Red lemonade (153 résultats)

Paperback. Etat : Very Good. Trapped in a London laboratory during a worker uprising in 1924, ex-artillery officer and physics instructor Jeremy Tuft awakens 150 years later -- in a neo-medieval society whose inhabitants have forgotten how to build or operate machinery. Not only have his fellow Londoners forgotten most of what humankind used to know, before civilization collapsed, but they don't particularly care to re-learn any of it. Though he is at first disconcerted by the failure of his own era's smug doctrine of Progress, Tuft eventually decides that post-civilized life is simpler, more peaceful. That is, until northern English and Welsh tribes threaten London -- at which point he sets about reinventing weapons of mass destruction. Shanks's post-apocalyptic novel, a pessimistic satire on Wellsian techno-utopian novels, was first published in 1920.…

Paperback. Etat : Good. When there is nothing left to burn, Della sets herself on fire. At twenty-seven, she is stuck in the far corner of a parallel America on the verge of collapse, splitting time slinging tofu scramble at the local vegan-friendly diner and counting down the days until the impending birth of her brother Credence's twins forces her out of his house's leaky attic apartment. She collects pictures of historic self-immolators and stares out the skylight of her room while TVs from across the sprawl spew war reports and Presidential battle plans. A breakdown a few years back has sent splinters through her buzzing mind, though something in her still hums with a mercurial urgency, flittering back and forth between fight and flight. Many of those close to her shuffle through the shallow rebellions - hair dye, sex parties, gluttonous self-absorption - of an ineffective counterculture, and while others join the growing people leaving their country behind for a life of escape and eco-tourism, something quiet in her whispers the need to stay. But those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape. Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.…

Paperback. Etat : Fair. When there is nothing left to burn, Della sets herself on fire. At twenty-seven, she is stuck in the far corner of a parallel America on the verge of collapse, splitting time slinging tofu scramble at the local vegan-friendly diner and counting down the days until the impending birth of her brother Credence's twins forces her out of his house's leaky attic apartment. She collects pictures of historic self-immolators and stares out the skylight of her room while TVs from across the sprawl spew war reports and Presidential battle plans. A breakdown a few years back has sent splinters through her buzzing mind, though something in her still hums with a mercurial urgency, flittering back and forth between fight and flight. Many of those close to her shuffle through the shallow rebellions - hair dye, sex parties, gluttonous self-absorption - of an ineffective counterculture, and while others join the growing people leaving their country behind for a life of escape and eco-tourism, something quiet in her whispers the need to stay. But those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape. Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.…

Paperback. Etat : Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Good. The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators -- by turn infamous and nameless -- shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention -- stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.…

Paperback. Etat : Very Good. The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators -- by turn infamous and nameless -- shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention -- stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.…

Paperback. Etat : Very Good. Trapped in a London laboratory during a worker uprising in 1924, ex-artillery officer and physics instructor Jeremy Tuft awakens 150 years later -- in a neo-medieval society whose inhabitants have forgotten how to build or operate machinery. Not only have his fellow Londoners forgotten most of what humankind used to know, before civilization collapsed, but they don't particularly care to re-learn any of it. Though he is at first disconcerted by the failure of his own era's smug doctrine of Progress, Tuft eventually decides that post-civilized life is simpler, more peaceful. That is, until northern English and Welsh tribes threaten London -- at which point he sets about reinventing weapons of mass destruction. Shanks's post-apocalyptic novel, a pessimistic satire on Wellsian techno-utopian novels, was first published in 1920.…

Paperback. Etat : Good. When there is nothing left to burn, Della sets herself on fire. At twenty-seven, she is stuck in the far corner of a parallel America on the verge of collapse, splitting time slinging tofu scramble at the local vegan-friendly diner and counting down the days until the impending birth of her brother Credence's twins forces her out of his house's leaky attic apartment. She collects pictures of historic self-immolators and stares out the skylight of her room while TVs from across the sprawl spew war reports and Presidential battle plans. A breakdown a few years back has sent splinters through her buzzing mind, though something in her still hums with a mercurial urgency, flittering back and forth between fight and flight. Many of those close to her shuffle through the shallow rebellions - hair dye, sex parties, gluttonous self-absorption - of an ineffective counterculture, and while others join the growing people leaving their country behind for a life of escape and eco-tourism, something quiet in her whispers the need to stay. But those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape. Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.…

Paperback. Etat : Fair. When there is nothing left to burn, Della sets herself on fire. At twenty-seven, she is stuck in the far corner of a parallel America on the verge of collapse, splitting time slinging tofu scramble at the local vegan-friendly diner and counting down the days until the impending birth of her brother Credence's twins forces her out of his house's leaky attic apartment. She collects pictures of historic self-immolators and stares out the skylight of her room while TVs from across the sprawl spew war reports and Presidential battle plans. A breakdown a few years back has sent splinters through her buzzing mind, though something in her still hums with a mercurial urgency, flittering back and forth between fight and flight. Many of those close to her shuffle through the shallow rebellions - hair dye, sex parties, gluttonous self-absorption - of an ineffective counterculture, and while others join the growing people leaving their country behind for a life of escape and eco-tourism, something quiet in her whispers the need to stay. But those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape. Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.…

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators -- by turn infamous and nameless -- shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention -- stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.…

Paperback. Etat : Good. The stories in Some Day This Will Be Funny marry memory to moment in a union of narrative form as immaculate and imperfect as the characters damned to act them out on page. Lynne Tillman, author of American Genius, presides over the ceremony; Clarence Thomas, Marvin Gaye, and Madame Realism mingle at the reception. Narrators -- by turn infamous and nameless -- shift within their own skin, struggling to unknot reminiscence from reality while scenes rush into warm focus, then cool, twist, and snap in the breeze of shifting thought. Epistle, quotation, and haiku bounce between lyrical passages of lucid beauty, echoing the scattered, cycling arpeggio of Tillman's preferred subject: the unsettled mind. Collectively, these stories own a conscience shaped by oaths made and broken; by the skeleton silence and secrets of family; by love's shifting chartreuse. They traffic in the quiet images of personal history, each one a flickering sacrament in danger of being swallowed up by the lust and desperation of their possessor: a fistful of parking tickets shoved in the glove compartment, a little black book hidden from a wife in a safe-deposit box, a planter stuffed with flowers to keep out the cooing mourning doves. They are stories fashioned with candor and animated by fits of wordplay and invention -- stories that affirm Tillman's unshakable talent for wedding the patterns and rituals of thought with the blushing immediacy of existence, defying genre and defining experimental short fiction.…

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Etat : Very Good. Used - Very Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.