Trueman (10 résultats)

Saddle-stapled wrappers. Etat : Near Fine. [12pp] Reprint of the story, with additional material, published and sent as a Christmas Greeting Size: 8vo - over 7¾" - 9¾" tall.

Saddle-stapled wrappers. Etat : Near Fine. [12pp] Reprint of the story, with additional material, published and sent as a Christmas Greeting Size: 8vo - over 7¾" - 9¾" tall.

Etat : New. pp. 477 Fifth edition cation india Pvt. Ltd. NO-PA16APR2015-KAP.

Paperback. Etat : Brand New. 124 pages. 8.50x5.50x0.31 inches. In Stock.

Soft cover. Etat : As New. No Jacket. 1st Edition. signed by Jenny Lind Porter and Judge O'Quinn. A letter enclosed by Jenny Lind Porter and an attractive photograph of Trueman O'Quinn seated a O. Henry's desk. 5 3/4" x 8". 24 pages. Language: eng. Signed by Author(s).

Soft cover. Etat : VG. 1st Edition. Entire issue, 30pp, printed pictorial red wraps, stapled at spine as issued, very clean, bright copy, inside and out. A complete issue of the fanzine Opel, published by Ivor Trueman, in the U. K., which includes Malcolm Jones' first-hand account of working with Syd Barrett on Barrett's first solo album, The Madcap Laughs, EMI, after Barrett had left the Pink Floyd. Includes set lists, session info and take numbers, plus info on Pink Floyd sessions and gigs. Jones was head of EMI's Harvest label, which would release The Madcap Laughs album in 1970. From the Introduction, "Scarcely a year goes by than the rock press, rather like the Times and the first cuckoo of spring, report a 'sighting' of Syd Barrett, usually in Cambridge or London. Whether these reports are accurate is uncertain, but every since the early seventies the myth surrounding the man seems to have mushroomed. There is a growing army of admirers who would see him as some sort of living legend, even though his total recorded output consists of little more than three albums. Legend or otherwise, I was able, in a modest way, to be able to assist Syd in recording some of his best remembered solo recordings (I produced the first 'Madcap Laughs' sessions amounting to half of the album). This publication is a straight, factual account of the making of the album. As I kept all my studio production notes and files, what follows is an accurate account of events in those few months of 1969." Please note, magazine looks self-published -- and almost certainly was -- and is filled with invaluable information for the serious Syd Barrett fan. Very scarce.…

Paperback. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Etat : New. Print on Demand pp. 477.

Etat : New. PRINT ON DEMAND pp. 477.

No Binding. Etat : Fine. This original handwritten letter, dated October 29, 1888, is penned on official blue-stamped stationery from the Society of Arts (now the Royal Society of Arts) in London. Signed by the institution's long-serving Secretary, H.T. Wood, the letter is addressed to the prominent English Shakespearean scholar and metricist F.G. Fleay. In this fascinating piece of Victorian academic correspondence, Wood formally rejects Fleay's submitted manuscript titled "Harmonies of Sound and Colour," noting that a committee concluded the paper was "not quite suitable for reading before the Society." This document provides a superb historical glimpse into the 19th-century academic peer-review process and the Victorian era's cross-disciplinary fascination with aesthetics and the relationship between sound and visual arts. Transcription (English) Header: "enclosure" (top left) / "SOCIETY OF ARTS, JOHN STREET, ADELPHI. LONDON. W.C. 29th Oct. 1888." Salutation: "Dear Sir," Body: "I am directed by the Council of this Society to inform you that at their last meeting they carefully considered the paper on Harmonies of Sound and Colour which you were good enough to offer them, together with the report of a Committee of their own body to whom the paper had been referred; and that they came to the conclusion that it was not quite suitable for reading before the Society. They therefore instructed me to return you the manuscript, and to thank you for your offer." Sign-off: "Yours faithfully, H.T. Wood, Secretary." Footer: "F.G. Fleay, Esq." Historical Significance & Biographies Sir Henry Trueman Wood (1845-1929): The signer of the letter. He was a prominent English administrator who served as the Secretary of the Royal Society of Arts for nearly 40 years (1879-1917). He was highly influential in organizing scientific, artistic, and technological exhibitions in Victorian London. Frederick Gard Fleay (1831-1909): The recipient. Fleay was a well-known English Shakespearean scholar, metricist, and author. While primarily known for his literary analysis, his submission of a paper on "Harmonies of Sound and Colour" reflects his broad interest in phonetics, sound, and sensory connections. Signed by Author(s).…