guernica editions canada ca (Plus de 1 300 résultats)

Paperback. Etat : New. Dead Voices is a collection of stories that are both seriously realistic and comically whimsical. They have everything from superheroes who get sick on words, to the appearance of dead playwrights, to the visit of saints and sinners from the past, to a hot stove discussion on hockey and love. They?re about the modern mind-set and its technological marvels and the older attention to character and virtue.

Paperback. Etat : New. In October 2016 Peter Jickling left the Yukon to write in Toronto. His resulting poems document subjects ranging from subletting to subways ? illuminating quiet moments amidst noise. Sometimes sad, often funny, and always humane, Downtown Flirt is an outsider?s account of urban life.

Paperback. Etat : New. In the original introduction to Pascal D'Angelo's Son of Italy, the renowned literary critic Carl Van Doren praised D'Angelo's autobiography as an impassioned story of his "enormous struggles against every disadvantage." In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century. However, interested in more than just material success in America, D'Angelo quit working as a laborer to become a poet. He began submitting his poetry to some of America's most prestigious literary and cultural journals until he finally succeeded. But in his quest for acceptance, D'Angelo unwittingly exposed the complexities of assimilation. Like the works of many other immigrant writers at the time, D'Angelo's autobiography is a criticism of some of the era's most important social themes. Kenneth Scambray's afterword is an analysis of the complexities of this multifaceted autobiographical voice, which has been read as a simplistic immigrant narrative of struggle and success. Guernica's edition of Son of Italy is its first English reprint since its original publication in 1924.

Paperback. Etat : New. Frank Lentricchia was born to working-class parents in Utica, New York, on May 23rd in 1940. He earned his M.A. from Duke University in 1963, and his Ph.D. in 1966. His first two books were about modern poetry, and he then began to write more about literary theory, publishing his ground-breaking books in the early 1980's. Lentricchia served as the editor of two book series, one for The University of Chicago Press (The Wellek Library Lectures), and one for the University of Wisconsin Press (The Wisconsin Project on American Writing.) During these years, he began to drift from his previous work in theory. Lentricchia's first non-scholarly book, The Edge of Night, was published in 1994, and he soon followed with his much-noted essay in Lingua Franca, 'Last Will and Testament of an Ex-Literary Critic,' his farewell to certain types of academic criticism and theory. Though he did not completely abandon literary comment, Lentricchia from then on devoted himself to fiction.

Paperback. Etat : New. Second Edition,New edition. Blood of My Blood eaves together the history, sociology and psychology of first, second, and third-generation Italian Americans. Its data is presented with scholarly precision; yet the author's personalized style, which he peppers with autobiographical tidbits, makes it immensely readable. Unlike most books written by academics, this one compels the reader to feel as well as to know.

Paperback. Etat : New. To be Hitchcockian about it, the story deals with the relationship between [Umberto] Umber, a professor of comparative literature, and a Dr. Jamshid Kloster, an experimental physicist whom Umber meets on a Laguna Beach bench as Diane Keaton, a long-time Laguna Beach resident, strolls by. Umber's other obsession or, perhaps, his deepest regret is that . he will never be able to know any of 'the characters of future novels.' In Hitchcockian terms, that's the McGuffin and as Kloster tells Umber, "If you're interested in future novels, we must travel to the libraries of the future." And that's where the story becomes both Borgesian and Contesque as Umber asks Kloster what he will need for that to happen and Kloster replies: "We need a library, four mirrors, and a beautiful sunset." -- Mark Axelrod.

Paperback. Etat : New. Like his three siblings, 32-year-old Alfredo Freddy Flowers Falconi has led two lives: the idyllic one before The Incident -- his mother's 1984 death -- and the complicated one afterward. He was just eight-years-old when his father abandoned the family, and nine when his oldest brother, Small Carm, covered up the circumstances of Rosa Falconi's demise to keep the family's honour intact. Twenty-three years later, that lie has become a black hole: hidden at the centre of all of their lives, it's supremely powerful force that, when uncovered by Freddy, threatens to tear them apart. Set against the backdrop of the Falconi family's shuttered tractor showroom on Toronto's pulsating and ethnically diverse Spadina Avenue, Falconi's Tractor explores the Italo-Canadian experience, Catholicism, family dynamics, the fall of a family business, infidelity, and mental health-all with a red Falconi tractor and a Ferrari sports car as bookends to the action.

Paperback. Etat : New. In the original introduction to Pascal D'Angelo's Son of Italy, the renowned literary critic Carl Van Doren praised D'Angelo's autobiography as an impassioned story of his "enormous struggles against every disadvantage." In his narrative of his fruitless labor as a "pick and shovel" worker in America, D'Angelo, who immigrated from the Abruzzi region of Italy, describes the harsh, often inhumane working conditions that immigrants had to endure at the beginning of the twentieth century. However, interested in more than just material success in America, D'Angelo quit working as a laborer to become a poet. He began submitting his poetry to some of America's most prestigious literary and cultural journals until he finally succeeded. But in his quest for acceptance, D'Angelo unwittingly exposed the complexities of assimilation. Like the works of many other immigrant writers at the time, D'Angelo's autobiography is a criticism of some of the era's most important social themes. Kenneth Scambray's afterword is an analysis of the complexities of this multifaceted autobiographical voice, which has been read as a simplistic immigrant narrative of struggle and success. Guernica's edition of Son of Italy is its first English reprint since its original publication in 1924.

Paperback. Etat : New. Frank Lentricchia was born to working-class parents in Utica, New York, on May 23rd in 1940. He earned his M.A. from Duke University in 1963, and his Ph.D. in 1966. His first two books were about modern poetry, and he then began to write more about literary theory, publishing his ground-breaking books in the early 1980's. Lentricchia served as the editor of two book series, one for The University of Chicago Press (The Wellek Library Lectures), and one for the University of Wisconsin Press (The Wisconsin Project on American Writing.) During these years, he began to drift from his previous work in theory. Lentricchia's first non-scholarly book, The Edge of Night, was published in 1994, and he soon followed with his much-noted essay in Lingua Franca, 'Last Will and Testament of an Ex-Literary Critic,' his farewell to certain types of academic criticism and theory. Though he did not completely abandon literary comment, Lentricchia from then on devoted himself to fiction.

Paperback. Etat : New. Second Edition,New edition. Blood of My Blood eaves together the history, sociology and psychology of first, second, and third-generation Italian Americans. Its data is presented with scholarly precision; yet the author's personalized style, which he peppers with autobiographical tidbits, makes it immensely readable. Unlike most books written by academics, this one compels the reader to feel as well as to know.

Paperback. Etat : New. The Vanishing Act (and The Miracle After) is an existential meditation on grief, the kind which pins you down and minimizes you. The first half of the collection, The Vanishing Act, captures the ruminations of a mind which feels limited physically and spiritually. The imagery in this section intermingles magic and violence as the speaker confronts systemic issues as a middle-class woman, a person of colour, and a survivor of abuse.The second section, (and The Miracle After), offers a fresh perspective on recovery. In this section, the speaker revisits images of bodily harm. Objects previously used for violence are brought back to a state of benign normalcy. As spring arrives, the speaker contemplates renewal and the paradoxical nature of taking agency of her life, while knowing the act of survival is made possible only because of miraculous intervention.

Paperback. Etat : New. The poems in A Map of Rain Days address the beauty and shadows of life while navigating the realities of racism, addiction, suicide, rape, abuse and death. Ecstasy and loneliness, romance and terror are juxtaposed. Love is brutal and intoxicating, adolescence is "the carcass of youth." Yet still we live and love and come out kicking.The poems in A Map of Rain Days span a lifetime, moving backwards from the loss of a mother to when the speaker was a "tiny girl in a third-floor walk-up." The title of the book comes from the poem of the same name, in which the speaker walks "down the corridors/in [her] mother's bruised shoes;" when she describes her mother's toes as "crooked and curled/in a misguided, arthritic map/of rain days," the speaker is describing the life she has lived.Winter is a metaphor for isolation, darkness and death. The speaker lives in a country that "is an ice storm." Aunty and Uncle are "hidden in rock/and snow." Death and winter are inextricably linked: "Mother floats around the car/with the snow" and "snow.caresses a man who struggles/with his foolproof design/for suicide." Even love and longing are locked in winter: "bent over you/I become the stillness of night, the snow itself."Love and loss feature in the poems: love for a mother and a daughter, longing for a lover, and the loss of a best friend. Love is overpowering. When the speaker has to move her mother out of her apartment on the eve of her daughter's birthday, "Love fills [her] up like a ballooon,/so full and stretched and thin [is she]." When her daughter moves across the continent,  the speaker holds "tight to the pillow/that [she] laid [her] head upon/as if it were love/itself." When a friend dies unexpectedly, the speaker cannot let him go, and there is "a can of Diet Coke/that [she is] keeping for the next time/[he stops] by."Love is both brutal and intoxicating. The speaker longs for a man who, "when [she pauses] to wipe/the sand from [her] eyes.[is] gone."  Romance "has been chewed/out of [her]/kisses carved away," yet still she listens to a lover's "breath fall/and the cacophony of sheets/against [their] skin."There is violence in love: a controlling husband who would "cut [her] breasts off/so no man/can look at them" and a lover who "turned [her] to ash that stuck/to the soles of [his] feet/during [his] tirades/and blackouts." In all of this, the speaker becomes "the thin voice itself/and little more." When she tries to escape, she turns around "to find him:/in his hands he holds all of me." Living in exile is another motif in the book. Born and raised in Montreal, the speaker, whose background is South Asian, experiences "the swill and gore" of adolescence in a hostile Toronto suburb. Struggling to live in a world where "sticks and stones broke all of [her]," she wonders how her father learned "to put his feet down/on unfamiliar soil." But it is possible to look racism in the eye; responding to the racist taunts of a man on a bus, the speaker tells him ".

Paperback. Etat : New. Götterdämmerung is Len Gasparini's fifteenth book of poetry since the early 1970s. What distinguishes this collection from his earlier work is the long title poem: a tour de force that covers new ground in the genre of ecopoetics by launching an acerbic yet lyrical assault on the Anthropocene. Other poems explore such diverse themes as memory, art, and botany. Also included are three literary essays that evince the importance of language and imagination.

Paperback. Etat : New. The Enchanted People is a humanitarian fairytale about a young girl named Wawatay who lives away from her village as an outcast because she is different. All the people in her village have an enchanted power except for her, and so, she is not accepted by them. While living in solitude, Wawatay finds an injured baby sparrow and begins to care for her despite ridicule and discouragement from her people. When Baby Bird grows up and asks Wawatay to teach her to fly, Wawatay embarks on a journey across the Earth to seek help from her animal friends and learn the secret to flying. Along the way, Wawatay discovers a secret about herself - she has an enchanted power after all. She must decide if she will use it to help save her animal friends and plead with her people to change their habits - which are destroying Mother Earth - or if she will continue to stay away in fear. Readers may also discover a secret from this book: just like the first Enchanted People to walk the earth, each of us is born with unique gifts. Are you using your powers for good?

Paperback. Etat : New. Three Canadian soldiers awaiting deployment to the war in Afghanistan beat a homeless man to death on the steps of their armoury after a night of heavy drinking. The poet, whose downtown Toronto home overlooks the armoury and surrounding park, describes the crime, its perpetrators, the victim, and a cast of homeless witnesses that includes the woman, a prostitute, who first alerts police. The subsequent trial evokes reflection on the immigrant experience the poet shares with one of the accused, and on the agony of that young soldier? mother. From Kandahar to Bridgetown to Mississauga, Ontario, Where the Sun Shines Best encompasses a tragedy of epic scope, a lyrical meditation on poverty, racism and war, and a powerful indictment of the ravages of imperialism.

Paperback. Etat : New. Choosing Eleonore tells the story of a one-way friendship, of tragic loneliness. In it, award-winning Quebec author Andrée A. Gratton explores the syndrome of the delusion of being loved. Centred on two young women: Eleonore and Marianne, this is Marianne's story. From the first sentence, we feel that something is wrong in her perception of reality. "Long before we met, Eleonore had been dreaming of me," she says. But who is this Eleonore, whom Marianne had never spoken to? What is so fascinating about her? Neither humiliation and rebuffs nor rejection will disabuse Marianne of her certainty of being loved by Eleonore.

Paperback. Etat : New. Dervish at the Crossroads isn't a music guide so much as an autobiographical exploration of the experience of music from 2000 to 2020, with commentary on what makes the experience of music during these two decades radically different from all that came before. As the title of the book implies, due to the unique conditions of our time we can no longer think of ourselves as points on a series of evolutions; we're now much more present to all of music, from the beginning of written and recorded music, all of which turns around us like spokes on a wheel. This grants us a unique vantage point from which to appreciate music in itself. The book alternates text with a comics and infographics detailing the history of the author's discoveries as a music journalist during this time, along with personal experiences and ruminations and interviews.

Paperback. Etat : New. Alina has red hair, green eyes and an extraordinary intelligence: at the age of two, she can already read and count. She loves to surgically dissect the world around her and listen to the stories that her grandfather Giuseppe tells her, as they wander through the alleys and rocky coastline of Polignano.Hers is an atypical childhood, always poised between genius and discomfort, skipped life stages and looming bullying. Because she is always the youngest one, the best one, the strongest and most fragile one at the same time. A fish out of water with intellectual and sensory "superpowers", with depression and anorexia always lurking. Until Nicola arrives to break her crystal ball.A love that is as strong as it is socially unacceptable and that will mark the beginning of her real life, of her forced growth, of her precocious blossoming into a strong woman, capable of loving and suffering. This is the story of Alina and of her way of being, living with Asperger's syndrome, in a crescendo of emotions "differently" felt between Polignano, Milan and Paris, to then return to the starting point: the twelfth room.

Paperback. Etat : New. Frenetic, fervent and musical, Songs of My Surrenders is the follow up to di Saverio's highly acclaimed epic poem Crito Di Volta. Whether writing about romantic love, filial reverence, friendship, or brotherhood, Di Saverio insists on passionate and profound connection. A wind of dust blows my tears Into the daisies of the jetty where I wait For you continuously; is it true What they say, that you no longer love Me? I will wait here, still. I will not move.

Paperback. Etat : New. Love Is A Place But You Cannot Live There is divided into 7 sections. The first 5 sections focalize particular geographical regions: Southern Ontario in "The Southern Ontario Gothic Tour," North York in "The Northern Edge of Everything," New York in "Cynic's Guidebook," New Brunswick in "Vanishing Beach," and Antarctica in "Signs in the Southern Hemisphere." Though each section tells a story of people moving through these places, the poems ultimately subvert the expected conventions of travel narrative, directing critical attention to the personae and roles of travellers and to the systems of power at work in each locale. This is a book deeply concerned with psychogeography, the ways that individuals and environments mutually shape one another. Psychgeography comes to the fore particularly in the final two sections of the book, "Animals in Strange Houses" and "Genius Loci." In "Animals in Strange Houses," animals, both human and not, must literally and figuratively reconstruct homes after being displaced by urbanization and ecological destruction. In the final section, "Genius Loci," poems function as both portraits and place studies and reveal the deep intimacy between examinations of persons and places.

Paperback. Etat : New. The Walled Garden is a unique collection of short essays addressing a wide variety of subjects. From an exploration of the films of Andrei Tarkovsky and Federico Fellini to an update on the linguistic theories of Ernest Fenollosa, from a look into the true nature of time and the present moment to a discussion of 'psychic birthplaces', from reflections on Paleolithic caves, poetry and art, The Walled Garden includes the wild, the tamed and the stunningly unusual.

Paperback. Etat : New. In Wait, relationship and reflection are drawn on to free emotion and understanding from fear, whether it would grow in praise of passion or cooling love, or arise from being trapped by power or lost to indulgence. The poems in Wait seek to cut through the dishonesty and abuse that skew life.

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Paperback. Etat : New. Writers and critics have long acknowledged Bronwen Wallace's unique contribution to Canadian literature and yet her work has received little academic recognition. This collection attempts to remedy this with voices old and new. A critical introduction, biography, and interview are followed by previously published essays by Susan Rudy, Brenda Vellino, and Aritha Van Herk and new contributions from Mary di Michele, Lorraine York, Susan Glickman, Wanda Campbell, and Andrea Beverley. Rounding out the collection are poems by Patrick Lane, Phil Hall, Phyllis Webb, and Wallace's son Jeremy Baxter, along with a bibliography of primary and secondary sources.

Paperback. Etat : New. From the drunk tank to the graduate seminar, We Are No Longer The Smart Kids In Class asks what it means to think and be, play and learn, ride bikes and make love in a world of depleting resources, technological proliferation, and corroding ecosystems. This collection contemplates moustaches, mountains, and oceans from Halifax to Victoria, always wondering how poetry matters to the heaving, melting, masturbating world it dramatizes.

Paperback. Etat : New. The ten essays included in this volume address the themes of immigration, migration, and history in Pasquale Verdicchio's poetry and scholarship. Giuliana Gardellini, Joseph Pivato, Anna Zampieri Pan, Diego Bastianutti, Carmelo Militano, Leonardo Buonomo, Kenneth Scambray, Laura E. Ruberto, and Antonio D'Alfonso discuss Verdicchio's unconventional forms and contents that reveal the difficulties of being considered a marginalized ethnic voice in North American culture. Not conforming to conventional poetic models, Verdicchio writes poetry that presents itself as a puzzle in which for decades he demonstrates the role that politics, history, and culture play in self-analytical writing. The immigrant (or defined as such by conventional terminology) offers as his central theme a "moving" cultural landscape that he must personally inhabit from the moment he leaves his native home. The ever-changing persona in Verdicchio's texts defies linguistic and literary constraints. Verdicchio challenges the conventional role that nostalgia plays in ethnic poetry and contributes in a daring manner to how view immigrant and post-immigrant studies. Pasquale Verdicchio is one of the few poets today to reposition the post-immigrant identity in our growing pluricultural societies.

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