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ISBN 10 : 0199571848 ISBN 13 : 9780199571840
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Edité par Oxford University Press, USA, 2010
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Edité par Oxford University Press, USA, 2010
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Edité par Oxford University Press, Oxford, 2010
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Ajouter au panierHardcover. Etat : new. Hardcover. The presentation of the magical and mantic in Celtic literature has persistently been dogged by misunderstanding and over-romanticized readings. Among the misconceptions about the ancient and medieval Celtic peoples, the notion of a specifically 'Celtic' astrology remains widespread in the popular mind. This study aims to counter such myth-making, and to demonstrate how a number Irish and Welsh literary writers in the medieval and Early Modern period conceived ofportents in the heavens - comets, blood-coloured moons, darkened suns - and what they knew of the complex art of astrology. Early Irish churchmen felt that the end of the world wasimminent, and this book explores the ways in which they saw signs in the heavens as evidence of impending apocalypse, and how they adapted such millenarian imagery for use in native sagas in Irish. It then moves on to an extended discussion of the cloud-divination ascribed to Irish druids in high medieval literary texts; this has sometimes naively been taken as evidence for the actual customs of the druidic caste, but it is shown here to be a development of the later Middle Ages, long after thedruids' disappearance. Turning to Wales, the cosmological knowledge of two linked figures is scrutinized: the super-poet Taliesin, and King Arthur's prophet Merlin, whom Geoffrey of Monmouthrepresented in the mid 12th century as an astrological sage with a purpose-built observatory. Evidence for the knowledge of astrology amongst the learned poets of later medieval Wales is then laid out, with an analysis of a powerful late 15th century poem indicting the evil influence of the planet Saturn; such knowledge seems to have been largely medical in nature, and the book concludes with an examination of a number of Welsh astrological texts in manuscript, setting them against the longestastrological poem in a Celtic language, the mid 17th century Puritan mystic Morgan Llwyd's spiritualizing and evangelical 'Heavenly Science'. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds; Taliesin and Merlin; and the Welsh gentleman poet of the later Middle Ages and beyond. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Oxford University Press, Oxford, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
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Ajouter au panierHardcover. Etat : new. Hardcover. The presentation of the magical and mantic in Celtic literature has persistently been dogged by misunderstanding and over-romanticized readings. Among the misconceptions about the ancient and medieval Celtic peoples, the notion of a specifically 'Celtic' astrology remains widespread in the popular mind. This study aims to counter such myth-making, and to demonstrate how a number Irish and Welsh literary writers in the medieval and Early Modern period conceived ofportents in the heavens - comets, blood-coloured moons, darkened suns - and what they knew of the complex art of astrology. Early Irish churchmen felt that the end of the world wasimminent, and this book explores the ways in which they saw signs in the heavens as evidence of impending apocalypse, and how they adapted such millenarian imagery for use in native sagas in Irish. It then moves on to an extended discussion of the cloud-divination ascribed to Irish druids in high medieval literary texts; this has sometimes naively been taken as evidence for the actual customs of the druidic caste, but it is shown here to be a development of the later Middle Ages, long after thedruids' disappearance. Turning to Wales, the cosmological knowledge of two linked figures is scrutinized: the super-poet Taliesin, and King Arthur's prophet Merlin, whom Geoffrey of Monmouthrepresented in the mid 12th century as an astrological sage with a purpose-built observatory. Evidence for the knowledge of astrology amongst the learned poets of later medieval Wales is then laid out, with an analysis of a powerful late 15th century poem indicting the evil influence of the planet Saturn; such knowledge seems to have been largely medical in nature, and the book concludes with an examination of a number of Welsh astrological texts in manuscript, setting them against the longestastrological poem in a Celtic language, the mid 17th century Puritan mystic Morgan Llwyd's spiritualizing and evangelical 'Heavenly Science'. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds; Taliesin and Merlin; and the Welsh gentleman poet of the later Middle Ages and beyond. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par Oxford University Press, USA, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
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Ajouter au panierGebunden. Etat : New. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds Taliesin and Me.
Edité par Oxford University Press (UK) Nov 2010, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
Langue: anglais
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Ajouter au panierBuch. Etat : Neu. Neuware - The presentation of the magical and mantic in Celtic literature has persistently been dogged by misunderstanding and over-romanticized readings. Among the misconceptions about the ancient and medieval Celtic peoples, the notion of a specifically 'Celtic' astrology remains widespread in the popular mind. This study aims to counter such myth-making, and to demonstrate how a number Irish and Welsh literary writers in the medieval and Early Modern period conceived of portents in the heavens - comets, blood-coloured moons, darkened suns - and what they knew of the complex art of astrology. Early Irish churchmen felt that the end of the world was imminent, and this book explores the ways in which they saw signs in the heavens as evidence of impending apocalypse, and how they adapted such millenarian imagery for use in native sagas in Irish. It then moves on to an extended discussion of the cloud-divination ascribed to Irish druids in high medieval literary texts; this has sometimes naively been taken as evidence for the actual customs of the druidic caste, but it is shown here to be a development of the later Middle Ages, long after the druids' disappearance. Turning to Wales, the cosmological knowledge of two linked figures is scrutinized: the super-poet Taliesin, and King Arthur's prophet Merlin, whom Geoffrey of Monmouth represented in the mid 12th century as an astrological sage with a purpose-built observatory. Evidence for the knowledge of astrology amongst the learned poets of later medieval Wales is then laid out, with an analysis of a powerful late 15th century poem indicting the evil influence of the planet Saturn; such knowledge seems to have been largely medical in nature, and the book concludes with an examination of a number of Welsh astrological texts in manuscript, setting them against the longest astrological poem in a Celtic language, the mid 17th century Puritan mystic Morgan Llwyd's spiritualizing and evangelical 'Heavenly Science'.
Edité par Oxford University Press, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
Langue: anglais
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Ajouter au panierEtat : New. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds; Taliesin and Merlin; and the Welsh gentleman poet of the later Middle Ages and beyond. Num Pages: 256 pages, Six black-and-white halftones. BIC Classification: 1DBKW; DSBB; DSBD; HBLC1; HRQX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 239 x 164 x 24. Weight in Grams: 532. . 2010. . . . .
Edité par Oxford University Press, USA, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
Langue: anglais
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Edité par Oxford University Press, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
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Ajouter au panierEtat : New. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds; Taliesin and Merlin; and the Welsh gentleman poet of the later Middle Ages and beyond. Num Pages: 256 pages, Six black-and-white halftones. BIC Classification: 1DBKW; DSBB; DSBD; HBLC1; HRQX. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 239 x 164 x 24. Weight in Grams: 532. . 2010. . . . . Books ship from the US and Ireland.
Edité par Oxford University Press, Oxford, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
Langue: anglais
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Ajouter au panierHardcover. Etat : new. Hardcover. The presentation of the magical and mantic in Celtic literature has persistently been dogged by misunderstanding and over-romanticized readings. Among the misconceptions about the ancient and medieval Celtic peoples, the notion of a specifically 'Celtic' astrology remains widespread in the popular mind. This study aims to counter such myth-making, and to demonstrate how a number Irish and Welsh literary writers in the medieval and Early Modern period conceived ofportents in the heavens - comets, blood-coloured moons, darkened suns - and what they knew of the complex art of astrology. Early Irish churchmen felt that the end of the world wasimminent, and this book explores the ways in which they saw signs in the heavens as evidence of impending apocalypse, and how they adapted such millenarian imagery for use in native sagas in Irish. It then moves on to an extended discussion of the cloud-divination ascribed to Irish druids in high medieval literary texts; this has sometimes naively been taken as evidence for the actual customs of the druidic caste, but it is shown here to be a development of the later Middle Ages, long after thedruids' disappearance. Turning to Wales, the cosmological knowledge of two linked figures is scrutinized: the super-poet Taliesin, and King Arthur's prophet Merlin, whom Geoffrey of Monmouthrepresented in the mid 12th century as an astrological sage with a purpose-built observatory. Evidence for the knowledge of astrology amongst the learned poets of later medieval Wales is then laid out, with an analysis of a powerful late 15th century poem indicting the evil influence of the planet Saturn; such knowledge seems to have been largely medical in nature, and the book concludes with an examination of a number of Welsh astrological texts in manuscript, setting them against the longestastrological poem in a Celtic language, the mid 17th century Puritan mystic Morgan Llwyd's spiritualizing and evangelical 'Heavenly Science'. A study of the representation of astrology and celestial portents in the medieval and later literature of Ireland and Wales, Fiery Shapes examines the mysterious figure of the druid, who was allegedly able to read the future from rainclouds; Taliesin and Merlin; and the Welsh gentleman poet of the later Middle Ages and beyond. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Oxford University Press OUP, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
Langue: anglais
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Ajouter au panierEtat : New. pp. xxx + 218.
Edité par Oxford University Press, USA, 2010
ISBN 10 : 0199571848 ISBN 13 : 9780199571840
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Edité par Oxford University Press, USA, 2010
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Edité par Oxford University Press, 2010
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Edité par Oxford University Press, USA, 2010
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Ajouter au panierHardcover. Etat : Brand New. 256 pages. 9.00x6.00x0.50 inches. In Stock. This item is printed on demand.
Edité par Oxford University Press, 2010
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Ajouter au panierEtat : New. Print on Demand pp. xxx + 218 Illus.
Edité par Oxford University Press, 2010
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Ajouter au panierEtat : New. PRINT ON DEMAND pp. xxx + 218.