Gallery d a p (51 résultats)

Hardcover. Etat : As New. 1st Edition. ### AS NEW book is clean, crisp, and unmarked. First Edition. No dust jacket. Navy blue velvet covers with yellow lettering on spine and front, photo paste-ons. Slight wear to front lettering. No marks in or on book. NOT A REMAINDER. Not ex library. Measures c. 7 1/2 by 9 3/4 inches. 124 pages. Bubble wrapped and custom boxed for standard shipping. Appears brand new, unused, unread. Outstanding photography book. As New First Edition. …

Hardcover. Etat : Near Fine. Near Fine. First Edition; First Printing. Near fine in near fine jacket; a tight unmarked copy in unclipped dust jacket; clean and bright, nearly as new; first printing with no later statements; 308 pages.

Hardcover. Etat : Very Good. Some rubbing to velvet boards. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery.; 9.1 X 6.6 X 1.1 inches; 124 pages.

Pappband. Quart. 55 S. Pappband. Sprache: Englisch, Mit zahlr. schw.-w. Fotoabb. Einband minimal berieben, untere Kante des Hinterdeckel mit kl. Einkerbung, sehr gutes Exemplar. LMEX.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hardcover in dust jacket. Very nice dark grey cloth boards lightly bumped. Text pages are crisp and clean. Very nice illustrated dust jacket. Neatly closed 3 inch tear to rear. Looks great in new protective mylar. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; Oblong 4to 11" - 13" tall; 250 pages.…

Broschiert. First Edition. Gr.-Oktav. 77 S. Broschur. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX - auf dem Vortitel von Lee Friedlander signiert. Signatur des Verfassers.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. Oversized cloth. Signed by Friedlander to the half title page. Fine condition in like DJ in mylar. 196 duotones. ; D. A. P. /FRAENKEL; 4to 11" - 13" tall; Signed by Author.

Softcover. Etat : gut. 2005. Lee Friedlander. Apples and Olives. Published in conjunction with the exhibition "Lee Friedlander - Apples and Olives" at Fraenkel Gallery, San Francisco, 3 November - 30 December 2005 and "Lee Friedlander - 2005 Hasselblad Award Winner" at Hasselblad. In englischer Sprache. pages.…

Paperback. Etat : New.

Paperback. Etat : New.

Hardcover. Etat : New.

Hardcover. Etat : New. Frankenthaler at Eighty commemorates painter Helen Frankenthaler's eightieth birthday with a selection of masterworks from her own collection. Published concurrently with an exhibition at New York's Knoedler & Company, this handsome volume--the cover of which features Frankenthaler's great painting, "A Green Thought in a Green Shade" (1981)--pays tribute to the painter's long and distinguished career, with a fully illustrated survey of the works chosen for the exhibition, which represent quintessential paintings from each period of her career. Also included are historic photographs of Frankenthaler and a detailed chronology studded with reprinted images from periodicals, including art magazine covers. An essay by curator Karen Wilkin--who worked closely with Frankenthaler in the curation of this exhibition, and who has worked with the painter extensively for decades--sheds new light on the painter's tremendous contribution to American art during the last half-century.…

Hardcover. Etat : New. Kehinde Wiley's acclaimed World Stageseries inserts into the language of old master portraiture the very ethnicities and ethnic iconography that western art has most excluded from it, or that western art has portrayed solely in colonial, Orientalist terms. Among the countries he has previously depicted in this ambitious traveling epic are Brazil, Africa and China. The rhetoric of Wiley's paintings is powerful in its candor, color and its playfulness with constructions of visual meaning, and as Paul Miller (DJ Spooky) also notes, "Wiley's canvas surfaces are a mirror reflection of America's unceasing search for new meanings from the ruins of the Old World of Europe and Africa." This volume includes a selection of new World Stageportraits, focusing on India (specifically the cities of New Delhi and Mumbai) and Sri Lanka. Text in English and Hindi.…

Paperback. Etat : New. In May 2010, Glasgow-based sculptor Claire Barclay made an installation titled Shadow Spans for the Whitechapel Gallery in London. Barclay attached clothes, birdcages and other objects to frames recalling windows and doors, suggesting a collapsed interior, which several dancers use as a set throughout the work's year-long installation. This volume records the occasion.…

Hardcover. Etat : New. Rearview Mirror surveys a new generation of artists from central and eastern Europe. Among the 22 artists included are Pawel Althamer, Igor Eiskinja, Anna Kolodziejska, David Maljkovic, Ján Mancuska, Alex Mirutziu, Anna Molska, Roman Ondák, Anna Ostoya, Taras Polataiko, Wilhelm Sasnal, Sislej Xhafa and Katarina Zdjelar. …

Hardcover. Etat : New. Kindred Spirits looks at the influence of indigenous art from the American south west on modern and contemporary art. It juxtaposes funerary vessels, paintings, pottery, weavings and baskets from 14 tribes, including the Apache, Hopi, Mimbres, Navajo and Zuni, with works by Ansel Adams, Josef Albers, Max Ernst, Agnes Martin, Sumner Matteson, Georgia O'Keeffe, Jackson Pollock, Paul Strand and many others, in which tribal motifs, patterns and subject matter are adapted to modernist concerns. Also examined here is the impact of nineteenth-century anthropological publications by authors and illustrators such as George Catlin and Karl Bodmer, as well as Henry Rowe Schoolcraft's legendary Historical and Statistical Information, Respecting the History, Conditions and Prospects of the Indian Tribes of the United States (1847-1857)-publications that provided the earliest portraits of Native American culture. Contemporary artists Andrea Geyer, Simon J. Ortiz and Nicholas Galanin offer reflections on the social and political significance of the Native American peoples and how these factors have shaped their own work.…

Hardcover. Etat : New. Pipilotti Rist (born 1962) burst onto the international art scene in the late 1980s with visually lush video and multimedia works that explore sexuality and media culture through playful and provocative remixes of fantasy and the everyday. Highly accomplished technically, Rist's practice fuses sensual images, dazzling color, music and text to create mesmerizing installations. Published to accompany a major survey exhibition at London's Hayward Gallery (as well as a European tour), this comprehensive volume is thoroughly illustrated and conceived in close collaboration with the artist. Essays by Stephanie Rosenthal, Elizabeth Bronfen, Chrissie Iles and Stefanie Müller explore the many facets of Rist's art, including her treatment of the relationship between the body and the camera, and her use of two- and three-dimensional sculptural forms, while a visual essay by the artist provides a rare insight into her working methods. …

Hardcover. Etat : New. Since 2000, R 20th Century Gallery in the Tribeca neighborhood of New York has been host to groundbreaking exhibitions on vintage and contemporary design. Owners Zesty Meyers and Evan Snyderman founded the gallery in order to realize their shared goal of promoting a closer study, appreciation and preservation of twentieth- and twenty-first-century design. The gallery's commitment to preserving history through extensive archives, library and private collection has been widely lauded in the press. Also desiring to represent a more expansive view of the ways in which the design, art and architecture communities intersected, Meyers and Snyderman collaborated on exhibitions with architects such as John Keenen, Annabelle Selldorf, Michael Sheridan, Steven Learner and many others. This book traces many of the gallery's exhibitions over their ten-year history and reveals behind-the-scenes photographs--by Robert Polidori and Jason Schmidt among others--of installations, scale models, architectural drawings, catalogues and ephemera.…

Paperback. Etat : New. In a powerful new body of photographs, sculpture and installation, John Waters continues his investigations of film history and contemporary politics. Primarily known as the filmmaker behind such cult classics as Pink Flamingos, Polyester and Pecker, Waters has been making "fine" art since the early 1990s. In it, he tackles both cinematic themes and political events by building narratives, frame by frame, from early commercial films. In this publication, Waters shares the method by which he constructs each work as if he were making a personal guidebook, so that his snapshots, color photographs and handwritten notes indicating composition are re-created as if in their original plastic organizational sleeves. Neither the art world, celebrity miscreants, politicians or Waters himself are spared in these incisive new works. An essay by Brenda Richardson examines Waters's history, as well as each work, in brief and brilliant detail.…

Hardcover. Etat : New. A meditation on the nature of photography itself, The Book of Shadows is a collection of 88 anonymous photographs spanning the twentieth century, all of which share a common "mistake"--the photographer's shadow falling into the image. Selected by gallerist Jeffrey Fraenkel from his personal collection of more than 2000, these images represent, in Fraenkel's words, "the most tenacious, peculiar, and downright sublime of the crop." The shadows frequently convey striking aspects of their maker's personalities, and tell us more than might be expected about the person behind the camera. But as Fraenkel writes in the book's introduction, "the shadow's most striking feature is that it tips us off and confirms the photographer was there, a reality not generally evident in photographs. We take for granted photographs were made by someone, a person with a reason for making the picture, but that observer--who by extension is also us--is rarely acknowledged so overtly in the pictures themselves." This book itself is a work of art. Bound between suede covers, and exquisitely printed by the master craftsmen at Trifolio in Verona, Italy, The Book of Shadows is a reminder, even in a digital age, that the power and mystery of photographic depiction still evades any attempt to describe it.…

Paperback. Etat : New. The English poet and artist William Blake (1757-1827) was uncommonly aware of the evils of slavery in his time, having illustrated Narrative of a Five Year's Expedition against the Revolted Negroes of Surinam (1791), John Stedman's firsthand account of the brutal suppression of a slave revolt in South America. But for Blake, the interest was not only in physical but mental enslavement. The ubiquity of "mind-forg'd manacles" (as he put it in his great poem "London") in a rapidly industrializing Europe compelled some of his most dramatic and complex text and images. With over 60 color reproductions from Blake's illuminated books, watercolors and engravings, all from the collection of The British Museum, William Blake and Slavery: Mind-forg'd Manacles presents a strong statement on this great artist's pungent and independent political vision. It includes an essay on the theme of slavery in Blake's visual imagery by the exhibition curator and leading Blake scholar David Bindman, as well as a text on Olaudah Equiano, an African ex-slave who campaigned for the abolition of slavery, by the novelist and literary critic Darryl Pinckney. This book commemorates both the bicentennial anniversary of the abolition of the slave trade in the British Empire, and the two-hundred-and-fiftieth anniversary of Blake's birth.…

Hardcover. Etat : New. Frida Kahlo leans against a concrete wall, looking somberly down while an ankle-length skirt flutters around her. Elsewhere, the tight screws of plough blades stack interlocked on a warehouse floor, utilitarian subjects coalescing into a heady abstract pattern. From his first days as a photographer--with the backing of such greats as Tina Modotti, Edward Weston, Paul Strand and Henri Cartier-Bresson--Manuel Alvarez Bravo worked over a wide range of styles and subject matter--formalist abstraction, architecture, interiors, landscapes, still lifes, and portraits--with a consistent focus on the landscape and social geography of Mexico. In his concise vision of his homeland, it was both a real and symbolic landscape populated with subjects detained in dream world tableaux of desire, solitude, candor and foreboding. Eyes in His Eyes reintroduces some of the artist's overlooked masterpieces, and reveals, for the first time, a broad selection of never-before-seen images from his private archives. In his 80-year career, Alvarez Bravo printed, published and exhibited only a thousand images. This portfolio, culled with the help of the artist himself, and completed after his death, is full of unfamiliar abstractions, portraits, landscapes and street photography. It provides an invaluable re-entry into the visual poetry of one of Mexico's most gifted artists and a Modern master of photography.…

Hardcover. Etat : New. The quintessential visual artist of the Beat generation, Wallace Berman's influence has continued to radiate throughout the American art scene and in our popular culture since the 1950s. As an artist, Berman worked in relative obscurity up until his premature death, at the age of 50, in 1976. Since then, however, interest in his work, and recognition of its importance, have steadily increased. The subject of the recent--and highly lauded--traveling exhibition and accompanying catalogue, Semina Culture: Wallace Berman & His Circle, he was the central and binding figure in a diverse community of artists, poets, actors and musicians, and was revered for his wisdom as well as his achievements as an artist, publisher and filmmaker. However, until the 1999 discovery of an archive of his photographic negatives, very few people have known that Berman was also an extremely accomplished photographer. He documented the West Coast Beat culture of the 1950s, the first stirrings of the hippie culture that took root in the canyons of Southern California in the 60s and the diverse cast of characters who passed through his famously creative world with amazing intimacy and candor. Berman's photographs are gathered here for the first time ever.…

Hardcover. Etat : New. Much of the seminal 1960s sculpture documented in this catalogue is from Claes Oldenburgâs personal collection and had never been shown until it was gathered on the occasion of the artist's first major historical New York exhibition since his Guggenheim retrospective of 1995. Included are a large selection of objects from The Store; early soft sculptures from The Home; and works related to the Airflow project. Scholars and new initiates alike will enjoy Oldenburgâs earliest riffs on street life (yard-long gym shoes), household objects (plump fabric light switches and toilets) and automobile culture, explored and transformed through innovative manipulations of scale and material into mysterious, formally inventive works that address human experience in modern life. An insightful essay by Julia E. Robinson points to relationships with the work of Daumier, Dubuffet and Manet. …

Paperback. Etat : New. What is a photographic image? Can a photograph ever tell the truth? These are some of the questions artist Walid Raad (born 1967) has been investigating for the past 20 years, in a practice that encompasses photography, film and video, sculpture, installation and performance. This publication brings together three major bodies of work: the photographic and video works produced under the fictional collective name The Atlas Group; various series of seemingly "straight" photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World. The publication includes an exchange between the artist and curator Achim Borchardt-Hume; an essay on conceptions of truth by poet and writer Alan Gilbert; a text on Raad's use of photography and its ties to Beirut by Blake Stimson; and an essay by Hà là ne Chouteau-Matikian. …

Hardcover. Etat : New. An old woman with pink skin and suit, lying in a pink coffin; a family saying Grace in a McDonald's; a little girl in her ballet costume, standing in a windowsill . This first monograph on the rising photographer, Angela Strassheim, whose work was noted at last year's Whitney Biennial, features a concise selection of recent photographs which center around her born-again Christian family and other domestic narratives inspired by her odd childhood and even more unusual adult life. (Strassheim received her MFA in photography from Yale University in 2003, but she is also a certified forensic and biomedical photographer who has worked as a crime-scene and autopsy photographer in Miami, New York and Richmond, Virginia.) As essayist Jean Dykstra writes, Strassheim's photographs are characterized by a steady, unwavering gaze, which can be as unexpectedly intimate as it is unnerving. "They are so carefully observed, and so fantastically inconclusive, that they keep us looking too.".…

Paperback. Etat : New. Keeping it Real traces the history of artists and their engagement with materials in the late twentieth century by closely analysing more than 60 key works from the D. Daskalopoulos Collection, Athens. Marcel Duchamp's "Fountain" serves as starting point for probing the relationship between art and reality. The book is divided into four sections: "Act 1: The Corporeal" assesses the reemergence of sculpture via installation and the invented readymade in the work of artists such as Louise Bourgeois, Robert Gober, David Hammons and Sherrie Levine. "Act 2: Subversive Abstraction" examines works by artists including Lynda Benglis, Mike Kelley and Dieter Roth which combine abstraction with the use of 'abject' materials. An installation by Mona Hatoum referencing both the body and the minimalist grid forms the center of "Act 3: Current Disturbance"; and "Act 4: Material Intelligence" looks at the increasingly prevalent engagement with everyday source material.…

Paperback. Etat : New. In Nuevo Laredo, just south of the U.S.-Mexico border, complexes of sex clubs called Boystowns cater to American men, and a few Mexicans, who wish to watch women take off their clothes and perhaps to pay for sex with one of them. Photographer Jeffrey Silverthorne (born 1946), who has in the past made photographs of landscapes, still lifes, portraits of transvestites and of dead bodies in a morgue, photographed the women who sell their bodies nightly in the Mexican establishments for wages that far exceed what they could earn in the local maquiladoras. Lurid and unsettling, Boystown: The Perfume of Desire presents 56 color and 34 black-and-white images. "On a simplistic and juvenile level," Silverthorne writes, "a Boystown is a celebration of life, a candy store of flesh, with any psychological or medical consequences deferred. On an adult level, Boystown is a direct observation of a spiritual poverty and economic failure that both countries and cultures share.". …

Paperback. Etat : New. Ever since the early 1970s, sculptor Charles Ray's protean practice has yielded some of the most memorable objects and experiences in contemporary art, causing us to confront, as Peter Schjeldahl has written, "elegant, deadpan fabrications that flip wild switches in our minds." In 1987's "Ink Line," for example, he sent a single stream of ink flowing to the middle of a gallery's floor in a slender column; outside the 1993 Whitney Biennial he parked a massive replica of a toy fire engine. His recent work is just as alluring and unsettling: a steel sculpture of a handheld bird, a poster of an ominous pumpkin, an intricate cast aluminum sculpture of a tractor. Charles Ray surveys the work the artist has made in the past dozen years; an interview by Michael Fried and an essay by John Kelsey complement texts written about each work by Ray himself.…

Paperback. Etat : New.