mcgill queen's university press edition first edition (29 résultats)

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Hardcover. Etat : Good. First Edition. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Paperback. Etat : Good. First Edition. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

Near fine with near fine dust jacket. Dust jacket is very lightly soiled near top back edge. 201 pages with index, 177 text illustrations, and eight color illustrations. 4to size.

Hardcover. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Etat : Good. First Edition. With dust jacket. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience.

First edition hard back binding in publisher's original scarlet buckram covered boards, blocked and lettered gilt and purple back. 8vo. 10'' x 6½''. Contains [xiv], 170 pp. Very Good condition book in Very Good condition dust wrapper with rubbing to the top of the spine. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ENGLISH HISTORY.

HB GREY BOARDS FINE PP102 DW FINE 8V0 A poetic picture of the West Indies, inscribed by the author.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Near fine with very good to fine dust jacket. Dust jacket is lightly bumped at top of spine and is lightly creased at top corner of front flap. 368 pages with index, bibliography, figures, tables and 17 maps.

First edition hard back binding in publisher's original black cloth covers, gilt title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 230 printed pages of text. Fine condition book in near Fine condition dust wrapper with 5 mm closed tear with related creasing to the foot of the front cover, not price clipped. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0773509224 CANADA (History & Culture).

Hardcover/Hardback. Etat : Fine. Etat de la jaquette : Fine. First Edition. Through the twists and turns, personal and literary, of the American poet; illustrated. Review copy with promotional material laid in. Fine in dustwrapper. book.

Illustrated. Cloth. 252,(6)pp. Covers soiled. Corners bumped. Good. ISBN 0773501932.

Hard Cover. Etat : Very Good. Etat de la jaquette : Fair. Photo Cover (illustrateur). First Edition. -----------( 1st Printing of this First Edition ) ---hardcover, a Very Good+/Near Fine example, a bit of light rubbing to edges of boards, a bit of age toning to upper edge of the text block, -in a chipped and torn dustjacket which is now in a hi-quality mylar protector, ---this is Peter George Ramsden's copy with his signature on the half-title page, Ramsden was a noted ethnographer and professor at Mcmaster University in Hamilton Ontario, ---pagination continues from volume ONE with this volume having 457 pages, some illustrations, any image directly beside this listing is the actual book and not a generic photo ///NOT SIGNED ---GUARANTEED to be AVAILABLE /// ---sizes are approximate (generally within 1/8 inch)--- Size: 7.25w x 10.25h Inches. Signed (by Owner). Flap Not Clipped.

Hard Cover. Etat : Near Fine. Text Cover (illustrateur). First Edition. -----------hardcover, a Near Fine example, a few small spots on rear board, no dustjacket as issued, this might have been Preston's copy of this book as he has written his name and address on the front blank endpaper, 285 pages, ---"A vivid account of the values and world view of an indigenous society. ---Based primarily on the oral accounts of John Blackned, Cree Narrative offers a detailed account of traditional Cree society. The result is an integrated picture of Cree thought, feelings, and beliefs relating to living on and with the land. For this expanded reissue of his pioneering work in cognitive anthropology, Richard Preston has added four new chapters. He contextualizes his original research and provides historical and social context for the Waskaganish area during the time of his fieldwork in the 1960s. He also includes a biography of John Blackned and a new selection of Blackned's stories that vividly portray Cree experience at the end of the fur trade period in the early nineteen hundreds. ---To step into the sensibility of another culture and portray it wisely and with love is a rare accomplishment. Richard Preston achieved this in the original edition of Cree Narrative, published in a limited fashion by Canada's National Museum of Man in 1975, and continues it here"---, any image directly beside this listing is the actual book and not a generic photo /// SIGNED ( name and address written in by author)---GUARANTEED to be AVAILABLE///---sizes are approximate (generally within 1/8 inch)--- Size: 6.25w x 9.25h Inches. Signed (see description).

Hard Cover. Etat : Near Fine. Etat de la jaquette : Near Fine. Uncredited Cover Art (illustrateur). First Edition. -----------( 1st printing of the First Edition ) ---hardcover, a Near Fine/Fine example, in a Near Fine/Fine dustjacket, looks new, 443 pages, colour and b&w photos and images throughout, ---"The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible.Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University)"---, ---CONTENTS INCLUDE: Part One Introduction. Professionalism as Critical Concept and Historical Process for Women and Art in Canada / Kristina Huneault -- Part Two Professionalizing Art. "What Would He Have Us Do?": Gender and the "Profession" of Artist in New Brunswick in the 1930s and 1940s / Kirk Niergarth -- The Rewards of Professionalization: Alice Lusk Webster and the New Brunswick Museum, 1933-53 / Lianne McTavish -- "A Story of Struggle and Splendid Courage": Anne Savage's CBC Broadcasts of The Development of Art in Canada / Alena Buis -- Part Three Careers for Women. Hannah Maynard: Crafting Professional Identity / Jennifer Salahub -- From Amateur to Professional: The Advertising Photography of Margaret Watkins, 1924-28 / Mary O'Connor -- "I Weep for Us Women": Modernism, Feminism, and Suburbia in the Canadian Home Journal's Home '53 Design Competition / Cynthia Imogen Hammond -- Kathleen Daly's Images of Inuit People: Professional Art and the Practice of Ethnography / Loren Lerner -- The Girls and the Grid: Montreal Women Abstract Painters in the 1950s and Early 1960s / Sandra Paikowsky -- Part Four The Limits of Professionalism. "I Want to Call Their Names in Resistance": Writing Aboriginal Women into Canadian Art History, 1880-1970 / Sherry Farrell Racette -- From "Naturalized Invention" to the Invention of a Tradition: The Victorian Reception of Onkwehonwe Beadwork / Ruth B. Phillips -- Professional/Volunteer: Women at the Edmonton Art Gallery, 1923-70 / Anne Whitelaw -- "Marjorie's Web": Canada's First Woman Architect and Her Clients / Annmarie Adams., any image directly beside this listing is the actual book and not a generic photo ///NOT SIGNED ---GUARANTEED to be AVAILABLE /// ---sizes are approximate ---(generally within 1/8 inch)--- Size: 7.25w x 10h Inches. Not Signed. Flap Not Clipped.

Soft Cover. Etat : Very Good. Uncredited Cover Art (illustrateur). First Edition. -----------( 1st printing of the First Edition ) ----softcover, a Very Good+ example, a bit of light rubbing mainly to tips, 199 pages, ---Potter-MacKinnon argues that the importance of the Loyalist women's endeavours was obscured in the historical record because most accounts of the Loyalist experience were provided by Loyalist men. She documents the women's vital services to the Crown in providing information and refuge to Loyalist fighters, maintaining open communication with Native allies, and helping provision the Loyalist forces. While the Women Only Wept contributes an important new perspective to Loyalist literature and adds a further chapter to women's history., any image directly beside this listing is the actual book and not a generic photo /// NOT SIGNED ---GUARANTEED to be AVAILABLE/// ---sizes are approximate (generally within 1/8 inch)--- Size: 6w x 9h Inches. Not Signed.

Cloth, 4to, 30 cm, xxxv, [1], 785, [1] pp. 7,877 entries. The catalogue of a superb and carefully selected library, providing one of the best guides to works illustrating the history of medicine and science. Especially valuable for the many entries that include annotations by Osler. Osler's introduction 'The Collecting of a Library,' is a fascinating bibliophilic memoir. An ex-library copy with a white ink spine number, label on the front pastedown endpaper and traces of remove dlabel on the front free endpaper, small stamps on the verso of the title-page and occasional margins, endpapers cracked at front hinge exposing the muslin, lightly agetoned throughout, otherwise Good.

Cloth, 4to, 30 cm, xli, 792 pp. 7,877 entries. The catalogue of a superb and carefully selected library, providing one of the best guides to works illustrating the history of medicine and science. Especially valuable for the many entries that include annotations by Osler. This 1969 edition includes a new prologue, addenda and corrigenda, as well as Osler's original introduction 'The Collecting of a Library,' a fascinating bibliophilic memoir. Very Good.

Hardcover/Hardback. Etat : Fine. First Edition. The texts accompanying the maps in a world atlas by Abraham Ortelius, translated by Elizabeth Cary, aka Elizabeth Tanfield Cary, Lady Falkland, the Girl from Burford Priory', between 1597 and 1602; edited and introduced by Lesley Peterson who has inscribed this copy; illustrated. Fine in dustwrapper. book.