infernal methods (28 résultats)

Card Wrappers. Etat : Fine. First Edition. Unpaginated.

Card Wrappers. Etat : Near Fine. Amanda Welch (cover) (illustrateur). First Edition. 96pp. Tiny name at head of first page. Front cover lightly creased.

Stapled Wrappers. Etat : Very Good. Peter Hughes (cover) (illustrateur). First Edition. (32pp.) 200 copies. Tiny name as well as inked price at head of first page.

Stapled Wrappers. Etat : Very Good. Second Corrected Edition. pp. (ii), 19, (i) printed rectos only on 22 sheets. Minutely handled.

Stapled Wrappers. Etat : Very Good. First Edition. (20pp.) Second book. Robert Sheppard's ownership signature. White covers a little soiled & handled.

Paperback. Etat : Very Good. First Paperback Edition. First printing flat-signed by the author on the half title page. Minor wear to wraps. Light wear and soiling to edges of text block. Text is unmarked. Signed by Author.

Paperback. Etat : Very Good. First Paperback Edition. First printing flat-signed by the author on the half title page. Minor wear to wraps. Light wear and soiling to edges of text block. Text is unmarked.

Paperback. Etat : Very Good. First Paperback Edition. First printing flat-signed by the author on the half title page. Minor wear to wraps. Light wear and soiling to edges of text block. Text is unmarked.

Paperback. Etat : Very Good. Card covers are unmarked, minimally creased, corners bumped; binding is tight; pages are unmarked. ; 5 x 0.1 x 8.25 inches; 10 pages.

Paperback. Etat : Very Good. Signed by Rod Mengham and lovingly inscribed to friend and fellow poet John Wilkinson. Text is unmarked; pages are bright, though the page edges are age toned. Stapled binding is sturdy. Covers are age toned around the edge and show some light edge wear as well. Inscribed by Author.

Paperback. Etat : Very Good. First Edition. First edition. Text is unmarked; pages are bright. Stapled binding is sturdy. Covers show some light wear around the corners and at the head and base of the spine.

Original Wraps. Etat : Very Good. Welch, Amanda (illustrateur). First Edition. Paperback Original. Signed by the author on the title page and dated in the year of publication with a dedication. Light edge rubbing to covers. Small dark mark on rear cover. A little spotting to page edges and a trace of a price in pencil to the first page but the pages are otherwise clean and unmarked. First printing. Signed by Author(s).

Soft cover. Etat : Near Fine. Card covers, contains the errata slip.

First edition. 90 pp. Fine in very near fine dust jacket. One of 300 copies. Contributions by John James, Peter Riley, Allan Fisher, and many others. Erratum slip present.

Hardcover. Etat : Fair. Etat de la jaquette : Fair. Limited edition of 300 copies. The printed representation of 22 October 2000, an evening at Swedenborg Hall, London to remember Oliver, who had died in April. Marks and spotting to dust jacket. Nicks to top edges of boards.

Soft cover. Etat : Good. 1st Edition. 8vo. Wrappers. 96pp. Cover design by Amanda Welch. 'Much of the work, while not making direct reference to it, reflects his personal experience of psychoanalysis.' This copy has been signed by the author ('John') in the year of publication, with an inscription (although they are not named) to Tom Lowenstein and Brigid MacCarthy. Lowenstein has annotated the book heavily, and loosely inserted are two sheets of illuminating notes written by Welch, these aspects clearly geared towards a review (although making for something of a tired copy). Signed by Author(s).

Softcover First Printing. First Edition. Finre. Inscribed and signed by the poet. Laid in is a postcard to Christopher Middleton; Author(s) Signed by Author(s).

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 95 pages. Edition of 300 copies. Some shelfwear; light creasing to dust jacket at the back; no internal marking.

Stapled wraps. First Edition; First Printing. Tall wraps. #116/200 copies Fine in fine handmade paper jacket. Signed by the poet and inscribed to Christopher Middleton on the title page.

Soft cover. Etat : Very Good. 1st Edition. 8vo. Wrappers. 48pp. Frontispiece by Barnaby Riley. Contributors include Lee Harwood, Roy Fisher, R. F. Langley, Barry MacSweeney, Anna Mendelssohn, John James, Andrew Crozier, Douglas Oliver, Anthony Barnett, Julia Ball, Lorand Gaspar, Wendy Mulford, John Temple, John Hall, Tony Lopez, Martin Thom, Peter Middleton, John Welch, Nigel Wheale, Ralph Hawkins, Michael Haslam, Randolph Healy, Maurice Scully, Tom Lowenstein, Kelvin Corcoran, Tony Baker, Simon Smith, Simon Perril, Michael Ayres, Pete Smith, Colin Whitworth, and Hughes. Slightly rubbed and marked. Loosely inserted is a typed letter signed from Hughes ('Peter') to Tom (Raworth) inviting him to contribute, an invitation which he did not take up. Signed by Editor.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good Plus. First Edition. 4to. Stapled wrappers. Unpaginated (24pp.). One of 200 numbered copies. Poetry and prose, with artwork by Amanda Welch and Malcolm Olva. A little light rubbing and a few faint spots to the wrappers, but Very Good indeed, the embossed dust jacket crisp and clean, just gently bumped to the upper corner. An attractive copy of a handsome production.

Soft cover. Etat : Fine. 2nd Edition. Mimeographed sheets stapled withing orange card covers with a design in black by Timothy Stewart. A fine copy.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition. One of 300 copies. 8vo. Brown paper-covered boards. 96pp. Cover by Julia Ball, and with a photograph of Oliver affixed opposite the title page. The printed representation of 22 October 2000, an evening at Swedenborg Hall to remember Oliver, who had died in April. Contributors include John James, Denise Riley, Allen Fisher, David Chaloner, John Hall, Tony Lopez, Ken Edwards, Kelvin Corcoran, Nicholas Johnson, Andrew Brewerton, Kevin Nolan, Pete Smith, and the editors, plus work by Oliver himself. Slightly marked/shelfworn to the jacket, its stock a touch faded at the spine panel (not affecting the text).

Paperback. Etat : Very Good. Staplebound paperback in very good condition. Covers edges and corners are slightly bumped, with small tears and chips at the front lower edge. Binding is sound and pages are clear. LW. Used.

Soft cover. Etat : Very Good. 1st Edition. One of 280 copies (of 300). 8vo. Stapled wrappers. Unpaginated (56pp.). In verse, with Underground-red covers. Spotted to the edges (primarily the head edge) and occasionally elsewhere, the spine ends rubbed in production, and the staples rusty internally, but Very Good overall. This copy has been inscribed from the author to Andrew Crozier in the year of publication. Inscribed by Author(s).

Paperback. Etat : Fine. First Edition. Wraps. Dimensions:285mm H x 165mm. Pages not numbered. Non-fiction: poetry. Limited edition: this copy being no.53 of 200. Signed presentation from the author: "For you both, all the best, John." Printed dedication to Malcolm Olva and Rhona Casey. Illustrations by 'Notebook drawing' Amanda Welch; 'Black Snow' Malcolm Olva. John Welch (B.1942) lives in London and worked as a teacher. Art and vision are important within his writing; he has collaborated with artists, and is married to the painter Amanda Welch. Fine. Signedes.

Paperback. Etat : Very Good. First Limited Edition. Wraps. Dimensions 295 x 210mm. pp. 20. Poetry. Original publisher's wraps in Orange, lettered Black with a small illustration by Timothy Stewart on the front cover. Limited Edition of 100 copies. Very good indeed.

Soft cover. Etat : Very Good. 1st Edition. One of 280 copies (of 300). 8vo. Stapled wrappers. Unpaginated (56pp.). In verse, with Underground-red covers. Small rubs to the spine ends in production, moderately spotted to the edges, the staples slightly rusty internally. This copy has been signed by the author ('John') and inscribed to Tom Raworth in 1977. Signed by Author(s).