Some place (23 résultats)

paperback. Etat : Very Good. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

paperback. Etat : Good. Paperback. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Soft cover. Etat : Near Fine. Orange wraps. Stapled booklet.

Soft cover. Etat : Very Good.

Staple Bound. Etat : Used Good. 8 page booklet. No cover, slightly bumped corners, pages tanned at the edges but clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Soft cover. Etat : New. 2nd Edition. 8x10 format. Edge darkening but clean. Still appears new.

Paperback. Etat : Good. 1972. Unpaginated. Thirteen sheets bound together by one staple at top left corner, as issued. Heavy toning to wraps, light rubbing to corners, else clean and unmarked. Staple shows rust.

Staplebound. Etat : Used - Very Good. Staplebound, VG. Some shelfwear around the edges. Lovely copy of Victorian lace designs and techniques. Published 1978 by Some Place Publications in Berkeley. Interesting point: front cover has a typo on the bottom left. ISBN is spelled incorrectly as ICBN. Front cover also has a light stain top right from an old sticker. Interior is clean, no markings. Binding is tight, however the staples are showing their age. Book is kept in plastic archival bag to deter from further wear. …

paperback. Etat : Very Good. Some Place Publications; Berkeley, 1978. Softcover. A Very Good, binding sturdy and intact, some handling/scuff marks to covers, mild cover edge/corner wear, bit of rubbing along spine, previous owner info sticker top front cover, mild age toning to pages, a nice, clean and unmarked copy in Oversize Wraps. 4to[quarto or approx. 9.5 x 12 inches], 32pp., b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

Etat : Fine. First edition. Hardcover. Fine condition (no dust jacket-as issued).

Etat : Fine. First edition. Hardcover. Fine condition (no dust jacket-as issued).

Etat : Very good. First printing of this reprint edition. Hardcover. Very good condition (no dust jacket- as issued). Internally clean and tight.

Soft cover. Etat : Near Fine. No Jacket. 1st Edition. First edition. Presumed. No additional dates, editions or printings identified. Saddle stitched wraps/paperback. 67 pages. Near fine plus. Six or eight short hairline creases to front cover, primarily one inch by one inch diagonal patch in the lower fore edge corner and a very light bump to upper fore edge corner. Few if any other signs of previous use.…

SOFTCOVER. Etat : Fine. 2nd Printing. Extra Large 4to. in illustrated stiff card covers, 20pp, illustrations in text, etc . [CONDITION: Covers slightly tanned else FINE, an otherwise well preserved clean and tight unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Etat : Very good. First printing[?]. Half-cloth and pebbled leatherette boards; gilt spine lettering and front/back cover stamping. Very good condition (no dust jacket).

Double-issue. 234 p. Contents: NICOLAAS WAANDERS: Willem Hermans in Pistoia: some stylistic considerations; JOHN HARPER: The origin of the historic organ at Stanford-on-Avon: connections with Magdaken College, Oxford, and the surviving Dallam case at Tewkesbury Abbey; JEAN-ALBERT VILLARD: The Clicquot family and its place in French organ building; RICHARD BURNETT: Muzio Clementi: pianist, composer and pianomaker; WILFRIED PRAET: The Jean-Pierre Cavaillé organ at Torroja del Priorat; ROBERT PACEY: Alexander Buckingham and the renaissance organ at Lincoln Cathedral.…

(BAL v.3, p.69), "Extracts from a few of the many tributes to Emerson called forth by the Centennial observances from some ot the leading scholars of the day." Printed wrapper (cover title), 28 pages, four photographic plates. No place, no publisher, no date, no editor listed. Not in OCLC, but the Thomas Cooper Library at the University of South Carolina has a copy. Wrappers with stains on front and back, one corner chipped, handling wear, but a Good, sound copy.…

sec pr. 20 p., num. illustrations in tekst, 21.59 x 27.94 cm (Or. paperb. with stiff wrpprs, covers slightly tanned and one back corner slightly ceased else VERY GOOD) Rare copy of this detailed study on Japanese Braiding Technique.

Printed for Longman, Hurst, Rees, Orme, and Brown, London: J.Grieg, Islington; and P.Youngman, Witham and Maldon, 1818 (vol 1) / 1819 (vol 2). Two volumes, contemporary full leather binding. Gilt lettering on black patch to spine. Aem. 6.5ins x 4.25ins. Volume 1: vi, 224pp plus illustrated title page, folding map of County, folding plan of Colchester and 55 plates. Volume 2: iv, 197pp plus illustrated title page and 41 plates. Nb this is two plates more than listed in the instructions to binder. The extra plates being a second illustration of Belhus and one of Gosfield Place. Printed label (gilt on red) reading "Henry Hitchcock. The gift of a sincere friend. June 1843" to the front pastedown of each volume. Some foxing to both text pages and plates. Original spines have been relaid. Corners have been repaired. Replacement endpapers. Complete, but only G due to the foxing and the wear to the boards.…

Softcover. Etat : Near Fine. First edition. Octavo. 60pp. Frontispiece portrait. Stapled blue printed wrappers. Owner name on front wrap, a few penciled notes in the text concerning some poems, else near fine. Inscribed by the author: "To my beloved friend, Sabra. 1950." While the book may have been signed in 1950, the author portrait likely harkens back to an earlier era. *OCLC* locates no copies.…

Printed for Longman, Hurst, Rees, Orme, and Brown, London: J.Grieg, Islington; and P.Youngman, Witham and Maldon, 1818 (vol 1) / 1819 (vol 2). Two volumes, contemporary half leather binding with marbled boards. Gilt lettering & decoration to spine. 8.5ins x 5.5ins - large paper copies. Volume 1: vi, 199pp plus folding map of County, illustrated title page and 55 plates. Volume 2: iv, 176pp plus folding plan of Colchester, illustrated title page and 39 plates. Although this is the correct number of plates, volume one has an extra plate of Belhus whilst volume two lacks one of the plates of Gosfield Place. One plate in volume one has been very neatly hand coloured. Some plates are stained / browned. …

Printed for Longman, Hurst, Rees, Orme, and Brown, London: J.Grieg, Islington; and P.Youngman, Witham and Maldon, 1818 (vol 1) / 1819 (vol 2). Two volumes,contempory half full leather binding with marbled boards. Five raised bands to spine. Gilt lettering on black leather patch to compartment two, gilt vol number to compartment four. 9.25ins x6ins - large paper copies. Volume 1: [ii], 199pp, [ii] plus folding map of County, folding plan of Colchester, illustrated title page and 55 plates. Volume 2: iv, 176pp, [ii] plus illustrated title page and 41 plates. This is two more plates than listed in the binding instructions. Volume one has an extra plate of Belhus and volume two has an extra plate of Gosfield Place. Some plates in volume two have a stain to the margins, but the images are generally clean and unfoxed. Original spines have been relaid VG. …

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections. Section 1, as first typed, begins: After the first two pieces on the programme, we are taking the poems more or less chronologically, so that we can follow the way that Christopher Hassall went, in the search which every poet must take, for the voice which would say, what he wanted to say.' Fry has cut this in autograph to: 'After the first two pieces on the programme, the poems follow more or less chronologically.' He praises the 'furious innocence of concentration' of Hassall's early poem 'The Arrow', 'like a child staring: and with it, never very far away, the ironic comment of humour.' He describes how Hassall's takes time 'to master his individual voice, but when it came it was unmistakable'. Recurring themes in Hassall's work are his Christian faith and love of music. He quotes 'some lines in a poem remembering his boyhood days at a choir school in Tenbury Wells'. He turns to Hassall's love of the theatre, his career as an actor on leaving Oxford, and writing of 'popular lyrics for Ivor Novello's musicals at Drury Lane'. At this point he adds in autograph: 'And later, the libretti for operas: the first of all was perhaps the Troilus and Cressida for William Walton.' At the end of the first section Fry announces two readings from Hassall, showing his 'great flair for writing pieces for special occasions'. In the second section he discusses Hassall's 1939 Canterbury Festival play 'Christ's Comet', 'which was performed in the Cathedral chapter-house'. Part 3 announces the beginning of 'this second part of the programme', with Fry adding an autograph note about 'a cyle of 7 lyrics': 'They are all about ways of getting about, and with them we are in the atmosphere of the delightful poems for children which were to come later.' The fourth section points out 'a change in manner in some of the poems we are going to read now from the Red Leaf - a change partly brought about perhaps by Hassall's admiration for the poetry of D. H. Lawrence'. The fifth section names humorous and children's poems to be recited. The last section announces the eight sonnets from his posthumous collection 'Bell Harry' which end of the programme, with Fry explaining the Canterbury context, with reference to the 'old Manor House near Canterbury' in which Hassall ended his days. Accompanying the 'programme', on a leaf of thicker paper, is the typescript of an unattributed poem titled 'Pilgrim's Way' ('Pilgrims to the golden shrine | Under Canterbury towers, | Blessed by your wayfaring | Through the early English flowers.'), divided into two eight-line stanzas, each with the refrain: 'Every day a Holy day, | Riding over Pilgrim's Way.' The poem is presumably by Hassall, from the window of whose manor house could be seen the celebrated road to Canterbury. A pencil note at the head of the page states that the three leaves were found in Hassall's collection 'The Red Leaf'.…