Petzel (287 résultats)

Soft cover. Etat : As New. Side-stapled softcover, 20 pgs. 6 x 9 in. As new. Catalog for exhibition held at Petzel, New York, June 24 August 7, 2021.

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Flexibound. Etat : Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Etat : New.

No Binding. Etat : Very Good. This b&w offset exhibition poster is by Cornelius Quabeck; edition size unknown, is not signed; paper size 17 x 23in; some small invisible creases, but otherwise in VERY GOOD COND.

No Binding. Etat : Very Good. This b&w offset poster is by Keith Edmier; "Bemen Towne (2006-2007), installation view from Keith Edmier 1991-2007. Center for Curationrial Studies, Bard College, Oct. 20 2007- Feb 2008."; photo: Lamay Photo; exhibition at Petzel Gallery 2008; size: 23 x 17in; edition size is unknown, it is not signed; just a tiny creases at the edges, otherwise in VERY GOOD COND.…

Soft cover. Etat : New. 16-page single signature in folder jacket with embossed text. Sealed, new. Published on the occasion of the exhibition Patagonia at Petzel Gallery, New York, May 4 June 23, 2018.

Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Etat : New.

Hardcover without dustjacket as issued, 52 pages; in English; as new condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket, 80 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Near Fine. First Edition. [32] pp.; chiefly color plates, pictorial wraps, 4to. : Sharp copy, no ownership markings, small crease to bottom corner of front wrap. Well packaged in a box, ships with tracking.

Soft cover. Etat : As New. 1st Edition. Softcover, 52 pgs. 7.5 x 10 in. Color illus. Catalog for exhibition held October 10 - November 9, 2013. As new.

First Edition. First edition and first printing. Hardcover. 79 pages. Exhibition catalog for a show that ran April 22 through May 30, 2020. Features an essay by Lauren O'Neill-Butler. Includes numerous color illustrations and a biography. A very near fine copy in illustrated boards. No dust jacket as issued.…

Hardcover. Etat : New.

Etat : New.

Hardcover without dustjacket, 80 pages, very good condition, except spine slightly slanted; no internal marks. Foreign shipping may be extra.

Softcover with dustjacket, 134 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Etat : as new. Wie neu/Like new.

Etat : New.

Exhibition invite, 5 x 8 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Exhibition invite that unfolds, 5 x 7 inches; very good condition; an unmailed copy.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. Austin Martin White, the first standalone volume of the artist's work, provides an in-depth investigation of White's sophisticated and idiosyncratic oeuvre. At the center of Austin Martin White's impressive body of work is the act of manipulating and reinterpreting history. Working with a variety of materials including rubber, acrylic, spray-paint, vinyl, 3m reflective fabric and screen mesh mediums, White creates paintings and works on paper that investigate representations of historical memory, drawing on archival research that addresses issues of identity, race, and postcolonialism. By pulling apart and reassembling received historical imagery, the artist destabilizes colonial and classist codes that run throughout Western art history. This first monograph on his paintings and works on paper shows the wide variety of subjects on which White brings this incisive method to bear; each chapter acquaints us with a different series in the artist's work through a brief introduction and a generous number of plates. The monograph includes an essay by Johanna Fateman which elucidates the progression of White's practice, bringing into focus his history-spanning references and their close relationship to the process and form of the paintings. Fateman's deep dive into the work of Austin Martin White is accompanied by over 60 full-color reproductions of both paintings and works on paper, as well as detail images, installation shots, and photographs of the artist in his studio. Designed by Waterhouse Cifuentes Design, the monograph provides a comprehensive account of the artist's work from 2018 to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : new.