Futurepoem (108 résultats)

Paperback. Etat : Very Good. Poetry. African & African American Studies. 2017 Whiting Award Winner for Poetry. I get this pinwheel relationship to wisdom & history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power & her skill so what kind of quest is it, this beautiful complex & alive work. Here's my best guess. OF BEING DISPERSED is an ur text of the fourth wave of feminism which we come to realize is ocean and women are now standing on it and amidst this clatter of voices Simone White walks.--Eileen Myles In Simone White's poetry the action is always multiple, palpable, sounding as thought, coming forward through this highly sensitized plane, sudden and hovering, exchanging centers, afflicted and added to by company. The continuous listening company demands--company including imaginary self, receding boundaries, the horseman on the night's street, the live, the loved, the drunk, the words, the turnstile, the endless destructive projections people force--and the rendering of that listening into irreducible depths of tone, wit, and perception constitute much of what makes OF BEING DISPERSED a masterful book. Buzzing word-love marking time beat by beat, being the ground inside and out, makes up the rest.--Anselm Berrigan Macaronic plenitude of language instantiates places and states of mind. If Edouard Glissant says that we write in the presence of all the world's languages, then we have in Simone White's OF BEING DISPERSED, an underground stream reaching the surface of the page--in lines acrobatic and limber, fluent in code switch, mood shift and modes of inquiry. I read White's volume as a poetic lens on the specificities of the diaspora and the 'dispersed, ' written with baroque skepticism, feminist vision and attention to the complications of a Black yet to be storyed any/where.--Erica Hunt.…

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Poetry. African & African American Studies. 2017 Whiting Award Winner for Poetry. I get this pinwheel relationship to wisdom & history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power & her skill so what kind of quest is it, this beautiful complex & alive work. Here's my best guess. OF BEING DISPERSED is an ur text of the fourth wave of feminism which we come to realize is ocean and women are now standing on it and amidst this clatter of voices Simone White walks.--Eileen Myles In Simone White's poetry the action is always multiple, palpable, sounding as thought, coming forward through this highly sensitized plane, sudden and hovering, exchanging centers, afflicted and added to by company. The continuous listening company demands--company including imaginary self, receding boundaries, the horseman on the night's street, the live, the loved, the drunk, the words, the turnstile, the endless destructive projections people force--and the rendering of that listening into irreducible depths of tone, wit, and perception constitute much of what makes OF BEING DISPERSED a masterful book. Buzzing word-love marking time beat by beat, being the ground inside and out, makes up the rest.--Anselm Berrigan Macaronic plenitude of language instantiates places and states of mind. If Edouard Glissant says that we write in the presence of all the world's languages, then we have in Simone White's OF BEING DISPERSED, an underground stream reaching the surface of the page--in lines acrobatic and limber, fluent in code switch, mood shift and modes of inquiry. I read White's volume as a poetic lens on the specificities of the diaspora and the 'dispersed, ' written with baroque skepticism, feminist vision and attention to the complications of a Black yet to be storyed any/where.--Erica Hunt.…

Paperback. Etat : Good. Poetry. Cross-Genre.Wildly absorbing, MURMUR is a gorgeous genre-bender: detective novel, film noir and memoir (and autopsy of all three), tricked out with bloody mirrors, blue murder, mutable coffins, loopy interrogations and a dead bombshell's shoes. This is one fabulous book --Rikki DucornetLaura Mullen floods the confines of the 'detective novel' with all possible events, all murderers and all murdered so that, at any point in the narrative, everything has happened and everyone has done it. MURMUR is a further-fiction of displacement and testimony that calls us to the task of deciding not only whether we would or would not do a thing but also whether we even know the difference between the two. A gripping exploration into the brutality of our time that you will not soon forget.--Renee GladmanMURMUR collects an astonishing array of sorties into language as a terra incognita occasioning the uncanny and always troubled confluence of the subject, the bodies it inhabits and the linguistic remainder. Mullen animates narrative at the level of its basic semantic pulse. You'll meet a talking corpse, a severed head, a heart drawn on an open palm and the gradual destruction of a face. Mullen is as much an expert in the comic and grotesque, as in the restless and anonymous. With a majestically controlled impatience she constructs a textual space both unnerving and familiar. These are splendid texts of the nameless ones (a 'messenger, ' the 'caller, ' the 'reader') who interrupt and witness the murmur of the linked deictic shadows of a recurring 'she' and 'he.' Never since Beckett has the unnamed been so chilling precisely because it is unnameable.--Steve McCafferyLaura Mullen's MURMUR finds the crime in the moments between actions, in language overheard, doubling back, in a style both unnerving and comforting; always midsentence we feel death never dying, 'real despite or because of the staging, ' and in the background, Duras, Hitchcock--the passions of mundane horrors always ready for our pleasure, discovery. MURMUR stays the mind like an unforgettable dream.--Thalia Field.…

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. Poetry. Cross-Genre.Wildly absorbing, MURMUR is a gorgeous genre-bender: detective novel, film noir and memoir (and autopsy of all three), tricked out with bloody mirrors, blue murder, mutable coffins, loopy interrogations and a dead bombshell's shoes. This is one fabulous book --Rikki DucornetLaura Mullen floods the confines of the 'detective novel' with all possible events, all murderers and all murdered so that, at any point in the narrative, everything has happened and everyone has done it. MURMUR is a further-fiction of displacement and testimony that calls us to the task of deciding not only whether we would or would not do a thing but also whether we even know the difference between the two. A gripping exploration into the brutality of our time that you will not soon forget.--Renee GladmanMURMUR collects an astonishing array of sorties into language as a terra incognita occasioning the uncanny and always troubled confluence of the subject, the bodies it inhabits and the linguistic remainder. Mullen animates narrative at the level of its basic semantic pulse. You'll meet a talking corpse, a severed head, a heart drawn on an open palm and the gradual destruction of a face. Mullen is as much an expert in the comic and grotesque, as in the restless and anonymous. With a majestically controlled impatience she constructs a textual space both unnerving and familiar. These are splendid texts of the nameless ones (a 'messenger, ' the 'caller, ' the 'reader') who interrupt and witness the murmur of the linked deictic shadows of a recurring 'she' and 'he.' Never since Beckett has the unnamed been so chilling precisely because it is unnameable.--Steve McCafferyLaura Mullen's MURMUR finds the crime in the moments between actions, in language overheard, doubling back, in a style both unnerving and comforting; always midsentence we feel death never dying, 'real despite or because of the staging, ' and in the background, Duras, Hitchcock--the passions of mundane horrors always ready for our pleasure, discovery. MURMUR stays the mind like an unforgettable dream.--Thalia Field.…

Paperback. Etat : Good. Poetry. Latino/Latina Studies. Women's Studies. How do we trace shifts of home or syllable, the history of becoming in language? We show what's passed on with the mother-milk, the blood-words, pushed from the body onto the page. That's what these poems do, spilling beautifully, forming in the mouth of the reader. This is the 'ark built to survive': our things built with words circling, mother-to-daughter-to- mother-to-daughter. -- Eleni Sikelianos Here are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. Alcal writes, 'What good is it to erect/ of absence/ a word?' Tough and gorgeous, smart and touching, these poems are offerings that tie, untie, unite, entice. -- Hoa Nguyen Rosa Alcal 's new poemario MYOTHER TONGUE begins in the archives of what has yet to be written. She writes with precision and dynamism from the borders between death (of a mother) and birth (of a daughter). What a body produces, and what produces a body: labor, trauma, memory, sacrifice, pain, danger, and language formed both on the tongue and in the culture and the spaces between what can be said and what is missing, the linguistic and existential problem of not having the right words. The darknesses in Alcal 's work emerge from what happens when we don't see ourselves in the languages that both form and destroy us as we labor in this 'dream called money.' Alcal is a {un}documentarian of the highest order, a {un}documentarian of what history and memory try to erase. Her poems are urgent, demanding and haunting. -- Daniel Borzutzky.…

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Poetry. Literary Nonfiction. Disability Studies. Parenting. Autism. Collaboration. Docu-poetics. We think we know how our lives should be; we know how words fit together in a sentence. We use tests and benchmarks, charts and graphs, rules and spell-checks, to affirm these truths. Maya--the little girl at the center of this book--confounds such ways of knowing. Innominate, she inspires this book's form and sound, similarly unclassifiable. In NOS, Kaupang and Cooperman fight for a new grammar beyond the limits of standardized lines, to 'let loose the radiant / circle of her sentence.' It's a grammar we all need.--Jena Osman In their compelling and moving collaboration, Aby Kaupang and Matthew Cooperman chronicle the challenges and occasional triumphs of raising a child with autism. The three letters of the book's title, NOS, embody the reduction--the negation--of individuals and bodies to medical and psychoanalytic acronyms. The poets realize, however, that the designation of autism to describe their daughter is only a placeholder for a disorder 'Not Otherwise Specified, ' one which impels them into the vagaries of evaluation, diagnosis, and intervention. Nor does the designation describe the affective challenges of dealing with behavioral anomalies, silences, screaming fits, sleeplessness and trauma. At its core, the work celebrates a child's life, however difficult, in passages that testify to the family's resilience. Its rich formal complexity combines lyrical testimony with documentary objectivity. NOS is a vital contribution to disability poetics but also to a critical poetics of embodiment. It is a remarkable book.--Michael Davidson NOS is a book any parent of a child on the autism spectrum will recognize themselves in. In it are recorded our uncertainty, and our alienation, and our love, and our love, and our joy. But it is also art, primarily and always so, and often shines with a beauty that is painful to see and more painful to ignore--indeed, NOS does all that can be asked of art: it expands human understanding of humanity itself.--Shane McCrae.…

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good.

Etat : acceptable. All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. Poetry. Latino/Latina Studies. Women's Studies. How do we trace shifts of home or syllable, the history of becoming in language? We show what's passed on with the mother-milk, the blood-words, pushed from the body onto the page. That's what these poems do, spilling beautifully, forming in the mouth of the reader. This is the 'ark built to survive': our things built with words circling, mother-to-daughter-to- mother-to-daughter. -- Eleni Sikelianos Here are poems that reckon with the histories of family, generations, language and love: how our tongues are mothered or not, how we are given to and abandoned. Alcal writes, 'What good is it to erect/ of absence/ a word?' Tough and gorgeous, smart and touching, these poems are offerings that tie, untie, unite, entice. -- Hoa Nguyen Rosa Alcal 's new poemario MYOTHER TONGUE begins in the archives of what has yet to be written. She writes with precision and dynamism from the borders between death (of a mother) and birth (of a daughter). What a body produces, and what produces a body: labor, trauma, memory, sacrifice, pain, danger, and language formed both on the tongue and in the culture and the spaces between what can be said and what is missing, the linguistic and existential problem of not having the right words. The darknesses in Alcal 's work emerge from what happens when we don't see ourselves in the languages that both form and destroy us as we labor in this 'dream called money.' Alcal is a {un}documentarian of the highest order, a {un}documentarian of what history and memory try to erase. Her poems are urgent, demanding and haunting. -- Daniel Borzutzky.…

paperback. Etat : Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Very Good. Poetry. Literary Nonfiction. Disability Studies. Parenting. Autism. Collaboration. Docu-poetics. We think we know how our lives should be; we know how words fit together in a sentence. We use tests and benchmarks, charts and graphs, rules and spell-checks, to affirm these truths. Maya--the little girl at the center of this book--confounds such ways of knowing. Innominate, she inspires this book's form and sound, similarly unclassifiable. In NOS, Kaupang and Cooperman fight for a new grammar beyond the limits of standardized lines, to 'let loose the radiant / circle of her sentence.' It's a grammar we all need.--Jena Osman In their compelling and moving collaboration, Aby Kaupang and Matthew Cooperman chronicle the challenges and occasional triumphs of raising a child with autism. The three letters of the book's title, NOS, embody the reduction--the negation--of individuals and bodies to medical and psychoanalytic acronyms. The poets realize, however, that the designation of autism to describe their daughter is only a placeholder for a disorder 'Not Otherwise Specified, ' one which impels them into the vagaries of evaluation, diagnosis, and intervention. Nor does the designation describe the affective challenges of dealing with behavioral anomalies, silences, screaming fits, sleeplessness and trauma. At its core, the work celebrates a child's life, however difficult, in passages that testify to the family's resilience. Its rich formal complexity combines lyrical testimony with documentary objectivity. NOS is a vital contribution to disability poetics but also to a critical poetics of embodiment. It is a remarkable book.--Michael Davidson NOS is a book any parent of a child on the autism spectrum will recognize themselves in. In it are recorded our uncertainty, and our alienation, and our love, and our love, and our joy. But it is also art, primarily and always so, and often shines with a beauty that is painful to see and more painful to ignore--indeed, NOS does all that can be asked of art: it expands human understanding of humanity itself.--Shane McCrae.…

Paperback. Etat : Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. Poetry. Hybrid Genre. Performance Studies. LGBTQIA Studies. THE NANCY REAGAN COLLECTION is a response to growing up queer and trans under the rise of HIV-AIDS. Crossing genres and generations, this performance novel remixes the AIDS archive through an ever-spiraling politics and aesthetics of mourning. Alternating chapters offer up a narrative throughline composed of hallucinogenic episodes from the perspective of a nameless, grieving protagonist in the midst of the global carnage of the Reagan dynasty. Part revenge, part fantasy, the book experiments with poetic practices that challenge conceptions of memory and morality, activism and escapism, grief and beauty.'What is there to say that you haven't not said already?' Maxe Crandall fills the Reagans' famous silence on AIDS with a dazzling fantasia on glamour, grief, testimony, fandom, and ferocious indignation. Crandall refracts the crimes of the eighties through the icons and cultural debris of that era-so many coldblooded ways for flesh, power, and image to meet in mass death. Global catastrophes ornament Nancy's reign of just saying no as the CIA runs crack to fund the Contras. She floats above, a ghoulish death's head, dead and life-like, the pole star of this performance novel. 'Nancy introduces hallucination at the viral spike.' Above all, THE NANCY REAGAN COLLECTION explores the meaning of the image in all dimensions, blunt and cryptic, 'the live self blinks behind the one represented.' Like Nancy, you will smile one of your political grins.-Robert Gl 1/4ck'He looks like the future, ' Maxe Crandall tells us. But what looks like the past? What can look at this never-ending past? This dark dream of a book is one answer. The Archive. Memory. Poets Theater. Elegy. Grief and rage undergirding high fashion; i.e., the world. Maxe conjures all of this, and conjures the conjuring. Time, genre, perspective-these things are unstable. That is, of limited (endless) use. Imagine a multiplayer video game-that is, a script. Pick a stage, any stage, and gather to you your closest enemies. The more harshly glittering the lights, the better. The past (which is to say the present and future) intervenes with increasing urgency. Your gloved hands will always and never touch.-Claudia La RoccoThe energy and the invention of this work are impressive. If you read it sympathetically, you will like it.-Samuel R. DelanyMaxe Crandall's THE NANCY REAGAN COLLECTION is a virtuosic experiment where the all too harrowing reality of the Reagan era and its discontents (AIDS, Iran-Contra, the beginning of the end of the progressive American dream) meets a phantasmagorical interlocution with its strangest protagonist-Nancy Reagan. Crandall hauntingly weaves poetry and historiography together alongside an index of our fallen ancestors to remind us of the bizarre ways that queer and trans people's lives are enmeshed in deadly intimacy with people whose politics and politesse kill us. I love this book.-Miguel Gutierrez.…

Etat : good. This book is in good condition, with minimal signs of wear and tear.

paperback. Etat : Very Good. clean, sturdy, and unmarked -rw.