university of massachusetts press us (767 résultats)

Etat : Very Good. Etat de la jaquette : Very Good. 303 pages. Clean, unmarked copy with only minor wear to dust jacket. Record # 463730.

Paperback. Etat : New.

Etat : Very Good. Etat de la jaquette : None. 200 pages, b&w illustrations. Light sun-fade to front cover and spine, else a clean, tight copy. Record # 463139.

Paperback. Etat : New.

Paperback. Etat : New.

Paperback. Etat : New.

Paperback. Etat : New.

Paperback. Etat : New.

Paperback. Etat : New. Conversational, irreverent, and disarmingly honest, the poems of But She Is Also Jane follow the everyday contours of women's lives and the expectations they grapple with. As our speaker approaches middle age, she copes with the loss of loved ones, the realities of an emptying nest, the routine indignities of sexism, and nostalgia for the past. Laura Read's third poetry collection balances discussions of Degas, Vermeer, and Marie Curie with reflections on Sammy Hagar, a troubling outing to a male revue, and memories of watching Mork and Mindy on the night of her mother's hysterectomy.

Paperback. Etat : New. Many people of Portuguese descent take pride in claiming that the word "saudade" is untranslatable. In reality, we come close with a melding of bittersweet nostalgia, bone-­deep longing, and an endless yearning for what one can never have again -- ­or indeed may never have had. Adelaide Freitas dipped her pen in saudade to tell of family separation and bonds that never loosen. In her authentic Azorean voice, she recounts the immigrant experience and centrifugal impulses that force people apart in spite of their desperation to cling to one another. In their sensitive rendering, the translators have captured the nuances of Freitas's novel Smiling in the Darkness, with special care for those who have her native Language in their heritage and heartfelt saudade for its loss.

Etat : Very Good. Etat de la jaquette : None. 33 pages. SIGNED BY AUTHOR on title page. Previous owner's signature on front end paper. Faint foxing to top edge, otherwise a clean, tight copy. Record # 465761.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Inscribed By Author/First Blank Page Author inscribed "With best wishes to Chuck from Charlotte Bacon Denver July 30, 1998" Second state dust jacket. Dust jacket protected by removable Brodart cover. Inscribed By Author/First Blank Page. Book.

Paperback. Etat : New. Scarred by nuclear smokestacks, oil wells, and surging floodwaters, and haunted by the legacies of slavery, racism, and French rule, the Louisiana of Landscape with Bloodfeud is disenchanted but still exerts an undeniable pull. Reckoning with displacement, ancestral guilt, and centuries of human and environmental exploitation, Wendy Barnes dissects the state's turbulent past-as a microcosm of colonial oppression, westward expansion, and the birth of global capitalism. With an expat's detachment, our Louisiana-born speaker contemplates her fraught relationship with her home culture and her white working-class roots, raising questions about complicity and shame, as history "bleeds us all for its tax, some for more, / digging down into every wet wound, / digging down among the taproots, under old folks' / marble tombs or unmarked graves.

Paperback. Etat : New. Divided into three sections, This Mellow World tells the complex story of a protagonist on a quest to feel at home with his Portuguese ethnic identity. Engaging with the work of a range of Portuguese writers and poets, principally Eça de Queirós, this cycle of twenty-three poems excavates Oliver's family history, moving from his grandparents' journey from São Miguel to Boston in 1900 to his own return to the Azores in adulthood. The volume includes a preface from the poet.

Paperback. Etat : New. Diane Seuss's poems grow out of the fertile soil of southwest Michigan, bursting any and all stereotypes of the Midwest and turning loose characters worthy of Faulkner in their obsession, their suffering, their dramas of love and sex and death. The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension - state lines, lakes' edges, the space ""between the m and the e in the word amen."" From what she calls ""this place inbetween"" come profane prayers in which ""the sound of hope and the sound of suffering"" are revealed to be ""the same music played on the same instrument.""Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. ""We receive beauty,"" Seuss writes, ""as a nail receives / the hammer blow."" This is the poetry that comes only after the white dress has been blown open - the poetry of necessity, where a wild imagination is the only hope.

Paperback. Etat : New.

Paperback. Etat : New. You Are the Phenomenology is a cross-genre book - a blend of poetry, songs, lyric prose, and invented forms - that explores the everyday junctures of perception, compassion, and multiplicity. How might our powers of association create shared experiences without distorting the contexts from which those experiences emerge?One of the volume's innovative forms is a poetic series called ""Quadrilaterals"" - four-line poems that present the reader with various ways to leap associative gaps:Quadrilateral : Pinch in Your HeelSoars the mackled sound, kites ago :A Polish boy thinks with accordions, adopts a stammer :When were we first older than we wanted to be :That was our city, our chisel, the corbeil from which we ate.

Paperback. Etat : New. The poems in Brandon Dean Lamson's first volume, Starship Tahiti, explore imprisoned bodies and the tension between captivity and imagination. Beginning on Rikers Island, the book traces a creation myth in reverse, moving from prison to the spacious arches of Grand Central Station to the shores of the Chesapeake Bay.Lamson examines themes of violence, gender, and identity in various real and imagined settings where inmates read Antigone, Howlin' Wolf sings in a black barbershop, and Metallica records burn on a Viking altar. Throughout these shifts, the poems construct fractured narratives that subvert linear storytelling. The layering of voice and imagery in this collection transgresses boundaries between the secular and the sacred, and between the communal and the personal. As the speaker of ""Portland Bardo"" says, ""The fragile, in between state of larvae hatching / is no less desirable than full bloom in a city of roses, if such a city can ever be found.

Paperback. Etat : New. The poems in Rebecca Black's first volume, Cottonlandia, move through myth and landscape, beginning in the deep South's ""shimmer and tar"" and ending in the ""soot and orange dolor"" of the California desert. Cottonlandia conjures a proto-continent where fashionable golems pose for antique photographs and nineteenth-century naturalists wander into the melee of the civil rights struggle in the South. By turns haunting and comic, Black's poems describe the archaeology of the apocalypse. Countesses leave behind poisonous snapshots, lovers examine their shapes in the mirror, and Seminoles return for skeletons arranged illegally in exhibits, even as floods force antebellum coffins to rise. In the title poem, reproduced on this page, the lines of a spiritual splinter and circle through a loose narrative, evoking the delirium of class and race in the author's Georgia hometown. Throughout the volume, poems quarrel with primal forces, threading the needle of historical oblivion with a dark, intelligent, and incantatory voice.

Paperback. Etat : New. These poems remind us that we are all in the thick of things, the rich and complicated givens. Moving fluently from subjects as diverse as the surface of Europa to a tiny spider in a tear of wallpaper, from Pythagoras at Tyre to the wings of a dragonfly, they are in love with the world and the deep seriousness of living. Often lavish themselves, they reflect that fact that the author is a visual artist, as well as a poet of insightful and sustained imagination.

Paperback. Etat : New. The subject matter of these poems is ordinary: motherhood, marriage, sexuality, middle age, ambivalence, mortality, the Midwest. But in addressing these topics, Laura Kasischke finds and reveals the strangeness of the most common traditions and dilemmas. These are poems that work to fuse reality and dream, life and death, logic and illogic. Kasischke precisely renders the experience we have of ourselves as physical and time-bound beings existing in a psychological and spiritual realm that seems to have no barriers or laws. The poems in this collection are both narrative and lyric, grounded in reality but also surreal, at once fully realized and merely hinting at what might be.

Paperback. Etat : New. This remarkable collection of poems explores the conjoined cultures of Indian and European, the revisions the conquered race must face, and the disruption that results from the attempt to combine divergent cultures in a single being. These poems speak from a four-cornered world; Cherokee and white, Christian and conjuring. They attempt to retrieve fragments of language from a nearly erased culture. At times, they speak in the spirit of the remembered language with the new language that is not fully formed in the understanding of the narrator. The poems have roots in history, religion, and illiteracy. They are inspired by folk artists who use materials and textures at hand - enamel and cornmeal on plywood, house paint on tar and tin, model airplane paint on corrugated scrap metal. The resulting lyrics walk the boundary between worlds, weaving remnants of the old way of viewing the world with pieces of the new world, such as a clapper that turns lights on and off. The experimental text revisits the gap between past and present. The past is just beneath a newly painted surface. The newly painted surface is not quite dry.

Paperback. Etat : New.

Paperback. Etat : New. In this striking debut collection, Michael Carlson offers poems that combine the concrete and the musical, while embodying a tendency toward contradiction. He writes by working with rhythms, structures, images, associational leaps, and an obsession with the sound of words, as opposed to narrative. The book begins, ""A thing wants to pounce but can't,"" and this spirit of hesitation continues throughout the volume. The first section of the book contains heavily rhythmic poems measured sometimes by syllable, sometimes by stress, dealing with rural landscapes, a struggle with disillusionment, and a reconciliation of knowledge and belief. The second section confronts the terrain and people of Carlson's childhood in Rhode Island, using longer sentences, riskier enjambments, and a more colloquial and emotional language. The poems in the third section - which range from Manhattan to Florida, Vietnam, and Paris - share a tendency to be more fantastic and are formal in weird ways. They include an homage to Ezra Pound borrowing the vocabulary of his first book and the syntax of his last, a nod to John Donne borrowing some of his stanza shapes, a sonnet whose constraint is that each of its fourteen lines contains a piece of armor, and a sestina composed of four syllable lines with four end words that rhyme. In the fourth section, Carlson returns to Brooklyn, speaks from the present, and resolves his stances in a brief notational way that is reminiscent of Chinese poetry.

Paperback. Etat : New.

Paperback. Etat : New. Many people of Portuguese descent take pride in claiming that the word "saudade" is untranslatable. In reality, we come close with a melding of bittersweet nostalgia, bone-­deep longing, and an endless yearning for what one can never have again -- ­or indeed may never have had. Adelaide Freitas dipped her pen in saudade to tell of family separation and bonds that never loosen. In her authentic Azorean voice, she recounts the immigrant experience and centrifugal impulses that force people apart in spite of their desperation to cling to one another. In their sensitive rendering, the translators have captured the nuances of Freitas's novel Smiling in the Darkness, with special care for those who have her native Language in their heritage and heartfelt saudade for its loss.

Paperback. Etat : New. Conversational, irreverent, and disarmingly honest, the poems of But She Is Also Jane follow the everyday contours of women's lives and the expectations they grapple with. As our speaker approaches middle age, she copes with the loss of loved ones, the realities of an emptying nest, the routine indignities of sexism, and nostalgia for the past. Laura Read's third poetry collection balances discussions of Degas, Vermeer, and Marie Curie with reflections on Sammy Hagar, a troubling outing to a male revue, and memories of watching Mork and Mindy on the night of her mother's hysterectomy.

Paperback. Etat : New. Set in a fictional town, at a fictional school, Linda N. Masi's debut novel, Fine Dreams, rewrites myth and history. Framed by a ghost's first-person narrative, the book centers on four young friends, the stars of their school's track team. While studying for exams, they are kidnapped and taken to a terrorist encampment. Two are claimed as "wives" by their captors, one is forced to wear a suicide vest, and each is subjected to appalling violence and terror. While their stories resonate with a widely publicized 2014 abduction, these four young women could have been taken in any of the many incidents that have plagued the Nigerian people for years. Even though they are abducted and abused by men in power and forced to survive in a dark place like Persephone, Masi's protagonists offer new endings for Persephone's story. In Masi's telling, these resilient young women recover their dreams and hopes to live in daylight once again. No matter where they travel or where they stay, they gain self-determination and reclaim their dreams.

Paperback. Etat : New.

Paperback. Etat : New.