Zeno x (35 résultats)

Hardcover without dustjacket as issued, 64 pages; in English and German; as new condition; clean and crisp; no internal marks.

Etat : New. 2007 printing; 42 pp., paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Cloth. Etat : Near Fine. Fine Condition. 207 pages. Texts in English. Hardcover, bound in printed cloth covered boards and wrapped in an illustrated paper dustjacket. Minor bump to the upper right corner of the front cover. Else, the binding is tight, the the dustjacket bright, and interior is clean and unmarked. Conversation with the artist. Illustrated. Book.…

2°, Broschur im Schuber. Etat : Gut. 215 S. Broschur im Schuber. Bei dem Buch handelt es sich um ein ehemaliges Bibliotheksexemplar mit Signatur und Stempel. N00498. Sprache: Englisch Gewicht in Gramm: 1900.

Etat : Good. Folio. 199 pp. Soft cover. Very Good+. Illustrated paper wraps. Color plates throughout.Collection from San Francisco Museum of Modern Art.

Hardcover. Etat : Fine. Dust Jacket Included. Cloth hardcover with dust jacket, 207 pages : illustrations (chiefly color) ; 30 cm. Fine.

Etat : Good.

Hardcover, 64 pages, 125 x 170 mm, English text. *NEW . Naoto Kawahara, b. 1971 in Tokyo (JP), lives and works in Tokyo (JP). Naoto Kawahara?s painted women seduce us with their beautiful, soft-skinned young bodies and absent-minded faces. His highly sophisticated formal language goes beyond its many hidden references to art history to reveal a rich fantasy full of strong but subtle erotic undertones. His Japanese models refer to the classical works of Degas, Balthus, Dürer, Magritte, Van Gogh, Munch and other masters of historical Western art. Kawahara reinterprets the masterworks by mentally reimagining and repicturing. The paintings emerge from photographs Kawahara took himself as a sort of diary. He photographs his models in a specific setting and then starts the process of painting. The combination of Japanese and Western imagery can be misleading for viewers who look at the images within the context of their own culture. The works created by Kawahara play with our cultural imprints, our misunderstandings and false interpretations, and with our culture-specific concepts of beauty. 0 g.…

Hardcover, 12.5 × 17 cm, 64 pages, 27 illustrations; text in English. Expo, may 20- july 30-2006 0 g.

hardcover oblong; 18x12.5cm Nederlands, Frans, Duits, Engels *Condition; NEW. ISBN 9789491843044. Michaël Borremans royal Collection of Belgium. 0 g.

Gebundene Ausgabe. Etat : Neu. en. 111 Seiten ; 29 cm NEW ! 9783753301860 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 550.…

Etat : Very Good.

Hardcover, 19.9 x 1.4 x 13.8 cm, Arabic, English. *New ISBN 9783753304366. Star signs? They blossom. Shipped roses from Mexico to Noname and then to Beirut most importantly. Facing the sea. The night of Destiny. A new family of 3 exiled, and another one of 3 as well. 3 +3 = 7 ????? ? ????? : ????? ???? ? ?????: ???? Dreams and plans and, and time. Fields and trains and cars, wigs. Wings and trees, figures and figs, awards and petrol, gas and studies and gas and success. Time and broken languages, arak machines and guns and powder, red sand and facial creams. Brown eyes and interphones and spelling mistakes. Inclusion versus exclusion. Thick rings on a finger that was just cut out of a hand and a hand that flew out of a body cage. Before or after that date: . 0 g. …

Hardcover. Etat : Very Good. No dust jacket as issued. 1st Edition. First Edition limited to 1000 unnumbered copies. Published for Hirakawa exhibition at Deitch Projects (NYC, NY) and Zeno X Gallery (Antwerp, Belgium), 1988. Bright and tightly bound with fine photographic plates and contents. The covers show a hint of smudging and faint impression (1/4") on the edge, otherwise near fine. A nice copy. No dust jacket as issued.…

Hardcover. Etat : Fine. 4to. [182] pp. Fine in Fine slipcase. Text in English and Swedish. Conversation with the artist by Katarina Wadstein MacLeod.

Etat : gut. Kim Jones. In deutscher Sprache. pages.

Hardcover, 112 pages, 28,5 x 22 cm, English edition . ISBN 9789464366525. The committed oeuvre of Pélagie Gbaguidi In this publication, Pélagie Gbaguidi?s (b. 1965) presents new paintings as well as works with textiles and drawings. The artist calls herself a contemporary ?griot?, which she defines as someone who functions as an intermediary between individual memory and ancestral past. Her work is an anthology of the signs and traces of trauma and is centred on colonial and postcolonial history. She aims to reveal the process of forgetting by recontextualizing archives and histories. The images that Gbaguidi creates ? through painting, drawing, performance and installation ? seek to escape from binary thinking, archetypes and simplifications. In 2021 Pélagie Gbaguidi created a fresco at the Centre Pompidou in Metz, inspired by the writings and works of Etel Adnan. Currently, her work can also be seen at the Centre Wallonie-Bruxelles in Paris and at Z33 in Hasselt. At the Frans Masereel Centrum in Kasterlee, she recently developed two lithographs on the subject of global hunger. Pélagie Gbaguidi has participated in several international exhibitions. Her work has been displayed at the Centre Pompidou in Metz, Middelheimmuseum in Antwerp, WIELS in Brussels, Musée d?Art Contemporain de la Haute-Vienne in Rochechouart, the Stadtmuseum in Munich, MMK in Frankfurt and the National Museum of African Art ? Smithsonian Institution, Washington D.C. In collaboration with Zeno X Gallery, where her solo exhibition Le jour se lève runs until April 30, 2022. 0 g.…

No Binding. Etat : Fine. Invitation. Exhibition announcement card. Ephemera.

Soft cover. Etat : Fine. 1st Edition. Stiff wrappers (softcover), 14p, 14 accordeon folded unnumbered pages : illustrations (chiefly color) ; 22 x 28 cm. Very good/fine. Texts in English and German.

No Binding. Etat : Fine. Invitation. Exhibition announcement card 15 x 20 cm. Fine. Ephemera.

No Binding. Etat : Fine. Invitation. Invitation / postcard. Fine. Ephemera.

No Binding. Etat : Fine. Invitation. Exhibition announcement card. Fine. Ephemera.

Text in French and German.

Tentoonstellingsbrochure, zes pagina's losbladig, 21 x 15 cm, NL/EN. *Fine condition. Michaël Borremans: Coloured cones 0 g.

Hardcover with dusjacket, 257 pages, numerous color illustrations , text; English * new. Luc Tuymans : Zeno X Gallery: 25 years of collaboration 0 g.

No Binding. Etat : Fine. Invitation. Invitation. Card size : 10 x 14,5 cm. Fine. Ephemera.

Hardcover, bound in printed cloth covered boards and wrapped in an illustrated paper dustjacket, 207 pages, English.*new ISBN 9789090296654. Contains a transcribed conversation with the artist. Illustrated. 0 g.

Softcover exhibition catalog, 216 pages; in English; very good condition; small crease to upper right corner of most pages; otherwise clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition and first printing. Hardcover. 257 pages. Includes numerous color illustrations and an illustrated checklist. A clean near fine copy with some slight bumping to the bottom front corner and ina very near fine dust jacket with the same bumping. Uncommon.

Hardcover, FR/EN, 187 pages, 31 x 25 cm. *NEW. ISBN 9782907672283. Cristof Yvoré (1967- 2013, Marseilles (FR)) Cristof Yvoré starts out from remembered images in which a recognizable commonplace is reduced to its simplest form of expression. A patch of light on the wall of a room, the folds at the bottom of a drawn curtain, a table with a vase on it, empty or filled with flowers of all shapes and colours. Yvoré painted these tranquil still-lifes consistently for years, refusing to provide any theoretical background, appearing isolated from any form of contemporary influence. The wear and tear these subjects have endured over the centuries gives these images a superficial feel that was precisely Yvoré?s starting point for his explorations as a painter. By building up lots of grainy layers and using paint he mixed himself, Yvoré often found his paintings had the effect of being ?overpainted? The substance of the paint formed a pastose crust. It is precisely in the working of the material that the boundary between an exaggerated, heavy painting and a stimulating new image was explored. Cristof Yvoré had solo exhibitions at FRAC Auvergne (Clermont-Ferrand), M WOODS (Beijing), FRAC Provence-Alpes-Côte d?Azur (Marseilles) and Museo d'Arte Contemporanea Villa Croce (Genoa). His work is included in the collections of Bronx Museum of the Arts (New York), FRAC Auvergne (Clermont-Ferrand), M WOODS (Beijing), FRAC Provence-Alpes-Côte d?Azur (Marseilles), Hudson Valley for Contemporary Art (New York) and Het Domein (Sittard). 0 g.…