Van doren waxter (65 résultats)

Softcover, 32 pages, as new condition, no internal marks, clean and crisp.

Softcover, 40 pages, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Etat : Near fine. Etat de la jaquette : Very good. The jacket is very slightly shelf worn. The cover is in great condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.

Soft cover. Etat : Near fine. Etat de la jaquette : Near fine. Jacket is in excellent condition, with text and images clear and bright. Cover is in excellent condition. Binding is tight. Inside is clean and unmarked.

dj. First Edition. First edition. Softcover. 52 pages. Exhibition catalog for a show that ran March 3 through April 23, 2022. Features a brief text by Jane Livingston. Includes numerous color illustrations, a brief biography, and a list of public collections. A fine copy in wrappers and in a fine dust jacket. An attractive catalog.…

Softcover, staple-bound, 12 pages, very good condition, no internal marks, clean and crisp.

Soft cover. Etat : Fine. Softcover, 45 pgs. 8.5 x 11 in. Essay, color illus. Catalogue for exhibition held April 10 - June 27, 2025. Fine.

Hardcover. Etat : New. In shrink wrapped.

Paperback. Etat : Very Good.

Paperback. Etat : VG. Blue wraps with mounted illustration and white lettering; French flaps; 52 pp.; richly illustrated. "Van Doren Waxter is pleased to announce the retrospective Richard Diebenkorn: Works on Paper 1946-1992 at its 1907 historical townhouse at 23 East 73rd Street from March 3 to April 23, 2022. The exhibition has been organized with the Richard Diebenkorn Foundation and includes rarely seen material from every period of the singular and distinguished American artist's body of work. The sheets on view evince the artist's love of mark marking and use of paper as a medium. The retrospective takes place during the artist's (b. April 22, 1922) centennial celebration #Diebenkorn100, a year-long series of nationwide museum installations and digital activities spanning his figurative and landscape art to his epic cycle of abstraction, the Ocean Park series. The retrospective is accompanied by a handsome exhibition catalogue with full color reproductions. The show presents the artist's early experiments with materials he used throughout his career, such as watercolor, crayon, and collage beginning with works like Untitled (1946), a bright, luminous object that reveals the influence of Arshile Gorky, Joan Miró, and William Baziotes, and an angular, spiky abstraction (also 1946) that invokes Surrealism and the fractured planes of Cubism. A somber 1964 gouache and charcoal drawing made after the artist's father passed away and during a period in which he worked mostly on paper producing dark and dense still lifes, depicts a striped, articulated pillow and low divan in the artist's Berkeley Hills studio. The work belongs to a group of "some of the most beloved of the family," the artist's daughter Gretchen Diebenkorn Grant writes in a recent monograph (Rizzoli, 2019) that features "inanimate objects that my father looked at and handled on a daily basis at home and in his studio" such as his glasses, scissors, a magnifying glass, knives, forks, and spoons. Diebenkorn produced the largest number of works on paper during his Berkeley years when he worked representationally; the show includes affecting still lifes and black and white nudes. A highly chromatic, jewel-like 1971 crayon and graphite on paper, made the same year the artist first exhibited his Ocean Park works on paper, represents his skill with color and creating illusionistic three-dimensional space on paper and is inscribed in the lower edge to his wife, "For Phyllis with all my love." A 1985 Ocean Park sheet, a glowing collage made with etching, is striking for its sparkling, pastel hued bands and geometric shapes. His paintings on paper from this period are astonishing for their "lightness of touch," Ruth E. Fine asserts in the artist's catalogue raisonne (Yale University Press, 2016) and are "assured and vigorous, yet delicate and graceful in their sensuousness." In 1980, the artist began his Clubs and Spades series of works on paper containing symbols and heraldic imagery that had fascinated him since he was a young person. The show includes a number of works from the series, from an energetic, highly activated gouache on paper (pictured) in which free floating shapes and symbols hover against a creamy substrate (1981) to a vertical sheet (1981) in rich hues of blue, red, and green painted on a slick, glossy technical paper. The presentation includes work from the artist's Healdsburg period and his final yearsDiebenkorn called the view of Mount Saint Helena from the front porch "my Mont Saint-Victoire" or "la Montagne de Cézanne'' after the famous peak Cézanne painted in Aix-en-Provence, France. Jane Livingston, who organized the seminal The Art of Richard Diebenkorn (1997) at the Whitney Museum of American Art, remarks of the period in the artist's catalogue raisonné, "Works created in the Healdsburg yearsreach back constantly to earlier themesand incorporate something new, as wellan elusive quality, something like an unashamed decorativeness and openheartedness." An intrica.…

Softcover. Etat : VG+. White color-illustrated softcover with black and gray lettering. 30 pp. Color illustrations. Portraits. Catalogue of an exhibtion from May 3- June 23, 2017 at the Van Doren Waxter Gallery.

Softcover. Etat : NF. Oblong Quarto. Softcover. Dark taupe card wraps. Rich plum stiff paper dj with color image laid on and white lettering. 31 pp. with 14 color plates and additional color and bw illustrations. Catalogue from the gallery exhibit of May to July 2015. With an essay by Barbara Rose, a list of public collections, and a brief bio. …

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Etat : Fine. 1st Edition. Softcover, 36 pgs. 10.25 x 8 in. Essay, chronology, several color illus. Fine condition.

Wrappers. Etat : Near Fine. 32 pages. Paperback exhibition catalogue, bound in stiff printed paper covers. There is a bump to the right edge. Else, the binding is tight and solid, with an uncreased spine, otherwise sharp edges, and a clean, unmarked interior. Published on the occasion of the exhibition held from May 3-June 23, 2017. Short writings by the artist in English accompany color reproductions of his paintings. Book.…

Softcover, 32 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, 42 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Near Fine. First Edition. 35 pp., portrait frontis., ill. (chiefly color), oblong 8vo. Touch of bumping edge bumping, else Fine. ; Well packaged in a box, ships with tracking.

Soft cover. Etat : Very good. Etat de la jaquette : Very good. Jacket is lightly worn on edges and lightly bumped at ends of spine, but text and images are clear and bright. Cover is in excellent condition. Binding is tight. Inside is clean and unmarked. Color Illustrations (illustrateur).

Softcover. Etat : Fine. No jacket. Gallery catalog.

Softcover, staple-bound, 12 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 28 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Etat : As New. Like New condition. (art, paintings, exhibitions) A near perfect copy that may have very minor cosmetic defects.

Wrappers. Etat : Very Good. Van Doren Waxter, Published 2017. Wraps, 42 pp.; 26 cm; color plates throughout with catalogue raisonne references. In Very Good condition. Gray paper covers with white lettering to front, in a purple pictorial dust jacket with a tipped-on color reproduction and white lettering; light bumping to edges and corners, a few small spots to front cover. Binding tight. Pages clean and unmarked. Exhibition catalog published on the occasion of "Richard Diebenkorn: Works on Paper, 1955-1967" at Van Doren Waxter, New York, November 8, 2017 to January 20, 2018. With the essay "Talking in a Bar: Richard Diebenkorn's Representational Drawings 1955-1967" by Rachel Federman, Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum. Reproduces gouaches, pastels, and drawings from Diebenkorn's Berkeley figurative period, each keyed to the catalogue raisonne, with a chronology and list of public collections.…

Soft Cover. Etat : Near Fine. This is a near fine softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Van Doren Waxter in New York, from November 2, 2016 to January 7, 2017. Essay by Robert C. Morgan. Illustrated in color. Exhibition history. Errata slip laid in. 8" high X 10" wide, 35 pages. This book will be securely packed and shipped with tracking.…

Softcover, 36 pages; as new condition, clean and crisp; no internal marks. Errata slip laid in. Foreign shipping may be extra.

Softcover. White color-illustrated softcover with black and gray lettering. 38 pp. Color illustrations. Catalogue of an exhibition at the Van Doren Waxter Gallery in NY from February 22- April 28, 2017. VG-, creasing at top front cover.

Softcover. White color-illustrated softcover with black and gray lettering. 38 pp. Color illustrations. Catalogue of an exhibition at the Van Doren Waxter Gallery in NY from February 22- April 28, 2017. VG+. Light bumping to top corner of cover, otherwise a clean and tight copy.

paperback. Etat : Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Softcover, 52 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.