Prentice hall art (15 résultats)

Etat : very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. Etat de la jaquette : Good. Upper Saddle River, 2003; black cloth covered boards; mild edge and corner wear; good- illustrated jacket with edge and corner wear and top corner of front flap clipped; 4to - over 9 3/4" to 12" tall; Interior is clean and unmarked; 400 pages; Additional shipping charges may be required due to the size and weight of book. …

Paperback. Etat : Good. 174 pages, illustrations; 23 cm. Good+. Firm binding, clean inside copy. Age toning, edges lightly soiled. A good reading copy for the thrifty scholar. Please note: Volume Two only: Restoration/Twilight of Humanism. Another copy available. Size: 8vo.

Paperback. Etat : Very Good. 174 pages, illustrations; 23 cm. Tight, clean copy. Light shelfwear to wraps, age toning. Please note: Volume Two only: Restoration/Twilight of Humanism. Size: 8vo.

Paperback. Etat : Very Good. 1st. xviii, 195 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Another copy available. *** "Italian Art, 1500-1600 provides a unique view of the development of the literature on art in Italy during the Cinquecento. The selections bring out the close relationship between art theories and the actuality of art and chart a trend from a humanistic orientation to a more technical and professorial one. The documents and commentary reveal the effects that humanistic circles, the courts, and the Church--during the Renaissance and the Counter-Reformation--had on the way people wrote and thought about art." - Publisher. *** CONTENTS: Art and the cultured public; Documents on art and artists; Mid-century Venetian art criticism; Vasari; Art theory in the second half of the century; The counter-Reformation; Artists, amateurs, and collectors; On beauty. Size: 8vo.…

Paperback. Etat : Very Good. Tight, clean copy. Light edgewear to wraps, age toning. *** "Through a broad selection of familiar central documents and less well-known ones, the author has focused upon the problems faced by innovators in all realms of thought and action in the middle of the 19th century. This book brings a fresh approach to the struggle, in both art and politics, between the established order and the forces of change." - Publisher. *** CONTENTS: 1. TRADITIONAL ART: ITS SUPPORTERS AND ITS CRITICS: Achille Fould: 1800-1867; Address to the prize winners of the 1857 salon; Thomas Couture: 1815-1879; Conversation on art methods; William-Adolphe Bouguereau: 1825-1905; Address to the Institute de France; Theophile Thore [W. Burger, pseudonym]: 1807-1869; The decadence of classical painting; [Jules Antoine] Castagnary: 1830-1888; A critique of three Venuses; Edmond and Jules de Concourt: 1822-1896, 1830-1870; The death of art in the 19th century; Gavarni expresses his opinion on art and life; Eugene Fromentin: 1820-1876; A critic's program; A letter to a young artist; Jean-Baptiste Carpeaux: 1827-1875; The evolution of "The dance"; Pierre Puvis de Chavannes: 1824-1898; An allegory of letters, science, and the arts. 2. REALISM AND NATURALISM IN FRANCE: Gustave Courbet: 1819-1877; The realist manifesto; Art cannot be taught; Champfleury [Jules Francoise Felix Husson]: 1821-1889; A letter to Madame Sand about M. Courbet; Max Buchon: 1818-1869; "As an apple-tree produces apples"; [Jules Antoine] Castagnary: 1830-1888; The importance of Courbet Pierre-Joseph Proudhon: 1809-1865; Concerning the principles of art and its social destiny; Theophile Thore: 1807-1869; Courbet and Millet; Jean-Francoise Millet: 1814-1869; A letter to Thore; First thoughts for the Letter to Thore ; The "Man with the hoe"; Theocritus and Burns; Theophile Thore; On the "Salon des refuses"; [Jules Antoine] Castagnary; 1863: The triumph of naturalism; Edouard Manet: 1832-1883; Theophile Thore: an appreciation of Manet in the 1868 salon; Emile Zola: A new style in painting; Manet's statements about art; A letter about Velasquez and Goya from Manet to Fantin-Latour from Madrid in 1865; Reasons for a private exhibition; Adverse criticism of Manet; Eugene Boudin: 1824-1870; One must paint the subjects of one's time; Excerpts from Boudin's notebooks; Frede ric Bazille: 1841-1870; Letters to his parents. 3. ENGLAND: THE PRE-RAPHAELITES AND THEIR FRIENDS: Ford Madox Brown: 1821-1893; "The pretty baa-lambs" ("Summer heat"); The "Last of England"; A description of "Work"; Description of a landscape; William Holman Hunt: 1827-1910; Raphael and Pre-Raphaelitism; A trip to Paris and Belgium; A harsh review of the Pre-Raphaelites in The times; A consideration of technical procedures; "The light of the world "; "The awakening conscience"; Dante Gabriel Rossetti: 1828-1882; The Pre-Raphaelite immortals; Van Eyck and Memling; "Ecce ancilla Domini" (The Annunciation"); Two poems; John Everett Millais: 1829-1896; Letter about "Before the Flood"; John Ruskin: 1819-1900; A defense of the Pre-Raphaelites; A second letter to The times about the Pre-Raphaelites; Holman Hunt's "Light of the world"; Holman Hunt's "Awakening conscience"; Advice to Rossetti; William Morris: 1834-1896; The aims of art. 4. ITALY AND GERMANY: Giovanni Fattori: 1825-1908; Letter to a group of pupils; Recollections of youth; Adriano Cecioni: 1836-1866; The style of the "Macchiaioli"; Cecioni's sculpture and painting; Anselm Feuerbach: 1829-1880; Letters to his mother; Arnold Bo chlin: 1827-1901; Letter to Colonel Merian-Iselin; Wilhelm Leibl: 1844-1900; Letter to Baurat U. Wingen; Letters to his parents; Letters to his mother about:three peasant women in a village church"; Hans Thoma: 1839-1924; A letter to Emil Lugo; Max Liebermann: 1847-1935; A confession of artistic faith; Conrad Fiedler: 1841-1895; On judging works of art; Adolf von Hildebrand: 1847-1921; The problem of form in painting and sculpture; Ferdinand Hodler: 1853-1.…

Paperback. Etat : Very Good. 1st. xviii, 195 pages, illustrations; 23 cm. Tight, clean copy. Age toning. *** "Italian Art, 1500-1600 provides a unique view of the development of the literature on art in Italy during the Cinquecento. The selections bring out the close relationship between art theories and the actuality of art and chart a trend from a humanistic orientation to a more technical and professorial one. The documents and commentary reveal the effects that humanistic circles, the courts, and the Church--during the Renaissance and the Counter-Reformation--had on the way people wrote and thought about art." - Publisher. *** CONTENTS: Art and the cultured public; Documents on art and artists; Mid-century Venetian art criticism; Vasari; Art theory in the second half of the century; The counter-Reformation; Artists, amateurs, and collectors; On beauty. Size: 8vo. CONTENTS.…

Hardcover. Etat : As New. Etat de la jaquette : Fine. 6th ed. The classic presentation of interior design and decoration has been revised and updated for the new millennium.Wide in scope and rich in detail, this book offers a unified treatment of interior design and the fine arts histories. Integrating information about materials and techniques with history, the text has been updated to include the developments in technology, interior design, and safety standards of the late twentieth century. Maps and timelines, special topic boxes, and chapter summaries help students to navigate through the wealth of material, and extensive color illustrations as welt as Gilbert Werle's classic black and white drawings add visual clarity, and excitement. Each chapter begins with some consideration of various design determinants, a chronology of key periods, dynasties, rulers, and events. There is a review of artistic accomplishments, and the common characteristics of the period are summarized. Discussions of character, quality, and cross-cultural comparison provide a basis for a challenging engagement with all of the elements of interior design. …

Etat : Gut. 600 S., Ill. Good condition. With dedication. Sprache: Englisch Gewicht in Gramm: 2821 31,0 x 21,4 x 3,9 cm, cloth with dustjacket.

Hardcover. Etat : As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.