steidl verlag germany (77 résultats)

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Etat : acceptable. 1. Auflage. Gebunden mit (randlädiertem) Schutzumschlag, 406 Seiten, etw. randfleckig, sonst ordentlicher Zustand.

Original-Pappband. Etat : Gut. Etat de la jaquette : Zufriedenstellender Umschlag. Erstausgabe. 265 Seiten, auf Titel signiert von dem deutschen Schriftsteller Jürgen Alberts (*1946) " Für Johannes zum 51. Geburtstag von Jürgen Alberts Viel Spaß bei der Lektüre !! " , auf letzter Seite handschriftliche Notiz zum Text. leichte gebrauchs - und Albersspuren, oberer Schnitt etwas fleckig, Umschlag hinten leicht eingerissen. signed by author. Size: 8°. Vom Autor signiert. Buch.

Softcover. Etat : Wie neu. Paperback/ Taschenbuch, ungelesen, 239 S.; innen sauber, keine Eintragungen oder Markierungen, Ebd. fest, selten, sofort lieferbar.

Hardcover. Etat : Near Fine. 1st Edition. From the collection of the NYC photographer Barbara Ess, associated with the No Wave scene and contains her signature "Just Another Asshole" rubber stamp and yellow dot label she used as a signature(not an inked signature).

Hardcover. Etat : Very good. Etat de la jaquette : very good. Cloth/dust jacket Quarto. grey cloth, grey lettering, dust jacket, 36 pp owner's bookstamp to the front endpaper Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition stated 2003, first printing. Text in German and English. Published on occasion of the exhibition at Museum Kurhaus Kleve, July 20-October 5, 2003 by Steidl Verlag. Hardcover in full cloth with DJ. Condition new, square tight and clean book, no edgewear, no names, no underlinings no highlights, no bent page corners, not a reminder. DJ new, bright, no tears, no chips, no shelfwear, not clipped. 4to, 112 pages, illustrated throughout with color photographs.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition, first printing. Hardcover. Blue paper-covered boards; with photographically illustrated dust jacket. Photographs by Lucinda Devlin. Essay (in German and English) by Michael Mackenzie. Includes a bio-bibliography. 112 pp., with 48 four-color plates. 11-1/4 x 10 inches. New in publisher's shrink wrap. From the publisher: "German spa facilities are sites at which one can apparently be cured of chronic illnesses. Whether they date from the 19th century, the post-war period, or today, these places are fast becoming leisure-time oases. In [this] series, Lucinda Devlin has photographed the deserted interiors of these bathhouses, framing clinically sterile rooms meant for massages, baths, examinations, and relaxation. These empty zones are silent testimonials to a healing industry that is thoughtfully tailored to people, even while its equipment subjugates them completely. Tellingly, they recall the rooms of Devlin's earlier series: the operating theaters, mortuaries, and autopsy rooms in Corporal Arenas and the U.S. execution chambers in The Omega Suites. With her coolly remote photographs, Devlin presents the relationships between people and institutions, and then shows how certain facilities depersonalize those relationships. Water Rites conveys an insightful view into the--typically German?--mentality and source of our institutionalized humanity.".

Hardcover. Etat : New. Etat de la jaquette : New.

Etat : Near Fine. Etat de la jaquette : Very Good+. Light edge wear to jacket. A nice, bright copy. ; Color Plates; Folio; 378 pages.

Hardcover. Etat : About Fine. Large Hardcover With Illustrated Boards, Copiously Illustrated With Colour And B/W Photograps, Many Full Page. Signed By Artist. 4to.

Hardcover. Etat : New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Compilation, photographs and text by Susan Meiselas. 196 pp., profusely illustrated. 10-3/4 x 8-1/4 inches. New in publisher's shrink wrap. From the publisher: "Piecing together over 60 years of verbal and visual traces, photographer Susan Meiselas constructs a history of outsiders' encounters with the Dani, an indigenous people of the highlands of Papua in Indonesia.".

Soft cover. Etat : Near Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated French-fold wrappers; no dust jacket as issued. Photographs by Thomas Florschuetz. Essays (in German and English) by Christoph Schreier, Mark Gisbourne and Aris Fioretos. Includes a list of works, biography, exhibition history and a bibliography. 160 pp., with 90 four-color plates and additional reference illustrations. 9-5/8 x 11-1/2 inches. Published on the occasion of an exhibition at Kunstmuseum Bonn, which traveled to other venues. Near Fine (moderate surface wear, else Fine).

First edition. Oblong hardcover. 238 pages. Text in English. A retrospective that collects images from Polidori's previous series taken throughout the world. A very fine copy in photo-illustrated boards. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap.

Hardcover. Etat : As New. 1st Edition. As new, still in shrinkwrap. 2000. English edition. Size: 4to - over 9? - 12" tall. Book.

Soft cover. Etat : New. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Photographs by Slavica Perkovic. Unpaginated (112 pp.), with 95 four-color plates beautifully printed on heavy matte paper by Steidl. 10 x 7-1/8 inches. New in publisher's shrink wrap (slit open for inspection). From the publisher: "When Slavica Perkovic began photographing the six-year-old Nika, she knew a long-term collaboration had begun. Perkovic has previously made two small artist's books of Nika as a child, and the present book explores Nika's life from the age of six to eighteen. Nika Forever is a visual lecture of a child coming of age, intimate yet not voyeuristic, and coloured by Perkovic's own reminiscences of childhood.".

Flick, Robbert (illustrateur). First edition and first printing. Hardcover. 315 pages. A retrospective monograph on American photographer Robert Flick. Features a foreword by Andrea L. Rich and essays by Michael Dear, David L. Ulin, and Tim B. Wride. Includes some color and numerous black and white images, checklist, and a chronology. A fine copy in black cloth boards. No dust jacket as issued.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. First edition thus. Originally published by Hanuman Books in 1992. Hardcover. Black cloth-covered boards with title stamped in white on spine; with photographically illustrated dust jacket. Artist's book with script by Robert Frank and Michal Rovner. 88 pp., with black-and-white illustrations. 6 x 4-3/8 inches. Fine in Fine dust jacket.

Hardcover. Etat : New. 1st Edition. First edition, first printing. Hardcover. Orange cloth-covered boards with tipped-in four-color plate on cover and title stamped in black on rear cover and spine; no dust jacket as issued. Photographs by J.H. Engström. 112 pp., with four-color plates throughout. 9-1/4 x 12 inches. New in publisher's shrink wrap. From the publisher: "To most people an airport used to represent a place of optimism. An open place, oozing with expectations and encounters. Recent world events have changed all that. Today an airport is a completely different experience. Armed police officers, restrictions and safety regulations only help to increase our feelings of insecurity. Roissy Charles de Gaulle Airport has always been a special place for JH Engström. At the age of ten he moved to Paris with his parents. Charles de Gaulle was his first contact with the world outside his native Sweden. The move created a very intense relationship to the city of Paris, but also to the Charles de Gaulle and airports in general. For this project he spent three weeks isolated in an airport hotel, photographing in and between the terminals. The airport became a place to observe identities and the history of relations. With fiction, poetry and mystery he observes it. Raising questions of social, urban and architectural dimensions.".

Hardcover. Etat : Very Good-. Etat de la jaquette : Very Good. Very good with light wear to Dust Jacket and no marks to text. Text in German. Museum Collections/BRC D2; 8vo 8" - 9" tall.

Hardcover. Etat : As New. 1st Edition. 1st Printing. 40 pages. Published in 2011. Retrospective collection of photographs, presented as an Artist Book, and as a singular photobook. One of the most beautiful books in the Steidl "Robert Frank Project". The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the Softcover Edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Robert Frank and Gerhard Steidl: Oversize-volume format. Pictorial cloth boards with titles on the cover and spine, as issued. Photographs and text by Robert Frank. Printed in tritone on pristine-white, thick uncoated stock paper by Steidl in Gottingen, Germany to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Robert Frank's "Pangnirtung". Landscape photographs of a village of Inuit ("Eskimo") inhabitants in the Arctic Circle. There were roughly 1300 Inuit at the time Frank and his lifelong friend Reginald Rankin visited the remote village in August 1992. The place is un-inhabited today. Despite the widespread perception (as a result of "The Americans"), Robert Frank was never the street photographer-as-anthropologist. His subject is ultimately death, not life, and he is THE elegiac artist of desolation, loss, and "memento mori" par excellence. He did not photograph a single Inuit in Pangnirtung, who were already dying off although many were still alive when he visited, as if anticipating and commemorating - before it finally happened - their imminent extinction. In addition to anti-Ansel Adams images of the most majestic natural landscapes, Frank photographed the Christian cemetery where Western explorers and settlers are buried, presenting them as the collection's coda. There is, as it were, only grave beauty in every Robert Frank photograph. Robert Frank died on September 9, 2019 at the age of 94 as the greatest photographer of our time. An absolute "must-have" title for Robert Frank collectors. This title is a photobook classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the Softcover Edition. A scarce copy thus. 27 tritone plates. Three of Robert Frank's books were selected as among the greatest photography books in "The Photobook". At the age of 92, Robert Frank was profiled in 2016 by The New York Times as "the greatest photographer of our time". A fine copy. (SEE ALSO OTHER ROBERT FRANK TITLES IN OUR CATALOG) ISBN 3869301988. no.

Soft cover. Etat : As New. 1st Edition. 1st Printing. 56 pages. Published in 2007. The author's debut experimental film, presented in its definitive book format. One of the most important titles in Robert Frank's oeuvre. The First Edition. The true first. Precedes and should not be confused with all other subsequent editions, particularly the Reissued Edition. Published in a small and limited first print run as a softcover original only. Published as part of the Steidl "Robert Frank Project". The First Edition is now rare. An austerely elegant production by Robert Frank and Gerhard Steidl: Oversize-volume format. Pictorial softcovers with cream cloth overboards and titles on the cover and spine, as issued. Photographs, stills from his eponymous film, and text by Robert Frank. Printed on pristine-white, thick coated stock paper by Steidl in Gottingen, Germany to the highest standards. Without DJ, as issued. Presents Robert Frank's "Me And My Brother". His first feature-length film, which was premiered at the 1968 Venice Film Festival, in a book format that is specifically designed to be a collectible keepsake. The story of real-life brothers Julius and Peter Orlovsky, who appear as themselves, together with a now-legendary all-star cast led by Allen Ginsberg (Peter's lifelong lover), the great avant-garde theatre director Joseph Chaikin as well as the great character actor Christopher Walken and the young playwright/actor/writer Sam Shepard in their iconic film debuts. "Everything that had defined Frank's art up to that point is packed into this film: The view of America from the outside, the placement of the marginal in a central role, the poetic libertinage of the Beats. The story, which takes place during the showing of another film in a rundown movie theater, weaves together opposites, playing the counterfeit against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie Romanticism, monochrome against color. Celebrates the poetic essay, affirms the underground and the assemblage form, and packs in some bizarre twists and turns" (Publisher's blurb). Robert Frank died on September 9, 2019 at the age of 94 as the greatest photographer of our time. An absolute "must-have" title for Robert Frank collectors. This title is a late-modern art film classic. This is one of few copies of the First Edition/First Printing (issued as a Collector's Softcover Format, NOT just the DVD) still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the Reissued Edition. A rare copy thus. Lavishly illustrated with photographic and film still plates. Three of Robert Frank's books were selected as among the greatest photography books in "The Photobook". At the age of 92, Robert Frank was profiled in 2016 by The New York Times as "the greatest photographer of our time". A fine copy. (SEE ALSO OTHER ROBERT FRANK TITLES IN OUR CATALOG) ISBN 3865213634. no.

Hardcover. Etat : Near Fine. 1st Edition. Hardcover with gray boards and tipped-in photograph to front. Color illustrated throughout. Clean, unmarked, and square. Oblong 4to.

Hardcover. Etat : New. Flick, Robbert (illustrateur). 1st Edition. First edition, first printing. Hardcover. Black laminated cloth-covered boards with title and graphics printed in white on cover and spine. Photographs by Robbert Flick. Essays by David L. Ulin, Tim B. Wride and Michael Dear. Foreword by Andrea L. Dear. Includes an exhibition checklist and chronology. Designed by Gerhard Steidl. 320 pp., with 61 black and white plates and 41 four-color plates (30 of which span two pages; 11 are full-bleed plates) and numerous additional color and black and white illustrations, beautifully printed on heavy matte paper. 13-3/16 x 10 inches. Published on the occasion of the 2004 exhibition Trajectories: The Photographic Work of Robbert Flick, at the Los Angeles County Museum of Art. New in publisher's shrink-wrap. From the publisher: "Robbert Flick's work extends the same visual, philosophical, and theoretically fertile arena explored by Robert Heinecken. While Heinecken emphasized the manner in which images function at the intersection of popular culture and the fine arts, Flick has concentrated on the conceptual and receptive properties of photography -- specifically landscape photography. The distinctive visual and conceptual strength of Flick's work has been evident from his very early essay-format images of the 1960s. Finding a new strength in the evocative diptychs he began in the late 1970s, his investigations led him to begin using grid-format sequential views in order to provide multiple views of images that are visually related but physically separate. The opportunities offered by digital applications allowed him to extend his participation in the critical discourse established around the interpretation, evaluation, and assessment of visual constructs related to the landscape. Trajectories traces this important artist's career from the 1970s to the present, examining his development and charting the conceptual and philosophical impact of contemporary culture on landscape, cultural geography, and technology. Constructed chronologically, the book reveals the cumulative authority of the artist's creative process and the fluidity of his conceptual dynamic.".

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 1st Printing. 178 pages. Published in 1997. Retrospective collection of aerial and landscape photographs. One of the most beautiful art photography books of the last decade of the 20th century. The first and only edition. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Michael Ruetz and Gerhard Steidl: Oversize-volume format in oblong shape. Cloth boards with titles on spine, as issued. Photographs by Michael Ruetz. Printed on pristine-white, thick coated stock paper by Steidl in Gottingen, Germany to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine, as issued. Presents Michael Ruetz's "Cosmos: Elements In Harmony 1972-1997". A dazzling collection: Some of the most stunning landscape photographs ever taken. If the title is not explicit enough, this book is the photographer's celebration of the diverse world we live in and sometimes fail to grasp in its splendid, sometimes terrifying beauty. Contains photographs presented in the highest-quality reproduction: A shot of a romantic castle, a shore that looks like a screen shot of an H. F. Lovecraft novel, a medieval fortress beside a placid lake, and an entire section called "Heaven's Hieroglyphics", which is unsurpassed in the way it captures lightning storms. "In Michael Ruetz's moody, atmospheric color photographs, the mysterious is divulged. The paradoxical, what once seemed invisible, is revealed in these photographs, which prove Oscar Wilde's adage that the 'mystery is the visible, not the invisible' ". An absolute "must-have" title for Michael Ruetz collectors. This title is a contemporary art photography classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the most brilliant photographers of our time. A fine copy. ISBN 3882434813. no.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. 1st Printing. 110 pages. Published in 2008. Retrospective collection of photographs. One of the most beautiful and most important titles in Robert Frank's oeuvre. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the 2010 Reissued Edition, which has the same ISBN as well as the Facsimile Edition in English. Published as part of the Steidl "Robert Frank Project", the French-Language Original was issued especially for France only, as a courtesy to the artist and his subject. None of the copies was commercially issued in the United States. The First Edition is now scarce. An austerely elegant production by Robert Frank and Gerhard Steidl: Oversize-volume format. Black cloth boards with red titles embossed on spine, as issued. Photographs by Robert Frank. Brief Interview in French by Ute Eskildsen. Printed on pristine-white, thick coated stock paper by Steidl in Gottingen, Germany to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Presents Robert Frank's "Paris". Photographs of the city in the 1950's, most of which appear in book form for the very first time. Some of the images previously appeared in "Flower Is.", but this book presents the body of work as selected and edited by Robert Frank himself in their entirety. "Having left Switzerland in 1924, this 1951 trip to France was Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. Frank's experience of the New World sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focussed particularly on the flower sellers" (Publisher's blurb). Robert Frank died on September 9, 2019 at the age of 94 as the greatest photographer of our time. An absolute "must-have" title for Robert Frank collectors. This title is an art photography classic. This is one of few copies of the true First Hardcover Edition/First Printing/French-Language Original still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Should NOT be confused with the 2010 Reissued Edition as well as the Facsimile Edition in English. The French-Language Original Edition was issued for France only. None of the copies was commercially sold in the United States or elsewhere. A rare copy thus. 80 tritone plates. Three of Robert Frank's books were selected as among the greatest photography books in "The Photobook". At the age of 92, Robert Frank was profiled in 2016 by The New York Times as "the greatest photographer of our time". A fine copy. (SEE ALSO OTHER ROBERT FRANK TITLES IN OUR CATALOG) ISBN 3865215246. no.

Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition, first printing. Hardcover. Dark blue cloth-covered boards with title stamped on spine; with photographically illustrated dust jacket. Photographs by J.H. Engström. 216 pp., with four-color and black-and-white plates throughout. 12-1/4 x 9-7/8 inches. New in publisher's shrink wrap. From the publisher: "Haunts can be seen as part two of a trilogy which began with Trying to Dance, JH Engström's artist's book project which was short-listed for the 2005 Deutsche Börse Photography Prize. At the back of Trying to Dance JH Engström wrote, 'I'm always looking for presence. Whenever I try, my doubts get unmasked.' These doubts and questions are prelevant in Haunts, but in this volume Engström focuses more on public spaces and life in the streets. At the center of JH Engström's pictures is a strong feeling of being in an endless present tense. The confrontation between 'now' and the photographer's memories is inevitable. And he doesn't try to separate emotions from objectivity. His images embody their questions.".

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. 1st Printing. Signed. 140 pages. Published in 2007. Collection of photographs. One of the most important photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Fazal Sheikh and Gerhard Steidl: Oversize-volume format. The book weighs 3 pounds. Khaki cloth boards with maroon titles embossed on spine, as issued. Photographs and text by Fazal Sheikh. Printed on pristine-white, thick uncoated stock paper in Gottingen, Germany to the highest standards. The reproduction quality is exemplary in every respect. In pictorial DJ with titles on the cover and spine, as issued. Presents Fazal Sheikh's "Ladli". His second portrait of India, a country of beauty and pain, its people, especially its women, blessed and cursed at the same time. "In India it costs a poor family 50 rupees to hire a midwife to oversee the birth of a child. For an additional 10 rupees, the parents are assured that the birth of a girl will be met with an act of infanticide by the midwife. The alternative for many is an institution like the Delhi orphanage, in which Fazal Sheikh's work on the predicament of the girl-child in India begins, and 99 percent of that orphanage's population are girls. Ladli follows on the heels of Sheikh's 'Moksha', which documented the plight of the Indian widow, and for which, in combination with this companion volume, the Fondation Henri Cartier-Bresson granted Sheikh its Henri Cartier-Bresson (HCB) Award in 2005" (Publisher's blurb). "At once descriptive and loving, and warm rather than cool, the photographs are extraordinarily moving portraits in the classic mode (think Julia Margaret Cameron and Irving Penn), whose aesthetic weight is multiplied by the power of their maker's concern" (The New Yorker Magazine). An absolute "must-have" title for Fazal Sheikh collectors. This copy is very prominently and beautifully signed in black ink-pen on the title page by Fazal Sheikh. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. A scarce signed copy thus. 95 tritone plates. Winner of the MacArthur Genius Grant in 2005. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER FAZAL SHEIKH TITLES IN OUR CATALOG) ISBN 3865213812. Signed by Author.

Etat : Good. 8vo. [54 pp]. Stiff printed green wraps. Very good. Includes color illustrations. In publisher's shrink wraps. First edition.

Soft cover. Etat : About Fine. 1st Edition. Highly illustrated, primarily in b/w. Some full page illustrations. Clean, unmarked, and square. 4to.