Matthew marks (864 résultats)

Soft cover. Etat : New. Etat de la jaquette : New. This book was published on the occasion of the exhibition Roni Horn: Gurgles, Sucks, Echoes held at Matthew Marks Gallery and Jablonka Galerie in 1995. The catalogue features Roni Horn s series Gurgles, Sucks, Echoes consisting of gouache on paper works that incorporate text from her 1984 notebooks and the manuscript for her 1995 publication To Place: Pooling Waters. Includes a text by Lynne Tillman. 38 color plates. 86 pages. 9 x 10 1/2 inches.…

Soft cover. Etat : New. No Jacket. Essays by Carroll Dunham and Bob Nickas. This is the first publication about Cain, who died at age 37 having made fewer than 60 paintings. Focusing on Cain's car paintings, this volume illustrates the artist's working process, from initial collage to basic and then more complex drawings to the final large-scale canvas. The critic Jerry Saltz has called Cain's paintings "among the sexiest, strangest and most underrated paintings of the 1990s." Paperback, 64 pages, 44 images, 11 5/8 x 9 5/8 inches, 29.5 x 24.5 cm.…

hardcover. Etat : Very Good. Minor wear. No marks in text.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Folio, cloth, dust jacket, 46pp., 11 figures, 14 plates (2 on folding sheets). VG+/VG+: a small stain to the head of the spine, otherwise very clean. Extra postage may be asked (3).

Hardcover. Etat : New. 1st Edition. Foreword by Veit Görner. Essays by Michael Wilson and Anne Prenzler. Co-published with Kestnergesellschaft, Hannover. Hardback in English and German, 96 pages, 64 images, 11 1/4 x 9 1/4 inches, 28.6 x 23.5 cm.

Soft cover. Etat : New. 1st Edition. For his 1966 work Critic, Les Levine made a video projection with two-minute clips of art critics sharing their thoughts on contemporary criticism. In the years following its only public screening (at New York University's Loeb Student Center on March 7, 1967) the work's video component was lost. But the audio survives, and this publication presents, for the first time, a transcript of the work. Illustrated with Levine's photographs of all thirteen critics, the book also includes an essay by art historian Alex Kitnick that explores other historical examples of art about criticism, situating Levine's work in an ongoing "crisis of criticism" produced by shifting roles of both artist and critic. …

Oversized Paperback. Etat : Good. Though they are largely unknown, David Smith took photographs of great depth, beauty and precision throughout his career. The larger part of these images were either assemblages of found objects that were conceived as artworks themselves, or pictures that documented Smith's own sculpture. Additionally, in the 1960s, Smith turned his camera to the figure. A compelling selection of images! Illus., 118 black-and-white photographs. 128p.…

No Binding. Etat : New. 1st Edition. Conceived by Vincent Fecteau, Magic Ben Big Boy presents works by three artists whose creative lives intersected in early-1990s San Francisco. At its center is a recreation of Fecteau's first one-person show, "Ben," at an artist-run gallery in the city's Mission District. Also included is Magic, a 1990-91 assemblage by Nayland Blake, whose studio Fecteau worked in at the time, and Big Boy (1992), a Lutz Bacher sculpture that Fecteau also helped fabricate. This catalogue includes extensive documentation of the 2019 exhibition as well as historical materials, like installation photographs and the checklist from Fecteau's 1994 show. Paperback. 36 pages. 25 images. 8 3/4 x 5 3/4 inches; 22 x 15 cm.…

Hardcover. Etat : Very Good. No Jacket. This is a very nice impressionist art book called Karnival/Carnival, copyright 2005, possible first edition with no other date found, hard cover, no dust jacket, artist Gary Hume. The book has very minor library making, otherwise in very good condition with tight binding, wonderful color art illustrations throughout and 96 pages. Size: 4to - over 9¾" - 12" tall.…

Paperback. Etat : Near Fine. 1st. [3] pages, 70 leaves of plates, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Matthew Marks Gallery, November to December 1996, and at the Fraenkel Gallery, January to February 1997. Near fine. Firm binding, clean inside copy. Sunned spine. Richly illustrated with colour plates. *** "Imagine the ultimate collection of works on paper from the last two centuries: an ink drawing by Brice Marden, a callotype by Muybridge, a Rauschenberg collage, a Degas charcoal, a Friedlander gelatin-silver print and perhaps 65 pieces of comparable quality. This is the wonderful treat that Fraenkel and Marks have put together for us in the exhibition Open Secrets and the accompanying volume of 70 works on paper in a wide range of media from 1815 to the present. What the works have in common is that they are all 'pictures that function as the visible evidence of thinking.' Elegantly produced, this catalogue speaks eloquently to the pleasures of connoisseurship." - Publisher. Size: 4to.…

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : Very Good. 1st. Matthew Marks, 1995 1st Very good -.

Softbound. Etat : Very Good. Octavo, paper covers in dust jacket, 52 pp., b/w photo of the artist by Daniel Blau, color photos of the words by Bill Jacobson. Introductory text by Baselitz and Franz Dahlem.

Hardcover. Etat : Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Softcover with dustjacket, 86 pages, very good condition; owner's name; no other internal marks. Foreign shipping may be extra.

Softcover with dustjacket, 32 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Etat : New. 1st Edition. Published to accompany an exhibition marking the 100th anniversary of Pollock s and Smith s births, this catalogue reproduces five small sculptures, all dating from the mid-1950s, including the last two sculptures Pollock made and three of Smith s earliest sculptures. The two Pollocks and one of the Smith works were made on the same weekend in July 1956, in the backyard of Smith s home, only weeks before Pollock s death in a car crash on August 11. An essay by Eileen Costello provides a detailed analysis of the five works while elucidating Pollock s career-long involvement with sculpture and the friends development as artists. Paperback with jacket, 32 pages, 24 images, 8 3/4 x 7 inches, 22 x 18 cm.…

Paperback. Etat : Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

paperback. With an essay by Guy Davenport. Color illustrated exhibition catalogue. Very slim oblong 4to, printed wrappers. New York: Matthew Marks Gallery, 1991. Spine faded, otherwise a near fine copy.

Paperback. Etat : Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Trade Paperback. Etat : VG. used trade paperback edition, unpaginated. lightly shelfworn, corners perhaps slightly bumped. light wear to tips of spine. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Softcover.

dj. First Edition. First edition. Hardcover. 44 pages. Exhibition catalog for a show that ran February 12 through April 16, 2011. Features an essay by Robert Storr. Includes color and black and white illustrations and photographs of Kelly by Jack Shear. A very near fine copy gray cloth boards in a very near fine dust jacket.…

Paper. Etat : Good. Good paper copy ex. cat. illustrated in B/W and 4/C.

Hardcover. Etat : Very Good. Etat de la jaquette : Includes dust jacket.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Etat : Fine in Near Fine dust jacket. 28.5 x 22 cm. Quarto. Black cloth in dust jacket.

Soft cover. Etat : New. Etat de la jaquette : As New. 1st Edition. This catalogue was made to accompany the exhibition George Baselitz: Pastels, Watercolors, Drawings at Matthew Marks Gallery in 1992. The book is generously illustrated with full-color images of the exhibition works, featuring twenty-six works on paper from 1988 to 1991. Also included is a text written in the form of a letter addressed to the artist by Franz Dahlem. German translation by Joachim Neugroschel. 6 3/4 inches x 8 1/2 inches; 17 x 22 cm.…

Hardcover. Etat : New. Suellen Rocca, the artist s first monograph, presents her paintings, drawings, and prints from the 1960s. During this period Rocca was a member of the Hairy Who, a group of six Chicago artists whose energetic work has provoked generations of artists in Chicago and beyond. Rocca s work is notable for its unique visual language a vocabulary of pictographic imagery inspired by consumer catalogues, magazine advertisements, and children s activity books. In her 1965 painting Bare Shouldered Beauty and the Pink Creature, for example, feminine silhouettes share the canvas with an array of engagement rings, ice cream cones, television sets, and dresses. Rocca strived to capture what she calls the cultural icons of beauty and romance expressed by the media that promised happiness to young women of that generation. This was the culture that surrounded me. Featuring full-color plates of over fifty artworks, virtually all of which are reproduced here for the first time, Suellen Rocca presents a thorough overview of the artist s work from 1964 to 1969. An essay by Dan Nadel traces Rocca s artistic development from her childhood as an art prodigy on Chicago s north side to her years with the Hairy Who while situating her in the wider context of art history. Sarah Lehrer-Graiwer s essay employs verse and prose to explore the thematic undercurrents of Rocca s work. Completing the book are a bibliography and a narrative chronology of the artist s life, illustrated with historical photographs and ephemera from her personal archive. Clothbound, 104 pages, 81 images, 11 1/2 x 9 inche, 29 x 23 cm. New copy in its original shrink wrap. …