Isbn: 9780243340200 - polyeucte à rouen et la censure théatrale sous le consulat (classic reprint) (3 résultats)

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  • Langue : français

    Edité par Forgotten Books, 2018

    0243340206 / 9780243340200

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    Vendeur : PBShop.store US, Wood Dale, IL, Etats-UnisPBShop.store US

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    Etat: Neuf

    EUR 24,22

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    Expédition nationale : Etats-Unis

    Quantité disponible : 15 disponible(s)

    PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

  • Langue : français

    Edité par Forgotten Books, 2018

    0243340206 / 9780243340200

    • Couverture souple

    Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-UniPBShop.store UK

    Vendeur avec une évaluation de 5 étoiles
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    Etat: Neuf

    EUR 24,29

    EUR 3,84 expédition 
    Expédition depuis Royaume-Uni vers Etats-Unis

    Quantité disponible : 15 disponible(s)

    PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

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    Langue : français

    Edité par Forgotten Books, 2018

    0243340206 / 9780243340200

    • Couverture souple
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    Vendeur : Forgotten Books, London, Royaume-UniForgotten Books

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    Etat: Neuf

    EUR 15,31

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    Expédition depuis Royaume-Uni vers Etats-Unis

    Quantité disponible : Plus de 20 disponibles

    Paperback. Etat : New. Print on Demand. This book examines the historical relationship between the French theatre and state censorship through the lens of two great tragedies: Athalie by Jean Racine and Polyeucte by Pierre Corneille. By exploring the contentious history of these works, the author highlights how political and religious concerns have often shaped the reception and performance of artistic creations. Both plays faced obstacles and bans due to their perceived political and religious overtones, revealing the complex interplay between artistic expression and the prevailing ideologies of the time. Racine's portrayal of a manipulative queen in Athalie drew comparisons to Marie-Antoinette, while Corneille's depiction of religious fanaticism in Polyeucte raised concerns about the dangers of intolerance. The author argues that these censorship attempts reflect not only the power dynamics of the era but also the enduring significance of these plays in provoking thought and challenging societal norms. The book presents a nuanced analysis of the ways in which theatre has been used as a tool for social commentary and control, and sheds light on the enduring power of art to both reflect and shape its historical context. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.