Mudam (54 résultats)

Kl. 8° engl. Broschur; 72 Seiten; dreisprachig in Französisch, Deutsch und Englisch Zustand: Gut bis sehr gut, Gut, der Einband mit minimalen Gebrauchsspuren (siehe Foto), im Inneren sehr gut erhalten 600 gr.

Softcover, two books and paper band, 180 and 188 pages; in French with English at rear; as new condition; clean and crisp; no internal marks. 2nd isbn: 9782919923403 Foreign shipping may be extra.

Soft cover. Etat : Fine. Etat de la jaquette : None, As Issued. 1st Edition. 1st Printing. 120 pages. Published in 2006. Retrospective Exhibition Monograph. Collection of color portrait-photographs. One of the best books on the photographic art and achievement of Charles Freger. The first and only edition. Published in a small and limited print run as a softcover original only that was not commercially distributed outside Luxembourg. The Exhibition Monograph is now scarce. A brilliant production by Charles Freger: Regular-sized volume format. Glossy pictorial softcovers with white titles embossed on the cover and spine, as issued. Photographs by Charles Freger. Text by Stephane Bern-Schlanger in the French original and felicitous English translation. Printed on pristine-white, thick coated stock paper in Liege, Belgium to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Published on the occasion of the retrospective exhibition held at the Musee d'Art Moderne Grand-Duc Jean in 2006. Presents Charles Freger's "LUX". A selection of his oeuvre thus far, in a landmark show: Sports teams, ballet dancers, schoolchildren, the military, and workers, all young people as themselves while being self-identified members of a group ("tribe"). The work of a brilliant portrait-photographer whose only possible equal is Rineke Dijkstra, the Freger Style is documentary PLUS portrait. His antecedent is August Sander, with an opposite twist: His portraits present not a national community (as Sander does) but the individuals who give a specific community its face and form. As such, his work is neither purely documentary or sociological. His emphasis on individual particularity repudiates nationalism as well as "globalization" and "the human family", the most cherished ideas of humanist-photojournalists (and corporations), as nothing more and nothing less than a myth. Instead, he suggests, human beings choose, almost innately, to identify with a much smaller community than the nation or the UN. With every seemingly exotic portrait, Freger poses the same provocative and compelling questions: Why do I choose to belong to a tribe? Why do I adhere to its rules? Why do I believe in the necessity of social cohesion? Why do I express myself through others? Freger reminds us that so-called personal identity is inconceivable without the notion of belonging to a community; ethnic and sexual minorities understand this instinctively better than anyone else. An absolute "must-have" title for Charles Freger collectors. This title is a contemporary photography classic. As far as we know, this is the only copy of the Exhibition Monograph available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. Lavishly illustrated with color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER CHARLES FREGER TITLES IN OUR CATALOG) ISBN 2919923137. no.…

Soft cover. Etat : Fine. Two softcover volumes in plastic slipcase. Fine condition. Very light shelf-wear.

Etat : Very Good.

Hardcover/Pappeinband. Etat : Gut. 130 Seiten. Oberer Schnitt minimal fleckig, ansonsten sehr gut erhalten. 9782919923342 Sprache: Englisch Gewicht in Gramm: 1200.

Etat : Good. 4to. 255 pp. Soft, printed silver wraps with silver lettering on front wrapper. Very good with marginal chipping along bottom of wrap. Color plates. Includes works by Jean Tinguely, Kris Martin, Gego, Wade Guyton, Thomas Ruff, Adrian Paci, Stanley Brouwn, Katinka Bock, Darren Almond, Rebecca Horn et al. Includes writings by Xavier Bettel, Maggy Nagel, Enrico Lunghi and Yves Martin, Marie-Sophie Corcy, Patricia Falguieres, Arnaud Dejeammes, Vincent Crapon and Christophe Gallois. Catalog created for collaborative show at MUDAM Luxembourg from July 9, 2015 through January 17, 2016. …

Softcover, 256 pages; in English, as new condition; clean and crisp; no internal marks . Foreign shipping may be extra.

Softcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Multi language inc English. CD present and unused. Softcover. English. Pub Year 2012, See images for condition. About the book >.>.> The Venice Biennale Projects 1988-2011 is a detailed examination of Luxembourg?s participation in the Venice Biennale, a significant international contemporary art event characterised by its hosting of national pavilions, a model inherited from the nineteenth-century international exhibitions. This publication accompanies the exhibition Atelier Luxembourg ? The Venice Biennale Projects 1988-2011, which was presented at Mudam Luxembourg from 13 October 2012 to 24 February 2013. It chronicles the history of Luxembourg's contributions to the Biennale, covering the initial displays from 1988 to 1993 in Pavilion Italia, which catered to nations without their own pavilions, and the subsequent Luxembourg pavilions set up in various locations from 1995 onwards.The book features essays, archival documents, and first-hand accounts that provide a comprehensive overview of Luxembourg's Biennale journey. The introduction titled ?Luxembourg at the Venice Biennale? offers a historical perspective on the notable developments stemming from Luxembourg?s entries in the Biennale. The content is organised chronologically, blending project descriptions with visuals of the artworks presented in Venice. Additionally, special attention is dedicated to the insights of participants, as curators reflect on their experiences at the event. A DVD is included, featuring interviews that deepen the reader's understanding of the artists and their projects.This publication not only serves as an exhibition catalogue but also as a significant resource for understanding the evolution of Luxembourg's artistic presence on a global stage, enriching the narrative of contemporary art through its documentation of a unique national journey within a prestigious international context.…

Gebundene Ausgabe. Etat : Gut. Mudam Luxembourg 2014 - Pappband IW-1V8D-TKSY Sprache: Deutsch Gewicht in Gramm: 385.

Exhibition Announcement Cards. This is not a book. The original announcement card for an exhibition of work by John Stezaker held at Musee d'Art Moderne Grand-Duc Jean (Mudam), Luxembourg, June 6 - September 11, 2011. Thin card, printed one side; 5.25 x 8.25 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover, 334 pages; in English and French; good condition, bump / tear to bottom of spine; no internal marks. Foreign shipping may be extra.

Two softcover books with clear plastic slipcase, 176 and 242 pages; in English and French; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : New. Qto., 191 pages, colour illustrated. The text is in both French and English. A New copy.

Paperback. Etat : As New. Text: F/E/D. 12 p.; no ill.; 13 x 21 cm; 50 g. New. Book.

Paperback. Etat : Good in wraps. First Edition. 19 x 26cm 330pp good paperback exhibition catalogue featuring works of Manon De Boer, Marcel Broodthaers, Ryan Gander, Raymond Hains, Edward Ruscha and others. French and English text with reproductions.

Etat : Good. 8vo. 155 pp. + 1 DVD. Very Good+. Soft Cover. Illustrated paper wraps. Color plates throughout. Text in English and French. Scarce.ISBN: 9782919923106 2919923102.

Mint in publishers decorated wrappers (still shrink wrapped). 96pp. Illustrated throughout. ISBN 9783869845401.

Paperback. Etat : As New. Text: F/E/D. 35 p.; ill.; 13 x 21 cm; 50 g. New. Book.

Hardcover. Etat : Comme neuf. Couverture différente. Edition 2014. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Different cover. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Etat : fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Hardcover. Etat : Good. Book without dust jacket. Boards with light wear, a few marks. Scuff to spine end. Book content is clean with very slight age tone.

Hardcover. Etat : Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 87. Copiously illustrated in black and white throughout, and 4 colour. Exhibition catalogue. French and English texts. Slight wear to page edges not affecting text otherwise sound VG/VG.

Softcover. Etat : Wie neu. Softcover. Series of illustrations on stiff paper, to be used as postcards. 21x15cm. Non pag. (60pp.) As new.

Softcover. Etat : gut. 2014. Ausstellungskatalog, mit vielen Abb., Hg. Heinrich Dietz & Enrico Lunghi In deutscher Sprache. pages.

Hard Cover. Etat : Fine. This is a fine hardcover copy without dust jacket as issued. Completely clean. Text in English, German and French. This monograph was prepared to accompany the exhibition at the Musée d'Art Moderne, Luxembourg from October 13 to November 26, 2007. Essays by Philippe Dagen, Georges Didi-Huberman, Catherine Millet, and Bernard Stiegler. Illustrated throughout in color. CD-Rom in unopened black envelope inside rear cover. 12" high X 9" wide, 267 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. …

Hardcover without dustjacket as issued, 270 pages; in English, French; and German; as new condition; clean and crisp; no internal marks. CD or DVD in unopened envelope attached to inside rear cover. Foreign shipping may be extra.

Hardcover. Etat : Sehr gut. 1. Auflage. B : 23 x 31,5 cm, 272 pages - Images from the press which have been seen all over the world La Pietà du Kosovo (by Georges Mérillon Gamma, 1990), La Mort de Mohammed Al Dura (from a photogram by Talal Abou Rahmeh, 2000) and the Madonne de Bentalha (by Hocine Zaourar AFP, 1997) have been an inspiration for Pascal Convert. Coming from the Mudam Collection, the three wax sculptures highlight the symbolic power of images, questioning their political and aesthetic dimension as well as their impact on construction, memory and oversight in history.…

Hardcover without dustjacket as issued, 284 pages, in English and Chinese; very good condition, light edgewear to boards; no internal marks. Foreign shipping may be extra.

Etat : Good. Usado.