Spurl editions (22 résultats)

Trade Paperback. Etat : New. New! // 'The cheap-eaters have been eating at the Vienna Public Kitchen for years, from Monday to Friday, and true to their name, always the cheapest meals. They become the focus of Koller's scientific attention when he deviates one day from his usual path through the park, leading him to come upon the cheap-eaters and to realize that they must be the focal piece of his years-long, unwritten study of physiognomy.' ~ Publisher.…

Trade Paperback. Etat : New. New! // 'Luigi Pirandello's extraordinary final novel begins when Vitangelo Moscarda's wife remarks that Vitangelo's nose tilts to the right. This commonplace interaction spurs the novel's unemployed, wealthy narrator to examine himself, the way he perceives others, and the ways that others perceive him. At first he only notices small differences in how he sees himself and how others do; but his self-examination quickly becomes relentless, dizzying, leading to often darkly comic results as Vitangelo decides that he must demolish that version of himself that others see.' ~ Publisher.…

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Etat : Fine. 1st Edition, Limited Edition. First Edition limited to 500 copies.

Paperback. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Etat : good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.…

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Etat : Good. Literary Nonfiction. Memoir. Film. Women's Studies. I AM NOT ASHAMED, first published in 1963, is the absurdist tale of a forgotten movie star's unnerving decline. When sleazy journalist Leo Guild arrived at Barbara Payton's flophouse Hollywood apartment, he was surprised to find that the thirty-five-year-old former actress was working as a prostitute to support her alcohol addiction. He brought her cases of cheap wine, turned on the tape recorder, and she began to speak . . . Surreal and often depressing, I AM NOT ASHAMED is an anti-memoir: as Payton reveals intimate moments of her life, she slides down and down the wormhole of her memories and watches her life in numb horror. Unable to recover or make any changes, Payton remains locked in admiration of her brief Hollywood fame. A self-proclaimed con girl in specialized areas of living, Payton is pathologically self-destructive. Her favorite topic is men--how she used men to get ahead, and how they used her. In its bizarre frankness, I AM NOT ASHAMED follows in the autobiographical tradition of Jack Black's You Can't Win and Liz Renay's My Face for the World to See, and the literary tradition of Fyodor Dostoyevsky's Notes from Underground and William S. Burroughs' Junkie.…

Paperback. Etat : Very Good. Literary Nonfiction. Memoir. Film. Women's Studies. I AM NOT ASHAMED, first published in 1963, is the absurdist tale of a forgotten movie star's unnerving decline. When sleazy journalist Leo Guild arrived at Barbara Payton's flophouse Hollywood apartment, he was surprised to find that the thirty-five-year-old former actress was working as a prostitute to support her alcohol addiction. He brought her cases of cheap wine, turned on the tape recorder, and she began to speak . . . Surreal and often depressing, I AM NOT ASHAMED is an anti-memoir: as Payton reveals intimate moments of her life, she slides down and down the wormhole of her memories and watches her life in numb horror. Unable to recover or make any changes, Payton remains locked in admiration of her brief Hollywood fame. A self-proclaimed con girl in specialized areas of living, Payton is pathologically self-destructive. Her favorite topic is men--how she used men to get ahead, and how they used her. In its bizarre frankness, I AM NOT ASHAMED follows in the autobiographical tradition of Jack Black's You Can't Win and Liz Renay's My Face for the World to See, and the literary tradition of Fyodor Dostoyevsky's Notes from Underground and William S. Burroughs' Junkie.…

Paperback. Etat : Very Good. Literary Nonfiction. Memoir. Film. Women's Studies. I AM NOT ASHAMED, first published in 1963, is the absurdist tale of a forgotten movie star's unnerving decline. When sleazy journalist Leo Guild arrived at Barbara Payton's flophouse Hollywood apartment, he was surprised to find that the thirty-five-year-old former actress was working as a prostitute to support her alcohol addiction. He brought her cases of cheap wine, turned on the tape recorder, and she began to speak . . . Surreal and often depressing, I AM NOT ASHAMED is an anti-memoir: as Payton reveals intimate moments of her life, she slides down and down the wormhole of her memories and watches her life in numb horror. Unable to recover or make any changes, Payton remains locked in admiration of her brief Hollywood fame. A self-proclaimed con girl in specialized areas of living, Payton is pathologically self-destructive. Her favorite topic is men--how she used men to get ahead, and how they used her. In its bizarre frankness, I AM NOT ASHAMED follows in the autobiographical tradition of Jack Black's You Can't Win and Liz Renay's My Face for the World to See, and the literary tradition of Fyodor Dostoyevsky's Notes from Underground and William S. Burroughs' Junkie.…

Paperback. Etat : Good. Literary Nonfiction. Memoir. Film. Women's Studies. I AM NOT ASHAMED, first published in 1963, is the absurdist tale of a forgotten movie star's unnerving decline. When sleazy journalist Leo Guild arrived at Barbara Payton's flophouse Hollywood apartment, he was surprised to find that the thirty-five-year-old former actress was working as a prostitute to support her alcohol addiction. He brought her cases of cheap wine, turned on the tape recorder, and she began to speak . . . Surreal and often depressing, I AM NOT ASHAMED is an anti-memoir: as Payton reveals intimate moments of her life, she slides down and down the wormhole of her memories and watches her life in numb horror. Unable to recover or make any changes, Payton remains locked in admiration of her brief Hollywood fame. A self-proclaimed con girl in specialized areas of living, Payton is pathologically self-destructive. Her favorite topic is men--how she used men to get ahead, and how they used her. In its bizarre frankness, I AM NOT ASHAMED follows in the autobiographical tradition of Jack Black's You Can't Win and Liz Renay's My Face for the World to See, and the literary tradition of Fyodor Dostoyevsky's Notes from Underground and William S. Burroughs' Junkie.…

Trade paperback original. Etat : Fine (as new) copy. First edition thus (& 1st printing). First published in 1966, this expanded reprint is the only other edition of this book: ''a candid, self-questioning account of Worthington's turbulent, bohemian marriage to the famous travel writer and occultist William Willie Seabrook. It details their life together in 1920s Europe, Seabrook's struggles with alcoholism and sadism, and his eventual downward spiral and suicide''.…

Paperback. Etat : Very Good. Fiction. LGBT Studies. French Literature. Translated from the French by Eva Richter. In Jean Lorrain's MONSIEUR DE BOUGRELON, an eccentric, outmoded dandy leads ennui-filled French tourists around misty Amsterdam. Guiding them through sailors' bars, whorehouses, and costume galleries, Monsieur de Bougrelon recounts hallucinatory stories of his past and delves into his heroic friendship with his aristocratic companion Monsieur de Mortimer. MONSIEUR DE BOUGRELON is a unique character: loquacious, proud, a leftover from an earlier age, wearing garish outfits and makeup that drips. To his speechless audience, he waxes nostalgic about his life as an exile in Holland, as well as what he calls imaginary pleasures - obsessions with incongruous people, animals, and objects. These obsessions are often sexual or border on the sexual, leading to shocking, surreal scenes. MONSIEUR DE BOUGRELON also enthuses over his beautiful friend Monsieur de Mortimer, making this novella one of the rare works of the nineteenth century to broach homosexuality in a meaningful way, years before Jean Cocteau and Jean Genet. Originally published in French in 1897, MONSIEUR DE BOUGRELON is now available in English translation for the first time. Its inventiveness and sheer decadence find kindred spirits in the novels of Comte de Lautr amont, Joris-Karl Huysmans, and even Louis-Ferdinand C line, while the novella's indulgent language and unconventional vision of art and sex embody the best of fin-de-si cle literature. It is, in the novella's own words, a true boudoir of the dead.…

Paperback. Etat : Very Good. Fiction. LGBT Studies. French Literature. Translated from the French by Eva Richter. In Jean Lorrain's MONSIEUR DE BOUGRELON, an eccentric, outmoded dandy leads ennui-filled French tourists around misty Amsterdam. Guiding them through sailors' bars, whorehouses, and costume galleries, Monsieur de Bougrelon recounts hallucinatory stories of his past and delves into his heroic friendship with his aristocratic companion Monsieur de Mortimer. MONSIEUR DE BOUGRELON is a unique character: loquacious, proud, a leftover from an earlier age, wearing garish outfits and makeup that drips. To his speechless audience, he waxes nostalgic about his life as an exile in Holland, as well as what he calls imaginary pleasures - obsessions with incongruous people, animals, and objects. These obsessions are often sexual or border on the sexual, leading to shocking, surreal scenes. MONSIEUR DE BOUGRELON also enthuses over his beautiful friend Monsieur de Mortimer, making this novella one of the rare works of the nineteenth century to broach homosexuality in a meaningful way, years before Jean Cocteau and Jean Genet. Originally published in French in 1897, MONSIEUR DE BOUGRELON is now available in English translation for the first time. Its inventiveness and sheer decadence find kindred spirits in the novels of Comte de Lautr amont, Joris-Karl Huysmans, and even Louis-Ferdinand C line, while the novella's indulgent language and unconventional vision of art and sex embody the best of fin-de-si cle literature. It is, in the novella's own words, a true boudoir of the dead.…

Etat : good. Paperback Book.

Paperback. Etat : new. New Copy. Customer Service Guaranteed.