Steidlmack (105 résultats)

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Etat : Fine. Etat de la jaquette : Fine.

Hardcover. Etat : VG+. 1st Edition. Hardback in Very Good+ condition without dust jacket. 288 X 0 X 245 millimeters. 135 pages. Clean, unmarked interior and tight binding. Boards show very little wear, but there are a few small markings on back cover - see photos . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.…

Soft cover. Etat : Fine. 1st Edition. Near fine first edition, pb with folded end wrappers. An important photo book.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2050grams, ISBN:9783865218582.…

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

270 S., 1 Bl. mit zahlreichen Farbfotos. Erste Auflage (der Einband mit minimalen Gebrauchsspuren sonst sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 1400 4° (29 x 22,5 cm). Orig.-Klappbroschur.

hardcover. Etat : As New. SteidlMack, 2004. Hard cover, first edition. Fine condition with no dust jacket, as issued.

Hardcover with dustjacket, unpaginated, new condition, clean and crisp.

Hardcover. Etat : Very Good. No Jacket. 1st Edition. oblong 4to, illustd, orig blue cloth a vg clean tight looks barely used copy.

Hard cover. Etat : Very good. No jacket. Spine is shaken but secure. Cover is worn and lightly stained, especially along edges. Inside is clean and unmarked.

SOFTCOVER. Etat : Fine. 1st Edition. 4to in colour printed stiff glossy card covers, unpaginated, approx. 52pp on glossy art paper, illustrated in colour throughout . [CONDITION: A well preserved almost AS NEW unmarked copy (small slight crease to front cover) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

1... [90] S. NEU, Preisschild am Schutzumschlag. Mit transparenter Folie eingewickelt. 9783865211552 Sprache: Deutsch Gewicht in Gramm: 860 Gebundene Ausgabe, Maße: 29.5 cm x 1.5 cm x 20.1 cm.

Hardcover. Etat : Near Fine. Etat de la jaquette : No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs by Peter Fraser. Edited and designed by Michael Mack. Includes a bio-bibliography. Unpaginated (80 pp.), with 75 four-color plates. 8-3/4 x 12 inches. Near Fine (slight abrasion to front hinge, else Fine). From the artist: "Substance is smeared across substance, across the surface of the world, and becomes the world's new surface; wires are bound, wound around other wires; material on material produces the fringed edges of scurf and skimmings, as delicate as circuit board tracings; materials are split and materials are spilt; metal is bruised by heat and metal is coated in a fur of ice; things come together and things come apart; material becomes new material.".…

Insgesamt 90 Seiten mit zahlreichen photographischen Abbildungen, durchgehend in Farbe. Inhalt: Wunderbarer Photobildband der New- Yorker Ausnahmekünstlerin Elinor Carucci (geboren 1971) über ihre heimliche Leidenschaft den Bauchtanz. Zustand: Umschlag minimal berieben, Ecken und Kanten kaum bestoßen. Innen: Sehr sauber, wohl gepflegt und tadellos erhalten, Sammlerexemplar. Sprache: Englisch Gewicht in Gramm: 1050 4°(Quart- Quer- Format bis 35 cm.) Nachtschwarzer Original- Pappeinband mit goldgeprägter Rückenbeschriftung und schwarz- braunem Original Schutzumschlag, goldgelb beschriftet, sowie Farbphotos als Umschlags- Illustrationen, violette Vor- und Nachsätze. Erstausgabe, 1. Auflage, gedruckt in Deutschland.…

29 x 22 cm. 270 S., 1 Blatt. Illustrierter OKarton mit Klapppenumschlag. Untere Einbandecke mit kleiner abgeschabter Stelle. Sonst sehr gutes Exemplar. Durchgehend mit Abbildungen versehen. Text in englischer Sprache.

paperback. Etat : As New. Prima edizione (First Edition). Testo di Ad Van Denderen  e Frits Gierstberg. Fotografie a colori a piena pagina . Cm 29x22,5. pp. 272. . Perfetto (Mint). . Prima edizione (First Edition). . So Blue, So Blue - Edges of the Mediterranean è il tentativo di Ad van Denderen di dare un senso agli immensi cambiamenti economici, politici, socio-religiosi ed ecologici che avvengono intorno allo spazio aperto che Europa, Asia e Africa hanno conteso e condiviso per secoli: il Mar Mediterraneo. Era ed è il punto d'incontro tra nord e sud, est e ovest, cristianesimo e islam, ricchi e poveri. Book.…

Mar 01, 2009. Etat : Neu. Originalverpackte Neuware.

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:3865214058.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Orange cloth. Folio. Pictorial orange dust jacket. This photobook by the New York-based conceptual photographer combines pictures from its namesake town along with images from such disparate locations as Mumbai, St. Barts and Cornwall, England. A very good copy with light wear. The front cover corner has some bumping. A few page corners are lightly folded else the text is very good and clean. The jacket is very good with light edgewear.…

Hardcover. Etat : Very good. Etat de la jaquette : very good. Cloth/dust jacket Small Quarto. black cloth, gilt lettering, dust jacket, unpaginated Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

paperback. Etat : As New. Prima edizione (First Edition). Testi di Marc Quinn e Richard Rogers. Illustrazioni a colori e in bianco e nero. In appendicie breve antologia critica. Biografia . Cm 27x22. pp. 48. . Perfetto (Mint). . Prima edizione (First Edition). . La controversa scultura di Marc Quinn, Alison Lapper Pregnant, è stata inaugurata a Londra in Trafalgar Square il 15 settembre 2005. Il sito del quarto plinto è uno degli spazi d'arte pubblica più significativi del Regno Unito. Il ritratto in marmo bianco di Quinn, alto 3,5 metri, di tredici tonnellate, dell'artista disabile Alison Lapper all'ottavo mese di gravidanza, ha causato un furore, dal plauso del pubblico e della critica al disgusto dei tabloid. Questo libro traccia l'ispirazione di Quinn per l'opera, la fusione e l'intaglio della scultura, la sua installazione e le diverse reazioni. Book.…

Hardcover. Etat : Fine.

Hardcover. Etat : Good. 1st Edition. Filled with whole-page colour photographs. Condition - sound - a little spotting on woven cloth boards and on the book's fore edge. Internally, occasional hints of tanning at the page margins (i.e. images virtually unaffected). Un paginated. Please note that, depending on size and destination, we may request a payment to cover any extra shipping & postage charges. Proceeds to Amnesty International. BN2634. This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust. Gift Aid enables us to increase the value of donations by 25%. Amnesty International UK Section is acting as an agent selling this item on behalf of one of our Gift Aid Donors. . …

Soft cover. Etat : As New. SIGNED by artist; perfect unread condition; crisp, clean. Signed by Author.

hardcover. Etat : As New. Prima edizione (First Edition). Un testo e fotografie a colori di David Spero. Postfazione di Patrick Wright . Cm 25x30,5. pp. 144. . Perfetto (Mint). . Prima edizione (First Edition). . Le fotografie di David Spero documentano edifici che non hanno nulla della solita architettura monumentale della chiesa tradizionale, con il suo evidente simbolismo di status e potere. Temporanee, semi-permanenti e spesso non consacrate, queste chiese sono dove meno ci aspetteremmo di trovarle. Situate in zone industriali, aree commerciali, case, cinema, sopra pub e proprietà commerciali, rivelano un'architettura contingente di edifici che non sono mai stati progettati per essere luoghi di culto. Book.…

Illustrated cardboard wrappers, 215 x 270mm., pages not numbered, colour illustration throughout. ISBN 9783865212405. The Fourth Plinth in London's historic Trafalgar Square has been empty for most of its 164 year history. The site is arguably the most significant public art space in the United Kingdom and on 15 September 2005, Marc Quinn's contentious sculpture, Alison Lapper Pregnant, was unveiled. The sculpture is a portrait of disabled artist Alison Lapper when she was eight months pregnant. Carved from white Carrera marble in Pietrasanta, Italy, it weighs thirteen tonnes and stands 3.55 metres high. It will remain on the Fourth Plinth for 18 months. Alison Lapper, the subject of the piece, said: 'I regard it as a modern tribute to femininity, disability and motherhood. It is so rare to see disability in everyday life ? let alone naked, pregnant and proud. The sculpture makes the ultimate statement about disability ' that it can be as beautiful and valid a form of being as any other.' This book traces the inspiration for the work ' through Quinn's drawings, references (such as the Venus de Milo) and early maquettes ' to its creation ' the casting of Alison Lapper and carving in Italy - and installation in Trafalgar Square. The back section of the book is devoted to the published reaction to the piece - a furore of tabloid disgust, critical acclaim and vociferous argument for the permanent installation of the work at the site of the Fourth Plinth. 0 g.…

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Uninscribed. Clean, no wear.

Hardcover. Etat : Fine. two books in a slip case.

hardcover. Etat : Very Good. Prima edizione (First Edition). 70 fotografie in bianco e nero di James Welling . Cm 28,5x26. pp. 122. . Molto buono (Very Good). . Prima edizione (First Edition). . Come gran parte del lavoro di Welling, Light Sources attinge a ricordi ed emozioni nello spettatore, riguardo all'oscurità, a strani luoghi e alla meraviglia di ciò che ci attrae per ragioni sconosciute. È un tropo per le seduzioni dello sguardo rapido, del ricordo a metà, della comprensione parziale, qualità che Welling vuole sostenere, esaminare e ammirare senza perforare la fragile superficie della loro stessa grazia fuggitiva. L'artista americano James Welling crea un lavoro che sfida i limiti tecnici e concettuali della fotografia. Nelle sue fotografie astratte degli anni '80 di solito impiegava materiali semplici, come fogli di alluminio accartocciati e tessuti drappeggiati. Poi nel 1992 ha iniziato la serie Light Sources, un insieme di ritratti, paesaggi e interni. Tutte queste fotografie si riferiscono indirettamente al processo di percezione e mentre molti degli oggetti trasmettono letteralmente la luce, la serie riconosce che tutto ciò che vediamo riflette la luce ed è anche fonte di luce. Book. …