No reply (36 résultats)

Etat : Buono (Good). 124 pp., brossura, come nuovo. Book.

Etat : Ottime. italiano Condizioni dell'esterno: Ottime Condizioni dell'interno: Ottime.

Etat : Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Etat : Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Etat : Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Etat : Buone. italiano Condizioni dell'esterno: sovracopertina appena leggemente logorata ai bordi Condizioni dell'interno: leggermente ingiallite ai contorni.

Etat : Buone. italiano Condizioni dell'esterno: leggermente logorata ai bordi Condizioni dell'interno: Molto buone.

Etat : Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Rilegato. Etat : ottimo. Etat de la jaquette : ottimo. prima edizione. Pagine: 392 Peso: 750 Misure: 22x15,5cm.

Etat : Usato come nuovo. libro con allegato cd. Presente timbro copia omaggio e talloncino del prezzo tagliato Lingua: Italiano.

Brossura. Etat : Buono. Cm.17x12,2. Pg.144. 150 gr.

brossura perfect. Etat : Ottimo (Fine). perfect 9788889155400 Ottimo (Fine) .

Etat : OTTIMO USATO. IED. Velvet ITALIANO IL LIBRO à USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Una raccolta che vuole essere una testimonianza e un'occasione per riflettere attraverso letteratura e poesia sui mutamenti sociali, sui diritti negati, taciuti e affermati e sui valori della solidarietÃ. "Ho diritto ai diritti" nasce dal progetto Cittadiniamoci promosso da Pratika, che sostiene i valori tradizionali della cittadinanza nel riconoscimento delle molteplici identità nazionali. Curatore: Batini, F.;Giusti, S. Numero pagine 127. Il copyright dei dati à di Informazioni Editoriali I.E. S.…

brossura. Etat : Molto buono (Very Good). 143 p. : ill ; 21 cm. + 1 compact disc In cop.: prefazione Andrea G. Pinketts. 9788889155042 Molto buono (Very Good) .

brossura. Etat : Ottimo (Fine). 176 p. ; 21 cm + 1 compact disc In cop.: Con un saggio di Raul Montanari. 9788889155073 Ottimo (Fine) .

Wrappers. Etat : NEW. Etat de la jaquette : no dj's as issued. Edition limited to 400. No Reply Press, 2023 BY TONI MORRISON, WITH WOODBLOCKS BY ELIZABETH CATLETT At the pinnacle of world literature, in her lecture upon receiving the Nobel Prize, Toni Morrison used her platform to urge care with words. "Language," she said, "is susceptible to death, erasure; certainly imperiled and salvageable only by an effort of the will." Language is not fixed, but precious and delicate like a bird in your hands. With its elegiac prose and interweaving of narrative and polemic, Morrison's meditation is worth continual close reading. To celebrate its thirtieth anniversary, and with special permission from the Nobel Prize Committee, we have printed her lecture alongside the gripping woodblocks of Elizabeth Catlett. The edition is limited to 400 copies, numbered 1 through 400. The twenty-third imprint of No Reply Press, 2023. Typeset in 11-point Centuar. 20 pages, Measuring 6 by 9 inches. Printed by hand on Cotton Flurry using a Vandercook Universal I. Bound in Suminagashi-style wrappers. Elizabeth Catlett (illustrateur).…

Brossura editoriale. Etat : As New. Un volume.

Chapbook in wrappers. Etat : NEW. Etat de la jaquette : no dj as issued. Edition limited to 150. No Reply Press, The Story of an Hour, 2024 BY KATE CHOPIN An early exemplar of feminist literature, The Story of an Hour follows Mrs. Mallard as she learns of her husband's death in a freak accident. Grief quickly turns to a guilty exhilaration as she realizes that - her duties as a wife having been fulfilled and finished - the remainder of her days will be hers, and hers alone. Secluded in her room she whispers to herself, "Free, free, free!" Alas - tragedy (or triumph?) only turns to further tragedy. Kate Chopin was a maestro of short fiction. Her writing, though now well over a century old, is bitingly relevant today. This is the first in what will become a series of unnumbered chapbooks. While the Press' capacity for grander editions has expanded, our love of smaller format bookmaking remains steadfast. Some great literature simply confines itself to a few hundred words. That, in our view, should not be grounds for exclusion from private presswork. The edition is limited to 150 unnumbered copies. Typeset in 11-point Weiss. Measuring 5 by 7 inches. Printed by hand on Hahnemühle Biblio using a Vandercook Universal I. Sewn into hand-painted wrappers, made specially for the edition. …

Brossura editoriale. Etat : Near Fine. Un volume.

Paperbound. Etat : New. Etat de la jaquette : No dust jacket as issued. Limited Edition. NO REPLY PRESS LIMITED EDITION CHAPBOOK. Portland, Oregon, No Reply Press, 2024. NEW, UNREAD . This Paperbound Edition was limited to 200 copies. Description from the Publisher: "AN ADDRESS BY SAGOYEWATHAââ¢âLINOCUTS FROM THE PRESS Sagoyewatha was a Seneca orator and clan chief who negotiated on behalf of his nation with the newly-established United States. In 1805 he met with New England preacher Jacob Cram, who asked that he evangelize to his people, saying, "There is but one religion, and but one way to serve God, and if you do not embrace the right way, you cannot be happy hereafter." Sagoyewatha disagreed, brilliantly. His reply is a masterpiece of rhetoric, and an important reminder that our modern principles of tolerance and multiculturalism have deep roots in native American cultures. Each copy includes a tipped-in portrait of Sagoyewatha, sketched by Claire, cut by Griffin, and printed directly from the block onto handmade Kitakata paper." COLOPHON â¢âA chapbook from No Reply, 2â0â2â4â. â¢âLimited to 120â0 copies. â¢âMeasuring 6 by 9 inches and 8 pages. â¢âPrinted letterpress on a hand-operated Vandercook Universal I proofing press. â¢âSchutpapier Simili Japon text papers. â¢âLinocut portrait, printed directly from the block onto Awagami Kitakata paper. â¢âSewn into handmade Papeterie Saintâ-âArmand wrappers. (Nb: The printing incorrectly states that the wrappers are made from pulped offcuts â" this has been corrected by hand.)" The book is in Very Fine condition. Text Clean, no marks. Binding Tight and Square. Wrappers are clean with no wear. Books are Carefully Packed and Shipped Daily with Delivery Confirmation from a Dry, Smoke-Free shop.…

Hardcover. Etat : New. Etat de la jaquette : No dust jacket as issued. Signed Limited Edition. NO REPLY PRESS SIGNED X3 LIMITED EDITION, FIRST PRINTING (stated) Portland, Oregon, No Reply Press, 2020. NEW, UNREAD . This Standard Edition was limited to 350 Numbered Copies of which this is #292. This special edition is signed by the Translator and Illustrator, Publisher, and Printer. Description from the Publisher: "EXCERPTS FROM THE EPILOGUE OF LEO TOLSTOY'S "WAR AND PEACE" ââ¢âTRANSLATED AND ILLUSTRATED WITH LINOCUTS BY VALERIA ZECCHINI No Reply is especially excited to publish this edition in the original Russian, using the Cyrillic script, alongside a new English translation, and original illustrations. Valeria Zecchini is a Russo-Italian artist, polyglot, and scholar of European politics. She brings a new translation to these overlooked passages, which aims to elucidate Tolstoy's meaning to English readers. The original Russian is dense and circuitous, and from it Zecchini has produced crystalline English prose â" as dense and brilliant as the original, but clear too. Her translation is complimented (with a touch of irony) by six woodblock portraits of "the great man" himself. COLOPHON â¢âNo Reply, 2â0â2â0â, a first edition translation. â¢âMeasuring 5 ½ by 8 ½ inches and 2â0 pages. â¢âPrinted letterpress by Jenn Lawrence on a hand-operated Vandercook Universal I proofing press. â¢âSix linocuts throughout, printed directly from the block. â¢âMohawk Feltmark text papers. â¢âTypeset in 1â2â-âpoint Minion. â¢âHandâ-âbound in a scarlet cloth cover." The book is in Very Fine condition. Text Clean, no marks. Binding Tight and Square. Cloth Boards are clean, with no bumps or wear. No dust jacket as issued. Books are Carefully Packed and Shipped Daily with Delivery Confirmation from a Dry, Smoke-Free shop. Valeria Zecchini (illustrateur).…

Hardcover. Etat : like new. by Leo Tolstoy, illustrated and translation by Valeria Zecchini Chance, chance, nothing but chance. Leo Nikolayevich Tolstoy, titan of nineteenth century literature, gave another titan, Napoleon Bonaparte, little credit for his doings. His victories in battle, his political domination, his conquests all due to chance. Tolstoy's opinion of "the great man" is not in doubt. His remarks toward the end of War and Peace are scathing. The novel follows several Russian families through the Napoleonic wars, but Tolstoy himself, it sometimes seems, is following Napoleon. The curtain is finally pulled down altogether in the First and Second Epilogues. Tolstoy addresses his reader, and makes his case against Napoleon, but really, against the Great Man Theory. Whether Tolstoy's assessment can be considered good history, it must be considered a masterpiece of political writing. In a few pages, Tolstoy threads a brilliant case against conquerors, opportunists, tyrants and, most of all, so-called great men. The brilliance of his thought matches the sharpness of his prose, and though Napoleon may have conquered Europe, it could be Tolstoy who has the final word. No Reply is especially excited to publish this edition in the original Russian, using the Cyrillic script, alongside a new English translation, and original illustrations. ARTIST NOTES Leo Tolstoy needs no introduction. He was the author of Anna Karenina and War and Peace, which vie neck-in-neck on many critics' lists for the greatest novel ever written. He is under-appreciated, however, as a historian and critic. This short passage, from the epilogue of War and Peace, highlights Tolstoy's multifaceted genius. Valeria Zecchini is a Russo-Italian artist, polyglot, and scholar of European politics. She brings a new translation to these overlooked passages, which aims to elucidate Tolstoy's meaning to English readers. The original Russian is dense and circuitous, and from it Zecchini has produced crystalline English prose as dense and brilliant as the original, but clear too. Her translation is complimented (with a touch of irony) by six woodblock portraits of "the great man" himself. LIKE NEW, Ships from Hawaii with free Priority Mail upgrade. No 93 of an edition limited to 376 (Hardcover) The edition is limited to 376 copies and is offered in three states. The fourth imprint of No Reply Press, Spring 2020. Book measures 5 ¾ by 8 ¾ inches. Typeset in Minion, designed by Robert Slimbach. Hardbound Limited to 345 copies, numbered 6 through 350. Printed by hand on felt-finished stock using a Vandercook Universal I cylinder press at Letterpress PDX in Portland, Oregon. Hand-bound in red cloth, with a woodblock portrait inset on the cover, and Ingres antique endpapers. Signed by the "translating illustrator," the publisher, and the printer. Limited Letterpress Edition of 376 copies in three states. Valeria Zecchini (illustrateur).…

Hardcover. Etat : NEW. Etat de la jaquette : no dj, as issued. Limited Edition. NEW, unread === No Reply Press, 2021. The edition is limited to 666 copies and is offered in four states. This is the hardbound edition, Limited to 350 copies, numbered variously between 1 and 600. For sale is no. 204. Signed & numbered on colophon by artist. Book measures 6 ¾ by 10 ¾ inches. Typeset in Perpetua, designed by Eric Gill. --- --- Printed by hand on Mohawk feltmark paper using a Vandercook Universal I cylinder press at Letterpress PDX in Portland, Oregon. --- --- Hand-bound in quarter-cloth with boards featuring letterpress portraits of Irene Adler and Sherlock Holmes over Zerkall Ingres. Signed by the publisher, printer, binder, and R?ta Kuzmickas. Ships from Hawaii with free Priority Mail upgrade. ===. --- --- --- A Scandal in Bohemia" is the story of Irene Adler "the woman" who holds compromising documents over the King of Bohemia. Adler is undoubtedly the greatest female lead in the Holmes canon, and perhaps the person Sherlock himself admires most. As excited as we are about the re-telling of this story, we are doubly excited about Ruta Kuzmickas' original artwork. She has created a suite of pen-and-ink illustrations over a dozen in total which capture the story perfectly. Her arresting portrait of Irene on our cover is just the beginning. Arthur Conan Doyle needs no introduction. "A Scandal in Bohemia" was his first Sherlock Holmes short story and, in his own accounting, one of his greatest. R?ta Kuzmickas is a visual artist, pianist, poet, photographer, and interdisciplinary collaborator. Although she has played the piano since age six and has earned two degrees in piano performance from Rice University, her heart lies in crossovers of images, words, movement, and music. She frequently collaborates with composers, musicians, and artists. R?ta lives in Portland, Oregon. (No Reply Press). artwork by R?ta Kuzmickas (illustrateur). …

small 4to. Bound by hand in handmade papers wrappers. 15, (1) pages. The Harvard Class Day Address. With Woodblocks by Michael McCurdy. Limited to 218 numbered copies and is the eighth imprint of No Reply Press. A fine copy. Printed by hand on Zerkall-bütten on a Vandercook Universal I. From the artists' website: No Reply Press is excited to announce Above All Else Do Not Lie by novelist Chimamanda Ngozi Adichie. Delivered originally as a commencement address at Harvard University, her words are here rendered into an essay and published in print for the first time. An elegy for what we have lost, and a philippic for what must be preserved, Adichies address is both soaring and specific. Her counsel is poignant and memorable. As Ralph Waldo Emerson wrote, "In every work of genius we recognize majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility when the whole cry of voices is on the other side." In our estimation, Above All Else Do Not Lie is such a work. Adichies words inspire us to do what we know to be right. They serve both as a simple reminder of what is true and as a radical reframing of the world. On truth, she urges vigilant fidelity: I have always felt my best, and done my best, when I veer toward truth, when I dont lie. And the biggest regrets of my life are those times when I did not have the courage to embrace truth. Now, telling the truth does not mean that everything will work out. Actually, it sometimes doesnt. Im not asking you to tell the truth because it will always work out, but because you will sleep well at night. And there is nothing more beautiful than to wake up every day holding in your hand the full measure of your integrity. Be courageous enough to recognize those things which get in the way of telling the truth - the empty cleverness, the morally bankrupt irony, the desire to please, the deliberate obfuscation, the tendency to confuse cynicism for sophistication. In these disorienting times, where the difference between up and down is blurred, let alone between right and wrong, she offers an inspired remedy. Whether you are a leader, or whether you are the led, I urge you always to bend toward truth, to err on the side of truth. And to help you do this - Make literature your religion. Which is to say, read widely. Read fiction, and poetry, and narrative nonfiction. Make the human story the center of your understanding of the world. Think of people as people, not as abstractions who have to conform to bloodless logic, but as people - fragile, imperfect, with prides that can be wounded, and hearts that can be touched. Literature is my religion. I have learned from literature that we humans are flawed - all of us are flawed. But even while flawed we are capable of enduring goodness. We do not need first to be perfect, before we can do what is right and is just. We are inspired by Adichies faith in the power of literature to play a leading role in our perennial rediscovery of human goodness. Her words proved such an inspiration to us, in fact, that No Reply Press was founded in large part as a venture to bring them to print. They have been our north star as we have navigated the question of what to publish and why. Make literature your religion. We have adopted her words as our mission, and have striven to contribute to the written canon of human struggles and triumphs. This text is accompanied by six large illustrations by legendary woodblock artist Michael McCurdy. The address was given at Harvard Universitys historic Yard - a cow pasture which over centuries came to be at the very heart of American politics and intellectualism. Adichies immediate predecessors included President Biden, Mark Zuckerberg, and J.K. Rowling. From the exact same spot, the Marshall Plan was announced. Context is everything, and Adichies address, though universal in its message, was not given in a vacuum. Therefore, her w. No Reply Press (illustrateur).…

Paperbound. Etat : New. Etat de la jaquette : No dust jacket as issued. Signed Limited Edition. NO REPLY PRESS SIGNED X3 LIMITED EDITION PAPERBACK. Portland, Oregon, No Reply Press, 2022. NEW, UNREAD . This Paperbound Edition was limited to 350 Numbered Copies of which this is #327. Signed by the contributors and craftspeople who made this edition possible. Description from the Publisher: " Jack Vance's The Men Return is sui generisâ"nearly impossible to define. Science fiction of the absurd? Psychedelica? Metaphysical horror? Existentialist monograph. with monsters? When Jack Vance wrote The Men Return in 1957, science fiction had not yet delved into the truly experimental. While it had toyed with time, space, spaceships and time travel, the laws of reality remained firmly unbroken. Vance pushed the envelopeâ"and far. The Men Return tells the story of a place where the connection between cause and effect has been severed. Imagine that! Vance did, and in his wild imaginations a novel form of fiction was born. Karol PomykaÅa is a celebrated linocut artist, whose pieces, collectively entitled "Mirage," are an exhilarating match for Vance's up-is-down storytelling. Painstakingly cut by hand, Karol's artwork is intricately detailed. The depth of such detail can really only be captured with relief printing, so we are thrilled to present his work letterpress. The edition features five such linocuts. John Vance is the author's son, who has generously penned an introduction for the first private press edition of his father's work. He contextualizes the story in the history of science fiction, and provides a summary judgement on its importance. PAPERBOUND Printed letterpress on Swedish Munken paper. 24 pages, featuring five linocut artworks printed by Karol PomykaÅa. (Please note, color overprinting is only on for hardbound copies.) Hand-bound in stiff fourfold Mohawk paper wrappers. Measuring 6 ½ by 11 inches. Numbered in the limited edition, 1 through 350." The book is in Very Fine condition. Text Clean, no marks. Binding Tight and Square. Wrappers are clean with no wear. Books are Carefully Packed and Shipped Daily with Delivery Confirmation from a Dry, Smoke-Free shop. Karol PomykaÅa (illustrateur).…

Paperbound. Etat : NEW. Etat de la jaquette : NEW. Ltd Edition of 300. No Reply is pleased to publish the first edition of Magnetic Storms. Twenty-three poems presented in both Ukrainian and English, with the poet's introduction. -- The edition is limited to 300 copies and is offered in two states. This is a paperbound edition with the no. 259. Hand-bound in stiff fourfold Bugra paper wrappers. 68 pages, printed throughout in two colors. Typeset in Anglecia and Stereonic faces, designed by Andriy Konstantynov and Oleh Lishchuk at Mint Type Foundry in Kiev, Ukraine Printed letterpress by hand on Hahnemühle Bugra using a Vandercook Universal I proof press. Book measures 7 ¾ by 10 ¾ inches. The fifteenth imprint of No Reply Press, Spring 2023. For years Diadchenko has been among the foremost Ukrainian writers and an advocate for the Ukrainian language on the world stage. While her manuscript was dazzling, with No Reply Press' publishing agenda already full, we did not plan to publish Magnetic Storms in 2023. The Russian invasion of Ukraine has changed that. Like many watching events unfold, we are left wondering, "What can we do?" Any individual action can feel vanishingly insignificant, like tossing a pebble into a river to stop its flow. Eventually, however, the pebbles can pile up. So, we must do something, however small. The role of a publisher in the internet age is not to circulate information, but to help curate what circulates and shape "the canon." While Russian literature is widely celebrated in the West, and deservingly so, Ukrainian literature has often been overlooked, or worse, subsumed as Russian literature. For those who have never experienced the power of the Ukrainian language, watch this performance from when the great Ukrainian band DakhaBrakha visited us in the Pacific Northwest several years ago. The vitality that DakhaBrakha brings to music, Lyudmyla Diadchenko brings to written poetry. The title, Magnetic Storms, captures the energy of these poems. They are riveting, vivid, electric even in translation. They have been masterfully translated by American poet Padma Thornlyre, with the assistance of Ukrainian writers Viacheslav Stelmakh and Dmitrou Teplouhov. The translation has been handled delicately, for those unable to read the original. We are sure that all readers will appreciate the power of Diadchenko's poetry. EDITION NOTES The edition is limited to 300 copies and is offered in two states. Twenty-three poems presented in both Ukrainian and English, with the poet's introduction. …

small 4to. Hand-bound in a German-style binding; mirror foil tooling over a Japanese cloth spine, lucite slipcase. 24 pages, featuring five linocut artworks printed by Karol Pomykala. The artworks are overprinted in red, yellow, and blue inks. Dozens of print runs go into each copy. Introduced by John Vance. With illustrations by Karol Pomykala. Limited to 700 copies, of which this is one of 350 copies bound thus. A fine copy in fine slipcase. Printed letterpress on mouldmade German Zerkall-bütten papers. From the artists' website: The Men Return is sui generis - nearly impossible to define. Science fiction of the absurd? Psychedelica? Metaphysical horror? Existentialist monograph. with monsters? When Jack Vance wrote The Men Return in 1957, science fiction had not yet delved into the truly experimental. While it had toyed with time, space, spaceships and timetravel, the laws of reality remained firmly unbroken. Vance pushed the envelope - and far. The Men Return tells the story of a place where the connection between cause and effect has been severed. Imagine that! Vance did, and in his wild imaginations a novel form of fiction was born. Karol Pomykala is a celebrated linocut artist, whose pieces, collectively entitled "Mirage," are an exhilarating match for Vance's up-is-down storytelling. Painstakingly cut by hand, Karol's artwork is intricately detailed. The depth of such detail can really only be captured with relief printing, so we are thrilled to present his work letterpress. The edition features five such linocuts. On hardbound copies, the artwork is overprinted with striking splashes of color as shapes float through and among a disorienting terrain. John Vance is the author's son, who has generously penned an introduction for the first private press edition of his father's work. He contextualizes the story in the history of science fiction, and provides a summary judgement on its importance. The Men Return is the third in No Reply's Science Fiction Trilogy, three editions showcasing three of the genre's greatest short stories: 1) The Last Question by Isaac Asimov, with the woodcuts of Rockwell Kent 2) The Ones Who Walk Away From Omelas by Ursula K. Le Guin, with collages by Clive Knights 3) The Men Return by Jack Vance, introduced by the author's son and with linocuts by Karol Pomykala These three stories pushed the frontiers of the genre. They strikingly demonstrate that Science Fiction is not actually the realm of spaceships and aliens, so much as the realm of metaphysics and our place in the universe. No Reply is proud to present them together, alongside an extraordinary cast of contributors. Hand-bound in a German-style binding; mirror foil tooling over a Japanese cloth spine, lucite slipcase. No Reply Press (illustrateur).…

Hardcover. Etat : new, FINE. Etat de la jaquette : No dj, as issued. Limited Letterpress Edition of 250. A SHORT STORY BY EDGAR ALLAN POE??PEN-AND-INK ILLUSTRATIONS BY RUTA KUZMICKAS -- -- -- NEW, Portland, Oregon, NO REPLY PRESS, no 213 of an edition limited to 250. OUT OF PRINT - The twenty?-?sixth edition from No Reply, 2?0?2?4? ?Measuring 5?½ by 10?½ inches, 2?8 pages. ?Printed letterpress on a hand-operated Vandercook Universal I proofing press. ?Eight pen?-?and?-?ink illustrations throughout, printed from magnesium plates. ?Typeset in 1?4?-?point Perpetua. ?Hahnemühle Biblio mould-made text papers. Hahnemühle Bugra endpapers. ?Hand-bound in a three piece Bradel binding using a tooled Elephant Hide spine and St. Armand sisal current boards. --- --- ---. The Press got its start with an edition of Poe's The Masque of the Red Death, funded only a month before the Coronavirus pandemic began in earnest. Eerie timing. Two years later, the Press announced an edition of The Cask of Amontillado. Now, to complete a trilogy of sorts, we are happy to share with you our edition of The Tell-Tale Heart! Poe is the quintessential American author. As one scholar put it, "Whether or not America has produced a greater genius than Poe, it would be hard to prove that it has produced one more original." In The Tell-Tale Heart, he presents once again a story of captivating simplicity of a man driven mad by an obsession, of guiltless admission. It is perhaps Poe's most famous story because it is so disorienting. The No Reply edition has been designed as a reaction to the story. We have employed colors, tones, textures, and an artistic vision to make Poe's writing visceral for the reader. Exceptionally fine papers from Papeterie St.-Armand, Velke Losiny, and master marbler Claire Guillot should mark this edition for distinction. Few artists are as suited to illustrate Poe as R?ta Kuzmickas. Her signature style blends the real with the unreal. With six full-page pen-and-ink artworks (as well as two large ornaments and a calligraphed title), reproduced with a crisp letterpress bite, Poe's story comes to life. The sinews of the heart, the film over the eye, the folds of guilt and paranoia all come together in a stylistic tour de force. In our estimation, Kuzmickas is an illustrator second to none because she not only illustrates a story but reveals its heart. R?ta Kuzmickas (illustrateur).…

Hardbound in Lucite slipcases. Etat : NEW, Fine. 1st ed. limited to only 350 copies. Portland, OR, NO REPLY PRESS, 2022, 6 ½ by 11 inches. Hardbound in Lucite slipcases, limited to only 350 copies. - see details for individual books below - The Last Question by Isaac Asimov, with the woodcuts of Rockwell Kent The Ones Who Walk Away From Omelas by Ursula K. Le Guin, with collages by Clive Knights The Men Return by Jack Vance, introduced by the author's son and with linocuts by Karol Pomyka?a All three are printed letterpress on mouldmade German Zerkall-bütten paper, and bound with mirrorfoil-tooled cloth spines and handmade monoprint boards. Made entirely by hand. The hardbounds try to capture the excitement and vibrancy of Science Fiction, while retaining the refinement and attention to detail of great private presswork. Most importantly, each features a unique monoprint artwork spanning its cover. --- "The Last Question" by Isaac Asimov Printed letterpress on mouldmade German Zerkall-bütten papers. Hand?-?bound in a three piece Bradel binding using a mirrorfoil tooled cloth spine and monoprint papers, made at the press specially for the edition and each unique, covering the facing boards in a single continuous artwork. In a BLUE in Lucite slipcase 42 pages, half of which feature sweeping Kent prints, at 6 ½ by 11 inches. Numbered in the limited edition, 1 through 350. --- "The Ones Who Walk Away From Omelas" Printed letterpress on mouldmade German Zerkall-bütten papers. Hand?-?bound in a three piece Bradel binding using a mirror-foil tooled cloth spine and monoprint papers, made at the press specially for the edition and each unique, covering the facing boards in a single continuous artwork. In RED Lucite slipcase 38 pages, nearly half of which feature Clive Knights' original collages, printed giclée on plates and hand-tipped in. Measuring 6 ½ by 11 inches. Numbered in the limited edition, 1 through 350. --- "The Men Return" by Jack Vance Hardbound Printed letterpress on mouldmade German Zerkall-bütten papers. In a YELLOW Lucite slipcase 24 pages, featuring five linocut artworks printed by Karol Pomyka?a. The artworks are overprinted in red, yellow, and blue inks. Dozens of print runs go into each copy. Hand?-?bound in a three piece Bradel binding using a mirror-foil tooled cloth spine and monoprint papers, made at the press specially for the edition and each unique, covering the facing boards in a single continuous artwork. In a YELLOW in Lucite slipcase Monoprint papers (each unique) which cover the facing boards in a single continuous artwork. Measuring 6 ½ by 11 inches. Numbered in the limited edition, 1 through 350. Please note: Due to the monoprinting process, covers may (and likely will!) vary significantly from the prototype photos shown. Condition: FINE. Rockwell Kent, Clive Knights, Karol Pomyka?a (illustrateur).…

Hardcover. Etat : NEW. Etat de la jaquette : NEW. Edition ltd to 70. Portland, manually printed and bound by NO REPLY PRESS, 2025, 102 pages, 11.15 x 7.9 inches, translated by Bernard Fechtmann, Edition of 70, (45 standard, 25 DeLuxe). This is no. 45. With artwork by CONTENT IS USING ME --- --- Types: Weiss and Gill Sans, Paper: Mohawk, Hahnemuehle Ingres and handmade Khadi. The press is a manually operated Vanderkook I. The bookmakers are Griffin Gonzales and Claire McArthur. Work commenced in Jan. 2021 and was completed in July 2025. --- --- Each copy is unique, with individual artwork. The collectors of this book were presented with three suites of by pseudonymous artists. Ester Kärkäinen, CONTENT IS USING ME and Vincent Van Villain, who created their art in response to Beauvoir's text. The artist is making twenty artworks, but the edition has only room for ten of them. Each collector was invited to privately view the whole suite of twenty, and decide for themselves which ten will be included in their copy. The permutations of possible arrangements are such that no two copies will be the same. In this way, even within the uniqueness of an edition of fifty, each copy will be truly unique.unique. --- --- With a separate Introduction by Jacob Roundtree, xii pages, 11.5 x 7.6 inches, in wrappers. With artwork by CONTENT IS USING ME (illustrateur). …