The codex foundation berkeley (38 résultats)
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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paperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 28 pages. Number eleven of the CODE(X)+1 Monograph Series. Number eleven of the CODE(X)+1 Monograph Series. The Timeless Art of Allowing Books to Thrive is a dialogue between two theoretically and existentially divergent proponents of reading-executed in the manner of a…conversation. Ulises Carrion's ground-breaking 1975 manifesto "The new art of making books" is here presented with interleaved remarks composed 40 years later by internationally renowned scholar, poet and typographer, Robert Bringhurst. "Carrion's kind of art has not lacked for proponents and exponents in the academy or in the art world, but much that has been written along these lines is intellectually murky and burdened with pompous jargon. Carrion himself, by contrast, was plain-spoken and full of real ideas. My own predilections are different from his, and so we disagree on many fronts, yet he is lucid and articulate - and therefore someone I can talk to, dead or alive." - from the preface by Robert Bringhurst This limited edition of 500 copies was designed and printed by Peter Koch with the assistance of Jonathan Gerken.
Autres imagesLangue : anglais
Edité par CODEX Foundation, The, Berkeley, CA, 2024
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Ajouter au panier6.75 x 8.5 inches. Smythe sewn, Letterpress printed wrapper. 114 pages. Guest Editor: Sarah Hulsey Articles: Tatjana Bergelt, Robert Bringhurst, John DeMerritt, Patricia Lagarde, Amanda Marchand, Daniel Mellis, Matvei Yankelevich Reviews: Molly Schwartzburg, Stephanie Stillo, Laurie Whitehill Guest editor, Sarah Hulsey, worked w…ith the idea of translation as a metaphor for the CODEX Papers IV journal. She says, "The articles in this volume approach the notion of translation from many directions, including translation as metaphor for alteration, transformation of an idea into an embodied form, interpretation of an experience into another mode, and, of course, translation between languages. The medium of artist books lends itself to ideas of translation on virtually every level, so it is a rich area of inquiry." In this issue, Daniel Mellis writes about his recent publication Tango with Cows: Translation, Facsimile, and Commentary, which translates the poetry of Vasily Kamensky (in collaboration with poet Eugene Ostashevsky). Patricia Lagarde presents an essay based on her 2022 CODEX Symposium lecture, presented here in both English and the original Spanish, from her project Moon Archive. John DeMerritt discusses the publishing program of DeMerritt | Pauwels Editions, an imprint that focuses on using the handmade book object to bring an idea into object form. Tatjana Bergelts epistolary discussion with noted Nabokov scholar Stephen Blackwell gives us new and thought-provoking ways to understand Bergelts book Pas de Deux, an artist book that explores Vladimir Nabokovs passion for butterflies. Matvei Yankelvich considers Curb by Aaron Cohick and ways in which the physical properties of the book enhance the effects of the powerful poetry by Divya Victor. Robert Bringhurst, has contributed his moving and wide-ranging 2022 CODEX Symposium keynote address, in which he examines relationships between languages and scripts, and what both contribute to literature, and, more broadly, to civilization. Amanda Marchand guides us through a visit to Datz, the South Korean publisher, residency, and museum, with a photo essay about this impressive enterprise. And, lastly, we have three thoughtful and insightful reviews of books: Laurie Whitehill on elude by Jule Claudia Mahn of Verwandte Objekte; Molly Schwartzburg on Dead Life by Clifton Meador of Studio of Exhaustion; and Stephanie Stillo on Hellmap Atlas by Didier Mutel and Peter Koch. Smythe sewn, Letterpress printed wrapper.
Edité par Codex Foundation, The, Berkeley, 2024
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
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Ajouter au panierwrappers. 5.5 x 7.75 inches. wrappers. 16 pages. CODE(x)+1 Monograph #18. Number eighteen in the CODE(x)+1 monograph series. While conceptual complexities differentiate the artist book from the world of handmade objects, there is a similarity in reconciling ones vision for a project with its functionality. One of the truest less…ons of craft practice is that it is not only difficult to foster innovation and creativity in the absence of constraints, the constraints give birth to them. Italo Calvino described this as escaping the pull of gravity that so stimulates the imagination. The book, a seemingly constrained form, should surely be exhausted by now. Yet it continues. And we continue making them. The books ineffable natureits sustainable, renewable, inexhaustible resourceis found in the potential of the imaginative mind informed by the work of the hand.
Autres imagesEdité par CODEX Foundation, Berkeley, 2021
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierwrappers. 5.5 x 7.75 inches. wrappers. 24 pages. Number seventeen of the CODE(X)+1 Monograph Series. Number seventeen of the CODE(X)+1 Monograph Series. Following Marshall McLuhan's famous quote the medium is the message this article presents the Klingspor Museum in Offenbach/Main as a unique institution representing the genre o…f the artists book. The Klingspor Museum is more than simply a collection of book related arts because of its foundational idea of type- and bookmaking that put tremendous emphasis on merging these two domains. The leading personality of that history is Karl Klingspor. The practice of his type foundry revolutionised the ways that trade markets, literature, and culture in general traditionally separated until then came together in the foundry. From this beginning in the foundry, Klingspor developed a collecting ethos that brought together the arts of type, writing and the book, thereby promoting the process of creation itself. Because of this history, the museum inherits a specific responsibility to honor and promote the artists book. This profile is carried into the public and the city life of Offenbach, always communicating the different elements comprising the artists book. Especially in times of distance, the museum is looking for new ways to reach out to the citizens and potential visitors. In the words of Joseph Beuys: Everybody is an artist.
Autres imagesEdité par CODEX Foundation, Berkeley, 2020
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Ajouter au panierwrappers. 5.5 x 7.75 inches. wrappers. 16 pages. Number sixteen of the CODE(X)+1 Monograph Series. Number sixteen of the CODE(X)+1 Monograph Series. "The concept of Materialia Lumina [.] argues strongly for a synaesthetic approach to workmanship. Today, similar principles are being fruitfully combined with and vigorously informe…d by the conceptual daring and experimental nature of contemporary art practice to form, what is, in essence, a new vision of the book as a 'total work of art'.".
Edité par CODEX Foundation, Berkeley, California, 2010
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Ajouter au panierpaperback pamphlet. 16 pages. paperback pamphlet. 5.5 x 7.75 inches. Number four of the CODE(X) Monograph Series. Number four of the CODE(X)+1 Monograph Series. This book discusses typography in relation to the fields of graphic design, applied art, and book design. With contents and text already in a book, the book designer has… to choose the correct typography and a medium that provides the reader with easy access to the subject matter. This book discusses type face, type style, type weight, type size, kerning, tracking, spacing, leading, and line length.
Edité par CODEX Foundation, Berkeley, California, 2012
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number seven of the CODE(X)+1 Monograph Series. Number seven of the CODE(X)+1 Monograph Series. This book discusses the Italian art movement, Futurism, and its impact on book design. It focuses on the metal book Parole in Liberta Olfattive Tattili-Termiche, a c…ollection of futurist Filippo Tommaso Marinetti's poetry, made by Tullio d'Albisola and Vincenzo Nosenzo in 1932. This limited edition of 500 copies was designed and printed by Peter Koch with the assistance of Jonathan Gerken and Max Koch. This title was previously listed as number one of the CODE(X)+2 Monograph Series.
Edité par CODEX Foundation, Berkeley, California, 2018
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierPaperback. 5.5 x 7.75 inches. Paperback. 20 pages. Number fifteen of the CODE(X)+1 Monograph Series. Number fifteen of the CODE(X)+1 Monograph Series, commissioned for the sixth biennial CODEX Symposium, 6 February 2017. Illustrated in color. Artist, poet, and printer Johannes Strugalla writes about his bilingual typographic odd…yssey and what it means to be an artist engagée. "As a human and an artist, I live with my eyes and my ears wide open in light of the distress and the horrible things happening in the world, but also for the colors and the beauty of life. All these feelings and emotions enter in my poems and in my artwork even when it is abstract. I need this labor for the health of my mind. It becomes a transcendental moment I can share through my work. It is possible to feel an ecstasy you are unable to find in the everyday life. The more the social and political events are cruel and detestable, the more all human beings need to be elevated by spiritual and esthetic values - they need the tonic against melancholy given by the Arts and the creativity against the spirit of death and destruction. -I want to be a contributor to this.".
Edité par CODEX Foundation, Berkeley, California, 2017
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierPaperback. 5.5 x 7.75 inches. Paperback. 20 pages. Number fourteen of the CODE(X)+1 Monograph Series. Number fourteen of the CODE(X)+1 Monograph Series, commissioned for the sixth biennial CODEX Symposium, 6 February 2017. "Historians love pivot points, those times when energies converge and the future can unfold in stikingly di…fferent directions. Life seems so unknowable and chaotic on the near side of a shift, and then, ten years on, events seem to have aligned into the only possible outcome. I believe that the book arts are, once again, at such a pivot point." -- from the Introduction. The lecture examines selected recent works that nurture mind and body while reminding the reader of what we share in common, in the midst of our global screen culture. Illustrated in color. Designed and printed by Peter Koch Printers, with assistance by Dina Pollack.
Edité par CODEX Foundation, Berkeley, California, 2015
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierPaperback. 5.5 x 7.75 inches. Paperback. 16 pages. Number thirteen of the CODE(X)+1 Monograph Series. Number thirteen of the CODE(X)+1 Monograph Series. "When I inaugurated Ninja Press in 1984 it never occurred to me that it would lead to the kind of investigative bookmaking that has become a steadfast companion in my approach t…o book design." "The Real World of Manuel Córdova is a long, single poem by W.S. Merwin consisting of forty-three fourteen-line stanzas. Upon reading it for the first time I knew I wanted to spend deep time working on it. The poem evokes the very essence of the mythological journey; of going for and coming back changed. It is an arduous journey, both through time and through terrain. The poem also describes an interior journey into the dream world. I flooded myself with information because what poetry does not impart is information. Poetry is a door to the ineffable. My job, however, was to make a container to hold that ineffability." The Real World of Manuel Córdova is an iconic example of the contemporary book as a work of art. In the essay Chasing the Ideal Book Carolee Campbell reveals her methodical and brilliant approach to investigative book making.
Autres imagesEdité par CODEX Foundation, Berkeley, California, 2016
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 20 pages. Number twelve of the CODE(X)+1 Monograph Series. Number twelve of the CODE(X)+1 Monograph Series. "Karel Capek, in his wonderful book on gardens, says that the art of gardening can be reduced to one rule: you put into it more than you take out. The same can be…said of the art of libraries. But the libraries of our material world, however great their hunger, can only hoard existing volumes. We know that every book holds within all its possible readings, past, present and future, but its Pythagorean reincarnations, those wonderful forms which depend on readers to come, will not be found on our shelves.".
Edité par CODEX Foundation, Berkeley, California, 2015
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number nine of the CODE(X)+1 Monograph Series. Number nine of the CODE(X)+1 Monograph Series. The Mechanical Word is an extended essay on the eponymous five volume artwork by the London based artist Karen Bleitz, a founding member of the ARC collaborative that…grew out of Ron King's legendary Circle Press. It is illustrated throughout in black, white, and red, and contains four pages of full color photographs. "Whenever asked to talk about The Mechanical Word, I begin by saying, 'The Mechanical Word is a series of books in which I constructed a mechanical language composed of cogs, cranks, levers and gears.' I have learned, however, that as soon as I say 'mechanical language', I am immediately bombarded with a thousand questions such as, 'What's a mechanical language? What does it look like? How does it work? What's it for anyway?' At the time that the project began, I had been looking at various properties of language. I was particularly interested in its power to define, and through definition create, the things, people, and events that take place in the world. In the hands of the media, I could see that words had the power to turn a cloned sheep from a miracle - to a monster - and back into a miracle within the space of a page." - Karen Bleitz This limited edition of 500 copies was designed and printed by Peter Koch with the assistance of Jonathan Gerken.
Edité par CODEX Foundation, Berkeley, California, 2012
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 32 pages. Number two of the CODE(X)+2 Monograph Series. Number two of the CODE(X)+2 Monograph Series. This book is a photographic reproduction of the metal book Parole in Liberta Olfattive Tattili-Termiche, a collection of futurist Filippo Tommaso Marinetti's poetry, mad…e by Tullio d'Albisola and Vincenzo Nosenzo in 1932. It contains photos of every page, the covers, and the slipcase. The photographed copy is held by The Beinecke Rare Book and Manuscript Library, Yale University. This title was previously listed as number two of the CODE(X)+2 Monograph Series.
Edité par CODEX Foundation, Berkeley, California, 2010
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number five of the CODE(X) Monograph Series. Number five of the CODE(X)+1 Monograph Series. Russell Maret explores the future of the private press and the division between the private press and the fine press. The fine printer, often a commercial outfit, leaves… proportion, legibility, and craftsmanship as secondary principles, where as the private press printer is possessed with an irrepressible need to make books, containing characteristics of iconoclasm and reverence. Richly illustrated with color images, the book was designed by Russell Maret and printed in an edition of 500 copies at Peter Koch Printers. The cover was printed from antique wood and metal types in the Koch collection.
Edité par CODEX Foundation, Berkeley, California, 2011
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number six of the CODE(X) Monograph Series. Translated from the French by Jonathan von Zelowitz, with an Introduction by Timothy Young. Number six of the CODE(X)+1 Monograph Series. Didier Mutel is a synaesthetic printer focused on the bite of acid on metal, of… the metal plate on paper, and of the printed words on the mind. This book discuses the acide brut manifesto and the definition of acide brut, and how acide brut has affected communication, art, war, and love and tenderness. This book was printed in an edition of 777 copies on the Heidelberg cylinder press at Peter Koch, Printers for the CODEX Foundation.
Autres imagesEdité par CODEX Foundation, Berkeley, California, 2008
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number three of the CODE(X) Monograph Series. Number three of the CODE(X)+1 Monograph Series. Loney's essay discusses his thoughts on both the physical value as well as the textual value of books and libraries. This book was designed and printed in an edition o…f 500 copies on a Heidelberg cylinder press by Peter Koch assisted by Jonathan Gerken and Shanna Mahan for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection. Alan Loney is a poet/printer living in Melbourne, Australia, where he runs Electio Editions.
Autres imagesEdité par CODEX Foundation, Berkeley, California, 2008
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Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number two of the CODE(X) Monograph Series. Number two of the CODE(X)+1 Monograph Series. Includes several essays and notebook entries by Peter Koch related to the craft of making books. This book was designed and printed in an edition of 500 copies on a Heidel…berg cylinder press by Peter Koch assisted by Jonathan Gerken for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection. Peter Rutledge Koch is a printer living in Berkeley, California.
Langue : anglais
Edité par The CODEX Foundation and Stanford University Libraries, Berkeley, California, 2022
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- Édition originale
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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EUR 39,38
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hardcover. 12.4 x 9.6 x 1.38 inches. hardcover. 392 pages. First edition. A very small bump to the bottom edge, else a fine copy. Published by the Stanford Libraries and the CODEX Foundation in conjunction with the traveling exhibition Materialia Lumina - Contemporary Artists' Books from the CODEX International Book Fair . Mater…ialia Lumina has extensive full color images and essays by Martin Antonetti, Betty Bright, John A. Buchtel, Paul van Capelleveen, Gerald Cloud, Mark Dimunation, Jan & Crispin Elsted, Susan K. Filter, Viola Hildebrandt-Schat, D. Vanessa Kam, Peter Rutledge Koch, Sandra Kroupa, Marie Minssieux-Chamonard, Susanne Padberg, David Paton, Marcia Reed, Ruth R. Rogers, Stefan Soltek, and Roberto G. Trujillo. Consisting of seventy-five exemplary books curated from among the thousands of artists books that were exhibited at the CODEX International Book Fair over the past fifteen years. Outstanding examples of work by some of the worlds most accomplished masters have been selected. A scholarly and descriptive catalog co-published by Stanford University Libraries, the CODEX Foundation, with support from the Boston Athenæum, and edited by Paul van Capelleveen of the National Library of the Netherlands. This substantial hard cover book designed in the Netherlands includes essays and articles from an array of outstanding academic scholars, preeminent museum curators, and heads of major collections. Codex (illustrateur).
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Vendeur : Moe's Books, Berkeley, CA, Etats-UnisMoe's Books
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Hardcover. Etat : Very good. Etat de la jaquette : Very good. Great condition. Jacket is lightly scuffed, but binding is tight and inside is clean and unmarked.
Autres imagesVendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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perfect bound. 6 x 9 inches. perfect bound. 124 pages. "The distinguishing characteristic of a book we call 'magical' is the presence of an aura that excites the imagination and imparts a sense of mystery. I am not referring here to a grimoire or books about magic, but rather to books that exhibit a palpable radiance emanating f…rom the work itself, books made of magic -- magical books." EMBODIED LANGUAGE: The Book as Craft and Concept is a collection of four essays that distill fifty+ years of thinking and practice in the arts of printing, poetry, and collage. The essays trace the history and formation of a unique field -- the auratic Gesamptkunstwerk or "total book" -- invoking ancient concepts of Craft that have evolved for thousands of years, transmitted through Neoplatonic thought, to become the book as metaphysical instrument (via Mallarmé) in the modern world. The French philosopher Gaston Bachelard has warned us in The Poetics of Reverie that "hands dream" and in extraordinary circumstances, the active principle of the artist and the poet is to employ the creative imagination in the struggle to constitute itself. These four pieces were written to "essay a thought" describing the emergence of a metaphysical paradigm, and illuminate the book as a work of art and magic. Inviting the Book as an artform into open discourse, Koch supplies a context for the work he most admires. Evoking the philosophical foundations of his mentors, William Everson, Adrian Wilson, Sandra Kirshenbaum, and Jack Stauffacher, Koch proceeds to describe the works of his contemporaries, Carolee Campbell, Clemens-Tobias Lange, Russell Maret, and Veronica Schaepers, that illustrate his thesis of the "Third Stream Book," a concept that borrows heavily from an essay by Kirshenbaum describing the "printer's book" as the form that offers the most authentic expression of the book as a total work of art. The final essay introduces a fresh thought experiment: The Poetry Musaeum -- as a locus for exploring the materiality of language.
Autres imagesCODEX PAPERS: VOLUME 5 | THE
Ajunwa, Elizabeth; Julie Chen; Megan N. Liberty; Radha Pandey; Chad Pastotnik; Yuka Petz; Marcia Reed; Ever Rodriguez; Shannon K. Supple; Sha Towers in conversation with Gabby Cooksey
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
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perfect bound. 8.5 x 6.75 x .5 inches. perfect bound. 114 pages. For this volume, we encouraged our contributors to think about the role of craft within the fields of artists' books and fine press publications, as well as how these works fit into the greater world of contemporary art. Conversations about craft in contemporary ar…t practices have met with some resistance in the past. However, we currently find ourselves in an era of greater acceptance of craft legacies and practices within the fine arts. The editors of this issue were interested in investigating the 'why' and 'how' of this current trend. As we will see in this issue, craft connects us to our humanity. It cultivates a rich dialogue with others and gives meaning to how we engage with the world around us. In this issue we push to explore where an expanded notion of craft and the handmade within contemporary art practices can take us. The authors in this issue dive deep into their practices, their passions, and their scholarship in the field. We hope you will enjoy the range of essays, interviews, and reviews in this edition which take on a range of approaches, including discussions surrounding the use of digital tools with a craft ethos, and ideas on what it means to be hand-crafted in a digital age. Article titles include topics such as Conceptual Art of Handmade Paper in Artists' Books since the 1970's, The Art of the Book in India, and Crafting the Shape of Meaning while other articles review work by Ioulia Akhmadeeva, Carolina Caycedo, Lesia Maruschak, Chad Pastotnik, Felicia Rice, and Haein Song.
Autres imagesEdité par CODEX Foundation, Berkeley, California, 2018
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EUR 26,85
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : 16 disponible(s)
Ajouter au panier6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the editorial brief is to publish…articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper.
Edité par CODEX Foundation, Berkeley, California, 2018
- Couverture souple
- Édition originale
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 27,75
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panier6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. First edition. A fine copy. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the ed…itorial brief is to publish articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper. CODEX (illustrateur).
Edité par CODEX Foundation, Berkeley, California, 2010
- Couverture souple
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 27,75
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierpaperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number five of the CODE(X) Monograph Series. Number five of the CODE(X)+1 Monograph Series. Russell Maret explores the future of the private press and the division between the private press and the fine press. The fine printer, often a commercial outfit, leaves… proportion, legibility, and craftsmanship as secondary principles, where as the private press printer is possessed with an irrepressible need to make books, containing characteristics of iconoclasm and reverence. Richly illustrated with color images, the book was designed by Russell Maret and printed in an edition of 500 copies at Peter Koch Printers. The cover was printed from antique wood and metal types in the Koch collection.
Autres imagesLangue : anglais
Edité par The CODEX Foundation and Stanford University Libraries, Berkeley, California, 2022
- Couverture rigide
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 53,71
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : Plus de 20 disponibles
hardcover. 12.4 x 9.6 x 1.38 inches. hardcover. 392 pages. Published by the Stanford Libraries and the CODEX Foundation in conjunction with the traveling exhibition Materialia Lumina - Contemporary Artists' Books from the CODEX International Book Fair . Materialia Lumina has extensive full color images and essays by Martin Anton…etti, Betty Bright, John A. Buchtel, Paul van Capelleveen, Gerald Cloud, Mark Dimunation, Jan & Crispin Elsted, Susan K. Filter, Viola Hildebrandt-Schat, D. Vanessa Kam, Peter Rutledge Koch, Sandra Kroupa, Marie Minssieux-Chamonard, Susanne Padberg, David Paton, Marcia Reed, Ruth R. Rogers, Stefan Soltek, and Roberto G. Trujillo. Consisting of seventy-five exemplary books curated from among the thousands of artists books that were exhibited at the CODEX International Book Fair over the past fifteen years. Outstanding examples of work by some of the worlds most accomplished masters have been selected. A scholarly and descriptive catalog co-published by Stanford University Libraries, the CODEX Foundation, with support from the Boston Athenæum, and edited by Paul van Capelleveen of the National Library of the Netherlands. This substantial hard cover book designed in the Netherlands includes essays and articles from an array of outstanding academic scholars, preeminent museum curators, and heads of major collections.
Autres imagesEdité par The CODEX Foundation, Berkeley, CA, 2020
- Couverture souple
- Édition originale
Vendeur : BIBLIOPE by Calvello Books, Oakland, CA, Etats-UnisBIBLIOPE by Calvello Books
Contacter le vendeurVendeur avec une évaluation de 4 étoilesEtat: Occasion - Bon
EUR 40,28
EUR 4,34 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Paperback. Etat : near fine. Presumed first editoin. 648 pages: illustrations (chiefly color); 28 cm; index. Very interesting work? and large. Contents: Preface / Samuel Pelts -- Introduction: the age of the sacrifice zone / Edwin C. Dobb -- A war worth fighting: in conversation with project founder Peter Koch / Sam Pelts and Pe…ter Rutledge Koch -- WORDS on the edge: a limited edition portfolio of poetry & lyric prose in broadside format -- Selected exhibitions and events -- Extraction art: selected images, essays and poetry: Ilke Hartmann -- Chuck Forsman -- Chris Boyer -- Chuck Forsman -- A general view of extraction / William Fox -- Garth Lenz -- Richard Misrach -- Chuck Forsman. -- Joan Perlman. -- Laura McPhee. -- At any given moment / John Grey. -- Bearing witness: a conversation with Richard Misrach / Sam Pelts and Eric Zhang. -- Into the anthropocene / David Gardner. -- Five poems / Jane Hirschfield. -- L?onie Pondevie. -- Ken Light. -- Gouged earth/gouged people / Craig Czury. -- Michael Light. -- Jason Sheridan Brown. -- Bethlehem Steel and Union Electric power plants / Kyle Gallup. -- Views from the High Bridge coal-fired power plant / Paulette Myers-Rich. -- Sara L. Press. -- Ralph Sanders. -- Coal and ice / Andrea Krupp. -- Garth Lenz. -- Extraction as the greatest emergency: a philosophical contribution / Santiago Zabala. -- Vicky Sambunaris. -- Ann Lewis & BAMN. -- The true cost of oil / Garth Lenz. -- Ancient sunshine / Jason Livingston. -- The Martinez refinery / Eric Zhang. -- Kim Steele. -- Three poems / CB Follett. -- The Permian Basin / KB Jones. -- Art as action: concerning art as a tool of politics and protest / Christopher W. Benson. -- When the landscape is quiet again: North Dakota's oil boom / Sarah Christianson. -- Dakota is everywhere / Elizabeth Farnsworth and Terry Evans. -- Four poems / Elizabeth Herron. -- Michelle Water. -- Susan Crile. -- Thirteen ways of looking at smog / Anna Yin. -- Lisette Tardy. -- Three poems / Adam Cornford. -- Nicole Marie Burton. -- Fractured: the shale play / Nina Berman. -- Here's what scares us / Craig Czury. -- Re:Peat: layers of peat in northern Finland, a look and listen / Anne Yoncha. -- Lawrence Gipe. -- David Maisel. -- Excerpt from undermining / Lucy R. Lippard. -- Nancy Holt. -- Owen Gump. -- Jonathan Clark. -- Memorial / klipschutz. -- Three out of four / Elizabeth Herron. -- Richard Wagener. -- Altered state: a place for wildlife, 2014 symposium / Monte Dolack. -- Four poems / Sheila Packa. -- Bingham Mine/Garfield Stack 04.21.06 / Michael Light. -- Erika Osborne. -- Two poems / Dean Rader. -- Landscape / Julia Clift. -- Philip Zimmermann. -- Erin Wilkerson. -- Wildtime / Sandra Dal Poggetto. -- Two poems / Tess Taylor. -- Owen Gump. -- Liber ignis / Peter Rutledge Koch. -- The poetics of Liber ignis / Adam Cornford. -- Thomas Ingmire. -- Betsy Stirrat. -- Extract / Jesse Nathan. -- Can't find my way home / Janet Biggs. -- Empire falling / Elena Dorfman. -- The lanthanide series / Erin Marie Espelie. -- Desert gold, part II: the Mojave project / Kim Stringfellow. -- Pegasus gold / David T. Hanson. -- Spectacle of small scale gold mining in Indonesian Borneo / Nancy Lee Peluso. -- Catherine Richardson. -- Minas series / Bob Nugent. -- Cerro de pasco / Paccarik Orue. -- Daniela Rivera. -- Barbara Boissevain. -- Two poems / Arthur Sze. -- Rachelle Reichert. -- Great Salt Lake extractions / Hikmet Sidney Loe. -- David Maisel. -- Michael Light. -- Four poems / David E. Thomas. -- Now more near / Em Joseph + Galen Pardee. -- Beauty in the twilight of the anthropocene / Aaron Parrett. -- Michael Lundgren. -- Chris Ruston. -- Chuck Forsman. -- Climate action posters: San Francisco Poster Syndicate and Bangkit Arise / Art Hazelwood. -- Bad faith: art on the edge of the abyss / Impediment Press. -- Two poems / Dean Rader. -- The global water project / Robert Dawson. -- ODe to water / Adam Cornford. -- Hungry Horse Dam / Lauren Grabelle. -- Patrick A. Kikut. -- Zaria Forman. -- Extinction / Elizabeth Herron. -- Rachel B. Abrams. -- Sue Huggins Leopard. -- Ice receding/books reseeding / Basia Irland. -- If only the river remains to speak / Jane Baldwin. -- Salmon River / Jon Jost. -- Bringing back water / Elizabeth Herron. -- Girl in front of yellow wall / S?nke C. Weiss. -- Clear Lake / Peter Goin. -- Michael Lundgren. -- Mandy Barker. -- Pam Longobardi. -- Jill Vaughn. -- Envoi: San Francisco / Tess Taylor. -- Loomings / Christopher Volpe. -- Jos Sances. -- Diane M. Stemper. -- Jennifer Parker. -- Karen Baden Thapa. -- Donald and Era Farnsworth. -- Two poems / Melissa Tuckey. -- Zachary Skinner. -- Bernadette Howard. -- Eva Maria Horstick. -- Two poems / Sheila Packa. -- Eden in Iraq: water extraction and restoration / Meridel Rubenstein. -- Silt / Karen Frances Eng. -- The serial liquid earth / Ashwini Bhat & Forrest Gander. -- Souvenirs from Earth (series) / Dahn Gim. -- Permafrost thaw: tumbling forests of the North / Nikki Lindt. -- How much I want you / Anna Yin. -- Green / William Heyen. -- Sara Mast. -- Sheard's Quarry / David Annwn Jones. -- Heidi Gustafson. -- On considering extraction / Andie Thrams. -- Suzanne Moore. -- Robin Price. -- Felicia Rice. -- Err/or air / Brooke Holve. -- Kathy T. Hettinga. -- Tracy Linder. -- Brock Mickelsen. -- Steven R. Holloway. -- Down into Earth / Robin Dintiman. -- Our breath / Christina Isobel. -- Caroline Saltzwedel. -- You are the tree / Nanette Wylde & Kent Manske. -- Whorl / Jacqueline Rush Lee. -- Two poems / William Heyen. -- Ilja Herb. -- David Lauer. -- Byron Brauchli. -- Coleman Camp. -- On solastalgia and terrible beauty / Holly Downing. -- Mima Cataldo. -- Leslie Van Stavern Millar. -- My dear / CB Follett -- Connecting the dots: post-uranium extraction on Din? land / Will Wilson. -- Travis Wilkerson. -- Michael Light. -- Bikini Atoll 06.02.03 / Michael Light. -- Hanford Reach / Glenna Cole Allee. -- Hiroshima Day on the Kim Williams Trail / David E. Thomas. -- Karen Rice. -- Tony Bellaver. -- Zone One Chernobyl / CB Fol.
Autres imagesEdité par CODEX Foundation, The, Berkeley, CA, 2021
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 26,85
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : 14 disponible(s)
Ajouter au panier6.75 x 8.5 inches. Smythe sewn, Letterpress printed wrapper. 120 pages. This issue features: - An Interview With In Cahoots Director Macy Chadwick. - Mastery and Making: craft in support of concept the third stream, with essays by Veronika Schäpers, Russell Maret, Tobias Lange, and Didier Mutel [Transcripts from the talks at the… CODEX Effect Symposium panel] - Excavation, Metamorphosis, and Eternity: Artists as Global Ambassadors of the Book. By Ruth Rogers. - Printer. By David Jury. - Extraction: The Art of the Book on the Edge of the Abyss. By Sam Pelts. - A Photo Essay of the Library of Lisa Baskin, with photos by Annie Schlechter. - MCBA Prize 2020: Traverse the starry vault. By Betty Bright (a feature on the Minnesota Center for Book Arts and the MCBA Prize). - A film review of The Booksellers and The Book Makers. By Gerald W. Cloud. Smythe sewn, Letterpress printed wrapper.
Autres imagesEdité par CODEX Foundation, The, Berkeley, CA, 2020
Vendeur : Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, Etats-UnisOak Knoll Books, ABAA, ILAB
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 26,85
EUR 7,39 expéditionExpédition nationale : Etats-UnisQuantité disponible : 14 disponible(s)
Ajouter au panier6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. This issue features reviews of books and exhibitions, a profile on the French bookbinder Louise Bescond, a photo essay on the Bixler Typefoundry, book shopping in Paris, an artist's insights to her own process, a curators favorite artists books, and a bookse…llers perspective on book collecting. With contributions from: Megan Adie, Tatjana Bergelt, Michael Bixler, Deirdre Brollo, Carolee Campbell, Gerald Cloud, Helen Cole, Des Cowley, Marian Crawford, Caren Florance, Noreen Grahame, Amelia Grounds, Eva Hejdström, Russell Maret, Tim Mosely, Monica Oppen, Susanne Padberg, Aaron Parrett, Juan Pascoe, Vicki Reynolds, Felicia Rice, Annie Schlechter, Doug Spowart, Alicia Stevenson, Paul Thompson, Pierre Walusinski. Smythe sewn, letterpress printed wrapper.
Edité par The Codex Foundation., Berkeley., 2020
- Couverture souple
- Édition originale
Vendeur : BookMine, Fair Oaks, CA, Etats-UnisBookMine
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion
EUR 49,23
EUR 4,35 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Ajouter au panierSoft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Gallery card tipped-in. Fine copy (very light crease on bottom of front cover). 648 pps.
- Couverture rigide
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-UnisWittenborn Art Books
Contacter le vendeurVendeur avec une évaluation de 5 étoilesEtat: Occasion - Satisfaisant
EUR 134,26
EUR 8,69 expéditionExpédition nationale : Etats-UnisQuantité disponible : 1 disponible(s)
Etat : Good. 8vo. Hard cover. 520 pp. Very good. Color plates. **Additional shipping costs may apply**.
