Stanley barker (163 résultats)

Soft cover. Etat : Near Fine. Etat de la jaquette : Near Fine. Paperback with dustjacket. Pages clean, no notes or highlights. Minor shelf wear.

Soft cover. Etat : As New. 1st Edition. Folded quality newsprint. In 2005-06 Jim Goldberg traveled to Ukraine as part of a project which explored migration, at the start of the new millennium. For Another Life a new fund raising publication, Goldberg revisits his work from the time, alongside Ukrainian writer, and film-maker Iryna Tsilyk. If I had to depict a portrait of my generation Ukrainian people born in the times of change, on the ruins of the empire I would trip over this challenging task. We are all too different. We grew up in dissimilar regions of our big country at the crossroads of various influences, we spoke and speak different languages, we were formed as individuals in non-identical families and environments with different traumas of the past. And yet, it seems we have a lot in common. Regardless of our backgrounds, religions, views, social statuses and so on, we all grew up on shared desires and searching for another life. - Iryna Tsilyk. Goldberg, Jim (illustrateur).…

Hardcover. Etat : Used - Like New.

Hardcover. Etat : Fine. First Edition, First Printing. Oblong quarto. 12 x 9.75 in. Unpaginated. Fully illustrated with color and black & white reproductions of photographs. Fine in original pictorial paper-covered boards. From a limited edition of 1,000 copies.

Soft cover. Etat : As New. Etat de la jaquette : As New. Over fifty photographic portraits in colour capturing a moment in time of Londoners going about their daily business. Areas covered include: Regent, Oxford and Bond Streets, Earls Court, Tower Hamlets - but the precise location is often elusive or blurred. Features are everyday rather than monumental: from busy pavements, bus stops, advertising boards, shop fronts, but above all people - people boarding double decker buses, taxi cabs, crossing roads, having a chat, holding up banners etc. An intimate take on London in 1982. Unpaginated. 290 x 200 mm. Striking dust jacket equivalent in bright yellow plastic, which the book's black card covers slide into (main image). Please note that, depending on destination, we may request a payment to cover any extra shipping/postage charges. Proceeds to Amnesty International. Abe2410.…

Hardcover. Etat : Very Fine. No Dust Jacket as Issued. 1st Edition. 1st. and only Edition 2021, Red cloth hardcover with tipped on photo images to front board , unpaged . Illustrated with Mike Smith full page black and white plates . This copy is also signed by Mike Smith on the title page . Condition : Very Fine. Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book. …

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition.

hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 2024 edition, white hardcover with pale green jacket. Modest wear. Pages unmarked.

Soft Cover. Etat : Near Fine Plus. First Edition. soft cover, as issued., no flaws or wear. clean. no markings. no bumps, tears. tight sewn binding.; english text.; unpaginated. apprx. 90pp., illustrated with b/w photography, portraits of various people by rachidi bissiriou in benin. Size: Square 8vo. Exhibition Catalogue.…

journal. Etat : As New. Prima edizione (First Edition). Fotografie in bianco e nero e a colori, a tutta pagina, di Jim Goldberg. Testi di Iryna Tsilyk Formato giornale ripiegato e stampato in digitale. Cm 50x35. pp. 24. . Perfetto (Mint). . Prima edizione (First Edition). . Nel 2005-06 Jim Goldberg si è recato in Ucraina nell'ambito di un progetto che esplorava la migrazione all'inizio del nuovo millennio. Per Another Life, una nuova pubblicazione di raccolta fondi, Goldberg rivisita il suo lavoro di allora, insieme alla scrittrice e regista ucraina Iryna Tsilyk."Se dovessi fare un ritratto della mia generazione - gli ucraini nati nell'epoca del cambiamento, sulle rovine dell'impero - inciamperei in questo difficile compito. Siamo tutti troppo diversi. Siamo cresciuti in regioni diverse del nostro grande Paese, al crocevia di varie influenze, abbiamo parlato e parliamo lingue diverse, ci siamo formati come individui in famiglie e ambienti non identici, con diversi traumi del passato. Eppure, sembra che abbiamo molto in comune. Indipendentemente dalle nostre origini, religioni, opinioni, status sociali e così via, siamo tutti cresciuti con desideri comuni e alla ricerca di un'altra vita". - Iryna TsilykCinque "Biglietti d'oro" sono stati collocati a caso all'interno delle copie di Another Life, e rappresentano stampe originali di Jim Goldberg che possono essere recuperate al momento dell'apertura. Book.…

Soft cover. Etat : New. 1st Edition.

1st edn. 4to. Original pictorial cloth (a little bumped at tail of spine - otherwise Fine). Unpaginated, illus with b&w plates throughout (no inscriptions).

Hardcover. Etat : Very Good. 1st Edition. Hardcover with dust jacket, [88]p : all colour illustrations ; 33 cm. Very good, unmarked first edition, lower edges of the board with rubbing/scuffing. "Christopher Anderson began photographing New York City cops in the wake of 9/11, as the visual landscape of the city he called home began to change. Bomb blast barriers went up, cops carrying larger guns seemed to be everywhere, and whilst the increased presence of security was designed, in part, to make New Yorkers feel safe, it reminded Anderson that something was deeply wrong. Then, in the wake of Occupy Wall Street, the death of Eric Garner and the election of Trump, Anderson found himself making photographs of cops on the streets of New York City once again, as a form of unconscious protest on a larger sense of authority. On assessing the images he was making, Anderson began to see them as something entirely different than a protest or commentary on power - there was almost a sentimentality. 'I saw a portrait of a working class, immigrant America. The uniform only served as a thread on which to hang a cross section sample. The photographs felt more like a love letter to New York'"-.…

loose_leaf. Etat : Fine. Prima edizione (First Edition). Pubblicato in occasione della mostra alla Stills Gallery di Edinburgo. 12 fotografie a colori e in bianco e nero sciolte di Robbie Lawrence contenute in astuccio. Un berve testo dell'Autore sull'aletta della custodia . Cm 15x20. pp. 12. . Ottimo (Fine). . Prima edizione (First Edition). . Questo nuova edizione in tiratura limitata comprende dodici fotografie prodotte dal fotografo Robbie Lawrence nella sua Scozia, durante gli ultimi cinque anni. Insieme formano una meditazione sulla relazione tra persone e luoghi, e sono una riflessione sulla vita a nord del confine, in un contesto politico sempre più teso. Pubblicato in concomitanza con una mostra alla Stills Gallery, Northern Diary trae ispirazione dai classici set di cartoline di San Valentino che negli anni passati si acquistavano quando si era lontani dalla persona amata per cercare di condividere un'esperienza di viaggio."Non ho mai pensato a me stesso come a un fotografo scozzese. Ma un crescente interesse per la mia eredità culturale mi ha portato a iniziare a documentare i miei viaggi a casa per andare a vedere la mia famiglia. La frase Northern Diary è apparsa più volte nei miei quaderni nel corso degli anni ed è diventata una sorta di totem per questo lavoro". - Robbie Lawrence. Book. …

Hardcover. Etat : New. 1st Edition. Hardcover; sealed, new. Karen Knorr's Country Life explores attitudes within the British aristocracy in the 1990s through image and text. Knorr's refined images were taken in London, Scotland and Oxfordshire in domestic interiors and gardens laid out according to the picturesque canons of the eighteenth century.…

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Etat : New. Pages 124 Cover OTA / PVC Jacket / Silk screened Size 7.87 x 11.22 inch.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. New in Shrinkwrap. Bard Back, Silk screened, Flexible jacket. Size — 330 x 245 mms. Larry Clark was 16 in 1962 when he and his freinds started shooting Valo - a drug store nasal inhaler that contained a tremendous amount of amphetamine. After leaving Oklahoma to study photography in New York, and two years serving in Vietnam, Clark returned to Tulsa at 20, where he graduated from amphetamines to heroin. Here upended traditional documentary photography, turning his camera on himself and his social circle, producing a ground-breaking series of raw and intimate photographs chronicling the disintegration of the American dream. Clark's deeply intimate images exposed the previously unseen lives of suburban American teenagers, living a transgressive, outlaw lifestyle, hanging out in crash pads and committing burglaries and armed robberies to score dope. A small number of these photographs would come to form 'Tulsa', a cornerstone of contemporary photography. 50 years on, Larry Clark has returned to his archive of vintage prints, crafting a powerful vision of his work from 1962-1973, to produce his new book 'Return', a meticulously printed, outsized monograph. …

OTA / PVC Jacket. Etat : New. In the early 1980's, Sunil Gupta enrolled at the Royal College of Art in London, where he had access to colour negative processing facilities. He took to the streets of the capital in search of the centres gay London life around Earl's Court, King's Road, and the West End.\n\n"I hoped to repeat my experience of Christopher Street in New York, except now in London and in colour. It wasn't to be. Even what appeared to be a concentration of gay life was not dense enough to create its own public space, so I was getting either huge gaps between people or a crowd of very mixed people. I decided to abandon an exclusively gay subject and started concentrating on whatever caught my eyemigrants, people of colour, gay men, elderly people out and about on their own." Sunil Gupta\n\nThis series recently resurfaced through Gupta's process of archiving his past images, providing a catalogue of the Sloanes, New Romantic and pensioners who once roamed London's streets. \n\n\nISBN 978-1-913288-31-0 \n\nPages 124\n\nCover OTA / PVC Jacket / Silk screened \n\nSize 200x285mm.…

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition (2020). First impression. Large format hardback in new condition. No markings. This is a new book. Dust jacket in removable protective sleeve. Please see pictures. PayPal accepted, any questions please get in touch.

paperback. Etat : As New. Prima edizione (First Edition). Fotografie in bianco e nero di Rachidi Bissiriou. Testo di Kin Woo Prodotto in collaborazione con David Hill Gallery e Carr. Cm 20x21. pp. 80. . Perfetto (Mint). . Prima edizione (First Edition). . Nel 1968, il fotografo africano Rachidi Bissiriou ha aperto il suo studio fotografico, Studio Plaisir, nella sua città natale, Kétou in Benin, che ha gestito fino alla sua chiusura nel 2004. Il tempismo è stato notevole: Bissiriou aveva solo 18 anni e il Benin aveva dichiarato la sua indipendenza dal dominio francese solo otto anni prima, nel 1960. Armato di una macchina fotografica Yashica a doppia lente, Bissiriou documentò questi tempi inebrianti, trascorrendo i tre decenni successivi a scattare fotografie in bianco e nero della gente del posto in un formato standard di 6x6 cm. Mentre i ritratti tradizionali di quei tempi spesso mostravano i soggetti senza sorriso e con una rigida formalità, le immagini di Bissiriou sono notevoli per la loro semplicità e una freschezza che sembra assolutamente contemporanea. Ripresi su sfondi semplici o nella città in cui vivevano, i soggetti di Bissiriou posavano indossando i propri abiti, che potevano andare da quelli tradizionali dell'Africa occidentale, come i grand boubou, le fasce per la testa e le agbadas di Ankara, a stili più moderni che strizzavano l'occhio all'esplosione della cultura giovanile dell'epoca. L'immagine di due uomini che indossano camicie sbottonate fino allo sterno, abbinate a pantaloni svasati, o di un gruppo di tre donne con occhiali da sole che posano orgogliose con le loro borsette, dimostrano chiaramente la verve post-indipendenza. L'abilità di Bissiriou consisteva nel creare un legame con i suoi soggetti, nel metterli a proprio agio e nel lasciar trasparire il loro innato senso di auto-rappresentazione. Book.…

Softcover. Etat : New. Pages ? 120Cover ? Flexibound / foil stamped Size ? 250 x 200mm.

Softcover. Etat : New. First edition. 8° [210x195 mm.]. [80 p.]. Softcover. Sprache: Englisch, ill. b/w. NUEVO / NEU / NEW. In 1968, the West African photographer Rachidi Bissiriou set up his photographic studio, Studio Plaisir, in his hometown of Kétou in Benin, which he operated until its closure in 2004. The timing of this was conspicuous - Bissiriou was only 18 and Benin had only declared its independence from French rule eight years earlier, in 1960. Armed with a Yashica twin-lens camera, Bissiriou documented these heady times, spending the next three decades shooting black and white photographs of the locals in a standard 6x6cm format." Gloire Immortelle was Bissiriou's first ever solo exhibition. It captures the spirit of a pivotal historical moment through picturing the lives and styles of those who lived it. [photography+art+West Africa+Benin+photobook+african artists]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 44,10 (original price 49,00) **.…

paperback. Etat : Ottimo (Fine). Prima edizione (First Edition). Fotografie a colori di Sunil Gupta . Cm 20x28. pp. 124. . Ottimo (Fine). . Prima edizione (First Edition). . All'inizio degli anni '80, Sunil Gupta si iscrisse al Royal College of Art di Londra, dove aveva accesso alle strutture per la lavorazione dei negativi a colori. Ha girato per le strade della capitale inglese alla ricerca dei centri della vita gay londinese intorno a Earl's Court, King's Road e il West End. Book.…

Hardcover. Etat : New. In 1986, the American artist Judith Black was awarded a Guggenheim Fellowship with the intention of documenting a cross-country road trip with her four children. Unlike Robert Frank's iconic Guggenheim-funded road trip 30 years earlier, Black's mission was much more intimate. Rather than documenting America, her intention was to photograph her children, friends, and family as she traversed the country. Her itinerary included stops in New York, Chicago, San Francisco, and various sights along the way.\n\nDuring the trip, Black visited her aunt at the Michigan cabin, where as a child Black and her family went each August to avoid the brutal summer heat of her hometown Springfield, Illinois. Ironically, it was there at the age of seven that Black purchased her first Brownie camera, while staying with her grandmother. \n\nAfter returning to Massachusetts, Black continued photographing family and friends during vacations, recording various celebrations, birthdays, reunions, and births.\n\n"Sweet memories and histories embedded in each photograph." - Judith Black \n\nISBN 978-1-913288-28-0\n\nPages 128\n\nCover Hard back / 3/4 bound / tip on \n\nSize 250x250mm. …

Hard cover. Etat : New. ?We step and do not step into the same rivers; we are and are not.? Heraclitus of Ephesus MASSIMO LEARDINI is an Italian photographer who has been based in the Norway for the past 30 years where he works with a small number of models on extended collaborations. This new publication ELV (Norwegian for River) explores Leardini?s fascination with the body and the landscape. Presenting a series of transcendental images of contorted fragments of the female body, set deep within in the primordial forests of Scandinavia. The map that Leardini unfolds is not built, but behaves like a puzzle in the imagination. The photographs were made in summers between 2014 and 2019 when the Scandinavian light lengthens the shadows due to the obliqueness with which the sun reaches this part of the world. This causes the light to draw the silhouettes of the subjects on the background with a high but delicate contrast. ISBN ? 978-1-913288-11-2 Pages ? 104 Cover ? Hardback / 3/4 bound boards / foil stamped / Dust jacket Size ? 335x236mm.…

hardcover. Etat : New. Prima edizione (First Edition). Fotografie in bianco e nero di Susan Kandel . Cm 30x24. pp. 112. . Nuovo (New). . Prima edizione (First Edition). . Nell'ottobre 1979, Papa Giovanni Paolo II visitò il Boston Common. Susan Kandel era lì a scattare foto di famiglie che erano andate a incontrarlo, continuando il lavoro che aveva iniziato mesi prima fotografando famiglie a Revere Beach. Tra le persone che ha fotografato quel giorno al Common c'erano due donne e i cinque bambini che avevano portato con sé.?Queste due famiglie vivevano dietro l'angolo l'una dall'altra a Everett, Massachusetts, e nei dieci anni successivi sono tornata a casa loro molte volte. E ho cercato altre famiglie che potessero lasciarmi fotografare anche a casa. Mi sono avvicinata alla gente nei negozi di alimentari e nelle piste da bowling, da Woolworth's e nei corner's stores, dicendo che avrei dato loro alcune foto in cambio del permesso di andare a fotografarle a casa. Nonostante ricevessi molti rapidi rifiuti e sguardi sospettosi, riuscii anche a farmi invitare in molte case. E a volte c'erano inviti ripetuti". - Susan Kandel Attraverso il suo lavoro Kandel scoprì che ogni casa in cui entrava era un mondo a sé stante e ogni casa offriva storie. Book.…

paperback. Etat : Ottimo (Fine). Prima edizione (First Edition). London 1985/2020. Testo e fotografie a piena pagina in bianco e nero di Sunil Gupta Design: The Entente, Londra. Tagli argentati. Cm 31x21,4. pp. 56. . Ottimo (Fine). . Prima edizione (First Edition). . Nel 1984 la prima relazione a lungo termine di SUNIL GUPTA si interrompe poco dopo il suo arrivo a Londra nel 1984. Aveva incontrato il suo amante all'inizio degli anni '70, quando l'impatto del movimento gay sulla coscienza collettiva stava appena guadagnando terreno. Le leggi contro il sesso gay erano state respinte. La definizione dell'omosessualità come disturbo psichiatrico veniva messa in discussione con successo (.) L'arrivo dell'HIV/AIDS cambiò tutto questo. I gay cominciarono a essere attaccati attraverso vari canali. (.) Le coppie, però, avevano fatto la loro parte. I gruppi di auto-aiuto gay incoraggiarono un cambiamento nel comportamento sessuale e una riduzione del numero di partner."Queste fotografie sono state fatte a Londra. Le coppie si definiscono tali in base a vari criteri; alcune vivono insieme, altre no, altre sono state insieme per poco tempo, altre per molto tempo. Credo che il rapporto tra uomini gay sia una componente importante, ma spesso trascurata, centrale nella loro vita". Book.…

Flexible. Etat : New. By the age of four Dave Heath had been abandoned by both of his parents. By the age of fifteen he had lived in a series of foster homes and, finally, in an orphanage.\n\nIn 1947, Heath saw Ralph Crane's photo-essay "Bad Boy's Life" in LIFE Magazine. Struck by the success of how succinctly these pictures connected to a deeply felt shared experience, Heath knew he wanted to become a photographer. Using the orphanage's darkroom, he began to master the mechanics of the medium. Heath drew his influence from W. Eugene Smith and photographers of the Chicago School including Aaron Siskind and Harry Callahan.\n\nIn the early 1960s, working in the streets on North Eastern American Cities, Heath used its inhabitants to capture individual moments in tightly structured compositions that are charged with the importance of their individuality and the seriousness of their situation.\n\nOn speaking about his collection of vernacular photographs Heath said "When I was 25, I had five photographs from my past, snapshots of myself and my foster family, and one of my mother and father, and I tore them up - because I wanted to purify myself, to cleans the background out of my system. And I think now that I shouldn't have done that, because I've collected all these old photographs to replace those five. So in a sense shoes five have generated themselves into thousands. In a way it's like trying to recreate, through these old photographs, a family album of my own for a family I never had. On a simple, kind of emotional level that's my motivation for collecting these photographs. And in the beginning there was all this intense feeling of trying to reclaim from oblivion all these people, all these images of people, which were destined just to disappear." - Dave Health \n\nThis new book reproduces Heath's original prints, many of which only exist as individual work prints, with beautiful precision. \n\nISBN 978-1-913288-48-8\nPages 120\nCover Flexibound / foil stamped \nSize 250 x 200mm.…

Hardcover. Etat : New. 1st Edition. First edition first impression in new condition, no markings, this is a brand new book, please see pics, PayPal accepted, any questions please get in touch.