lars muller publishers ch (549 résultats)

Paperback. Etat : New.

Paperback. Etat : New. What feeds the inspiration of the designer? Observation. In Jasper Morrison's collection of pictures, the icons of design history meet up with the unassuming projects of everyday life, and curious findings with the archetypes of modernism. Every picture tells a story nad creates a new one in juxtaposition with its neighbour - without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humour in a repetoire of compelling designs "a world without words" is a school of seeing that addresses designers and consumers alike, who wish to explore the universe of goods.

Hardback. Etat : New. In Brazil soccer is more than just a sport. It is hope for a better future, a distraction from everyday life, creator of identity and community. If there is no ball around, people kick fruit or cans; when there is no field, they make one. Soccer marks the soul of the Brazilian people, as well as the image of city and landscape. Any land that is somewhat level and not overgrown or built up becomes a soccer field. Even though there may be a lack of meeting places, parks, or village centers, there is always a campo de pelada. In this volume, two Brazilian photographers seek and find soccer in places where one might not expect to find it. Leonardo Finotti creates a kind of inventory, showing pictures from his series Campos Sagrados, for which he traveled through all of Brazil, to neighborhoods rich and poor, to industrial zones, urban peripheries, and to the country, to take photographs from an elevated standpoint of temporary and "real" soccer fields and their surroundings. In his photo series Brasilieiros Futebol Clube Ed Viggiani accompanies his fellow countrymen everywhere where soccer is played or a team followed.

Paperback. Etat : New. Baur, Ruedi; Khorsandian, Odyssée (illustrateur). Bad news about climate change, shrinking resources, global health crises, species extinction and growing inequalities cause consternation and insecurity for many people, especially since the Covid pandemic. The ambition of this book is to explain in simple but precise terms and by means of Ruedi Baur's concise illustrations what "finance" is, and how its most innovative form, sustainable finance, can reconcile the well-being of mankind with the capacities of our planet.Is there a way to convince society that a fundamental transition is necessary, even more: that it is possible? Can sustainable finance help? Financing Our Common Future offers encouraging perspectives by showing how little-known groups of financial stakeholders, such as development banks, are actively working to make sustainable finance happen. The book invites you to enjoy a journey through multitude situations, to question our preconceptions and to open our mindset to a deeper thought, so we can envision ways of moving forward.

Paperback. Etat : New. Double includes a group of artists, architects, critics, historians and theorists, discussing the effects, desires and implications in the act of doubling and replicating. Society has constantly regulated the act of copying. Almost as an instinctual impulse towards originality, the desire and need for constant innovation has been protected throughout history with public shame, bureaucratic forms or even trials. Investigating the issues of sameness and difference, this compilation of manifestos explores the possibilities embedded in the act of copying, opening a path for learning by copying, and ultimately copying better.

Paperback. Etat : New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Paperback. Etat : New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us.

Hardback. Etat : New. In 2009, Ruedi Baur, Design2context, and the renowned Elisava School of Design in Barcelona launched a call for "Questions on Design" in order to create a typographical wall in the entrance area of Elisava. About a hundred persons from all over the world, designers as well as students, took part in the exercise. As of today, more than 700 questions have been gathered and put onto the wall. Among them, Vera and Ruedi Baur have selected the wittiest questions for this publication. They scrutinize different facets of design which are currently relevant in diverse fields, such as the natural sciences and society as a whole. The book documents the typographical wall with various photographs. All selected questions are reproduced in their original language. A text explains the idea and the realization of the project.

Spiral Bound. Etat : New. Buckminster Fuller is globally known as a design scientist, architect, author, poet, engineer, and a true visionary, way ahead of his time. As a surprise gift for his eighty-sixth birthday, he received Synergetic Stew: a compilation of cooking recipes contributed by his friends and colleagues, sharing personal anecdotes and humorous recollections of Fuller's life, such as a reminiscence about Bucky's somewhat peculiar but enthusiastic love for tea, in all its variations. Scattered throughout the book are enticing texts and poems from Fuller himself, including even a recipe for tomato ice cream.This book is a glimpse into Fuller's life, told by his peers and embedded in nearly a hundred achievable recipes. A few of them are joyful odes towards Fuller's oeuvre, such as Shirley Sharkey's GEODESICANDY, the Microbiotic Diet by John Cage, or Amy Edmondson's Allspace-Filling Whole Wheat Bread. In addition to the facsimile, Fuller's grandson Jaime Snyder reflects upon often overlooked facets of Bucky's character, revealed through anecdotes of his relationship with food. Short profiles of all contributors complete the reprint.

Paperback. Etat : New. With Apple, Ken Miki playfully presents a complete basic course in visual communication - all based on a simple and familiar object: the apple. First, all five senses are activated in a step-by-step analysis of the apple by touching, looking at, smelling, tasting and listening to the sound of eating it. The apple is then used to illustrate the topics of form, color, size, surface, texture, writing, line, body and text - the fundamental elements a designer works with. Addressing each theme based on this everyday object enables a playful approach that also makes for highly effective learning. A unique textbook that offers inspiration and food for thought for both experienced graphic artists and those less familiar with the world of design.

Paperback. Etat : New. To explain the desperate state of our world, its functioning and malfunctioning, is the ambitious goal of this book by Ruedi and Vera Baur. To achieve this goal they have joined forces with the globalization-critical organization Attac, which has provided them with the data. The publication is a formal homage to the sociologist Otto Neurath and the graphic designer Gerd Arntz, who created the Isotype (International Education System by Typographical Images) in the 1920s. Ruedi and Vera Baur also recycled a figurine system originally developed for Manifesta 11, the European Biennial for Contemporary Art in Zurich. Our World to Change! not only explains figures related to economics, finance, ecology, nutrition, and immigration, but also presents suggestions and alternatives from specialists in these fields and from Attac. Visually deciphering the functions of our world system helps to show that another world is possible and necessary.

Hardback. Etat : New. Just what is it that catches the eye, and why? What's the significance of a broken flowerpot, a pair of identical tables side by side, a garden hose wrapped around an old car wheel? In this collection of photo essays, the famous designer Jasper Morrison examines and imagines the life behind a series of seemingly ordinary situations. AUTHOR: Jasper Morrison was born in London in 1959, and graduated in Design at Kingston Polytechnic Design School and the Royal College of Art in London, with a year at Berlin's HdK. In 1986 he set up an Office for Design in London. 1994, began a consultancy with Ustra, the Hanover transport authority, designing a bus shelter, and in 1995 the new Hanover tram. In 2001 elected as a Royal Designer for Industry. In 2003 a branch office was opened in Paris. Jasper Morrison Ltd. design for a wide-ranging customers base including: Alessi (Italy), Cappellini (Italy) Flos (Italy), Magis (Italy), Rowenta (France), Vitra, (Switzerland). 2004, began consultancies with Samsung (Korea), Muji (Japan), Ideal Standard (UK) and Olivetti (Italy). 2005, founding of Super Normal with Naoto Fukasawa. In June 2006, first Super Normal exhibition in Tokyo. 2009 opening of the Jasper Morrison Limited Shop in London. 37 illustrations.

Hardback. Etat : New. The Air from Other Planets introduces an architecture built and controlled by amplifying and designing the energy within our electromagnetic, thermodynamic, acoustic, and chemical environment. This approach to design exchanges the walls and shells we have assumed to be the only type of attainable architecture for a range of material energies that develops its own shapes, aesthetics, organizational systems, and social experiences. Energy emerges as more than what fills the interior of buildings or reflects off its outer walls. Instead, it becomes its own enterprise for design innovation: it becomes the architecture itself. The Air from Other Planets is a book nostalgic for the future, rooted in the belief that the architect's greatest attributes lie in the execution of the imagination, through speculations and projections of worlds and environments yet to exist.

Paperback. Etat : New. The commercial use of the poster in China hardly differs at all from Western standards. Yet with growing self-confidence, designers are also gaining attention with innovative posters on cultural and nonprofit themes. The striking frequency with which they make writing and typography the main focus of posters is impressive evidence of a desire to become cutting-edge by exploring the invaluable wealth of its own culture of writing.

Paperback. Etat : New. The first in a new series called A5 in which important figures in the history of design will be made accessible to a broader audience. The graphic artist Hans Hillmann is one of Germany's most important poster designers and illustrators who, as a professor of graphic design for more than 30 years, had a formative influence on entire generations of designers. 120 illustrations.

Paperback. Etat : New. Advertising creates dream worlds, yet always simultaneously bears witness to its era. Both these tendencies are exemplified in fashion posters. Moving beyond the latest modish trends and beauty ideals, fashion posters reflect moral codes and social conditions. In particular, they pander to the longing to escape routine everyday life, for these posters suggest that it is possible to attain a completely new identity simply by opting for a different garment or style. Androgynous models and less normative images of men and women in the advertising industry mark the dawn of a new era that entails constantly balancing aspirations to individuality against a sense of collective belonging.Fashion posters from past and present are lifestyle propositions; they tell stories, seduce and shock. Playing with convention and provocation, bodies are sometimes lavishly veiled and disguised, sometimes sensually staged. At times consumers are only indirectly encouraged to shop. A button or a coat collar as a pars pro toto illustrate product quality in historical posters. A new, somewhat controversial approach to fashion advertising emerges in Benetton campaigns from the early 1990s. Overtly erotic ostentation contrasts with poetic allusions that are for example the hallmark of highly aesthetic Japanese fashion posters. En Vogue brings together fashion advertising spanning roughly a hundred years and deploying myriad different PR strategies, in each case reflecting the cultures and periods in which it was created.

Paperback. Etat : New. This book is the first monograph dedicated to the designer Rolf Muller who is known above all for his design of the visual identity of the Munich Olympic Games in 1972. Shortly after graduating from the famous Ulm School of Design, his former professor Otl Aicher entrusted him with this work, which set new standards in international design. In parallel, he established his design firm Buro Rolf Muller in Munich. On the basis of selected projects, the book attempts to retrace the mentality and methods of his design: For nearly four decades, the firm developed corporate identities, books, magazines and signage systems at the highest level. The firm's projects include the visual identity of the City of Leverkusen, forged over several decades, and the magazine HQ High Quality for the company Heidelberger Druckmaschinen, of which 39 issues were published. As a storyteller and system designer, Rolf Muller has left a mark on international design history with his work. His stance has had a decisive impact in shaping the way in which today's communications designers view their profession.

Paperback. Etat : New. The medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Perspectival narrowing and plastically rendered motifs are among the traditional stylistic means used in painterly and illustrative posters. Borrowings from Op Art or psychedelic art perplex the eye. In photographic posters, techniques such as blurring or time exposure are used to cause an image to vibrate. But sophisticated printing techniques can also broaden the possibilities of visual expression. In contemporary posters, it is the strictly graphic means of writing, abstract pictograms, or geometric forms that stretch out nested spaces, through which the gaze wanders restlessly.Stop Motion reveals that poster designers have in fact traditionally sought to incorporate the aspect of movement. Moreover, the works assembled in the publication show that-with the exception of the current animated poster trend-the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content.

Paperback. Etat : New. Their posters manifest a reduced expression, convincing in a poetic-sensuous manner while challenging intellectually. In particular the posters advertising exhibitions convey complex contents in a puristic and timeless form. The creations by Hamburger are characterised by a more pro- nounced adherence to tradition-while Staehelin's experimental openness often leads to surprising results.The joint works of the two reveal the mutual appreciation and fruitfulness of the professional exchange; sensitively developed posters for the Museum of Design re ect an inspiring combination of graphic design principles and a pure delight in creative design.With an essay by Claude Lichtenstein.

Paperback. Etat : New. This issue, the latest in Lars Muller's Poster Collection series surveys posters from 1980 to 1995. Created in an atmosphere of sociopolitical ferment, these posters attest to a new aesthetic which appeared in Swiss graphic design of the 1980s. This aesthetic was influenced by the punk movement and the first experiments with the Macintosh. In constructive conflict with the stylistic rigor of the Swiss Style, young designers discovered innovative forms of visual expression which continue to enrich and enhance the world of graphic design today. This publication presents a heterogeneous collection of design attitudes that consciously break the rules. Included are works by Peter Bäder, Polly Bertram and Daniel Volkart, Richard Feurer, Roli Fischbacher, Peter Frey, Ralph Schraivogel, Mihaly Varga, Cornel Windlin, Ruedi Wyss, and others. 104 illustrations.

Paperback. Etat : New. Otto Baumberger (1889-1961) was one of the first Swiss poster designers. Baumberger was ahead of his time in recognizing fundamental aspects of consumer goods advertising and his designs helped to modernize the medium. His poster designs employed a reduction tending towards abstraction, in which graphic and textual elements underwent an increasingly potent synthesis. Baumberger's work embodies and exemplifies the history of Swiss poster art in the first half of the twentieth century, as the painterly artist poster gradually evolved toward graphically oriented corporate design. 120 illustrations.

Paperback. Etat : New. Das wirkungsvolle Zusammenspiel von Fotografie, Grafik und Typografie markiert den Beginn modernen Grafikdesigns. Beleuchtet werden acht ausgewAhlte Positionen, die in der Auseinandersetzung mit der Tradition - aber auch in bewusster Abgrenzung davon - fruchtbare Neuinterpretationen leisten. Ein klares Raster und die Verwendung von Schwarz-Weiss-Fotografie verweisen bei manchen Gestaltern noch auf konstruktivistische Vorbilder, sie beleben diese jedoch mit neuer Sinnlichkeit und Poesie. In jA1/4ngeren Arbeiten hingegen wird Fotografie in innovativer, erfindungsreicher Weise als visuelles Gestaltungsmittel eingesetzt. UngewAhnliche Bildausschnitte sowie eine auffallende Farbigkeit widersetzen sich dem ordnenden Auge ebenso wie eine verspielte oder ungelenke Typografie. Spannungsvolle Bild-Textmixturen werden zum Ausdruck zeitgenAssischer Tendenzen.

Spiral Bound. Etat : New. Twenty animals meet for the photographer's beauty contest. On Balthasar Burkhard's portraits all the animals are equally beautiful. The protagonist of the story is a shy donkey watching the cheerful activity. Markus Jakob describes the illustrious rendezvous with kind and humorous words. This publication is a reprint of the beloved children's book, which was first published in 1997. It will be released on the occasion of an extensive retrospective on Burkhard's work opening in October 2017 at Museum Folkwang in Essen, Germany and in February 2018 at Fotostiftung Schweiz in Winterhur, Switzerland.

Paperback. Etat : New. For Denise Scott Brown, who is among the most important architects of the postwar era, photography has long served as a critical medium through which to perceive, document and think about the world in which designers operate. Fascinated by the ephemeral and the everyday, Scott Brown took photographs for fun, research and teaching, and later as a component of design and planning projects. Through the lens of her Alpa camera she sought to penetrate the irreducible complexities of life around her - and to make a case for the architect and planner's role in intervening within it. Encounters presents, for the first time, an essential collection of Scott Brown's photography from the 1950s to the 1970s: the formative decades during which Scott Brown left her home city of Johannes- burg to study in London, traveled through Europe, moved to the United States, developed the pro- found interest in postwar suburbia from which Learning from Las Vegas would emerge and joined her husband Robert Venturi in practice. Accompanied by an essay on Scott Brown's conception of the ordinary, this collection of photographs offers a window into modes of thinking that continue to structure how designers perceive the world around them.

Hardback. Etat : New. Andrea Palladio's villa architecture is still admired for its elegance and harmony, but little is known about the person behind the buildings. Experienced Palladio researcher Guido Beltramini has worked meticulously on material from historical documents about Palladio's person and life, and assembled a full picture of the architect. Palladio in Private follows his career, his rise from being the ordinary miller's son Pietro della Gondola to become the architect Andrea Palladio. Beltramini does not just explore Palladio's origins, his training as a stonemason, and his complex relationship with powerful clients and scholars, but also his private life: his jovial character, his life as a married man with five children, and not least his profound conviction that architecture can and must enrich life. The text is complemented by numerous illustrations.

Paperback. Etat : New. The book presents, through different odysseys, three responses to the idea of an adventurous journey in space and a future based on technology. After the 1969 lunar mission, architect Alessandro Poli with Superstudio considered it critical to imagine our environment as connected to the new reality of outer space. Their extensive research led to "architettura interplanetaria", a highway to connect the earth and moon as well as "architettura materiale", which focuses on the return to earth. AUTHORS Architect Michael Maltzan is designing the Jet Propulsion Laboratory Administration Building for NASA that challenges existing models for housing scientific research, and proposes a new type of physical environment to facilitate a collaborative research process. Architect Greg Lynn has developed several investigations that imagine new worlds outside our atmosphere and initiated research and design for new terminals on both the earth and the moon, which will connect travelers between these two places. Mirko Zardini, director of the CCA, and Giovanna Borasi, curator for contemporary architecture at the CCA ILLUSTRATIONS 150 images *.

Hardback. Etat : New. The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which - in a reference to the idea of the cave - he describes as "primitive future." With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.

Paperback. Etat : New. Inspired by the architects' tradition of passing on experience in conversation form, this paperback book provides insights into the ideas, methods, and memories of one of Europe's most innovative landscape architects. In twelve concise conversations, Vogt inquires into the meaning of landscape architecture in the context of the worldwide urbanization process, and tries to define this young discipline's position. To this day, our concept of landscape appears to be influenced by an Arcadian ideal. Only when landscapes are understood on several levels, as the product of natural, cultural, and social processes, can atmospheric and living urban landscapes appropriate to the specific situation be created. Gunther Vogt sees landscape architecture decidedly as part of a city, given its close relationship to topography, architecture, and infrastructure.

Hardback. Etat : New. Following the worldwide success of his Poemotion trilogy, Takahiro Kurashima presents a title that is in no way inferior to the previous ones in terms of surprise and viewing pleasure. On the contrary: here, the motifs are combined to form a visual narrative that is revealed when the static basic image is set in motion by means of the striped foil. Then an astonishing panorama of unseen moirés and patterns unfolds. The artist uses the digital tools for his creations in a virtuoso manner. At the same time he continues to catch up with the great models of kinetic art. Moirémotion is a school of vision and offers contemplative recreation for our eyes.

Paperback. Etat : New. 'City Riffs' traces the changing perspectives of urban design within an ever-changing global context. Moving between sixteen cities, the book also considers trans-disciplinary aspects of urbanism; formal and informal growth in Kumasi and Caracas, post-colonial structures in New Delhi and Prague, post-urban phenomena in Detroit and Brussels; cultural transitions in Antwerp and Salzburg; the changing nature of place in Seoul and Mostar; and new ecological realities in New York and Rome. Urbanism is viewed as the production of space-integrating aspects of design, ecology, and engineering, as well as other influences on urban cognition such as social, economical, and psychological interactions. As it covers a wide range of places and methods, this book will be an asset to anyone who works on, lives in, or thinks about cities. AUTHOR: Richard Plunz is Professor of Architecture and Director of the Earth Institute's Urban Design Lab at Columbia University, where he has also chaired the Division of Architecture and directed the Urban Design Program at the Graduate School of Architecture, Planning and Preservation. SELLING POINTS: . Interlinks various disciplines of urbanism 30 illustrations.