The codex foundation berkeley ca (9 résultats)

Paperback. Etat : Good. Etat de la jaquette : no jacket (softcover). This softcover edition is in good condition, showing minor wear typical of a gently used book. The cover is intact with no significant tears or markings. The binding is secure, and the pages are clean and free of inscriptions. There is no dust jacket, as it is a softcover publication. Eric Zhang (Bitmap Illustrations) (illustrateur). …

6.75 x 8.5 inches. Smythe sewn, Letterpress printed wrapper. 114 pages. Guest Editor: Sarah Hulsey Articles: Tatjana Bergelt, Robert Bringhurst, John DeMerritt, Patricia Lagarde, Amanda Marchand, Daniel Mellis, Matvei Yankelevich Reviews: Molly Schwartzburg, Stephanie Stillo, Laurie Whitehill Guest editor, Sarah Hulsey, worked with the idea of translation as a metaphor for the CODEX Papers IV journal. She says, "The articles in this volume approach the notion of translation from many directions, including translation as metaphor for alteration, transformation of an idea into an embodied form, interpretation of an experience into another mode, and, of course, translation between languages. The medium of artist books lends itself to ideas of translation on virtually every level, so it is a rich area of inquiry." In this issue, Daniel Mellis writes about his recent publication Tango with Cows: Translation, Facsimile, and Commentary, which translates the poetry of Vasily Kamensky (in collaboration with poet Eugene Ostashevsky). Patricia Lagarde presents an essay based on her 2022 CODEX Symposium lecture, presented here in both English and the original Spanish, from her project Moon Archive. John DeMerritt discusses the publishing program of DeMerritt | Pauwels Editions, an imprint that focuses on using the handmade book object to bring an idea into object form. Tatjana Bergelts epistolary discussion with noted Nabokov scholar Stephen Blackwell gives us new and thought-provoking ways to understand Bergelts book Pas de Deux, an artist book that explores Vladimir Nabokovs passion for butterflies. Matvei Yankelvich considers Curb by Aaron Cohick and ways in which the physical properties of the book enhance the effects of the powerful poetry by Divya Victor. Robert Bringhurst, has contributed his moving and wide-ranging 2022 CODEX Symposium keynote address, in which he examines relationships between languages and scripts, and what both contribute to literature, and, more broadly, to civilization. Amanda Marchand guides us through a visit to Datz, the South Korean publisher, residency, and museum, with a photo essay about this impressive enterprise. And, lastly, we have three thoughtful and insightful reviews of books: Laurie Whitehill on elude by Jule Claudia Mahn of Verwandte Objekte; Molly Schwartzburg on Dead Life by Clifton Meador of Studio of Exhaustion; and Stephanie Stillo on Hellmap Atlas by Didier Mutel and Peter Koch. Smythe sewn, Letterpress printed wrapper.…

6.75 x 8.5 inches. Smythe sewn, Letterpress printed wrapper. 120 pages. This issue features: - An Interview With In Cahoots Director Macy Chadwick. - Mastery and Making: craft in support of concept the third stream, with essays by Veronika Schäpers, Russell Maret, Tobias Lange, and Didier Mutel [Transcripts from the talks at the CODEX Effect Symposium panel] - Excavation, Metamorphosis, and Eternity: Artists as Global Ambassadors of the Book. By Ruth Rogers. - Printer. By David Jury. - Extraction: The Art of the Book on the Edge of the Abyss. By Sam Pelts. - A Photo Essay of the Library of Lisa Baskin, with photos by Annie Schlechter. - MCBA Prize 2020: Traverse the starry vault. By Betty Bright (a feature on the Minnesota Center for Book Arts and the MCBA Prize). - A film review of The Booksellers and The Book Makers. By Gerald W. Cloud. Smythe sewn, Letterpress printed wrapper.…

6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. This issue features reviews of books and exhibitions, a profile on the French bookbinder Louise Bescond, a photo essay on the Bixler Typefoundry, book shopping in Paris, an artist's insights to her own process, a curators favorite artists books, and a booksellers perspective on book collecting. With contributions from: Megan Adie, Tatjana Bergelt, Michael Bixler, Deirdre Brollo, Carolee Campbell, Gerald Cloud, Helen Cole, Des Cowley, Marian Crawford, Caren Florance, Noreen Grahame, Amelia Grounds, Eva Hejdström, Russell Maret, Tim Mosely, Monica Oppen, Susanne Padberg, Aaron Parrett, Juan Pascoe, Vicki Reynolds, Felicia Rice, Annie Schlechter, Doug Spowart, Alicia Stevenson, Paul Thompson, Pierre Walusinski. Smythe sewn, letterpress printed wrapper.…

Etat : Good. 8vo. Hard cover. 520 pp. Very good. Color plates. **Additional shipping costs may apply**.

Hardcover. Etat : Fine. Etat de la jaquette : As New. Book in fine condition; faint toning to clean interior pages; otherwise, as new. Dust jacket in fine condition; short diagonal crease lower outside corner front interior flap; otherwise, as new. A record of the first biennial Codex Book Fair and Symposium: "The Fate of the Art," Berkeley, California, 2007. 441 numbered pages. Black cloth boards with white stamped lettering on front board and spine. 12 1/4 x 9 1/4 in. Dust jacket in Mylar sleeve.…

Hardcover. Etat : Near Fine / Very Good Plus. Folio, 12.25 in. x 9.25 in., pp. 441, [3]. Richly illustrated with 735 color images. Black cloth boards with white title to front and spine. Light rubbing to dustjacket edges. Protected in mylar. From the front flap: Book Art Object is a record of the first biennial Codex Book Fair and Symposium: "The Fate of the Art," Berkeley, California, 2007. The event showcased contemporary artist books and fine press and fine art editions produced by some of the world's most esteemed printers, designers, book artists, and artisans. The foreword is written by Peter Rutledge Koch, and David Jury provides an introduction to the subject. Transcripts of the symposium lectures are included: *Sarah Bodman, Research Fellow, Centre for Fine Print Research, UWE, Bristol: "The hybrid lexicon: an overview of contemporary artists publishing in the UK" *Robert Bringhurst, poet, translator, and typographer: "Spiritual geometry: the book as a work of art" *Felipe Ehrenberg, artist, Mexican Diplomat, former publisher of the Beau Geste Press, London: "Cutting and pasting: metaphor of life" *Dr Stefan Soltek, Director of the Klingspor Museum, Offenbach, Germany: "Recto verso: aspects of contemporary German book art".…

4to. cloth, dust jacket, decorated endpapers. 521, (3) pages. First edition. Fine in fine jacket. Proceedings of the Codex Foundation's biennial exhibition and symposium, "The Fate of the Art," 2011, which showcased contemporary artist books, fine press, and fine art editions. Table of contents, foreword by Jury, list of supporters, introduction by Koch, Includes speakers, exhibitors, dispatches, studios and workshops, endmatter, acknowledgments, index. Over 1,100 color illustrations of 300 books by 140 artists/printers Also contains a selection of papers from the symposiums in 2009 and 2011. They are: Paul van Capelleveen, The National Library of the Netherlands: "Changing books: art and the contemporary Dutch private press book" Antoine Coron, Head of Special Collections, Bibliothèque Nationale de France: "Publishing artist books in France today" David Jury, designer and printer: "The depiction of books in books" Ron King, artist: "History and Collaboration: Circle Press" Peter Rutledge Koch, Printer: "The third stream: A view from the West back to the East" Juan Pascoe, Proprietor, Taller Martín Pescador, Michoacán: "Presses in Mexico" Richard Ovenden, keeper of Special Collections and Associate Director, Bodleian Library, Oxford: "The role of the book arts in a 21st-century research library" This volume is a great companion to the first volume and a must for any artist book collector. David Jury is Head of Graphic Media at the Colchester Institute, School of Art and Design, UK. His numerous books include About Face: Reviving the Rules of Typography; Letterpress: The Allure of the Handmade; What is Typography?; and New Typographic Design. From 1996 to 2006 he was the editor of TypoGraphic (journal of the International Society of Typographic Designers). Jury designs and publishes limited edition letterpress printed books for his own Fox Ash Press. The Codex Foundation was established in 2005 by Berkeley-based artist/printer/publisher Peter Rutledge Koch and other fine book printers, curators, and aficionados. It was founded to promote knowledge and appreciation of the book arts, and to organize a biennial international book fair and symposium in the San Francisco Bay Area. The non-profit Codex Foundation exists to preserve and promote the art and craft of the book. The mission is educational and, in the broadest possible context, to bring to public recognition the artisanship and the rich history of the civilizations of the book. cloth, dust jacket, decorated endpapers. …

Softcover. Etat : Fine in like Slipcase. Six separate staplebound pamphlets (each 7 3/4 in. x 5 1/2 in.) housed in a card slipcase, containing Numbers 1 through 6 in the CODE (X) + 1 Monographic Series of feuilletons, deliberations and Provocations. Monograph One: Bringhurst, Robert: "Why There Are Pages and Why They Must Turn"; Monograph Two: Koch, Peter Rutledge: "ART: definition five (and other writings)" Monograph Three: Loney, Alan: Each New Book Monograph Four: Stoltz, Ulrike & Uta Schneider: "(usus), typography and artists' books (and stars number the pages) Monograph Five: Marek, Russell: "Visionaries and Fanatics: Type Design and The Private Press" Monograph Six: Mutel, Didier: "Acide Brut Manifesto".…