Hatje cantz first edition (12 résultats)

Hardcover. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Fine. 4to 11" - 13" tall; 300 pages.

Hardcover. Etat : Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardback. Etat : Very Good. Colour and Black and White photographs. Very Good, without dust jacket.

Hardcover. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover/Hardback. Etat : Fine. First Edition. Hommage assembled by the Belgian artist: developing Hitchcock's appearances in his movies into a narrative, texts by Jorge Luis Borges, Thomas Elsaessar, Tom McCarthy, Slavok Zizek and others, illustrations, though not the usual ones, throughout; edited by Steven Bode, 288pp. Pictorial boards. Fine as issued without dustwrapper. book. …

Etat : Near Fine. First edition hard back binding in publisher's original silver covers embossed with 5 mm high vacuum-formed plastic lettering and WW initials to the front cover, silver titles to the spine, all page edges silver. 4to. 13'' x 10¼''. A splendid volume commemorating the 100th anniversary of the birth of the Wiener Werkstätte. Established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive co-operative of artisans in Vienna, Austria. The Werkstätte brought together architects, artists and designers working in ceramics, fashion, silver, furniture and the graphic arts. It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco. Contains 452 pages with 685 illustrations (418 in colour). Front end papers with a cut-away 28 page facsimile of the 1905 program of the Wiener Werkstätte. Small scratch mark to the bottom fore edge of the front cover and in very near Fine condition. Heavy volume weighing 3.4 kg, extra postage and insurance will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ISBN 9783775717786 ARCHITECTURE.…

EAN: 9783775734592. ISBN: 3775734597. orig. cloth binding 4° in slipcase as new condition 160 pages S. with c. 150 col. photos (guter frischer Zustand), Cloudline is a unique building designed by New York-based architect Toshiko Mori in collaboration with gallerists Sean and Mary Kelly, and situated on the slopes of the Hudson River. Works by Joseph Beuys, Jannis Kounellis, Juan Munoz and Ian Hamilton Finlay escort the visitor into a space that, with its aluminum-framed panoramic windows and its plain concrete floors, serves as the perfect minimalist canvas for the art within. Nearly a dozen of the artists whose works are featured in the site have created new works especially for this publication. Also included here is an essay by the novelist Colm Tóibín, in which he describes the collection, meditating on works by artists such as Marina Abramovic, Los Carpinteros, James Casebere, Iran do Espírito Santa, Antony Gormley, Laurent Grasso, Callum Innes, Joseph Kosuth, Wolfgang Laib, Peter Liv.…

Hatje Cantz, Gottingen. 2014. First edition, first printing. New, mint, unread; originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued) in two different cover motifs (here: Dresden, unknown, 1986). 237 x 305 mm. 144 pages. 78 photos. Text: Sibylle Berg. Layout: Clara Bahlsen, Johannes Siemer. Text in german, english, french. Perfect condition! Collector`s copy!***************Hatje Cantz, Göttingen. 2014. Deutsche Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch orig Originaleinband - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***. …

Hatje Cantz, Gottingen. 2014. First edition, first printing. New, mint, unread; Hardcover (as issued) in two different cover motifs (here: Hennigsdorf, unknown, 1982). 237 x 305 mm. 144 pages. 78 photos. Text: Sibylle Berg. Layout: Clara Bahlsen, Johannes Siemer. Text in german, english, french. Perfect condition! Collector`s copy! Kaum sichtbarer pfenniggrosser Schatten Rückcover unten. Radierbar. Originaleinband - ORIGINAL PUBLISHERS WRAPPERS Meier und Muller, 2011. First edition, first printing. Signed by Ute and Werner Mahler! Limited to 500 copies only; here number 35. New, mint, unread. Hardcover (as issued). 240 x 315 mm (9.4 x 12.4 inch). 96 pages. 41 black and white photos. Edited by Andrés Marroquín Winkelmann and Dr. Jörg M. Colberg. With an Essay by Wolfgang Kil. Design: Blotto. Perfect condition! Signed by both artists! Collector`s copy! "For their project "Mona Lisas of the suburbs" Ute and Werner Mahler photographed young women in transition, who are living between city and countryside, between being a child and being a woman. Thirty of these portraits have been selected for this book. To produce the body of work, the Mahlers spent three years traveling across Europe, meeting their "Mona Lisas" in Liverpool, Minsk, Florence, Reykjavik and Berlin. Going to the suburbs, they waited for girls that had something mysterious and timeless in their faces. They portrayed them in their own surroundings, between buildings and meadows, with an equipment used mostly in old photo studios: a plate camera, a black cloth, a tripod and a stool with a head rest. The girls took a seat on this stool and hinted at a smile, just like the model in the famous Renaissance painting. The first "Mona Lisas of the suburbs" were shown as part of the OSTKREUZ exhibition "The City. Becoming and Decaying". For this work, Ute and Werner Mahler were awarded this year`s "Kunstpreis Fotografie" by Lotto Brandenburg for "Mona Lisas". The book contains a new and expanded selection of photographs and a text by architect and author Wolfgang Kil. Ute and Werner Mahler are amongst the most famous East German photographers. After Germany`s reunification, they co-founded the photography agency "Ostkreuz" and the "Ostkreuz School of Photography". The Mona Lisas are their first shared body of work. We are delighted to be the publisher of these photographs.***************Meier und Müller, 2011. Deutsche Erstausgabe. Originalausgabe. Signiert von Ute und Werner Mahler! Limitiert auf nur 500 Exemplare; hier Nummer 35. Neu, ungelesen: Nahezu verlagsfrisch. Hardcover (nur so erschienen). 240 x 315 mm. 96 Seiten. 41 schwarz-weiß Fotos. Herausgegeben von Andrés Marroquín Winkelmann und Dr. Jörg M. Colberg. Mit einem Essay von Wolfgang Kil. Design: Blotto. Perfekter Zustand! Signiert von beiden Künstlern! Sammler-Exemplar! "Zwischen Stadt und Land, zwischen Kind und Frau: es sind Mädchen am Übergang, die Ute und Werner Mahler für ihr Projekt "Monalisen der Vorstädte" fotografiert haben. Dreißig der so entstanden Porträts haben die Mahlers für einen Band ausgewählt, der jetzt im Berliner Fotobuchverlag Meier und Müller erscheint. Für ihre "Monalisen" erhalten die Mahlers den "Kunstpreis Fotografie 2011" der Lotto Brandenburg. Drei Jahre lang sind die Mahlers quer durch Europa gereist. Sie haben ihre "Monalisen" in Liverpool, Minsk, Florenz, Reykjavik und Berlin gefunden. Dort warteten sie in den Vorstädten, auf Mädchen, die etwas Rätselhaftes, Zeitloses im Gesicht hatten. Diese Mädchen haben sie porträtiert, in ihrer natürlichen Umgebung, zwischen Gebäuden und Wiesen, aber mit einer Ausrüstung wie sie früher in alten Fotoateliers verwendet wurde: eine alte Plattenkamera, ein schwarzes Tuch, ein dreibeiniges Stativ und ein Hocker, ohne Lehnen aber mit anmontierter Kopfstütze. Auf diesem Hocker nahmen die Mädchen Platz und deuteten ein Lächeln an, wie das berühmte Vorbild auf dem Renaissancegemälde. Die ersten "Monalisen der Vorstädte" wurden im Rahmen der Ostkreuz-Auss. …