Semiotext e (Plus de 3 900 résultats)

Paperback. Etat : Fair. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Etat : Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Etat : Very Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Etat : Good. A stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Immunodemocracy offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing--and what its future political effects may be. In her own personal style, the author reconstructs the dramatic phases of what she calls "the breathing catastrophe." Coronavirus is a sovereign virus that skirts its way around the walls of patriotism and the sovereignists' imperious frontiers. And it reveals in all its terrible crudeness the immunitarian logic that excludes the weakest and hits the poorest. The Cordon sanitaire of disengagement risks expanding beyond all proportion. The disparity between the protected and the helpless--a challenge to any idea of justice--has never been so blatant. The virus has not introduced, but merely brought out into the open the ruthlessness of the capitalism that is now wrapping us in its devastating spiral, in its compulsive, asphyxial vortex. Is it our final warning? The violent global pandemic shows that it is impossible for us to survive if we don't help each other. We will need to protect ourselves from protection and the specter of absolute immunization. When breathing can no longer be taken for granted, we need to rethink a new way of living together.…

Paperback. Etat : New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Etat : Good. Ships same or next business day with delivery confirmation. Good condition. May or may not contain highlighting. Expedited shipping available.

Paperback. Etat : Very Good. In a novel set against a transforming Berlin, an artist confronts a diagnosis of breast cancer. Going to openings and parties, setting up a studio and breaking up with her longtime boyfriend, Noora is living the post-art school life in Berlin when,in 2005, she's diagnosed with breast cancer. Vaguely restless, until now she's been neither happy nor unhappy, but her entry into what she calls "Cancerland" forces her to question the assumptions by which she lived her life so far.Uneasily, she realizes that the "relationships of the soul" she and her friends value over everythingelsemight not be as indelible as family, after all. In this sharp and picaresque first novel, conceptual artist Annette Weisser depicts the transformation of Berlin from the frontier city of the cold war to an international art hub as an analog and backdrop to the chaotic, corporeal transformation Noora undergoes through cancer and its treatments.Written in the casual, associative style of a female coming-of-age novel,Myceliumexamines German trauma, art school dramas, and the inevitable parsing into winners and losers that her generation undergoes as they enter their mid-thirties.…

Paperback. Etat : Good. The third of Gary Indiana's famed crime trilogy tells a story inspired by the virtuoso con artistry of mother-and-son criminals Sante and Kenneth Kimes. She collected future marks like lottery tickets. She operated by reflex. Any public room was a pristine harvest of human information. Not just business cards, phone numbers, fax numbers and the like, but weaknesses, quirks, character flaws, delusional ambitions, risky dreams, medical problems, shaky marriages. Everybody came equipped with a panel of invisible buttons. If you had the right touch, if you knew how to press one button lightly and another button with a bit more force, you could make the emotional side of a person swing up and down as you wished. --from Depraved Indifference First published in 2001, Depraved Indifference is the third of Gary Indiana's famed crime trilogy now being reissued by Semiotext(e). Inspired by the virtuoso con artistry of mother-and-son criminals Sante and Kenneth Kimes, Depraved Indifference follows Evangeline Slote, a dead ringer for Elizabeth Taylor "so compulsive she grifts herself when she runs out of other people" through the circus of calamity that her compulsions invoke. Evangeline, or "Evelyn Carson, "Princess Shah Shah," among other pseudonyms, accompanied by her alcoholic husband Warren and fanatically devoted son Devin, moves from Las Vegas to Hawaii to Nassau in a maelstrom of forgery and fraud that constantly threatens to come undone. When Warren dies, Evangeline and her son embark upon an ever more brazen series of grifts, frauds, and crimes. Thriving on chaos, a master of manipulation and seduction, Evangeline concocts the scheme to end all schemes--which may take a murder to complete. Reminiscent of Nathanael West's The Day of the Locust, Indiana's scathing, insightful prose is a mirror to the empty landscape of American culture.…

Paperback. Etat : Very Good. The third of Gary Indiana's famed crime trilogy tells a story inspired by the virtuoso con artistry of mother-and-son criminals Sante and Kenneth Kimes. She collected future marks like lottery tickets. She operated by reflex. Any public room was a pristine harvest of human information. Not just business cards, phone numbers, fax numbers and the like, but weaknesses, quirks, character flaws, delusional ambitions, risky dreams, medical problems, shaky marriages. Everybody came equipped with a panel of invisible buttons. If you had the right touch, if you knew how to press one button lightly and another button with a bit more force, you could make the emotional side of a person swing up and down as you wished. --from Depraved Indifference First published in 2001, Depraved Indifference is the third of Gary Indiana's famed crime trilogy now being reissued by Semiotext(e). Inspired by the virtuoso con artistry of mother-and-son criminals Sante and Kenneth Kimes, Depraved Indifference follows Evangeline Slote, a dead ringer for Elizabeth Taylor "so compulsive she grifts herself when she runs out of other people" through the circus of calamity that her compulsions invoke. Evangeline, or "Evelyn Carson, "Princess Shah Shah," among other pseudonyms, accompanied by her alcoholic husband Warren and fanatically devoted son Devin, moves from Las Vegas to Hawaii to Nassau in a maelstrom of forgery and fraud that constantly threatens to come undone. When Warren dies, Evangeline and her son embark upon an ever more brazen series of grifts, frauds, and crimes. Thriving on chaos, a master of manipulation and seduction, Evangeline concocts the scheme to end all schemes--which may take a murder to complete. Reminiscent of Nathanael West's The Day of the Locust, Indiana's scathing, insightful prose is a mirror to the empty landscape of American culture.…

paperback. Etat : Very Good.

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Etat : Good.

Paperback. Etat : Good. A searing disavowal of identity and inheritance, which completes Constace Debré's acclaimed trilogy. I have a political agenda. I am in favor of the elimination of inheritance, the requirement that ancestors sustain their descendants, I am for the elimination of parental authority, I am for the abolition of marriage, I am in favor of children getting some distance from their parents at as young an age as possible, I am for the abolition of filiation, and for the abolition of the family name, I am against guardianship, minority, I am against patrimony, I am against having a domicile, a nationality . I am for eliminating the family, I am in favor of eliminating childhood as well, if we can. Name, the third novel in Constance Debré's acclaimed trilogy, is at once a manifesto, an ecstatic poem, and a political pamphlet. By rejecting the notion of given identity, her narrator approaches the heart of the radical emptiness that the earlier books were pursuing. Newly single, and having recently come out as a lesbian, the narrator of Debré's first two novels embarked on a monastic regime of exercise, sex, and writing. Using the facts of her own life as impersonal "material" for literature, Playboy and Love Me Tender epitomized what Debré (after Thomas Bernhard) has called "antiautobiography." They introduced French and American readers to her fiercely spare prose, distilled from influences as disparate as Saint Augustine, Albert Camus, and Guillaume Dustan. "Minimalist and at times even desolate," wrote the New York Review of Books, these works defied "the expectations of personal growth that animate much feminist literature." Name is Debré's most intense novel yet. Set partly in the narrator's childhood, it rejects Proustian notions of "regaining" the past. Instead, its narrator seeks a state of profound disownment: "We have to get rid of the idea of origins, once and for all, I'm not holding onto the corpses. . Being free has nothing to do with that clutter, with having suffered or not, being free is the void." To achieve true freedom, she dares to enter this "void"--that is, dares to accept the pain, loss, and violence of life. Brilliant and searing, Name affirms and extends Debré's radical project.…

Paperback. Etat : Very Good. A searing disavowal of identity and inheritance, which completes Constace Debré's acclaimed trilogy. I have a political agenda. I am in favor of the elimination of inheritance, the requirement that ancestors sustain their descendants, I am for the elimination of parental authority, I am for the abolition of marriage, I am in favor of children getting some distance from their parents at as young an age as possible, I am for the abolition of filiation, and for the abolition of the family name, I am against guardianship, minority, I am against patrimony, I am against having a domicile, a nationality . I am for eliminating the family, I am in favor of eliminating childhood as well, if we can. Name, the third novel in Constance Debré's acclaimed trilogy, is at once a manifesto, an ecstatic poem, and a political pamphlet. By rejecting the notion of given identity, her narrator approaches the heart of the radical emptiness that the earlier books were pursuing. Newly single, and having recently come out as a lesbian, the narrator of Debré's first two novels embarked on a monastic regime of exercise, sex, and writing. Using the facts of her own life as impersonal "material" for literature, Playboy and Love Me Tender epitomized what Debré (after Thomas Bernhard) has called "antiautobiography." They introduced French and American readers to her fiercely spare prose, distilled from influences as disparate as Saint Augustine, Albert Camus, and Guillaume Dustan. "Minimalist and at times even desolate," wrote the New York Review of Books, these works defied "the expectations of personal growth that animate much feminist literature." Name is Debré's most intense novel yet. Set partly in the narrator's childhood, it rejects Proustian notions of "regaining" the past. Instead, its narrator seeks a state of profound disownment: "We have to get rid of the idea of origins, once and for all, I'm not holding onto the corpses. . Being free has nothing to do with that clutter, with having suffered or not, being free is the void." To achieve true freedom, she dares to enter this "void"--that is, dares to accept the pain, loss, and violence of life. Brilliant and searing, Name affirms and extends Debré's radical project.…

Etat : good. Fast & Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Etat : very_good.

Paperback. Etat : Fair. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Etat : Very Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

Paperback. Etat : Good. A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be. -The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.…

paperback. Etat : Good. Crease/tear to cover.

Etat : good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly.…

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. The first authorized biography of postmodernism's literary hero, Kathy Acker. Acker's life was a fable; and to describe the confusion and love and conflicting agendas behind these memorials would be to sketch an apocryphal allegory of an artistic life in the late twentieth century. It is girls from which stories begin, she wrote in her last notebook. And like other lives, but unlike most fables, it was created through means both within and beyond her control. --from After Kathy Acker Rich girl, street punk, lost girl and icon. scholar, stripper, victim, and media-whore: The late Kathy Acker's legend and writings are wrapped in mythologies, created mostly by Acker herself. Twenty years after her death, Acker's legend has faded, making her writing more legible. In this first, fully authorized, biography, Chris Kraus approaches Acker both as a writer and as a member of the artistic communities from which she emerged. At once forensic and intimate, After Kathy Acker traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody. Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus charts Acker's movement through some of the late twentieth century's most significant artistic enterprises. Beginning in her mid-teens, Acker lived her ideal of the Great Writer as Cultural Hero, and as Kraus argues, she may well have been the only female writer to succeed in assuming this role. She died of untreated cancer at an alternative clinic in Tijuana when she was fifty years old, but the real pathos of Acker's life may have been in the fact that by then she'd already outlived her ideal.…

Paperback. Etat : Good. The first authorized biography of postmodernism's literary hero, Kathy Acker. Acker's life was a fable; and to describe the confusion and love and conflicting agendas behind these memorials would be to sketch an apocryphal allegory of an artistic life in the late twentieth century. It is girls from which stories begin, she wrote in her last notebook. And like other lives, but unlike most fables, it was created through means both within and beyond her control. --from After Kathy Acker Rich girl, street punk, lost girl and icon. scholar, stripper, victim, and media-whore: The late Kathy Acker's legend and writings are wrapped in mythologies, created mostly by Acker herself. Twenty years after her death, Acker's legend has faded, making her writing more legible. In this first, fully authorized, biography, Chris Kraus approaches Acker both as a writer and as a member of the artistic communities from which she emerged. At once forensic and intimate, After Kathy Acker traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody. Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus charts Acker's movement through some of the late twentieth century's most significant artistic enterprises. Beginning in her mid-teens, Acker lived her ideal of the Great Writer as Cultural Hero, and as Kraus argues, she may well have been the only female writer to succeed in assuming this role. She died of untreated cancer at an alternative clinic in Tijuana when she was fifty years old, but the real pathos of Acker's life may have been in the fact that by then she'd already outlived her ideal.…

Paperback. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. Semiotext. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Etat : good. Book shows general signs of use and handling. May have light wear on the cover or edges and minimal writing or highlighting. Binding remains tight, and pages are clean and readable.

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Etat : Very Good. A bright, square, and overall a nice copy.