson. The author treats both the mine and the community that grew to support its operations in Michigan's Upper Peninsula. Contains an index, glossary of mining terms, appenicies, tables, etc. Pictorial cloth binding with some streaking to the bottom of the front cover. Some wear to the dust jacket--now in a protective, removable mylar cover. ; B&W Photographs & Illustrations; 8vo 8" - 9" tall; 158 pages.…

Softcover. Etat : Very Good+. "A full-scale study of the labor conflict.which turned the copper mining communities of Michigan into a battle field for months." Contains an index and a bibliography in the rear. Original publishers red paper covers with white spine lettering. The covers are in nice condtion with no creases, tears or chips. This is a nice clean, tight and unmarked book with no interior or exterior markings, no previous owner names and no bookplates.; B&W Photos, Map; 8vo, 8"- 9" tall; 314 pages.…

hardcover. Etat : very good. Etat de la jaquette : very good. Octavo. 8 1/2" x 6". Signed and inscribed by author on front free endpaper. Nice copy in dust jacket.

paperback. Etat : Good. Text in clean/unmarked condition. Cover has some wear. Your Satisfaction Guaranteed. We ship daily. Expedited shipping available.

Paperback. Etat : Good. No Jacket. tight binding; pages clean of markings; small stain side fore-edge and edge of inside back cover; pen mark front cover; creasing down spine Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition. In depth analysis of the Michigan Copper Miner's Strike of 1913-1914, and the Italian Hall disaster. This book is in very good condition. The pages are clean, bright, unmarked, undamaged, and secure in the spine. The binding is tight and the hinges are strong. The dust jacket has a few small tears and the cover a tiny amount of edge wear. The first page was signed by the author. Please feel free to ask any questions, and thanks for looking. Signed by Author(s).…

Softcover. Etat : Very Good. 1984 Soft Cover Edition. Pages clean 7 unmarked. Light shelf wear to cover edges. Light bend to corner on front cover.

Paperback. Etat : Good. Etat de la jaquette : Good. *Hardcover edition* Moderate wear to the dust jacket with creasing and chipping. Moderate wear to the boards. Sound binding. Clean interior pages. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery. …

Hardcover. Etat : Very Good. Etat de la jaquette : Good. 1st Edition. Cream boards, with titles to spine and an unclipped DW. DW has some wear. A tight, bright and clean copy with no inscriptions. Features some black and white photographs throughout. 314pp. (16x22.5cm). Please contact us for any more information.…

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. A near fine hardcover copy bound in white cloth. Very mild wear to bottom of spine. Dust jacket near fine with tiny chip at top of dj spine.

Soft cover. Etat : Fine. 1st Edition. "Set in 10pt Bell in an unnumbered Christmas edition of quite a lot, printed (not all that well) on Wiggins Teape.The de luxe Boxing Day edition, printed (not all that badly) on Goatskin numbering a tidy few. This copy is from one edition or the other." Illustrated with 5 wood engravings (in several colours) by Peter Forster, mostly depicting Margaret Thatcher in an unflattering manner. Sewn into printed blue Union Jack wrappers. A fine copy. Superb engravings combine with a fine ironic text to make Conservavative Central Office seethe. Inscribed by Peter Foster. …

Soft cover. Etat : Fine. 1st Edition. One of 25 (300) "Collector's edition"copies printed by the author/engraver in Bell type on Basingwerk Parchment and gold-embossed and signed by the artist Sewn into blue printed wrappers with a wood-engraved portrait of Margaret Thatcher. A fine copy inscribed by Peter Foster. Written, wood engraved and printed at the Malaprop Press, November 1985, in an edition of 300, of which 150 has 'artisan' spelled with an 'i'; 125, (the de luxe edition) has it spelled with an 'e', and 25, (the specially printed, numbered, signed, gold-embossed Collectors' edition) spelled with [an inverted 'i']. Signed by Author(s).…

No Binding. Etat : Good. Lithograph (318 × 420 mm), signed 'F N 1820' in the print; small holes in the left-hand margin, presumably from earlier stitching; corners slightly creased. One of Nicholson's Six lithographic Impressions of Sketches from Nature (1820). Michael Twyman writes: 'One artist who was attracted to lithography at this early stage was the well-known water-colour painter Francis Nicholson (17531844). He began working as a painter in oils, but became a frequent exhibitor with the Society of Painters in Water-Colour and was elected its president in 1813. Coming from Yorkshire, he specialised in a type of picturesque landscape readily found around him, and was particularly known for this kind of work. Though not amongst the greatest of the English water-colour school he was very successful in a commercial sense and also made important contributions to the technique of water-colour painting 'No established artist had yet turned to lithography in England, and certainly no one had let it interfere with the more important occupation to painting; but Nicholson virtually gave up "the practice of his own art" and devoted "much time to the advancement of lithography". The earliest prints of his that can be traced were published in 1820 were printed either by Hullmandel or by Rowney and Forster, a firm whose first productions also date from that year. These two firms were responsible for printing most of Nicholson's early drawings They are views of English scenery, particularly of his native Yorkshire Nicholson made lithographs for no major publication but he must have been about the most prolific lithographer of the period; one contemporary writer estimates his output of drawings on the stone as not much under 800' (pp. 189190). Cf. Abbey, Life 161 (for another part in the series). According to Library Hub Discover, there were 36 'plates' in all.…