Pims jun 2026 (2 résultats)

Buch. Etat : Neu. Neuware - Power, Patronage, and Production complements and extends the project of Imperial Splendor: The Art of the Book in the Holy Roman Empire, 800-1500, held at The Morgan Library & Museum from October 2021 to January 2022, the first exhibition in the United States to chart the history of manuscript illumination within the bounds of the Holy Roman Empire from the Carolingian period to the eve of the Reformation. The volume gathers scholars from Europe and North America, bringing historical and art-historical perspectives to case studies that explore a key period in book history, while shining a light on understudied material. The essays demonstrate the eclecticism and variety of genre, media, subject matter, and social contexts that characterize the corpus of medieval manuscripts from Central Europe. From prestigious commissions linked to the imperial court or produced at imperial monasteries, to works made for the newly empowered urban patriciate of the late Middle Ages, the books studied here reveal the changing role of the codex in medieval and early modern culture. These shifting patterns of patronage in turn reflect the diverse functions of illuminated manuscripts, which in the period served variously as objects of collective ritual, vehicles of gift exchange, projections of political propaganda, instruments of edification and entertainment, and focal points of individual prayer. In highlighting the range and depth of this corpus, the fifteen contributions to this volume make clear how integral such material has proved to the formation of American collections of medieval manuscripts, contributing both to our picture of visual cultures of the past and the ways they come down to us. The collection histories these studies illuminate, together with their focus on material that previous scholarship has overlooked, form a signal part of the book's achievement.…

Buch. Etat : Neu. Neuware - For much of the Middle Ages, agreements over properties, rights, and obligations were recorded on individual sheets of parchment. Cathedrals, monasteries, and royal chanceries accumulated hundreds of such records, or charters. Increasingly by the eleventh century these institutions took to recopying them into manuscripts, or cartularies. Copied collections of legal agreements would not seem to invite decoration or embellishment; yet around three dozen illuminated cartularies survive from the period from around 1050 to 1220. This book offers the first sustained analysis of some thirty surviving such works from across western Europe and their highly inventive imagery. The brilliantly colored illuminations depict miracles, royal power, and, most strikingly, images suggestive of the culture of documents and of scribal mises en abime. Scenes that set charters and various performances associated with written agreements serve to highlight memorial attitudes toward past legal acts and testify to an expansion of the visual culture of documentary practice. The special character of cartularies as copied collections also encourages reconsideration of art history's usual iconographic pursuits. The Memory of Past Acts privileges the process of manuscript production as central to the imagery. It argues that discourses surrounding scribal and textual traditions (copying, transcribing, displacing originals, reinventing authority, writing history) not only inform the subjects depicted, but also, and more fundamentally, motivate the very inclusion of illumination, making such imagery nothing less than a meditation on past scribal acts.…