Light work light work new york (32 résultats)

Soft cover. Etat : Very Good+. First Edition. 48pp [[mild edge wear; small area where glaze has lifted from front cover, presumably from sticker removal] Size: 4to - over 9¾" - 12" tall. Color photographs (illustrateur). Book.

Softcover. Etat : New. New in publisher's shrinkwrap. Crisp, unmarked copy. Photography; 4to - over 9¾" - 12" tall.

Soft cover. Etat : Near Fine. English text. NF. Softcover, 48 pp, b&w photo plates, light edgewear, otherwise a crisp, clean and tight copy.

Softcover. Etat : As New. First Edition; First Printing. B&W Photographs; Oblong Small 4to 9" - 11" tall; 48 pages.

Softbound. Color photographic glossy wraps, 48pp, 35 BW plates. Exhibition catalog; photographs of soldiers recently returned home from Iraq or Afghanistan. Very moving photographs and a unique take on portraiture. "We all experience strategic momentswhen we feel most alive. These are the moments we will always remember,be they transcendant or horrific. After all, what are we if not a collection of memories? In making these portraits of soldiers, I simply wanted to look in the face of someone who'd seen something unforgettable." -Suzanne Opton. VG, sticker mark front cover, edges and spine show wear.…

Soft cover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 9" x 11". Unnumbered. approximately 30-odd (mostly uncut) leaves. fine. Wraps. Cover folded on as a type of dust wrapper. Unusual photography, some of it handsome, some of it poignant.To see our other photo books, enter the keywork FOTOBX. Language: eng.…

Softcover. Etat : Very Good. First Edition. Number 80. Illustrated with work by Amy Jenkins and Corky Lee. Oblong slim octavo. [12]pp. Stapled self-wrappers. Modest wear, very good or better.

Softbound. Black glossy pictorial wraps, 48pp, approx 30 color plates. Exhibition catalog; Introduction essay by Mary Goodwin. VG, edges and spine show slight wear.

Hard Cover. Etat : Fine. First Edition. This is a fine hardcover copy bound in black cloth without dust jacket as issued with no wear at all. SIGNED in pencil by the photographer, Gary Schneider, on the title-page, just above his printed name. Not inscribed to anyone, just signed. Stated first edition. Photographs and text by Gary Schneider. Essays by Ann Thomas, Lori Pauli and Bettyann Holtzmann Kevles. Includes detailed notes on the plates by Gary Schneider. Illustrated in color and black & white with Gary Schneider's photographs. 10" high X 8" wide. This book will be securely wrapped and shipped with tracking. Signed by Artist.…

Softcover. White pictorial stapled wraps; Unpaginated, 4 pp.; 38 bw photos. A taster brochure for a book of photos by John Hodges called Southern Squares; Features photos taken of people in the Southern states of the United States. VG (Mailing label on back cover).

Softcover. Etat : Near Fine. First Edition. Exhibition catalog, softcover issue. Square octavo. 48pp. Illustrated. Stapled pictorial wrappers. Slight rubbing, near fine. Issued as Contact Sheet Number 140.

First edition. Oblong 4to., 48 duotone plates from Polaroid photographs. Plain white wrappers with printed dust jacket. Fine. Inscribed "For Jim - stranger than/ Jim Stone.".

SOFTCOVER. Etat : Fine. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved almost AS NEW unmarked copy - spine margin of covers mod sunned ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy (faint barely noticeable crease to bottom corner tip of rear cover) ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Etat : Near Fine. Signed by Artist. First Edition. Hardcover, no dust jacket, unpaginated, many photos, slight edgewear to cloth, else a clean and near fine copy. Signed by Author(s).

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover. Etat : VG. Black stapled wraps; Unpaginated, 24 pp.; 20 duotone plates. From a 1994 exhibition held at the Robert B. Menschel Photography Gallery at Syracuse University.

Softcover. Etat : VG. Illus. folded brochure; 6 panels; 3 color, 2 bw plates. From a 1991 exhibition of work by Carole Conde and Karl Beveridge that highlights the complexities of union and labor issues; Exhibition took place at the Robert B. Menschel Photography Gallery at Syracuse University.

Softcover. Etat : VG. Duotone illus. stapled wraps; Unpaginated, 24 pp.; 20 duotone plates. From a 1996 exhibition held at the Robert B. Menschel Photography Gallery at Syracuse University; Includes photos of Connor's travels around the world, including India, Japan, China, Peru, the United States, and more. …

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition, first printing. Hardcover. Fine cloth, with dust jacket. Photographs by Chan Chao. Preface by Jeffrey Hoone. Afterword by Amitav Ghosh. 128 pp. with 77 four-color plates. 13-1/4 x 9-3/4 inches. This first edition was limited to 1000 hardbound copies. New in publisher's shrink-wrap. From the text by Jeffrey Hoone: "Chan Chao's family left Burma for the United States when he was 12 years old. Eighteen years later Chao returned to Burma with the intention of rediscovering and reconnecting with the culture and people he had left years before. Twice denied a visa by the Burmese government, Chao eventually made his way to the Thai-Burmese border where students had established several camps to launch guerrilla attacks against the military regime that controlled Burma with the goal of restoring democracy to the country. With the knowledge that Burma's military junta is one of the world's worst human rights violators, Chao's portraits are remarkable for the sense of calm and tenderness that he draws out of each of his subjects. Each portrait is made from an intimate distance, generously placing each subject in the center of the frame surrounded by the soft focus of the lush jungle beyond. In many of his portraits the subjects hold simple objects: a sickle, a saw, a large piece of fruit, a live chicken. These simple objects provide an elegant solution to the problem of portraiture where individuals are often unsure of what to do with their hands, and in that uncertainty convey stiff and formal poses. But the objects are also disarming because they signal the activities of a simple agrarian life, not one of armed resistance. This contradiction plays heavily into the power that each image conveys, because each person that Chao photographs displays a remarkable range of honesty and emotion that seems to long for a return to the simple pleasures of family, work, and relaxation --not another night of firing rockets or setting land mines." Chan Chao was featured in the 2002 Whitney Biennial.…

Soft cover. Etat : Fine. Etat de la jaquette : None, As Issued. Special Edition. 1st Printing. Signed. 50 pages. Published in 2007. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. The Exhibition Catalog is now scarce. An austerely elegant production by Ben Gest and Contact Sheet: Oversize-volume format. Pictorial softcovers with titles on the cover and spine, as issued. Photographs by Ben Gest. Essay by Hannah Frieser. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition held at Light Work Gallery Syracuse, New York in 2007. Presents "Ben Gest". Digitally-assembled imagery that aspires to change the current "conversation" between photography and painting (whereby the former now dominates the latter) by adopting painting's spatial perspective to arrive at a new way of creating, not just taking, photographs. "Captures his lone sitters at the chance interstices of deep reflection, when the self dwells in thought. The construction of the self as it happens before Gest's camera serves to question the construction of that self in reality. Gest uses digital photography to monumentalize photography's ability to capture such fleeting moments. Each photograph is seamlessly constructed from hundreds of digital images of the sitter and their surroundings. The photographs' initial straightforward appearance can only be maintained at a cursory glance. Gest's subtle and not-so-subtle exaggerations of proportion and perspective quickly betray the images as Mannerist constructions" (Publisher's blurb). With their static character, the photographs recall the ground-breaking work of Philip-Lorca DiCorcia (achieved by Gest using elaborate digital manipulation rather than elaborate actual production) yet have a contemplative, thoughtful quality all their own. Individually and cumulatively, they remind us of the necessity of pressing the "pause" button, especially those of us who routinely go about our affluent, hectic social lives. An absolute "must-have" title for Ben Gest collectors. This copy is very boldly and beautifully signed in black ink-pen on the title page by Ben Gest. It is signed directly on the page itself, not on a tipped-in page. He signed on top of the page, making it even more prominent. This title is a contemporary art photography classic. As far as we know, this is the only such signed copy of the First Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with full-page color plates. One of the most brilliant American photographers of our time. A fine copy. (SEE ALSO OTHER BEN GEST TITLE AND ORIGINAL PRINT IN "STEPHEN DAITER GALLERY: 15 YEARS" TITLE IN OUR CATALOG) ISBN 0935445528. Signed by Author.…

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover. Etat : Fine. First Edition. Exhibition catalog, softcover issue. Square octavo. 48pp. Illustrated. Stapled pictorial wrappers. Tiny nick at the spine base else fine. Signed by Williams on the title page. Issued as Contact Sheet Number 140. Signed.

Soft cover. Etat : Good. No Jacket. From the private collection of photographer, John Running. 3 Reels. 21 3D photographs, and booklet. missing the Viewmaster and Box. The publication complements an installation/exhibition (Stereo Views) that was produced by Light Work and exhibited in Light Works' Robert B. Mensche Photography Gallery from January 10-February 13, 1988. In a plastic bag. …

SOFTCOVER. Etat : As New. 1st Edition. 4to in colour printed stiff glossy card covers, 48pp on glossy art paper, mainly finely printed full page photos . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. 2000/2002. First edition (the Limited Edition was issued in 2002). Special limited edition of 30 copies, each with one of three Type-C prints (10 copies per print). The print included in this edition is "Tin Taw Liang, 1997" (image size 9-1/2 x 7-1/2 inches; paper size 12-7/8 x 9-3/8 inches), signed verso in black ink by Chao. The print is protected by a hand-numbered archival overlay. Hardcover. Black cloth-covered boards; with photographically illustrated dust jacket; contained in a deluxe custom-made clamshell box in yellow cloth, with title debossed in blue and black. Photographs by Chan Chao. Preface by Jeffrey Hoone. Afterword by Amitav Ghosh. 128 pp. with 77 four-color plates. Book measures 13-1/4 x 9-3/4 inches; clamshell box measures 14-1/4 x 10-1/2 inches. New in publisher's original packaging (book, print and clamshell box all in flawless, pristine condition). Chan Chao was featured in the 2002 Whitney Biennial. From the text by Jeffrey Hoone: "Chan Chao's family left Burma for the United States when he was 12 years old. Eighteen years later Chao returned to Burma with the intention of rediscovering and reconnecting with the culture and people he had left years before. Twice denied a visa by the Burmese government, Chao eventually made his way to the Thai-Burmese border where students had established several camps to launch guerrilla attacks against the military regime that controlled Burma with the goal of restoring democracy to the country. With the knowledge that Burma's military junta is one of the world's worst human rights violators, Chao's portraits are remarkable for the sense of calm and tenderness that he draws out of each of his subjects. Each portrait is made from an intimate distance, generously placing each subject in the center of the frame surrounded by the soft focus of the lush jungle beyond. In many of his portraits the subjects hold simple objects: a sickle, a saw, a large piece of fruit, a live chicken. These simple objects provide an elegant solution to the problem of portraiture where individuals are often unsure of what to do with their hands, and in that uncertainty convey stiff and formal poses. But the objects are also disarming because they signal the activities of a simple agrarian life, not one of armed resistance. This contradiction plays heavily into the power that each image conveys, because each person that Chao photographs displays a remarkable range of honesty and emotion that seems to long for a return to the simple pleasures of family, work, and relaxation --not another night of firing rockets or setting land mines." Signed by Author.…