Fulton ryder us (6 résultats)

Hardback. Etat : New. Prince's latest monograph-artist's book, replete with signature works, both old and new, across collage, painting and sculptureThis volume is an artist's book and monograph assembled by American conceptual artist Richard Prince (born 1949), best known for his subversive appropriation art that draws on imagery from pop and consumer culture. Folksongs showcases his new body of paintings alongside studio photos and documentation of various sculptures as well as installations of his Upstate series, comprised of original photography taken in upstate New York. Integrating collage, impasto and oil stick, the recent paintings contain a zigzag retrospective of Prince's earlier work, intercut with appropriated photographic images. Repeating motifs include close-up shots of eyeballs, sutured skin and mouths with a cigarette dangling between the teeth, which he has scrawled over and around with swaths of oily pigment and thick, impasto brushstrokes, creating a collage of found imagery and original mark-making. The book also highlights recent sculptures comprised of shredded denim and card tires. Published by Fulton Ryder, Prince's private imprint, Folksongs continues a series of artist's books on both retrospective and new artworks.…

Hardback. Etat : New. Prince explores American celebrity and desire through the lens of Times SquareThis new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In an introductory essay titled "The Counterfeit Memory," first published in 1981, the artist describes wandering into the Orleans Theater, writing that "I'm not sure who I am when I'm there or if, in fact, I'm comfortable and want to be there at all. One's identity it seems is easily changed when what's in front of you is reversed and transparent, directed and produced."In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself." In The Entertainers' concluding essay, "The Lone Ranger," the artist states, "I think I'll go after third place . leave first for the hero.".…

Hardback. Etat : New. Prince explores American celebrity and desire through the lens of Times SquareThis new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In an introductory essay titled "The Counterfeit Memory," first published in 1981, the artist describes wandering into the Orleans Theater, writing that "I'm not sure who I am when I'm there or if, in fact, I'm comfortable and want to be there at all. One's identity it seems is easily changed when what's in front of you is reversed and transparent, directed and produced."In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself." In The Entertainers' concluding essay, "The Lone Ranger," the artist states, "I think I'll go after third place . leave first for the hero.".…

Hardback. Etat : New. Prince explores American celebrity and desire through the lens of Times SquareThis new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In an introductory essay titled "The Counterfeit Memory," first published in 1981, the artist describes wandering into the Orleans Theater, writing that "I'm not sure who I am when I'm there or if, in fact, I'm comfortable and want to be there at all. One's identity it seems is easily changed when what's in front of you is reversed and transparent, directed and produced."In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself." In The Entertainers' concluding essay, "The Lone Ranger," the artist states, "I think I'll go after third place . leave first for the hero.".…

Hardback. Etat : New. Prince's latest monograph-artist's book, replete with signature works, both old and new, across collage, painting and sculptureThis volume is an artist's book and monograph assembled by American conceptual artist Richard Prince (born 1949), best known for his subversive appropriation art that draws on imagery from pop and consumer culture. Folksongs showcases his new body of paintings alongside studio photos and documentation of various sculptures as well as installations of his Upstate series, comprised of original photography taken in upstate New York. Integrating collage, impasto and oil stick, the recent paintings contain a zigzag retrospective of Prince's earlier work, intercut with appropriated photographic images. Repeating motifs include close-up shots of eyeballs, sutured skin and mouths with a cigarette dangling between the teeth, which he has scrawled over and around with swaths of oily pigment and thick, impasto brushstrokes, creating a collage of found imagery and original mark-making. The book also highlights recent sculptures comprised of shredded denim and card tires. Published by Fulton Ryder, Prince's private imprint, Folksongs continues a series of artist's books on both retrospective and new artworks.…

Hardback. Etat : New. Prince explores American celebrity and desire through the lens of Times SquareThis new artist's book by Richard Prince (born 1949) revisits a seldom seen body of work made during his "Time Life" years spent around the theaters, grind houses, bars and restaurants of New York's 42nd Street and Times Square. In an introductory essay titled "The Counterfeit Memory," first published in 1981, the artist describes wandering into the Orleans Theater, writing that "I'm not sure who I am when I'm there or if, in fact, I'm comfortable and want to be there at all. One's identity it seems is easily changed when what's in front of you is reversed and transparent, directed and produced."In artworks that include some of his earliest portraits, Prince captures the ephemeral, photographic celebrity of publicity headshots, gossip columns, nightclub advertisements and pornographic films, alongside finely rendered drawings such as "Montgomery Clift as Sigmund Freud" and "George Reeves as Himself." In The Entertainers' concluding essay, "The Lone Ranger," the artist states, "I think I'll go after third place . leave first for the hero.".…